This shot list contains 36 shots for a music video featuring Yaaseen Khan. The shots include close-ups, mid-shots, and long shots of Yaaseen singing and dancing, as well as shots of other dancers and locations like a house party, street, and green screen. The shots will depict Yaaseen celebrating his birthday and depict the lyrics of the song which describe partying and spending money.
This document provides a script for a music video. It outlines 8 scenes over 3 minutes and 33 seconds depicting an artist dealing with heartbreak and turmoil. The scenes include: 1) an intro with tracking shots of objects and the artist in a fetal position; 2) close-ups of the artist singing with pills and lace; 3) hands tearing lace and close-ups of tattoos and blood; 4) found footage overlays and home videos; and 5) scenes of the artist crying in the shower and composing herself. The script uses camera shots and angles, footage overlays, and lyrics to tell a story of relationship highs and lows through the artist's emotions and experiences.
1) The document is a storyboard for a music video for the song "Pain Toast."
2) It includes charts that list the start time and duration of each scene, along with the corresponding lyrics. Illustrative pictures are also included.
3) The storyboard describes the scenes planned for the intro and various parts of the song. For the intro, the character is shown walking and running to match the rhythm. Later scenes show the character in different places as well as close-ups of emotional moments like crying.
The document summarizes the opening scene of a film through descriptions of camera shots and accompanying sounds. It introduces two characters, a father and son, enjoying a fairground ride together while oblivious to a third character who aims a gun at them. As suspenseful music builds, the gun is fired and the father is shot, causing him and the child to fall from the ride. It is then revealed that the child has also been shot. The father crawls to the dead child as mournful music plays. The scene ends with the fairground ride appearing ghostly and the music fading out.
This document provides a detailed analysis of the lyrics and music video shots for the song "All I Ever Wanted" over 4 paragraphs. It describes the close-up shots on the singer in the first verse and mid-shots of the band members. In the second verse it notes shots of the singer's eyes and a cutaway shot establishing another character. The chorus describes wide shots of the band and random shots representing the lyrics. It concludes by summarizing the shots in the third verse and chorus that relate to the lyrics about a past relationship.
Music video script second draft (rough)shaunaeleacy
This music video script follows a group of friends throughout a day as they get ready, take a train, play cards, walk along docks, go to a concert, hang out in a cafe and parking lot. The video is presented with a grainy, old fashioned look and some scenes in black and white. Throughout the various scenes, different friends hold the camera and film each other and their surroundings from their point of view. The lyrics and music from the song play over the scenes.
This document is a script for a music video for the song "Desire" by Years & Years. The script describes 12 scenes that will be featured in the video. Scenes include a girl watching a video on her TV and rewinding it, friends getting ready to go out while one films on a camera, friends laughing and joking on a train with the camera facing them, and friends playing cards and messing around in various locations while one films on the camera throughout. The scenes cut between the friends' days out and the camera perspectives are meant to show the passing of the camera between friends.
Music video script first draft (rough)shaunaeleacy
This music video script follows a group of friends throughout a day as they get ready to go out, take the train into the city, play cards, walk along the docks, attend a concert, hang out in a cafe and parking lot. Throughout the video, different friends hold the camera and film each other from their point of view. The grainy, sometimes black and white footage is meant to have an old fashioned look. The lyrics of the song play over the scenes of the friends interacting and having fun.
This document provides a script for a music video. It outlines 8 scenes over 3 minutes and 33 seconds depicting an artist dealing with heartbreak and turmoil. The scenes include: 1) an intro with tracking shots of objects and the artist in a fetal position; 2) close-ups of the artist singing with pills and lace; 3) hands tearing lace and close-ups of tattoos and blood; 4) found footage overlays and home videos; and 5) scenes of the artist crying in the shower and composing herself. The script uses camera shots and angles, footage overlays, and lyrics to tell a story of relationship highs and lows through the artist's emotions and experiences.
1) The document is a storyboard for a music video for the song "Pain Toast."
2) It includes charts that list the start time and duration of each scene, along with the corresponding lyrics. Illustrative pictures are also included.
3) The storyboard describes the scenes planned for the intro and various parts of the song. For the intro, the character is shown walking and running to match the rhythm. Later scenes show the character in different places as well as close-ups of emotional moments like crying.
The document summarizes the opening scene of a film through descriptions of camera shots and accompanying sounds. It introduces two characters, a father and son, enjoying a fairground ride together while oblivious to a third character who aims a gun at them. As suspenseful music builds, the gun is fired and the father is shot, causing him and the child to fall from the ride. It is then revealed that the child has also been shot. The father crawls to the dead child as mournful music plays. The scene ends with the fairground ride appearing ghostly and the music fading out.
This document provides a detailed analysis of the lyrics and music video shots for the song "All I Ever Wanted" over 4 paragraphs. It describes the close-up shots on the singer in the first verse and mid-shots of the band members. In the second verse it notes shots of the singer's eyes and a cutaway shot establishing another character. The chorus describes wide shots of the band and random shots representing the lyrics. It concludes by summarizing the shots in the third verse and chorus that relate to the lyrics about a past relationship.
Music video script second draft (rough)shaunaeleacy
This music video script follows a group of friends throughout a day as they get ready, take a train, play cards, walk along docks, go to a concert, hang out in a cafe and parking lot. The video is presented with a grainy, old fashioned look and some scenes in black and white. Throughout the various scenes, different friends hold the camera and film each other and their surroundings from their point of view. The lyrics and music from the song play over the scenes.
This document is a script for a music video for the song "Desire" by Years & Years. The script describes 12 scenes that will be featured in the video. Scenes include a girl watching a video on her TV and rewinding it, friends getting ready to go out while one films on a camera, friends laughing and joking on a train with the camera facing them, and friends playing cards and messing around in various locations while one films on the camera throughout. The scenes cut between the friends' days out and the camera perspectives are meant to show the passing of the camera between friends.
Music video script first draft (rough)shaunaeleacy
This music video script follows a group of friends throughout a day as they get ready to go out, take the train into the city, play cards, walk along the docks, attend a concert, hang out in a cafe and parking lot. Throughout the video, different friends hold the camera and film each other from their point of view. The grainy, sometimes black and white footage is meant to have an old fashioned look. The lyrics of the song play over the scenes of the friends interacting and having fun.
1. The document contains a shot breakdown for a music video or film with 49 scenes and details for each scene including timing, camera work, lighting, location, and audio.
2. It describes the story of a boy and girl who fall in love but have a fight that leads the girl to cut her hair and throw things in her room in distress.
3. In the climax, the boy finds the unconscious girl and runs with her in his arms through the house and outside to get her to safety or medical help, showing their love for each other.
The document provides a shot-by-shot breakdown for a 3 minute and 52 second music video. It details the timing, location, actors, and props needed for each segment. Scenes include individual and group lip syncing, dancing, and "photo booth" style freeze frames. The main singer appears in several solo segments on a green screen.
This music video follows a camera that is continuously moving to the right through different rooms. In each room, it shows the band performing or people interacting. Some rooms show a couple, parties, or crime investigators. The video ends by returning to the first room, implying it is a continuous loop moving through people's recent activities to the song. The simple style of just following the camera through plain white walls and rooms helps drive the storytelling.
The document provides a shot list for filming a music video. It includes 64 shots with descriptions of the camera angle, location, lyrics covered, actions, actors, and equipment for each shot. The shots include both indoor and outdoor locations and cover the singer and backup dancers performing different parts of the song through singing and dancing. Equipment includes cameras, tripods, green screens, props, and other standard film production gear.
Music video script template a2 media adv portfolio1JoshRobinson12
1. The document is a script for a music video for the song "Hey Brother" by Avicii. It describes 9 scenes showing a good brother who helps his sister escape an abusive relationship by running away together.
2. In scene 2, the good brother witnesses his sister being hit by her abusive boyfriend. In scene 4, he sees her upset after another fight and decides to run to help her.
3. Scene 5 describes the good brother arriving and fighting with the abusive boyfriend before grabbing his sister's hand and running away with her as shown in scenes 6-8.
4. However, the final scene reveals that the good brother imagining saving his sister, and it did not actually happen.
The document appears to be instructions for a video game called "Grand Theft Snowman" where the player searches a town for clues to find and disarm a bomb. The player searches various locations on a map but is unable to find the clues or complete the mission, facing negative consequences for their actions like killing an animal or being caught on camera. The document provides an interactive text-based experience but does not have a clear summary.
Two brothers, Dave and Donny, have a rivalry over rap music. During a school lunch rap battle, Donny interrupts Dave and steals the spotlight. Later, Dave discovers Donny posted one of his songs online as his own. Their fighting escalates and their mother suffers a stroke while trying to break them up. She passes away in the hospital, leaving the brothers devastated and realizing they must support each other.
Two brothers, Dave and Donny, get into a heated argument over Donny stealing and taking credit for Dave's rap lyrics. Their fighting escalates and their mother collapses while trying to break them up. She is rushed to the hospital but does not survive. Devastated, the boys receive the tragic news and realize they only have each other now.
This document outlines 15 shots for a movie scene involving a janitor. Shot 1 introduces the janitor sweeping on a black screen with credits. Shots 2-3 show the janitor disappearing while props remain. Shot 4 shows mean girls humiliating the janitor at school. Shots 5-7 take place in a classroom where a student leaves for the bathroom. Shots 8-10 follow the student to the bathroom where the janitor is seen. Shot 11 shows tension building between the student and janitor. Shot 12 shows the janitor attacking the student. Shots 13-14 show the janitor dragging the body and lighting a candle by a photo of his next target. Shot 15 repeats shot 2 but fades to
This document outlines a 15 shot sequence for the opening scene of a film. Shot 1 introduces the main character, a janitor, through pans that show him working then disappearing. Shots 2-4 establish the janitor being bullied by students. Shots 5-7 show a classroom lesson and the janitor's shadow outside. Shots 8-10 follow one of the bullying students to the bathroom where the janitor is seen. Shots 11-13 depict a confrontation where the janitor attacks the student. Shot 14 indicates the janitor is now targeting another student. Shot 15 repeats the introduction but continues the pan.
Music video script second draft (rough)shaunaeleacy
The script is for a music video for the song "Hold Back the River" by James Bay. It follows a group of friends throughout a day as they get ready to go out, take public transportation, play games, walk around the city, attend a concert, hang out in a cafe and parking lot. Throughout the video, the friends are constantly filming each other on cameras with a grainy, sometimes black-and-white filter to give an old-fashioned feel. The lyrics and music are incorporated throughout scenes of the friends laughing, joking and wandering the city together.
Analysing the original music video for creative production unit 21BethW99
The original music video for "Safe Lined" uses a narrative style to tell the story of the artist receiving a mysterious note asking her to go to a destination. Various camera shots and angles are used to show the artist walking, looking out a window, opening the note and smiling, then leaving her home. She then meets a boy at the destination, and they proceed to cause chaos in an old warehouse. The video concludes by showing intimate moments between the artist and her on-screen partner dancing and hugging as the song ends.
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
The document provides the rough and final storyboards for a music video about a boy watching his ex-girlfriend with a new boyfriend. The rough storyboard received feedback that it needed more shots to fill the song's duration. The final storyboard expands the shots to 44 scenes showing the relationship memories and breakup of the old couple, and happiness of the new couple doing the same activities. It uses techniques like slow motion, overlays and transitions to convey emotion throughout the retelling of the story and relationship through the music.
This document contains a shot list for a music video project. It includes 42 shots ranging from close-ups to long shots focusing on different characters. The shots cover various scenes including a bedroom performance, flashbacks of an ex-couple's relationship, the new couple at the beach and decorating for Christmas, and the ex-boyfriend walking alone reflecting on the past relationship. The shots provide descriptions of the action and note requirements like locations, props, and cast members.
India has a central location in Asia between East and West, as a southern extension of the Asian continent. It shares land borders with 6 countries totaling over 14,000 km. India's contacts with other parts of the world have historically occurred through land routes in the Himalayas in the north as well as ocean routes, with the Himalayan passes providing important connections for ancient travelers.
This document discusses the measurement of temperature in engineering hydrology. It describes two main types of thermometers: maximum thermometers that record the highest temperature using mercury, and minimum thermometers that use alcohol. Maximum thermometers are commonly used to measure daily temperature. The document also discusses best practices for taking temperature measurements, including instrument shelter placement and measurement times. Finally, it defines lapse rate as the change in temperature over vertical distance and describes three types of lapse rates: dry adiabatic, saturated adiabatic, and pseudo adiabatic.
The document discusses costume planning for a music video. It will feature leather jackets, simple tops, and jeans in various colors to appeal to their target young male audience. High top black trainers will also be worn. This costuming aims to create a sense of personal identity and be casually stylish like what young people typically wear to parties. Choosing costumes based on their target audience's fashion will help audiences connect with the characters and encourage social interaction about the clothes.
The document discusses costume planning for a music video. It will feature leather jackets, simple tops, and jeans in various colors to appeal to their target young male audience. High top black trainers will also be worn. This costuming aims to create a sense of personal identity and be casually stylish like what young people typically wear to parties. Carefully choosing the costumes could help audiences connect with the characters and encourage social interaction by giving them items to discuss.
1. The document contains a shot breakdown for a music video or film with 49 scenes and details for each scene including timing, camera work, lighting, location, and audio.
2. It describes the story of a boy and girl who fall in love but have a fight that leads the girl to cut her hair and throw things in her room in distress.
3. In the climax, the boy finds the unconscious girl and runs with her in his arms through the house and outside to get her to safety or medical help, showing their love for each other.
The document provides a shot-by-shot breakdown for a 3 minute and 52 second music video. It details the timing, location, actors, and props needed for each segment. Scenes include individual and group lip syncing, dancing, and "photo booth" style freeze frames. The main singer appears in several solo segments on a green screen.
This music video follows a camera that is continuously moving to the right through different rooms. In each room, it shows the band performing or people interacting. Some rooms show a couple, parties, or crime investigators. The video ends by returning to the first room, implying it is a continuous loop moving through people's recent activities to the song. The simple style of just following the camera through plain white walls and rooms helps drive the storytelling.
The document provides a shot list for filming a music video. It includes 64 shots with descriptions of the camera angle, location, lyrics covered, actions, actors, and equipment for each shot. The shots include both indoor and outdoor locations and cover the singer and backup dancers performing different parts of the song through singing and dancing. Equipment includes cameras, tripods, green screens, props, and other standard film production gear.
Music video script template a2 media adv portfolio1JoshRobinson12
1. The document is a script for a music video for the song "Hey Brother" by Avicii. It describes 9 scenes showing a good brother who helps his sister escape an abusive relationship by running away together.
2. In scene 2, the good brother witnesses his sister being hit by her abusive boyfriend. In scene 4, he sees her upset after another fight and decides to run to help her.
3. Scene 5 describes the good brother arriving and fighting with the abusive boyfriend before grabbing his sister's hand and running away with her as shown in scenes 6-8.
4. However, the final scene reveals that the good brother imagining saving his sister, and it did not actually happen.
The document appears to be instructions for a video game called "Grand Theft Snowman" where the player searches a town for clues to find and disarm a bomb. The player searches various locations on a map but is unable to find the clues or complete the mission, facing negative consequences for their actions like killing an animal or being caught on camera. The document provides an interactive text-based experience but does not have a clear summary.
Two brothers, Dave and Donny, have a rivalry over rap music. During a school lunch rap battle, Donny interrupts Dave and steals the spotlight. Later, Dave discovers Donny posted one of his songs online as his own. Their fighting escalates and their mother suffers a stroke while trying to break them up. She passes away in the hospital, leaving the brothers devastated and realizing they must support each other.
Two brothers, Dave and Donny, get into a heated argument over Donny stealing and taking credit for Dave's rap lyrics. Their fighting escalates and their mother collapses while trying to break them up. She is rushed to the hospital but does not survive. Devastated, the boys receive the tragic news and realize they only have each other now.
This document outlines 15 shots for a movie scene involving a janitor. Shot 1 introduces the janitor sweeping on a black screen with credits. Shots 2-3 show the janitor disappearing while props remain. Shot 4 shows mean girls humiliating the janitor at school. Shots 5-7 take place in a classroom where a student leaves for the bathroom. Shots 8-10 follow the student to the bathroom where the janitor is seen. Shot 11 shows tension building between the student and janitor. Shot 12 shows the janitor attacking the student. Shots 13-14 show the janitor dragging the body and lighting a candle by a photo of his next target. Shot 15 repeats shot 2 but fades to
This document outlines a 15 shot sequence for the opening scene of a film. Shot 1 introduces the main character, a janitor, through pans that show him working then disappearing. Shots 2-4 establish the janitor being bullied by students. Shots 5-7 show a classroom lesson and the janitor's shadow outside. Shots 8-10 follow one of the bullying students to the bathroom where the janitor is seen. Shots 11-13 depict a confrontation where the janitor attacks the student. Shot 14 indicates the janitor is now targeting another student. Shot 15 repeats the introduction but continues the pan.
Music video script second draft (rough)shaunaeleacy
The script is for a music video for the song "Hold Back the River" by James Bay. It follows a group of friends throughout a day as they get ready to go out, take public transportation, play games, walk around the city, attend a concert, hang out in a cafe and parking lot. Throughout the video, the friends are constantly filming each other on cameras with a grainy, sometimes black-and-white filter to give an old-fashioned feel. The lyrics and music are incorporated throughout scenes of the friends laughing, joking and wandering the city together.
Analysing the original music video for creative production unit 21BethW99
The original music video for "Safe Lined" uses a narrative style to tell the story of the artist receiving a mysterious note asking her to go to a destination. Various camera shots and angles are used to show the artist walking, looking out a window, opening the note and smiling, then leaving her home. She then meets a boy at the destination, and they proceed to cause chaos in an old warehouse. The video concludes by showing intimate moments between the artist and her on-screen partner dancing and hugging as the song ends.
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
The document provides the rough and final storyboards for a music video about a boy watching his ex-girlfriend with a new boyfriend. The rough storyboard received feedback that it needed more shots to fill the song's duration. The final storyboard expands the shots to 44 scenes showing the relationship memories and breakup of the old couple, and happiness of the new couple doing the same activities. It uses techniques like slow motion, overlays and transitions to convey emotion throughout the retelling of the story and relationship through the music.
This document contains a shot list for a music video project. It includes 42 shots ranging from close-ups to long shots focusing on different characters. The shots cover various scenes including a bedroom performance, flashbacks of an ex-couple's relationship, the new couple at the beach and decorating for Christmas, and the ex-boyfriend walking alone reflecting on the past relationship. The shots provide descriptions of the action and note requirements like locations, props, and cast members.
India has a central location in Asia between East and West, as a southern extension of the Asian continent. It shares land borders with 6 countries totaling over 14,000 km. India's contacts with other parts of the world have historically occurred through land routes in the Himalayas in the north as well as ocean routes, with the Himalayan passes providing important connections for ancient travelers.
This document discusses the measurement of temperature in engineering hydrology. It describes two main types of thermometers: maximum thermometers that record the highest temperature using mercury, and minimum thermometers that use alcohol. Maximum thermometers are commonly used to measure daily temperature. The document also discusses best practices for taking temperature measurements, including instrument shelter placement and measurement times. Finally, it defines lapse rate as the change in temperature over vertical distance and describes three types of lapse rates: dry adiabatic, saturated adiabatic, and pseudo adiabatic.
The document discusses costume planning for a music video. It will feature leather jackets, simple tops, and jeans in various colors to appeal to their target young male audience. High top black trainers will also be worn. This costuming aims to create a sense of personal identity and be casually stylish like what young people typically wear to parties. Choosing costumes based on their target audience's fashion will help audiences connect with the characters and encourage social interaction about the clothes.
The document discusses costume planning for a music video. It will feature leather jackets, simple tops, and jeans in various colors to appeal to their target young male audience. High top black trainers will also be worn. This costuming aims to create a sense of personal identity and be casually stylish like what young people typically wear to parties. Carefully choosing the costumes could help audiences connect with the characters and encourage social interaction by giving them items to discuss.
This document is a dissertation submitted by Martin Fitzgerald to Edinburgh Napier University in partial fulfillment of the requirements for a Bachelor's Degree in Civil Engineering. The dissertation investigates the success of implementing sustainable urban drainage systems (SUDS) in Scotland. It includes an abstract, table of contents, list of figures and acknowledgements. The document also contains five chapters that discuss the SUDS concept, types of SUDS, reasons for the success and doubts of SUDS implementation in Scotland, and a case study of SUDS in Perth, Scotland.
This document provides a summary of Dr. Jérôme LARCHÉ's background and qualifications. It outlines his medical education and experience as an internist, intensivist, and head of an intensive care unit. It also details his research focusing on bacteriophages and antibiotic resistance. Additionally, it lists his political science education and experience analyzing security, conflicts, and civil-military relations. The document serves to introduce Dr. LARCHÉ's extensive medical and policy expertise.
Presentation Deck - Internet Access - What to do When Free is not EnoughCICHeadquarters
Demand for advanced Internet access that accommodates richer media and a higher density of devices leading to increased bandwidth consumption frequently outweighs the demand for more basic connectivity. Planners and suppliers often do not understand the difference between basic and advanced access, which best suits attendee needs and best practices for selecting and managing event bandwidth. Impacts include lost efficiency, cost overruns and a reduced effectiveness. Watch CIC's Accepted Practices Exchange (APEX) Presentation on High Speed Internet Access - What to do When Free is not Enough
The document provides information about the Certified Meeting Professional (CMP) certification process, including eligibility requirements, exam content areas and percentages, recommended preparation materials, how to apply, testing details, and recertification requirements. It outlines the benefits of obtaining the CMP certification such as increased credibility, earnings, and competitive advantage in the meetings industry. The certification is administered by the Convention Industry Council.
This document provides a shot list for a music video featuring Amy Damonte and Yaaseen Khan. It includes 38 shots to be filmed at various locations like Swakeleys Sixth Form, a tattoo shop, and house parties. The shots include close-ups, mid shots, and long shots of the singers and dancers, both with and without a green screen. The shots are meant to depict the singers, their friends dancing and partying, and interacting with props that relate to the song's lyrics over the course of a birthday celebration.
This document provides a shot list for a music video featuring 32 shots at various locations. The shots include scenes of the lead actor walking through school, driving a new car, getting a tattoo, and attending a house party. Most shots are 3 seconds or less and involve the actors miming the song lyrics or engaging in brief dancing. The shots are designed to advance the story of the lead actor celebrating his birthday in stylized fashion.
The document contains a storyboard for a 21-shot music video. It describes the cinematography, editing, mise-en-scene, and sound for each shot. The shots include various angles of the subject Annie as she lip syncs and dances to the song. Special effects and transitions are planned to be added in editing. Locations include a green room, corridors, and outdoors at a college to convey the theme of moving on from relationships at a young age.
This document contains a shot list for a music video featuring the song "All My Love" by Ariana Grande. It includes 76 shots with descriptions of the camera angle, location, lyrics covered in each shot, and brief descriptions of the actions and actors involved. The shots cover a variety of indoor and outdoor locations and include scenes of the lead actress lip syncing lyrics alone and with friends, arriving at and enjoying a party, interacting with a love interest, and dancing with others at the party.
The video begins with a close-up of Usher's "U" necklace against a black background. It then cuts between shots of Usher dancing with blue lighting and other people dancing on the dance floor. Near the end, Lil Jon and Ludacris make appearances, rapping and dancing along with changing colored lights in the club setting. The video emphasizes dancing, artistic expression, and elements of the hip hop and R&B genres through its filming techniques, lighting, costumes, and multiple artists collaborating.
The document analyzes the shot types and sequencing in Lorde's music video for "Royals". It finds that close ups make up the majority of shots, with the artist Lorde as the central focus in most scenes. The camera cuts between shots of Lorde singing and scenes showing a boy going about daily activities like waking up and eating breakfast. This editing pattern aims to tell the story of a boy from a rough background who is content without wealth.
This document contains a shot list for a music video production with 15 shots over 5 scenes. The shots include establishing shots, singles, inserts, cutaways and more. They show the female singer entering an empty studio, rehearsing a song while being filmed from different angles, and performing on stage with a male dancer.
This document analyzes the camerawork, mise-en-scene, editing, sound, conventions of genre and form in Justin Bieber's music video for "Sorry". It notes that steadycam is used at the beginning to create a smooth effect. Long shots show the dancers' full costumes. Bright colors and high key lighting are used to make the audience happy. Editing includes fading in Bieber's name and a graphic match between dancers. The dance routine keeps time with the fast-paced lyrics and beat. Conventionally, the song plays over video clips without showing the singer, and the lyrics relate to a real-life experience teenagers can relate to.
A2 Media Task 2 – Conventions Of A Music VideoParasko
The document analyzes the conventions used in several music videos including Rizzle Kicks, Ed Sheeran, Olly Murs, and Wretch 32. It discusses the mise-en-scene, editing, and camera work in the videos. Natural lighting is used in many of the videos to give a casual feel. The settings, costumes, and props relate to the lyrics of the songs. The editing cuts between shots are timed to the rhythm of the music to engage the audience. A variety of shot types like mid shots and close ups are used to show expressions and focus on certain elements.
1. The document analyzes 9 frames from the music video for the Radiohead song "Just". It discusses how each frame advances the narrative, reflects genre conventions, and leaves interpretive questions for the audience.
2. Key frames show the band playing, a man walking alone, and the man mysteriously laying down in the street. Text is used to convey others' reactions but not explain the man's actions.
3. The ending frame shows many people now laying in the street, mirroring the man but without resolving why he did it, maintaining an ambiguous narrative typical of the genre.
The document provides a shooting schedule for a music video with 19 shots. It describes each shot, including the action, location, camera movements, and lighting/visual effects. Shot 1 shows the pool area with running water. Shot 2 establishes the location with a pan to the pool. Shot 3 shows the actor looking at his phone through a bedroom window with added smoke. The remaining shots continue the story through various indoor and outdoor locations, with the actor singing and reflecting on memories.
This document provides information for pre-production of a music video for the song "Spinoza" by the band Generationals. It includes details about the band, types of music videos, a schedule, storyboard, shot list, budget, crew/cast, locations, and considerations around clearances, health and safety, legal/ethical issues, and industry codes of practice. The band Generationals is an American indie rock duo formed in New Orleans. The pre-production process involves annotating lyrics, developing a storyboard, scheduling shots, and addressing legal/safety requirements before filming begins.
This filming schedule outlines various shots planned over multiple days involving the character Yaaseen. Scenes include Yaaseen singing in front of a green screen, celebrating a birthday, partying with flashing lights, walking down the street and entering a tattoo shop. Additional shots involve dancers on a rooftop with their hands up, people dancing and socializing at a house party, and people in a car with their hands up during lyrics. Precise locations, times, equipment, props, costumes and other production details are provided for efficient filming of the various scenes and shots.
The document is a shot list for a music video containing 30 shots filmed at a pier and beach. The shots include establishing shots of the pier, various shots of the main actor singing and walking along the pier, and flashback memories portrayed in black and white. The memories show the actor's past relationship with her ex, including them laughing together, the ex receiving a necklace from the actor, them arguing and the necklace being torn off during a fight. The final shots return to color and show the actor throwing the necklace away before walking off alone while it remains on the ground.
This document provides information for pre-production of a music video for the song "Spinoza" by the band Generationals. It includes details about the band Generationals, types of music videos, and a pre-production schedule. The schedule outlines tasks such as annotating lyrics, creating a storyboard and shot list, determining crew and locations, and addressing health and safety, clearances, and codes of practice. The document also includes a proposed budget, equipment needed, potential locations, and crew assignments for the music video.
This document contains a shot list for a rap music video with descriptions of each shot, its purpose, and technical details like length and number of takes. It includes establishing shots of locations like a tunnel, street, and house party. There are also mid shots and close ups showing the rapper singing, dancing, getting ready with friends, and partying with alcohol and girls. The shots are designed to advance the story and showcase elements commonly found in rap music videos like wealth, partying, and movement to the beat.
This document provides the concept, storyline, and shot descriptions for a music video summarizing the ups and downs of a relationship. The concept takes place in the 2000s era and utilizes colors, sets, and body language to portray the couple's journey. Key scenes include the couple arriving at an event amidst paparazzi flashes, the woman leaving a voicemail after the man does not come over, and the use of different color schemes to represent the mood of the relationship. Iconic outfits, camera shots, and couples from the 2000s will be referenced throughout the video.
The music video for "It's My Birthday" by will.i.am uses various camera techniques and editing styles to match the upbeat tempo of the song. There are close-ups of the singers, medium and long shots of the dancers, and low angles of will.i.am to portray him as powerful. The video is split into three sections and edited precisely to the beat of the music using short takes. Bright, natural lighting and colorful, fashionable costumes are used to create an uplifting and fun atmosphere, as the recurring prop of money relates to both the song lyrics and birthday theme. The location of a house and back garden help set a typical birthday celebration scene.
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https://www.youtube.com/@jenniferschaus/videos
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1. Shot List for Music Video Amy Damonte and Yaaseen Khan
Numbers Location Camera Instruction Lyrics Description of
Action
Actor/s Equipment
2. Shot List for Music Video Amy Damonte and Yaaseen Khan
1 Swakeleys Sixth
Form
Oracy
The camera will film a quick 3-7 seconds shot of a
close up shot of someone turning on stero to start
planning the song
Uh oh
New Urvasi
Someone hand is
shown switch on
the stereo pressing
play and turning up
the volume
N/A Camera
Tripod
Watch
Stereo
2 Swakeleys Sixth
Form
Oracy
The camera will show a mid-shot of someone
writing a message on a white board saying ‘its my
birthday for 3 seconds shot
Uh oh
New urvasi
Someone will be
writing a message
on a white board
saying its my
birthday
Aaron Camera
Tripod
White board
3 Swakeleys Sixth
Form
Oracy
The camera will take a close up a birthday cake will
candles unlight saying happy birthday will be a 2
second long shot
Uh oh
New urvasi
A cake will be set
up on a table ready
to be light for the
birthday boy
N/A Camera
Tripod
Green
Screen
Lights
Cake
Candles
4 Swakeleys Sixth
Form
Oracy
The camera will film a 3 second shot of the
Yaaseen signing the lyrics the camera will show a
mid shot of Yaaseen in front of a black curtain
Uh oh
New Urvasi
Yaaseen will be
dancing and
singing the lyrics in
front of the curtain
to showing he is
ready to party
Yaaseen Camera
Tripod
5 Swakeleys Sixth
Form
Oracy
The camera will film a 3-5 second shot of birthday
presents this will be editing in way to transition to a
close up to a mid-shot
Uh oh
New Urvasi
Camera will pan
round the present
and zoom in and
out
N/A Camera
Tripod
Birthday bag
3. Shot List for Music Video Amy Damonte and Yaaseen Khan
Location Camera Instruction Lyrics Description of
Action
Actor/s Equipment
6 Swakeleys Sixth
Form
Oracy
Close up shot of a masked man dancing the
camera will then switch to a mid-shot of a masked
man pretending to throw money
Uh oh
New Urvasi
Masked man
dancing and
pretending to
throw money
Yaaseen Camera
Tripod
7 Swakeleys school:
Room 38
Close up shot of Yaaseen with a balloon signing it’s
my birthday once to introduce him to the video
with a white screen behind him
It’s my
birthday
Yaaseen will
remove the balloon
from the camera
and singing to it
saying it’s his
birthday
Yaaseen Camera
Tripod
Green
screen
Balloon
8 Yaaseen bedroom This is a mid-shot of Yaaseen which needs to show
half of his body including his face and hands.
Singing it’s my birthday once
It’s my
birthday
Yaaseen will repeat
lyrics but will be
pointing to himself.
Saving it’s his
birthday so the
audience know who
the song is about
Yaaseen Camera
Tripod
9 Yaaseen bedroom There will be POV shot for around 3-4 second of
Yaaseen picking up his birthday money
Imma
spend my
money
Yaaseen will be
holding the camera
in his hand a pick
up the load money
left for his birthday
Yaaseen Camera
Tripod
money
4. Shot List for Music Video Amy Damonte and Yaaseen Khan
10
Swakeley
s Sixth
Form
Oracy
The camera will be a low angle shot to show that
Yaaseen has power when sing the lyrics it’s my
birthday
It’s my
birthday
It’s my
birthday
Yaaseen will
come down
to the camera
and you will
see
Yaaseen Camera
Tripod
11 Yaaseen
bedroom
The camera will film a close up of Yaaseen
throwing money at the camera
Imma
spend my
money
Imma
spend my
money
Will be a slow
motion shot
of Yaaseen
flicking
money at the
camera
Yaaseen Camera
Tripod
Money
12 Swakeley
s sixth
form
Oracy
A side on mid shot of Yaaseen singing the lyrics in
front of a black curtain
It’s my
birthday
It’s my
birthday
Imma live
my fantasy
Yaaseen will
be walking up
to the camera
dancing and
pointing at
himself
signing the
lyrics
Yaaseen Camera
Tripod
14 Swakeley
s sixth
form
Oracy
High angle shot of Yaaseen dancing a singing
looking away from the camera to create a sense of
voyeurism
It’s my
birthday
It’s my
birthday
Imma live
my fantasy
Yaaseen will
look away
from the
camera and
act as if he is
singing the
lyrics to
someone else
Yaaseen Camera
Tripod
15 Swakeley
s Sixth
Will be a close up of someone turning up the
volume of a stereo to the max it can go 0-50
Imma turn
up
Yaaseen will
be sitting in a
Yaaseen Camera
Tripod
5. Shot List for Music Video Amy Damonte and Yaaseen Khan
Form car and
turning up the
volume on
the car stereo
Car stereo
16
Driveway
This is a long shot of the driveway. It’s my
birthday
The camera
will just show
the car in the
driveway to
establish
Aaron’s
present.
None Camera
Tripod
Car
17 Street This is a long or low angle shot a quiet alleyway
down the street.
It’s my
birthday
The shot will
just quickly
show
someone
dancing in the
street
Dancers Camera
Tripod
18 House
Party
A point of view shot of the party. The camera will
film close to Jasdeep’s face and everyone else will
be blurred out, and then Yaaseen’s face will come
into focus as he looks over at her.
Imma live
my fantasy
Yaaseen and
Jasdeep are at
the party and
this shot just
captures him
looking over
at her.
Yaaseen
Jasdeep
Camera
Tripod
Cups
Drink
19 Green
Screen
This is a mid shot showing the green screen and
the one person in front of it.
Imma turn
up
Someone is in
the green
screen either
dancing or
doing a silly
Dancer (one) Camera
Tripod
Possible inflatable
toys or silly things
6. Shot List for Music Video Amy Damonte and Yaaseen Khan
movement.
20 Green
Screen
This is the exact same shot as before. We can
turn up
The exact
same shot as
before,
however
more people
will have
jumped in the
shot. Roughly
about 5. They
can be
dancing or
playing
around with
stuff.
Dancers Camera
Tripod
Possible inflatable
toys or silly things
21 Street This is an extreme long shot. We can
take it
higher
This will be
on a similar
street to
before,
except
people will be
standing on a
tall building
dancing.
(Possibly
Tescos car
park)
Dancers Camera
Tripod
22 House
Party
The camera will pan through the party at a really
fast pace and suddenly stop in the kitchen.
We can
burn up
We can
burn up
After the
camera
speeds
through
Dancers
person in a
fat suit
Camera
Tripod
Food
Oven/Grill
7. Shot List for Music Video Amy Damonte and Yaaseen Khan
everyone in
the party, it
will show a
fat person
cooking food
in the kitchen
and smiling
at the
camera.
23 Green
Screen
This will be a normal mid shot of the green screen. Set this
place on
fire
The
person/peopl
e in front of
the green
screen will
hold up a
birthday cake
with lit up
candles.
Dancers Camera
Tripod
Birthday cake
Candles
Match sticks
24 House
party
A high angle shot from above showing a large
majority of the room.
Ooh it’s
hot
The camera
will show the
whole room
where it’ll just
see people
partying and
dancing.
Yaaseen
dancers
Camera
Tripod
Cups
Drink
25 Street A long shot of the street. Ooh it’s
hot
This will be a
quick shot of
one of the
dancers just
dancing
down the
Dancer Camera
Tripod
8. Shot List for Music Video Amy Damonte and Yaaseen Khan
street or
doing one
particular
dance move.
26 Driveway A panning long shot of the driveway, showing the
car and Yaaseen
Damn it’s
hot ooh
baby
This shot will
show Yaaseen
seeing his car
for the first
time ever,
and he walks
round the
side of it
examining it
and looking
impressed
with it.
Yaaseen Camera
Tripod
Car
27 House
party
A close up shot of Yaaseen, with all background
action and people blurred out.
I won’t
stop
Yaaseen will
turn to the
camera and
mime the
lyrics and
point to
himself, and
no one else
will be seen.
Yaaseen Camera
Tripod
28 House
party
A long shot, with the same format as before, just
showing more people.
We won’t
stop
This shot will
be the exact
same as
before,
except there
will be
Dancers
Yaaseen
Camera
Tripod
Cups
Drinks
9. Shot List for Music Video Amy Damonte and Yaaseen Khan
multiple
people
turning to the
camera and
miming the
lyrics whilst
pointing at
themselves.
29 Green
Screen
A normal mid shot of the green screen. We gon’
get real
crazy
There will be
as many
people as
possible in
this shot all
dancing and
jumping
around with
props.
Dancers Camera
Tripod
Fun props
30 Office A long shot of the office door and people standing
outside of it.
Imma
spend a
dollar
Mr Hull will
be standing
in the
doorway of
his office with
money on the
floor in front
of him, and
Yaaseen
will mime
these lyrics to
him whilst
showing him
money and
Yaaseen
Mr Hull
Camera
Tripod
Fake money
10. Shot List for Music Video Amy Damonte and Yaaseen Khan
going to walk
away.
31 Tattoo
Shop
An over the shoulder long shot of Yaaseen Dollar Yaaseen will
look back to
the camera
and hold up a
money sign
as he walks
into the
tattoo room.
Yaaseen Camera
Tripod
Fake money
32 House
Party
A panning shot of the house party. Dollar The camera
will quickly
see people in
the house
party and
people can
be throwing
fake money
in the air.
Dancers Camera
Tripod
Fake money
33 Green
Screen
A normal mid shot of the green screen. Dollar People in the
green screen
will have fake
dollar notes
stuck to their
heads.
Dancers Camera
Tripod
Fake money
34 Green
Screen
A completely different shot to the previous one,
but still a mid shot.
We gon’
put it
down like
we don’t
care
There will be
2-5 people in
the shot, all
simultaneousl
y pointing
downwards
Dancers Camera
Tripod
11. Shot List for Music Video Amy Damonte and Yaaseen Khan
and possibly
miming the
lyrics.
35 House
Street
A long shot of the whole of the house party room. Imma
throw my
hands up
in the air
The camera
will see
everyone in
the house
party dancing
particularly
with his or
her hands up
in the air.
Dancers Camera
Tripod
Cups
Drink
36 Driveway A close up shot, which is at a relatively low angle
showing the car’s front window.
The air We will see
Yaaseen
through the
window of
the car with
his hands up
in the air.
Yaaseeen Camera
Tripod
Car
37 Green
Screen
A mid shot of the green screen. The air Dancers in
the green
screen will be
throwing
their hands
up in the air.
Dancers Camera
Tripod
Possible props
Middle Shots Green
Screen/St
reet
Mid shots and long shots showing the frame of the
green screen and the street.
Imma call
you mama
There will be
lots of shots
throughout
the video of
dancing and
silly
Dancers Camera
Tripod
Props
Toys
12. Shot List for Music Video Amy Damonte and Yaaseen Khan
movements.
Middle Shots Green
Screen/St
reet
Mid shots and long shots showing the frame of the
green screen and the street.
Mamacita,
mamacita
Señorita
ven aquí
¡Qué bonita!
¡Qué bonita!
I can speakin
Japanese
There will be
people in the
green screen
doing
movements
that relate to
the lyrics. For
example,
during
‘senorita’
dancers will
wear
sombreros
etc and for
‘japanese’ we
can see
someone
eating
noodles.
Dancers Camera
Tripod
Props
Toys
Costumes such as
Sombrero
Noodles
End Shots House
Party
Around 4 quick shots of different areas of the
party. These range from close ups of voyeurism to
long shots to high angle shots.
'Cause
we don't
care,
care, care
These shots
will be of
people
pouring
drinks,
dancing,
talking and
overall having
fun.
Dancers Camera
Tripod
Cups
Drink
End Shots Street
Rooftop
Around 4 quick shots of people in different places
with their hands in the air.
We got
our hands
up into
People will
throw their
Dancers Camera
Tripod
13. Shot List for Music Video Amy Damonte and Yaaseen Khan
Car
Green
Screen
the air hands up in
the air.
Car
End Shots House
Party
A low angle or point of view shot showing Yaaseen
leaving downstairs and proceeding upstairs to
leave the party.
Everybody
in the
party
We will see
shots of the
party as well
as Yaaseen
walking out
and going
upstairs to go
to bed.
Yaaseen
Dancers
Camera
Tripod
Cups
Drinks
End Shots House
Party
Upstairs
(Bed)
We can see various different shots of people at the
party holding balloons or cake to link in with these
lyrics, and then we will see a zooming out shot of
Yaaseen in bed.
We party
like it's
everybody
's
birthday-
day
We see party
people with
birthday type
things and
then Yaaseen
in bed,
perhaps after
the song has
stopped, he is
laying in bed
happy and
exhausted.
Yaaseen
Dancers
Camera
Tripod
Cups
Drinks
Balloons
Cake