Shot list
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This document is a shot list for a music video production titled "Mess is Mine". It contains 18 shots ranging from close-ups of the model to establish them, various camera movements like pans, tracks and reversals to follow the model. Shots focus on specific body parts, capture full figures and include shots of locations like a tunnel and bridge to correspond with lyrics and give a sense of journey. Timings are provided for each shot ranging from 2 to 30 seconds.
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Question 7
The document discusses the planning and filming of a documentary project. It describes various shots taken including establishing shots, panning shots, close-ups, and shot-reverse-shot techniques. Match cuts and continuity editing were used to transition smoothly between shots. Planning locations, costumes, and story elements in advance helped make the complex filming and editing process more organized.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Codes and Conventions of Film Openings
The document discusses different types of film openings including flashbacks, panning landscapes, narrations, fight/shootout scenes, title sequences, and chase scenes. These different opening techniques are used to entice audiences to continue watching, establish characters and genre, set the scene and time period, quickly describe the story, reveal the tone and protagonists/antagonists, introduce title and cast, and bring audiences right into the action. Examples are given of each type of opening from films like Saving Private Ryan, Open Range, Hot Fuzz, Windtalkers, Catch Me If You Can, and Casino Royale.
Film Opening Codes and Conventions
The document discusses different types of film openings including flashbacks, panning landscapes, narrations, fight/shootout scenes, title sequences, and chase scenes. These different opening techniques are used to entice audiences to continue watching, establish characters and genre, set the scene and time period, quickly describe the story, reveal the tone and protagonists/antagonists, introduce title and cast, and bring audiences right into the action. Examples are given of each type of opening from films like Saving Private Ryan, Open Range, Hot Fuzz, Windtalkers, Catch Me If You Can, and Casino Royale.
Analysis of camera shots
The document analyzes camera shots from three different music videos:
1) Ed Sheeran's "Galway Girl" uses point-of-view shots that put the viewer in Sheeran's perspective as he experiences Galway. Shots include a mid-shot of a girl and a low-angle shot of Sheeran getting a tattoo.
2) Stormzy's "Big For Your Boots" features direct address shots of Stormzy and zooms that draw attention to him. Shots include a mid-shot of Stormzy crouching and a zoom towards him standing on a counter.
3) Catfish and the Bottlemen's "Cocoon" opens with an upside-down, shallow
Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
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Question 7
The document discusses the planning and filming of a documentary project. It describes various shots taken including establishing shots, panning shots, close-ups, and shot-reverse-shot techniques. Match cuts and continuity editing were used to transition smoothly between shots. Planning locations, costumes, and story elements in advance helped make the complex filming and editing process more organized.
Edit c
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Edit czzzzzz
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Edit c
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
Codes and Conventions of Film Openings
The document discusses different types of film openings including flashbacks, panning landscapes, narrations, fight/shootout scenes, title sequences, and chase scenes. These different opening techniques are used to entice audiences to continue watching, establish characters and genre, set the scene and time period, quickly describe the story, reveal the tone and protagonists/antagonists, introduce title and cast, and bring audiences right into the action. Examples are given of each type of opening from films like Saving Private Ryan, Open Range, Hot Fuzz, Windtalkers, Catch Me If You Can, and Casino Royale.
Film Opening Codes and Conventions
The document discusses different types of film openings including flashbacks, panning landscapes, narrations, fight/shootout scenes, title sequences, and chase scenes. These different opening techniques are used to entice audiences to continue watching, establish characters and genre, set the scene and time period, quickly describe the story, reveal the tone and protagonists/antagonists, introduce title and cast, and bring audiences right into the action. Examples are given of each type of opening from films like Saving Private Ryan, Open Range, Hot Fuzz, Windtalkers, Catch Me If You Can, and Casino Royale.
Analysis of camera shots
The document analyzes camera shots from three different music videos:
1) Ed Sheeran's "Galway Girl" uses point-of-view shots that put the viewer in Sheeran's perspective as he experiences Galway. Shots include a mid-shot of a girl and a low-angle shot of Sheeran getting a tattoo.
2) Stormzy's "Big For Your Boots" features direct address shots of Stormzy and zooms that draw attention to him. Shots include a mid-shot of Stormzy crouching and a zoom towards him standing on a counter.
3) Catfish and the Bottlemen's "Cocoon" opens with an upside-down, shallow
Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
Snatch trailer analysis
The trailer for the 2000 crime comedy film Snatch introduces the main characters and intertwining plots involving underground boxing and an confrontation with arms dealers. Through close-up shots of diamonds, boxing action, weapons, and jewelry, the trailer establishes the criminal underworld setting and genres of crime and action. It also uses humorous dialogue to appeal to audiences. The editing employs fast-paced transitions between shots to bombard viewers with information in an exhilarating way and keep their attention, with the goal of encouraging audiences to watch the full film.
Storyboard
This storyboard outlines shots planned for a music video over three pages. Page one describes shots in the first 50 seconds including Mikah walking towards the camera in a tunnel, driving through a tunnel shown through mid and close-up shots, and sitting on stairs with a prop. Page two details shots from 50 seconds to 1 minute 40 seconds including Mikah leaning on a graffiti wall and an extreme close-up of her lips with a mix of quick and longer shots. The final page discusses shots of Mikah walking with the camera including long and close-up shots, slow motion shots of her looking up to portray a "distorted life", and final shots of her walking away in different locations.
The 180 Degree Rule
The 180 degree rule states that the camera must remain on the same side of an imaginary line drawn perpendicular to the viewpoint established in the establishing shot. Breaking this rule will confuse audiences as it shifts characters' eye lines and sense of orientation. The only acceptable reason to break the rule is for a specific creative effect. Maintaining the rule ensures continuity and that the audience can follow what is happening on screen.
Continuity Techniques - Media
The document discusses continuity techniques in film editing, including the 180-degree rule, shot reverse shot, and match-on-action. The 180-degree rule maintains the same spatial relationship between two characters in a scene. Shot reverse shot cuts between two characters looking at each other to imply a conversation. Match-on-action matches shots that continue the same action to create a sense of continuity for the viewer. Examples show how match-on-action can portray a character jumping across something in mid-air from different camera angles while maintaining the continuous action.
Ideas for Use of Camera
The document discusses camera shots and techniques that will be used in a slasher film trailer. It will include close-ups of victims' fearful faces and jump scares with the villain's mask. High and low angle shots will be used to portray the villain's power and the victim's vulnerability. Handheld and point-of-view shots from behind following teenagers will create a sense that someone is watching them. A Canon 700D camera on a tripod will capture tracking shots.
IDEAS FOR USE OF CAMERA
The document discusses camera shots and techniques that will be used in a slasher film trailer. It will include close-ups of victims' fearful faces and jump scares with the villain's mask. High and low angle shots will be used to portray the villain's power and the victim's vulnerability. Handheld and point-of-view shots from behind following teenagers will create a sense that someone is watching them. A Canon 700D camera on a tripod will capture tracking shots.
Analysis of still frames
This document analyzes 10 still frames from a 2:01 opening sequence from a student film called "The Identity Crisis". It explains how each frame advances the narrative or pays homage to techniques from other films. For example, one POV shot from inside a car's trunk references Quentin Tarantino's famous trunk shots. Another POV shows a character being punched from their perspective to build tension without endangering the camera. The analysis demonstrates how the opening uses cinematic conventions to immerse viewers and set up important plot points.
Shoot List
The document provides a shoot list for filming a scene where a girl is in a tree and sees a man appear over a hill. It then lists various camera shots needed to film the girl jumping from the tree, both of them noticing each other and running downhill away from each other. The list includes shots from different angles, distances and perspectives as they run, including low angle shots, tracking shots, shots where they run towards or past the camera. It concludes by listing equipment needed for the shoot, such as ladders, cameras, tripods and a black hat.
Purge analysis
The trailer for The Purge begins positively by showing a happy family, but then cuts to graphic violence and the line "all crime is legal for one night a year". It becomes clear the film depicts a dystopian future where all crime is legal for one night annually. Later shots show a family barricading themselves inside and watching emergency broadcasts, building tension. The trailer then references the producer's horror films to signal the true genre. It ends by teasing intense scenes through quick cuts, leaving viewers wanting more answers and to see the full film.
Textual analysis
This document provides a textual analysis of several shots and sequences from the music video "Flourescent Adolescent" by Arctic Monkeys. It analyzes the cinematography, editing, mise-en-scene, and symbolism used to portray the relationship between two former friends who are now enemies engaged in a violent fight. Flashbacks show them once being close as children but now one clown beats the other brutally, reflecting their lost friendship and deepening conflict. Tension and emotion builds throughout quick cuts and slow motion sequences until one is forced to kill the other in an explosion, showing the devastation their feud has caused.
In what way does your medua product use,develop or challenge forms and conven...
Laura Mulvey's theory of the male gaze and objectification of women in film and music videos is applied in the documentary. Scenes in the music video portray the protagonist as passive and objectified to simulate how her male clients view her. However, the video also aims to subvert Mulvey's theory by using shots like a low angle view of the protagonist removing her tights, meant to condemn rather than pleasure the male gaze. The simple storyline challenges theories by beginning with the protagonist's suicide and then showing past events that led to it, rather than resolving problems or reinstating order.
AS Media Thriller - Evaluation Question 1
Evaluation Question 1 - In what ways does your media product use, develop or challenge forms and conventions of real media products?
Shot list
1. The document lists 23 shots used in a film title sequence and provides explanations for each shot.
2. It begins with establishing shots showing the environment and main character, and then uses mid shots, close ups, and extreme close ups to introduce the character and show important details.
3. Tension is built through shots of suspicious men, CCTV footage, and the character falling to the ground. The rest of the sequence uses point-of-view shots and close ups to show the character struggling with grief and depression after loss of his wife.
Shotlist
1. The document lists 23 shots used in a film title sequence and provides explanations for each shot.
2. It begins with establishing shots showing the environment and main character, and then uses mid shots, close ups, and extreme close ups to introduce the character and show important details.
3. Tension is built through shots of suspicious men, CCTV footage, and the character falling to the ground. The rest of the sequence uses point-of-view shots and close ups to show the character struggling with grief and depression after loss of his wife.
Final script for my thriller film
This document outlines 8 potential shots for a thriller film trailer. Shot 1 introduces the protagonist walking alone down an alley at night to increase fear. Shot 2 shows her drinking alone in a bar, looking depressed. Shot 3 takes place in her run-down home where she gets ready while receiving a mysterious phone call. Shot 4 depicts her waiting for and getting into a stranger's car, where a gunshot is later heard. Shot 5 shows her being abused. Shot 6 has her walking alone in ominous woods holding a torch and possibly a gun. Shot 7 shows her looking disheveled while washing blood from her hands in the bathroom. Shot 8 hints that the protagonist may not actually be the victim by showing shots of a wounded male body
Lola's theme
This video uses random people and scenes that do not relate to the lyrics of the song. It focuses on a couple but their relationship is not reflected in the lyrics. Various shots show people on rides and games at a fairground with no obvious narrative. A little girl bookends the video by introducing it at the beginning and end.
Camera Shot Analysis.
This document analyzes the camera shots used in popular music videos and discusses why each shot was an effective choice. It examines shots including a reverse mid shot in "Cherry Wine" that sets the scene mysteriously, an extreme wide shot in "Roses" that uses lighting to silhouette the dancer, and a close up in "Lost Boy" that powerfully displays the artist's facial expressions. Overall, the document discusses how different camera shots like close ups, wide shots and establishing shots can be used strategically to set mood, highlight important details, and draw in the audience.
Amy Music Video Analysis
This is an analysis of Amy Wichelow's music video which includes Camera, Editing, Mise-en-scene and Sound.
Analysis of camera shots
This document analyzes and summarizes various camera shots from popular music videos. It discusses mid shots from Tove Lo's "Habits" that portray the protagonist's dismay and a opening shot from Kiesza's "Hideaway" that sets the scene. It also examines a two shot from Gotye's "Somebody That I Used To Know" that reflects the protagonists' emotions and an aerial shot from Naughty Boy's "La La La" that adds mystery. The document discusses close ups in Ed Sheeran's "Shape of You" that show emotion and focus pulls in James Arthur's "Say You Won't Let Go" that create variation. It concludes by noting an effective close up in The
conventions of my sub genre pop acoustic
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Tester shots for music video
The document discusses shots being collected and planned for a music video for the song "Closer to the Edge". It describes shots of band members performing at different locations, including a media studio and forest. It notes the lighting, costumes, and positioning that will be used in different shots.
Comparable media1
The video for "You Belong With Me" by Taylor Swift tells the story of a teenage romance between a high school "geek" and the popular quarterback. Mise-en-scene and camera work are used to distinguish the protagonist from the antagonist. Outfits, lighting, and settings are employed to characterize Taylor Swift's cheerful protagonist and her mean, controlling girlfriend. Shots like close-ups emphasize romantic moments between the "geek" and quarterback to engage the audience's sympathy for the protagonist. The video uses techniques like matching scenes to lyrics to further the storyline.
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Snatch trailer analysis
The trailer for the 2000 crime comedy film Snatch introduces the main characters and intertwining plots involving underground boxing and an confrontation with arms dealers. Through close-up shots of diamonds, boxing action, weapons, and jewelry, the trailer establishes the criminal underworld setting and genres of crime and action. It also uses humorous dialogue to appeal to audiences. The editing employs fast-paced transitions between shots to bombard viewers with information in an exhilarating way and keep their attention, with the goal of encouraging audiences to watch the full film.
Storyboard
This storyboard outlines shots planned for a music video over three pages. Page one describes shots in the first 50 seconds including Mikah walking towards the camera in a tunnel, driving through a tunnel shown through mid and close-up shots, and sitting on stairs with a prop. Page two details shots from 50 seconds to 1 minute 40 seconds including Mikah leaning on a graffiti wall and an extreme close-up of her lips with a mix of quick and longer shots. The final page discusses shots of Mikah walking with the camera including long and close-up shots, slow motion shots of her looking up to portray a "distorted life", and final shots of her walking away in different locations.
The 180 Degree Rule
The 180 degree rule states that the camera must remain on the same side of an imaginary line drawn perpendicular to the viewpoint established in the establishing shot. Breaking this rule will confuse audiences as it shifts characters' eye lines and sense of orientation. The only acceptable reason to break the rule is for a specific creative effect. Maintaining the rule ensures continuity and that the audience can follow what is happening on screen.
Continuity Techniques - Media
The document discusses continuity techniques in film editing, including the 180-degree rule, shot reverse shot, and match-on-action. The 180-degree rule maintains the same spatial relationship between two characters in a scene. Shot reverse shot cuts between two characters looking at each other to imply a conversation. Match-on-action matches shots that continue the same action to create a sense of continuity for the viewer. Examples show how match-on-action can portray a character jumping across something in mid-air from different camera angles while maintaining the continuous action.
Ideas for Use of Camera
The document discusses camera shots and techniques that will be used in a slasher film trailer. It will include close-ups of victims' fearful faces and jump scares with the villain's mask. High and low angle shots will be used to portray the villain's power and the victim's vulnerability. Handheld and point-of-view shots from behind following teenagers will create a sense that someone is watching them. A Canon 700D camera on a tripod will capture tracking shots.
IDEAS FOR USE OF CAMERA
The document discusses camera shots and techniques that will be used in a slasher film trailer. It will include close-ups of victims' fearful faces and jump scares with the villain's mask. High and low angle shots will be used to portray the villain's power and the victim's vulnerability. Handheld and point-of-view shots from behind following teenagers will create a sense that someone is watching them. A Canon 700D camera on a tripod will capture tracking shots.
Analysis of still frames
This document analyzes 10 still frames from a 2:01 opening sequence from a student film called "The Identity Crisis". It explains how each frame advances the narrative or pays homage to techniques from other films. For example, one POV shot from inside a car's trunk references Quentin Tarantino's famous trunk shots. Another POV shows a character being punched from their perspective to build tension without endangering the camera. The analysis demonstrates how the opening uses cinematic conventions to immerse viewers and set up important plot points.
Shoot List
The document provides a shoot list for filming a scene where a girl is in a tree and sees a man appear over a hill. It then lists various camera shots needed to film the girl jumping from the tree, both of them noticing each other and running downhill away from each other. The list includes shots from different angles, distances and perspectives as they run, including low angle shots, tracking shots, shots where they run towards or past the camera. It concludes by listing equipment needed for the shoot, such as ladders, cameras, tripods and a black hat.
Purge analysis
The trailer for The Purge begins positively by showing a happy family, but then cuts to graphic violence and the line "all crime is legal for one night a year". It becomes clear the film depicts a dystopian future where all crime is legal for one night annually. Later shots show a family barricading themselves inside and watching emergency broadcasts, building tension. The trailer then references the producer's horror films to signal the true genre. It ends by teasing intense scenes through quick cuts, leaving viewers wanting more answers and to see the full film.
Textual analysis
This document provides a textual analysis of several shots and sequences from the music video "Flourescent Adolescent" by Arctic Monkeys. It analyzes the cinematography, editing, mise-en-scene, and symbolism used to portray the relationship between two former friends who are now enemies engaged in a violent fight. Flashbacks show them once being close as children but now one clown beats the other brutally, reflecting their lost friendship and deepening conflict. Tension and emotion builds throughout quick cuts and slow motion sequences until one is forced to kill the other in an explosion, showing the devastation their feud has caused.
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Similar to Shot list
In what way does your medua product use,develop or challenge forms and conven...
Laura Mulvey's theory of the male gaze and objectification of women in film and music videos is applied in the documentary. Scenes in the music video portray the protagonist as passive and objectified to simulate how her male clients view her. However, the video also aims to subvert Mulvey's theory by using shots like a low angle view of the protagonist removing her tights, meant to condemn rather than pleasure the male gaze. The simple storyline challenges theories by beginning with the protagonist's suicide and then showing past events that led to it, rather than resolving problems or reinstating order.
AS Media Thriller - Evaluation Question 1
Evaluation Question 1 - In what ways does your media product use, develop or challenge forms and conventions of real media products?
Shot list
1. The document lists 23 shots used in a film title sequence and provides explanations for each shot.
2. It begins with establishing shots showing the environment and main character, and then uses mid shots, close ups, and extreme close ups to introduce the character and show important details.
3. Tension is built through shots of suspicious men, CCTV footage, and the character falling to the ground. The rest of the sequence uses point-of-view shots and close ups to show the character struggling with grief and depression after loss of his wife.
Shotlist
1. The document lists 23 shots used in a film title sequence and provides explanations for each shot.
2. It begins with establishing shots showing the environment and main character, and then uses mid shots, close ups, and extreme close ups to introduce the character and show important details.
3. Tension is built through shots of suspicious men, CCTV footage, and the character falling to the ground. The rest of the sequence uses point-of-view shots and close ups to show the character struggling with grief and depression after loss of his wife.
Final script for my thriller film
This document outlines 8 potential shots for a thriller film trailer. Shot 1 introduces the protagonist walking alone down an alley at night to increase fear. Shot 2 shows her drinking alone in a bar, looking depressed. Shot 3 takes place in her run-down home where she gets ready while receiving a mysterious phone call. Shot 4 depicts her waiting for and getting into a stranger's car, where a gunshot is later heard. Shot 5 shows her being abused. Shot 6 has her walking alone in ominous woods holding a torch and possibly a gun. Shot 7 shows her looking disheveled while washing blood from her hands in the bathroom. Shot 8 hints that the protagonist may not actually be the victim by showing shots of a wounded male body
Lola's theme
This video uses random people and scenes that do not relate to the lyrics of the song. It focuses on a couple but their relationship is not reflected in the lyrics. Various shots show people on rides and games at a fairground with no obvious narrative. A little girl bookends the video by introducing it at the beginning and end.
Camera Shot Analysis.
This document analyzes the camera shots used in popular music videos and discusses why each shot was an effective choice. It examines shots including a reverse mid shot in "Cherry Wine" that sets the scene mysteriously, an extreme wide shot in "Roses" that uses lighting to silhouette the dancer, and a close up in "Lost Boy" that powerfully displays the artist's facial expressions. Overall, the document discusses how different camera shots like close ups, wide shots and establishing shots can be used strategically to set mood, highlight important details, and draw in the audience.
Amy Music Video Analysis
This is an analysis of Amy Wichelow's music video which includes Camera, Editing, Mise-en-scene and Sound.
Analysis of camera shots
This document analyzes and summarizes various camera shots from popular music videos. It discusses mid shots from Tove Lo's "Habits" that portray the protagonist's dismay and a opening shot from Kiesza's "Hideaway" that sets the scene. It also examines a two shot from Gotye's "Somebody That I Used To Know" that reflects the protagonists' emotions and an aerial shot from Naughty Boy's "La La La" that adds mystery. The document discusses close ups in Ed Sheeran's "Shape of You" that show emotion and focus pulls in James Arthur's "Say You Won't Let Go" that create variation. It concludes by noting an effective close up in The
conventions of my sub genre pop acoustic
This document analyzes the conventions of pop acoustic music videos through analyzing two Ed Sheeran music videos: "A Team" and "Give Me Love". It discusses elements of mise-en-scene including props, costumes, makeup, editing, colors, lighting, and setting. Shots are analyzed in terms of angles, types, and patterns. Dark colors, lighting, costumes showing poverty or drug use, and emotional makeup are used to tell disturbing narratives and elicit sympathy from viewers.
Tester shots for music video
The document discusses shots being collected and planned for a music video for the song "Closer to the Edge". It describes shots of band members performing at different locations, including a media studio and forest. It notes the lighting, costumes, and positioning that will be used in different shots.
Comparable media1
The video for "You Belong With Me" by Taylor Swift tells the story of a teenage romance between a high school "geek" and the popular quarterback. Mise-en-scene and camera work are used to distinguish the protagonist from the antagonist. Outfits, lighting, and settings are employed to characterize Taylor Swift's cheerful protagonist and her mean, controlling girlfriend. Shots like close-ups emphasize romantic moments between the "geek" and quarterback to engage the audience's sympathy for the protagonist. The video uses techniques like matching scenes to lyrics to further the storyline.
Camera work
The document discusses different camera techniques used in the creation of a melodrama trailer, including handheld movement, close-ups, over the shoulder shots, two shots, wide shots, low angle shots, and tilt shots. It explains how each technique was used in the trailer and whether it conformed to or challenged melodrama genre conventions. For example, handheld movement was used to reflect suffering from illness, close-ups helped establish character emotions, and tilt shots signified the protagonist struggling with their condition. Overall, the document analyzes how the trailer incorporates standard melodrama camera techniques to engage audiences.
Evaluation task 1 - In what ways does your media production of film use, deve...
The document discusses how the media product challenges conventions of real media forms. It provides examples from films such as This is England, Twilight, Eden Lake, Bronson, and Silence of the Lambs that were used as inspiration. Specific shots and techniques are discussed, such as opening with the director's name instead of actors, using a 360 degree shot to build tension, shots through trees to emphasize action, and low angle shots to portray power dynamics between characters. The media product aims to challenge expectations by portraying the murderer as fearful rather than heroic.
Evaluation question 1 a2
This document provides examples of shots from real music videos that demonstrate different filmmaking techniques. Several shots are provided that show a link between lyrics and visuals, how an artist is represented for their record label, the use of mise-en-scene, lighting, camera work, and intertextual references. The shots are analyzed and described in terms of how they illustrate these various cinematic techniques.
editing
The document describes the editing choices made for various shots in a video. Lighting effects were used in many shots to highlight characters and symbolize aspects of the story. Transitions like dissolves were used between scenes. Slow motion was applied to important moments to build tension. Effects like mirroring and flipping were added to shots of the band to make them look contemporary. Borders were used in shots of the main character to indicate her darker character development. The edits aimed to tell the story effectively and engage the viewer.
Conventins question 1
This document discusses the conventions used in creating a crime/thriller genre film trailer. It examines conventions related to genre, form, characters, camera work, editing, and sound. For the trailer, they followed many typical conventions like including actor names, using voiceovers and background music, and incorporating themes of conflict, violence, and drugs. Their trailer was under 2 minutes long and used techniques like fast pacing, fade to black, and slow motion editing to create tension and excitement as seen in other crime thriller trailers. The characters and their portrayals also drew from crime film conventions despite not using typical strong male characters. Overall, adhering closely to genre conventions was important for making their trailer appealing and effective.
Camera angle, shots, composititons and movements [autosaved] [autosaved] real...
This document defines and provides examples of various camera shots, angles, compositions and movements that are commonly used in music videos. It discusses extreme long shots, long shots, medium shots, close-ups, extreme close-ups, two shots, three shots, high angles, eye level, low angles, oblique angles, worms eye view, pans, tilts, dollies, handheld shots, cranes, zooms, and aerial shots. Examples are given for each type from popular music videos to illustrate how they are used to tell the story, set the scene, draw attention, or convey meaning and emotion.
Tori
This video tells the story of Taylor Swift's forbidden love through a narrative music video that illustrates the lyrics of her song "Love Story". The video depicts Swift's character experiencing a romance similar to Romeo and Juliet. Scenes alternate between the modern day where Swift narrates and a historical setting depicting the forbidden relationship. Various camera shots and editing techniques are used to advance the plot and emphasize the intensity of emotions between Swift and her love interest. The mise-en-scene and costumes establish the different time periods and add symbolism relating to the Romeo and Juliet theme.
Textual analysis of_taylor_swift (2)
The video tells the story of Taylor Swift's character experiencing a forbidden love like Romeo and Juliet. It switches between her modern-day high school setting and a flashback to a medieval era setting of the forbidden relationship. Throughout the video, Taylor Swift also acts as the narrator, telling the story and connecting the two time periods. Key shots analyze the mise-en-scene, camera angles, editing, and how they advance the narrative of the forbidden love story between the two main characters.
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This document introduces Lauren Shepherd as the actor chosen to appear in a music video. The filmmaker held auditions and selected Lauren because she doesn't look like a typical pop star and her appearance wouldn't distract from the genre of song. A female actor was intentionally chosen since the song was sung by a male to avoid any confusion over the identity of the artist. Lauren is 17 years old and from London, allowing her to provide raw and natural acting compared to more experienced actors.
Magazine drafts.
Here are all the draft pages of my magazine that I have assessed and noted where I wish to improve before my final product.
Risk assessment.
This risk assessment document outlines the key risks for Amy Shields' "Mess is Mine" music video production. It identifies health and safety concerns from hot lighting equipment, the risk of halting production if the model is unavailable, and potential damage to expensive cameras and equipment. Ways to minimize each risk are provided, such as using LED lights, extensive advance planning of shoots, and proper use of camera bags and straps. The producer and all crew are made responsible for understanding and following the safety protocols.
Location Recce
This document provides production details for filming a music video in central London. Some key landmarks like the Shard, River Thames, and Houses of Parliament can be seen in the video. The location will be used to create a sense of realism and show that the subject is just one person among many in the busy city. While London has advantages like day and night filming options and ambient lighting, it also presents challenges like unpredictable weather, crowds of people, and the inability to get permission from everyone in shots. Safety and logistics like power sources must also be considered for a public location like London.
Location contract
This document is a film location release contract between Amy Shields, the producer of the "Mess is Mine" music video, and Haydon School in Pinner, UK. It confirms the agreement for the producers to film at the school on November 30th, 2017. The contract specifies that the school will not be identified by name in the video but will be credited. It also allows the producers to incorporate any audio or video recordings from the filming at their discretion, as long as they do not structurally alter the location and treat the property with respect.
Analysis of camera shots, existing videos.
The document discusses elements from Noel Gallagher's music video that the author likes, including:
1) Transition shots at 0:24 that sweep from color to an orange filter resembling fire then back again, giving the illusion of the picture being reborn.
2) Words in the song being expressed visually at the same time through images like "dream".
3) Constant message writing seen throughout the video with the full message revealed at the end.
Lyric analysis.
Vance Joy's song "Mess is Mine" appears to be about a man addressing a past romantic partner who he has lost contact with. The lyrics suggest the song is about heartbreak, with the man saying he will support his partner through whatever "mess" or problem they face together. While open to interpretation, many see the song as telling a story of an unwanted pregnancy, with the man reassuring the woman that whatever decision they make is theirs together, and her problem has now become his as well. The lyrics provide glimpses into the couple's history and memories together through lines about conversations and private moments they shared.
My equipment A2 media studies
The document lists the equipment the author intends to use for their A2 studies coursework music video, including a Canon 550D DSLR camera, tripod, shoulder mount, Canon 50mm lens, and Canon 20-70mm zoom lens. The author has previous experience with this equipment from GCSE and AS media studies courses, which they found helpful when using the equipment for the music video.
Research into a music video director.
Dave Meyers is an American music video director born in 1972 in Berkeley, California. He has directed hundreds of music videos and commercials over the past 15 years, establishing himself as one of the industry's most prolific directors. Chris Cunningham is a British video artist born in 1970 who is primarily known for directing avant-garde music videos for electronic artists such as Aphex Twin and Autechre, particularly the videos for Aphex Twin's songs "Come to Daddy" and "Windowlicker."
Magazine advert analysis.
This advert for Olly Murs' new album features his image and name equally displayed on the page. The color scheme of light blue, burgundy, and black are colors Olly regularly uses, helping fans recognize the advert. Olly looks straight at the camera, appearing mainstream. The advert provides little information beyond a few song titles and Olly's website.
This advert for a new Green Day album follows normal conventions but features silhouettes instead of images of the band. The color scheme is predominantly black, white, red/orange, and yellow. Unlike most music ads, no full images of the artists are shown, relying on name recognition to attract attention.
This advert for Jessie J's album
Front cover analysis.
The front cover of the magazine features a close-up photo of Florence Welch with vibrant makeup drawing attention to her eyes. The simple layout and structured typography aim to appear mature. Secondary images and sell lines about artists like Skrillex are used to entice buyers. The main photo of Welch has been heavily airbrushed to look flawless and portray purity, in line with the magazine's image.
Contents Page Analysis
The document analyzes the contents page of a magazine. It discusses various design elements including the title, editor's comment, use of images to highlight cover stories, colors used, subscription deals section, summaries of articles, fonts, and layout. Overall, the contents page follows typical magazine design conventions but also has some unique elements like starting columns halfway down and using the top half for images only. The analysis provides insights into how the contents page is effectively designed to engage and guide readers.
My equipment
The document lists the equipment the author used to create a magazine, including 4 Inter fit 300 flash units, 4 diffuser umbrellas, 2 Canon 550D SLR cameras, a larger paper background mounted on a wall bracket featuring black and white patterns, 2 barn doors, and an assortment of gel filters. The author had previous experience with this equipment from media studies coursework, which helped them focus on taking quality photos within the 1.5 hour allotted photoshoot instead of spending time learning how to use the equipment.
Proposal
The document proposes a new music magazine focusing on indie, rock, and alternative genres. It would be similar to the popular magazine Q and be published monthly to provide more content than a weekly schedule. The target audience would be 16-30 year olds interested in music news, festivals, and artists within those genres. Content would include articles on popular and up-and-coming bands, photos to help readers identify with artists, and weekly features like top song lists and competition prizes.
Artist mise en-scene
The artist chose clothes for the model that fit the genre of their magazine and what people in the music industry typically wear, as they weren't too preppy and had a slight edge. Few props were used to make the pictures more intimate and focused on the model, though some pictures included an electric guitar to represent the instrument the model plays and make clear the photos were for a music magazine.
Equipment
The photographer used a Canon 50D camera to take pictures for a magazine, shooting against white and grey backgrounds. Two lamps with lighting gels were also used to make the pictures more interesting and add vibrance.
Audience profile
Jade is a 19-year-old student studying music technology at Southampton University who hopes to become a music producer or start her own band. She enjoys indie pop and indie rock music, regularly attending both large arena concerts for popular artists like Kasabian as well as smaller gigs for up-and-coming bands. Her favorite musicians include newer acts like Catfish and the Bottlemen and The 1975 in addition to older groups such as The Strokes and The Stone Roses.
Chosen images
These are the images I have chosen from my photoshoot to feature in my magazine. I chose these because I thought they fit in with the genre and the type of magazine i want to create. I have also taken some with gels and some without to make it a bit more different.
Ideas for my Magazine
This document provides brief lists of potential name, costume, color scheme, image, and font ideas for an event or project. It includes short lists like HYPE, INDIE, and SpotLight as name ideas; suggestions for costumes, colors, images and fonts are also listed but without examples.
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Shot list
- 1. HAYDON MEDIA Shot List Producer: Amy Shields Production: Mess is mine music video- A2. Shot No. Shot Type Details of Shot Timing 1 Close up This is the first shot to be shown,it is a close up of my models foot, I used this as a establishing shot to introduce my actor. 00:02 2 Close up This is a close up of both my models feet, I used this as a establishing shot to introduce my actor. 00:02 3 Close up This is a close up of my models side, I used this as a establishing shot to introduce my actor. 00:02
- 2. 4 Close up This is a close up of my models hand,I used this as a establishing shot to introduce my actor. 00:02 5 Close up This is a close up of my models Hair, I used this as a establishing shot to introduce my actor. 00:03 6 Close up This is a close up of my models Hair/shoulder, I used this as a establishing shot to introduce my actor. I~ used these shots as a introduction my character and to establish who she is. 00:02 7 Close up This is a close up of my models side of face, I used this as a establishing shot to introduce my actor. 00:03
- 3. 8 Close up This is a close up of my models top of head, including her hair and slight eyes,I used this as a establishing shot to introduce my actor. 00:03 9 Pan up This is a pan up of my character, displaying the whole of her. This then goes into a fade out. 00:03 10 Pan across This is a pan from right to left, with a pull focus 00:05 11 Mid Shot I liked this shot because the light is behind my actor which creates a sense ofdarkness and shadow.It also pulls the attention from her actions of fiddling with her hair as the light shines though. 00:04
- 4. 12 Tracking Shot I used this shot to track my actor, this gave the effect of a journey. It also corresponded with the lyrics ‘Walking’ 00:04 13 Reverse Shot When editing this shot,I sped it up and reversed it to replay. 00:03 14 Over the shoulder tracking shot. This is a very popular shot when it comes to filming, with the background in soft focus and the subject in focus, it allows the audience to follow the main character. 00:04 15 Pan up. This shot features a transition from soft to sharp focus. 00:03
- 5. 16 Tracking Shot Tracking shot of my actor walking under a tunnel 00:30 17 Mid shot. This is a mid-shot of my artist in the studio lip syncing. 00:04 18 Panoramic View This is a panoramic shot of the bridge in London. 00:07