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This document provides a history of fashion and design from the 1900s to present. It discusses important fashion designers and trends for each decade, including Paul Poiret in the 1900s, Coco Chanel in the 1920s, Christian Dior in the 1940s, and the rise of youth fashion in the 2000s. Sources included books, encyclopedias, magazines, and photographs to present information on the evolution of fashion over time.

Lifestyle

History of Fashion &Design By: Sara Ehmer http://www.flickr.com/photos/30485374@N02/2938381180

1900s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

http://www.flickr.com/photos/29114895@N00/3389263872

Paul Poiret Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print.

1920s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. http://www.flickr.com/photos/21233184@N02/3323068260 http://www.flickr.com/photos/99651925@N00/514768040

Louise Boulanger Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

Coco Chanel http://www.flickr.com/photos/50318388@N00/1164078780 Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

1930s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. http://www.flickr.com/photos/21233184@N02/3617199137 Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

http://www.flickr.com/photos/84387357@N00/524004378 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

Claire McCardell 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

Christian Dior 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

1950s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

Anne Fogarty 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

http://www.flickr.com/photos/21233184@N02/4226436854 1960s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. http://www.flickr.com/photos/21233184@N02/4265726175

André Courrèges 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

1970s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New Yor N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

1980s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. http://www.flickr.com/photos/7630878@N03/3970172262

1990s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

2000-2010 ‘’This is a time when boys and girls look good in everything. They’re impossibly perfect in every way. ‘’ (Ben Reardon, Editor of H&M Magazine) 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. "Teenage Taeover." H&M Magazine 2009: 79-80. Print.

Fashion Designing Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. http://www.flickr.com/photos/92119253@N00/4270830185

http://www.flickr.com/photos/29635150@N00/2386379965 Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. http://www.flickr.com/photos/57917705@N00/109354577

Operation SchooL Bell “Two small brothers share one pair of pants, so each child can attend school when it's his turn to wear them.” (OSB)

http://www.flickr.com/photos/12519225@N03/2283266775

Works Cited "1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. Pendergast, Sara, and Tom Pendergast. "Clothing." Fashion, Costume and Culture. Ed. Sarah Hermsen. Vol. 5. Farmington Hills, MI: The Gale Group, Inc., 2004. 847-61. Print. "Teenage Takeover." H&M Magazine 2009: 79-80. Print. Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. Copley. "Going Back to go Forward in Fashion." Copley News Service (2000): 3. SIRS Discoverer. Web. 10 Nov. 2009. <http://wf2dnvr17.webfeat.org:80/>.

Sampson, Pamela. "Yves Saint Laurent Ends Fashionable Era." Daily Camera: n. pag. SIRS Discoverer. Web. 10 Nov. 2009. <http://wf2dnvr17.webfeat.org:80/>. Jackson, Tim, and David Shaw. Mastering Fashion Buying and Merchandising Management. New York, N.Y.: PALGRAVE, 2001. Print.

During the Civil War era, men's fashion commonly included button-down shirts with jackets and accessories like ties, handkerchiefs, and gloves. Before the war, women's dresses were large with muted colors and little skin was shown. During the war, dresses remained big but simplified as materials were needed for soldiers, limiting design options. After the war, women's dresses became very large with bright colors and intricate details made from expensive fabrics like silk.

Specialized News Chi & Monica

lncnguyen

Specialized magazines started in the late 19th century to appeal to specific demographics and interests. National Geographic, which began in 1898, focused on nature and exploration while also introducing controversial images of other cultures to American audiences. Similarly, magazines like Seventeen and The Black Panther introduced new topics and perspectives that changed American lifestyles and viewpoints.

Fashion of a decade 1970s. pdf

Naheed Karimi

This document provides an overview of fashion trends in the 1970s. It discusses the political and social upheavals of the decade, including the Vietnam War, Watergate scandal, women's liberation movement, and rise of terrorism. Nostalgia for earlier eras was popular in fashion. Youth subcultures like skinheads developed distinctive styles. The global economy shifted as manufacturing moved to countries with cheaper labor. Fashion reflected the changing times and social values while nostalgia provided escapism from turmoil.

My magazine

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Glum is a fashion magazine with a pink, white, and blue color scheme that features celebrities like Jennifer Aniston and Cameron Diaz. The magazine covers fashion with additional sections on true stories, interviews, and beauty articles, as well as photos of catwalk trends, horoscopes, and interviews with cover stars. Targeting women ages 18-35 who are interested in fashion and beauty, Glum aims to blend the styles of upscale magazines like Vogue and Elle to appeal to lower middle-class readers.

History of fashion magazines

ReeceJerman

The history of magazines began in 1693 with the publication of Ladies’ Mercury, a one-page weekly aimed at women. In 1770, The Lady’s Magazine launched as the first long-lasting British women's fashion magazine. In the US, Godey's Lady's Book in 1830 and Ladies' Home Journal in 1883 were influential women's magazines. Esquire, published in 1933, was the first major American men's magazine. Today popular magazines cover diverse topics and include National Geographic, founded in 1888 to showcase science and photography, Reader's Digest established in 1922, and Sports Illustrated which began in 1954 focusing on sports coverage. Nearly 600 years after the printing press, magazines continue to educate and entertain global audiences

Bulua Physical Inventory

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The document lists information about various vehicle models, including their engine numbers, colors, and locations in warehouses or compartments. Over 100 vehicles are listed, primarily various models of STX125, SR125, and Crypton vehicles. The majority are located in the Bulua warehouse outside, with some listed in compartment L-1 or L-2 of the Gusa compartment. Colors vary but include red, black, blue and others.

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The evolution of western fashion revised

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This document summarizes the evolution of western women's fashion from the late 1700s to modern day. It discusses how fashion reflected social class in the late 1700s, with wealthy women wearing elaborate dresses and wigs while poorer women wore simpler bonnets and hats. It then outlines changes over time, such as the rise of pants in the late 1800s and their growing acceptance in the 20th century. The document attributes fashion changes to factors like industrialization, women entering the workforce, feminist movements, and globalization enabling cheaper imported clothing.

This document provides an overview of fashion trends from the 1930s through World War II. In the early 1930s, women's fashion featured longer skirts, defined waists, and emphasis on natural curves. Designers like Madeleine Vionnet and Elsa Schiaparelli introduced new styles using bias cuts and surrealist motifs. Sportswear became popular for both men and women. During World War II, fabric was rationed and American designers gained prominence as style was impacted by wartime restrictions.

Chap 14 -Bustle & 90s

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Chapter 13 Crinoline Period

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The document provides a detailed overview of women's and men's fashion during the Crinoline Period from 1850 to 1869. It includes: 1) A timeline of important events from 1850-1869 that influenced styles of the period. 2) Descriptions of the typical layers of women's undergarments and dresses, including the introduction of hoopskirts/crinolines in 1857 that made skirts wider. 3) Details on men's styles including shirts, trousers, vests, and outerwear. 4) Notes on changes to the fashionable silhouette over the decade, including a higher waistline and fullness moved more to the back by the late 1860s.

The evolution of western fashion

jessicalydiaf

This document analyzes the evolution of western women's fashion from the late 1700s to modern day. It discusses how fashion reflected social class in the late 1700s, with wealthy women wearing elaborate wigs and dresses. In the 1800s, the industrial revolution made clothing more widely available and styles became slimmer. Women began wearing pants for work in the late 1800s and 1970s. Globalization has made western clothing cheaper by producing garments in other countries. Overall, women's fashion has become more comfortable and practical as their social roles have expanded.

the_1980s_and_1990s book

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This document provides an overview of fashion trends in the 1980s and 1990s. It discusses how the conservative political climate of the times influenced fashion to take on more sober, businesslike styles. The 1980s saw the rise of power dressing for women, with padded shoulders and dark, tailored suits. Evening wear from the decade combined feminine details with slick styling. The 1990s brought more minimalist, casual styles as a reaction against 1980s excess. The document examines high fashion, mainstream trends, and style tribes to paint a picture of the period's clothing.

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American Vogue presentation

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December 1892 saw the release of the first issue of American Vogue as a weekly society journal in New York. In 1909, Condé Nast acquired the magazine and transformed it into a monthly publication with more pages aimed at women readers. Notable editors of Vogue over the decades included Edna Woolman Chase from 1914 to 1952 and Diana Vreeland from 1963 to 1971. The magazine has continued to influence fashion trends and set standards over its 120-year history.

All about the '30s

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Women's fashion in the 1930s included newly designed skirts compared to 1920s styles, as well as fur outerwear. Men wore shirts without undershirts to emulate movie stars and single or double breasted jackets. During the Great Depression, people could only afford used clothing as the economy suffered without jobs. Franklin Roosevelt was president and created programs like the WPA to provide employment while the country recovered. Entertainment included listening to the radio, especially FDR's speeches, as well as movies like The Wizard of Oz.

European fashion & american fashion

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This document provides an overview of fashion trends and styles throughout history in Europe and America. It discusses how fashion has been defined and how it has changed from the 18th century to present day. Key points covered include the evolution of men's and women's clothing styles over time, including the adoption of pants by women in the early 1900s. The document also notes how global influences and increased travel have impacted fashion design in the 20th century and how 21st century fashion is used for self-expression.

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crfederman

During the 1920s in the United States, women's fashion and ideals were changing as they moved away from traditional standards of femininity. Women began wearing shorter skirts and bobbed hair, using cosmetics more openly, and embracing a new "flapper" lifestyle focused on independence and pleasure rather than purity and domesticity. This feminist revolution in the 1920s reshaped American culture and gender norms for years to come.

"Happy 100th Birthday Vogue"

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British Vogue has been published since 1916 and documents British culture through its photos and stories. To celebrate its 100th anniversary, the National Portrait Gallery is holding an exhibition called "Vogue 100: A Century of Style" that features the magazine's iconic photographs from the past century. The exhibition chronicles the remarkable archive of work produced for British Vogue and tells the story of one of the world's most influential magazines.

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This document summarizes fashion, art, music, and culture during the period of 1957-1967. Key events included the rise of youth culture and new styles of dress influenced by designers like Mary Quant. Technological changes like jet travel made the world smaller. In art, pop art rose to prominence through the work of Andy Warhol. Major fashion influences included shifts to miniskirts, pantsuits for women, and new silhouettes from Courreges. Icons of the era included Jackie Kennedy, Twiggy, and The Beatles.

1.1 Origin of fashion.pptx

preethikalaxmanan

This document discusses the history and development of fashion. It covers the origins of fashion in the 1400s when clothes became more ornamental and were used to display status. Fashion started in royal courts and trickled down to commoners over 10 years. Paris became the fashion center and fashion dolls/magazines helped spread trends. Now, fashion news spreads more quickly and royalty are no longer the sole leaders in fashion.

Cotton Etc

guest0b6808

The document discusses the rise of cotton fashion from the late 18th century to the mid-19th century, tracing how cotton grew from a luxury good to a staple crop and how it drove major industrial and social changes. It notes how cotton clothing became more affordable and accessible, driving demand from the working classes. The cotton industry became the world's first major industry, centered in Lancashire, England. It also discusses the role of the East India Company in the cotton trade with India and Britain's growing colonial dominance in the subcontinent.

Fashion In 60S Essay Example

Help With Paper Writing University of Wisconsin-Green Bay

The document discusses how fashion has changed significantly over time, influenced by factors like society, culture, gender, and politics. Different eras saw drastic changes in clothing styles, materials, and designs that characterized the cultures wearing those fashions. Some notable shifts included Christian Dior introducing the "New Look" in 1947 that brought luxury and formal styles, and the 1950s-1960s being a transformative time as new generations gained their own styles influenced by films and music.

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lavoriscuola

Fashion in the contemporary age is characterized by a return to minimalism starting in the late 1990s. This minimalist yet stylish trend included casual clothing like T-shirts, jeans, hoodies, and sneakers that has continued into the 21st century. Traditionally, the contemporary age is considered to have begun with the French Revolution in 1789, which introduced principles of political and economic liberty that shaped the modern world.

7 Cotton Etc

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1. In the late 18th century, cotton fashion became more widespread and accessible to lower classes in Britain due to cheaper cotton goods. This led to a fashion revolution where dress was no longer just for the elite. 2. The cotton industry grew tremendously due to inventions like the cotton gin, driving Britain's Industrial Revolution. Mills popped up across northern England and cotton became known as "King Cotton", dominating towns and the economy. 3. Britain's huge cotton industry drove its triangular trade and later abolition movement. It relied on slave-picked cotton from America and campaigned against slavery.

7 Cotton Etc

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1. In the late 18th century, cotton fashion became more widespread and accessible to lower classes in Britain due to the growing cotton industry. Cheap cotton goods allowed servants and poorer people to imitate upper-class fashion. 2. The cotton industry was powered first by water mills and then steam engines, driving technological innovations and factory growth. Major figures like Arkwright established the first cotton mills. 3. By the mid-19th century, Britain dominated the global cotton industry and was importing cotton from the American South, becoming dependent on the crop. This dependence influenced British policy during the American Civil War.

Industrial Revolution

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The Industrial Revolution had widespread impacts on many aspects of life, including fashion. As textile manufacturing advanced through inventions like the spinning jenny and power loom, clothing became more affordable and widely available. This led fashion to become more accessible across social classes. Early factory-produced clothing was uniform, but as the 1800s progressed, people began expressing individuality through accessories and bolder colors/patterns. The rise of magazines further popularized different styles. Overall, the Industrial Revolution mass-produced clothing and helped launch fashion into becoming a widespread industry.

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Designers use five basic elements - color, shape, texture, fall and line - to create different styles. Over the years, options within these elements have multiplied. In ancient Egypt, linen was widely worn and helped establish an enduring style. During the Roman Empire, wealthy individuals could afford imported silk and expensive dyed wool, which allowed for varied colorful garments. The Industrial Revolution increased production and lowered costs, making fashionable clothing accessible to more social classes.

一比一原版美国俄亥俄大学毕业证（OU学位证）如何办理

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原件一模一样【微信：WP101A】【美国俄亥俄大学毕业证（OU学位证）成绩单】【微信：WP101A】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。【业务选择办理准则】一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信：WP101A】文凭即可二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：WP101A】即可三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。留信网认证的作用: 1:该专业认证可证明留学生真实身份【微信：WP101A】 2:同时对留学生所学专业登记给予评定 3:国家专业人才认证中心颁发入库证书 4:这个认证书并且可以归档倒地方 5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息 6:个人职称评审加20分 7:个人信誉贷款加10分 8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才 → 【关于价格问题（保证一手价格）我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子我给客户的都是第一手的代理价格，因为我想坦诚对待大家不想跟大家在价格方面浪费时间对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！办理美国俄亥俄大学毕业证（OU学位证）学位证【微信：WP101A 】外观非常精致，由特殊纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。办理美国俄亥俄大学毕业证（OU学位证）学位证【微信：WP101A 】格式相对统一，各专业都有相应的模板。通常包括以下部分：校徽：象征着学校的荣誉和传承。校名:学校英文全称授予学位：本部分将注明获得的具体学位名称。毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。办理美国俄亥俄大学毕业证（OU学位证）学位证【微信：WP101A 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。综上所述，办理美国俄亥俄大学毕业证（OU学位证）学位证【微信：WP101A 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。

Navigating the World of Topsoil: A Guide to the Right Choice for Your Garden

nerissacampuzano

Are you looking to improve your garden's health but unsure about which topsoil to choose? This PPT provides insights into selecting the right topsoil for your gardening needs. From understanding various types of topsoil to evaluating their benefits, this resource equips you with the essential knowledge to make an informed decision. Explore to learn more. Click to know more - https://mulchpros.com/blog/navigating-the-world-of-topsoil-a-guide-to-the-right-choice-for-your-garden/

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一比一原版(UoL毕业证)伦敦大学毕业证如何办理

快速办理(加拿大CBU毕业证书)卡普顿大学毕业证毕业完成信一模一样

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1. History of Fashion &Design By: Sara Ehmer http://www.flickr.com/photos/30485374@N02/2938381180

4. 1900s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

5. http://www.flickr.com/photos/29114895@N00/3389263872

6. Paul Poiret Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print.

8. 1920s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. http://www.flickr.com/photos/21233184@N02/3323068260 http://www.flickr.com/photos/99651925@N00/514768040

9. Louise Boulanger Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

10. Coco Chanel http://www.flickr.com/photos/50318388@N00/1164078780 Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

11. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

12. 1930s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. http://www.flickr.com/photos/21233184@N02/3617199137 Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

13. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

14. http://www.flickr.com/photos/84387357@N00/524004378 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

15. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

16. Claire McCardell 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

17.

18. Christian Dior 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print.

19.

20. 1950s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

21. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

22. Anne Fogarty 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

23. http://www.flickr.com/photos/21233184@N02/4226436854 1960s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

24. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. http://www.flickr.com/photos/21233184@N02/4265726175

25. André Courrèges 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231.

26. 1970s Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New Yor N.Y.: Fairchild Publications, 1975. Print. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

27.

28. 1980s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. http://www.flickr.com/photos/7630878@N03/3970172262

29. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

30. 1990s 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

31. 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print.

32. 2000-2010 ‘’This is a time when boys and girls look good in everything. They’re impossibly perfect in every way. ‘’ (Ben Reardon, Editor of H&M Magazine) 1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. "Teenage Taeover." H&M Magazine 2009: 79-80. Print.

33. Fashion Designing Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. http://www.flickr.com/photos/92119253@N00/4270830185

34. http://www.flickr.com/photos/29635150@N00/2386379965 Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. http://www.flickr.com/photos/57917705@N00/109354577

35. Scetching

36. Project Runway Patterns

37. My Inspiration

38. Pamplemousse

39.

40. Operation SchooL Bell “Two small brothers share one pair of pants, so each child can attend school when it's his turn to wear them.” (OSB)

41. http://www.flickr.com/photos/12519225@N03/2283266775

42. Works Cited "1801 to the Present." The Greenwood Encyclopedia of Clothing through World History. Ed. Jill Condra. Vol. 3. Westport, CT: Greenwood Press, 2008. 113-231. Print. Gold, Annalee. Seventy Years of Fashion. Illus. Richard Thornton. New York, N.Y.: Fairchild Publications, 1975. Print. Pendergast, Sara, and Tom Pendergast. "Clothing." Fashion, Costume and Culture. Ed. Sarah Hermsen. Vol. 5. Farmington Hills, MI: The Gale Group, Inc., 2004. 847-61. Print. "Teenage Takeover." H&M Magazine 2009: 79-80. Print. Jarnow, Jeannette A., Beatrice Judelle, and Miriam Guerreiro. Inside the Fashion Business. 3rd ed. Canada: John Wiley & Sons, 1965. Print. Copley. "Going Back to go Forward in Fashion." Copley News Service (2000): 3. SIRS Discoverer. Web. 10 Nov. 2009. <http://wf2dnvr17.webfeat.org:80/>.

43. Sampson, Pamela. "Yves Saint Laurent Ends Fashionable Era." Daily Camera: n. pag. SIRS Discoverer. Web. 10 Nov. 2009. <http://wf2dnvr17.webfeat.org:80/>. Jackson, Tim, and David Shaw. Mastering Fashion Buying and Merchandising Management. New York, N.Y.: PALGRAVE, 2001. Print.

Editor's Notes

My fascination with sewing and creating has inspired me to follow my families past. Through the art of creating garments, Iwill demonstrate the main reason for my interest in fashion. Fashion crosses gender, age and cultural lines. Everyone in the world has the opportunity to dress and feel good about themselves. Fashion gives one the opportunity to feel confident and feel the urge to express themselves through what they wear. Fashioncan allow anyone to be confident and this confidence promotes a strong, positive self-assuredness.
Ever since I was twelve years old, I have always had a passion for fashion. The main reason for my interest in fashion is because it is everywhere you look; it surrounds us. My grandmother has made her own clothing throughout her entire life. My mother then took after her and learned how to sew and continues to sew to this day. Now, this fascination with sewing and creating has inspired me to follow my mother and grandmothers path.
-During this time period Paris was the center of the Fashion World. The 1900s was the age of elegance when designers used rich, beautiful fabric. Most dresses were made with gorgeous fabrics, designers also used intriquete detail as well as a feminine softness.-In 1913 there was a drastic change in silhouette. The skirt became straight, tight at the hemline (or the bottom) and clothes looked a lot more sophisticated.-In 1919, French dressmakers attempted the shorter skirt look, but Americans stayed with the more conservitive lower line.
The most popular types of fabrics used during this time period were chiffon and lace.
Paul Poiret was a French desginer. He opened his own shop in 1904. After WWI, he took a daring approach on fashion, making him a strong influence in the fashion industry. He created an exotic influence with the clash of colors such as reds, greens, oranges, violets and citrus yellows. He also introduced a new silhouette taken from the eastern part of the world and freed the women from the corset that was very popular during the 1900s. He is very famous for his creation of the lampshade skirt, sheer dresses and dinner dresses.
Paul Poirets Lampshade skirt.
-Rebelliousness was a reaction from the women as a by-product of the war during the 1920s.-A « flapper » was considered a slender, short-haried, short-skirted young women or a « flighty young girl of questionable morals who moved by flex not intentions »-During this time period this was openly allowed, though sometimes they were criticized for their short skirts. -A flat silhouette was conveyed in her dress. (meaning very striaght, no defined waist line)-Worth and Poiret were French designers during this time and put a French spin on American fashion.-As for America, fashions that were upbeat showed a desire to shut out the horrible past of the war. -Black, the symbol of mourning, became a color of CHIC.
In 1929, the designer Louise Boulanger introduced her chiffon evening dresses, short in the font and trailing in the back.
Gabrielle Chanel also known as « Coco Chanel » started to become well known during this time period and is still well known to this day. -She has the reputation of being the first modern dressmaker.-She is remembered for her great contributions -Like the simple jersey two-piece dress and her flowing chiffon evening dresses. -She was one of the first designers to use jersey fabric. -These types of fabrics were popular for the young as well as the old women.-Coco Chanel would mix the real couture clothing with fake jewelry which would make the look more modern. Chanel’s clothing was simple, though all of the work was put into the detail, which included the cut, the fabric and just how she incorporated her own way of life. -Chanel began her love for the color black because she thought women looked ugly when they worn garish colors. She also used horizontal stripes in her sweaters as well as for her beaded evening gowns.
-Gabrielle Chanel came back to Paris courture in 1954, 15 years later, with her first collection. She created a women suit that was simple but full of casualness and formality. She hemed her suit jackets with metal chains which would allow the fabric to lay beautifully. They were made of scotch tweed and wools in navy, black, blush pink, cream and white. These suits remained fashionable until the 1980s.
During this time period, the United States was going through the « Great Depression. » and there was a global depression and poor economies world wide. -By the end of the 1920s, hemlines dropped and grew to be more feminine again and the « dertermined waistline » reappeared. -American movies had a global influence on how women wore their dresses. Movie stars gave off the ideal 1930s silhouette. -The shape was increasingly womenly than girlish. The shape was very triangular, emphasizing the shoulders and skimmed the body in a narrow sheath. -Height was a new trend that women valued, therefore they would wear small hats and narrow skirts, visually lengthening the body. -Another trend of the 1930s featured a bare back, usually to a point below the waist. -By the end of the 1930s, skirt lines were creeping back up to the knee and waistlines were becoming more and more defined. After World War II began, styles started to become more simplified.
Trousers-long dress pants-gave a transition point between short dresses from the 1920s. They offered comfort and work outside of the family for women.
-Because of World War II, it brought many restrictions to the fashion industries during the 1940s. General limitations that were forbiden in the United States consisted of: 1. woolen wraps 2. evening dresses 3. bias-cut dresses and skirts 4. full sleevesThe main reasons these restrictions were because they took up a lot of fabric that was not necessary.-From 1941-1945 the shortwaist dress became very popular. It became a womens basic working dress. Dresses really stressed the waistline because of the restrictions on fabric and trims. -Necklines were cut high and very conservative making it feel similar to military clothing. -Most women would wear scarves and jewelry to take away from their clothing. -Fabrics such as nylon and silk were desired materials used for the miliary, therefore they no longer were allowed to used this fabric. -Also, during the war many couturiers closed their shops, but stayed in Paris and continued to work. -During the war, the American market closed off all French imports, so an American style of clothing was created. -During the war, wealthy women continued to dress well, but would not wear the rich fabrics they used to wear. -Women would dress for their own sence of style and comfort For example, they would sew pockets onto a dress instead of carrying a purse. -Designers started to make fashions more simply and easy to put on and off.
During this time, women would look to American’s « Vogue » for what to wear and it began to become very popular which offered new American style that was sporty, confident, independent and patriotic.
Claire McCardellwas a famous Americansportswear designer. From the restrictions of the war, she faced the problems head-on and produced things such as ballet flats out of a variety of textiles to match with her clothing. She used cheap materials most desginers would not think of, such as plaids and denim. Most of her clothing designs flattered women of all sizes and body types. Her designs were made up of soft and feminine looks for young women. Her famous design was called the « popover » was created for women who had to work during the day and then come home to make dinner and did not have the time to change. She also made the clothes durable to be washed multiple times and easy to iron.
« Popover »
Afterthe war, Christian Dior began us on a new type of dress design. In 1947, his first collection, which introduced the « new look » which created feminine curves with small waists and full, longer skirts. The New Look dominanted the fashion world for several years. In Diors later years, he created an evening chemise or gown with a low back made of beads.
1940sDior created a dress by the name of the « Trapeze. » It was unbelted which widened into a flare with a fitted bosom.
-In the 1950s, skirtlines slimmed. A lot of dresses with the casual shirt-dress look was popular with push-up sleeves. -Women during the 1950s wanted to dress right. So they would have certain fabrics that they would wear day and night and women looked to magazines for what to wear during the day and what to wear at night. -Once the war was over, new silhouettes poured into the decade from 1950 to 1960. -In 1954, the high Empire-line (empire waist) was created which gave the top of the body an unfitted ease. -1957-huge revolution in fashion -A new creation called the « sack » dress Which was a loose, unbelted dress created by Balenciaga and Givenchy, but the style died away quickly. -In 1959 a famous dress design was created called the « costume » which was a simple straight dress that came along with a small jacket. -Most of these pieces came in black and white which was considered very chic. -Also, in 1959 the kimono top and a wide obi sash came into style which was influenced in Paris and the United States from the far east. -Cars started to play an important role in the 1950s and the cost of cars were just as expensive as outfits.
The great designer « Cristobal Balenciaga » was acknowledged during this time period. His looks consisted of close to the body dresses but then easy and straight in the back. Necklines were pushed away from the neck and he created a soft round shoulder look with short sleeves.
Anne Fogarty’s stood out the most in 1955 when she created the « Paper Doll » look with a bouffant crinoline petticoat under short fuller skirts with small shirt tops and a crinched belt.
-Very liked during the 1960s was a sleeveless and loose, high necked cut, two piece outfit. Balenciaga and Givenchy, created the slim skirt made of brillant solid colors that could be worn for all seasons. -Skirt hemlines continue to shorten in the 60s and skirts that went above the thigh were called the « micro-mini. » -In 1968, the dress that became well liked was the ruffled front chemise. It was like a little girl look which was made of sheer silk. The see through look of sheer fabrics was also developed during 1968. -With the start of a new decade, technology was changing. Music, arts, films and television was influening everything. -By the 1960s there was no defined look for women; fashion was becoming more diverse. -Clothes during the 60s were casual, relaxed, and fun which began to be accepted. -Many designers experimented with colors during this time and also used new and different fabrics such as vinyl and synthetic fabrics. -The silhouette of the 60s was the A-line cut of the skirt. -The First Lady Jacqueline Kennedy was a large fashion icon during the 1960s with her gloves, pill boxed hats and her empire waist dresses.
Diversity between women and mens clothings was amoung this new decade. Pants were starting to be worn by women which send fashion through a different door. Women were demanding that pants should start to be considered a feminine fashion.
In the year 1965, André Courrèges introduced his new line of mini skirts.
-This decade consisted of a lot of transitions. -Since the 60s to the 70s, individualism was borned and was continuing to increase. -In 1972, the t-shirt dress was very popular which was made from polyester jersey. Often, younger desginers would associate with these type of designs. -The shirt-coatdress was well liked as well as a caftan dress which exposed the caf with a large slit on the side of the dress. -In 1973 stitching on the sleeves was popular as well as loose and soft silhouettes with eased waistlines. -The silhouette of the 1970s was of drapping fabrics that hugged curves of the body. -Movies and television had a large influence on fashion during the 70s. -In the 70s, popular cartoons began to be printed on t-shirts and other clothing which lasted until around the 90s. -Designers began to place their names on simply clothing such as jeans and t-shirts. -In 1974 the world of couture fashion was nearly crushed because of the international oil crisis. As the world of couture was changing, designers needed to change with it. A lot of press during the 1970s said that fashion was « dead » -During the 1970s, designers went back to wool, jute and other normal fabrics they have used in the past decades. -Trousers and pants for women took off and became a everyday piece to wear. Bell-bottomed pants were very popular up until 1976.
1970sCoastdressTwiggy a 1970s fashion icon.
-Branding became extremely popular in the 1980s. Most designers began to expand their name by labeling fragrances and cosmetics. -The biggest development of the 1980s was the brands that were set at reasonable prices for consumers such as DKNY, Calvin Klein, Versace, and Giorgio Armani. -Popular clothes of the 80s included: -leotards -leg warmers -wrist guards -headbands -cropped tops -These all derived from dance wear. Most of this dance wear was taken to the streets and were worn in bright colors. - During the 1980s, there was an exercise obsession, therefore, many people would bring gym style to the streets.
-Many fashions in the 1980s were very body-conscious, meaning that they were skintight. -Trends were becoming more personal and people would create their own individual style. Broad shoulders were very popular also during this time which was conveyed through shoulder pads.
Accessto the World Wide Web was available to everyone. Designers such as Gucci and other department stores created their own websites were customers could look at merchandize and soon could purchase clothing online. -On the television, people could watch fashion shows from Paris, Milan or New York. -Fashion began to be set by a persons lifestyle and age. -In the late 1990s, Louis Vuitton, a luggage maker, began to create his label. His collections were sexy, youthful and elegant. Louis Vuiton continues to grow even to this day as well as Marc Jacobs who is famous designer today and is known for his numerous boutiques around the world with his ready-to-wear clothing line. -Also, brand names such as Dolce and Gabbana and Prada created high-style collections in the late 1990s.
-In the 90s, « style tribes » were invented. -Grunge -Hip Hop -Cyberpunk The Punk style is shown is this picture.
-Fashions in the 20th century until now have just been mixed from high style to low; street to runway; sportswear to formal wear. -Nowadays, teens are the go-to girls to find out what to wear and how we should be wearing things in the many years ahead. -Girls these days are the ones to inspire new looks and trends for the future. ‘’This is a time when boys and girls look good in everything. They’re impossibly perfect in every way. ‘’ (Ben Reardon, Editor)
Fashion Designers have very specific tasks to fulfill. Some of them include: -Attending different fashion events for inspiration and motivation. -They can then determine what direction to go with color, fabrics, styling and prints. -They can target a specific country to get the style or inspiration they need. -They also read fashion magazines where they can get other views on the fashion world. -The fabric of any garment is key to designing as well as the color and the finish of the fabric. -Designers also have to consider the cost of the outfit.
-The design process from the initial design to the final production takes between 18 and 24 months. -The first step in creating a design is researching current fashion and making predictions about future trends. -Designers must indicate what styles, colors, and fabrics will be popular for a particular season in the future. A lot of designers also get their creative ideas from what is around them. Traveling to certain areas around the world allows designers to think outside the box which gives designers the ideas they come up with today.
One step of the designing process is creating an image of the look and scetching it. These are two of my own scetches that I created for three of my pieces.
By using project runway patterns for my 10 garments,I was able to create clothing of my own while using a guide to creating modern pieces. I would cut my fabric along the pattern and as I would sew, I would alter the garment to accomidate my final vision or how I intended the piece to look. I really only used the patterns for the basic size and shape process. I used simplistic patterns but then used expensive fabric which helped to make the garment look more luxurious and chic.For one garment, I combined pattern pieces from two different patterns to create of a more original piece. A lot of the fabrics I used for the garments are cottons and linens. Most of my clothing are from the same pattern and then I used different fabrics which would give a completely new look. Since I usually where black myself, I wanted to stay away from black considering this is a spring line, so I used a lot of color and some florals are mixed in as well.
-My inspiration mainly comes from actress and fashion icon, Audrey Hepburn. -She always worn very safisticated garments that were very simple and clean cut, but fashionable. -For the photo shoots, I looked to magazines and I tried to mock similar setting as well as poses. The time periods that I incorporated into my line are the 40s which focused on structure as well as the 50s which focused on the petit waist line.
My fashion line is called Pamplemousse which means grapefruit in French.After hours of searching for a name that fit my line, I finally choose Pamplemousse, mainly because it looks and sounds high fashion and I thought it fit my line because its fresh and is ready to wear clothing for spring! Also, grapefruits remind me of the warm weather and of colorful, floral settings and that is the basis of my line.
Flyer for the Fashion Show
Operation School Bell is an organization that clothes young children who can not afford clothing for school. Every $85 that is donated to this organization gets one child the following: -a jacket -a pair of shoes -5 pairs of socks -5 sets of underwear with two bras -3 pairs of pants or skirts -4 polo shirts -a belt -an additional casual outfit -a grooming kit -some school supplies -and additional new clothing-This organization is located in California. During the 2006-2007 school year, Operation school bell served 5,500 school children.-Aftermy fashion show, I raised $175 for the children at Operation School Bell. Therefore, I can supply clothing for two children. -Over the past few months, I have been staying in contact with a representative from Operation School Bell who is very appreciative that I decided to use the children at Operation School Bell as beneficiaries of my fundraiser and she told me that they are going to put my story in their next newsletter! She even sent my story to their chairman at Operation School Bell who congratulated me via email and told me how honored she was to hear all about my success and hard work.Quote: This just shows how some children can’t even attend school just because they can’t afford clothing.
Hand out a piece of scrap fabric to each student as well as a needle and thread. Steps: 1. Thread the needle. 2. Depending on how thick the fabric or the quality of the hand stitch, double or single knot the thread. 3. Place the button on the fabric. 4. From the back of the fabric, bring the needle up through the hole of the button. 5. Continue until button is secure. 6. Bring needle to the back of the fabric. 7. Knot through a small chuck of the fabric. 8. Cut the thread. 9. Tie three knots by hand. 10. Done! Final product.
In conclusion, fashion is very cycilcle. There are very few fashion trends that go out of style forever. The majority of trends come back with mild alterations to the original look. Fashion can be determined by the worlds economic situations as well as the policitical outlook and can influence the styles in clothing, materials used as well as the duration of the trend.

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Editor's Notes