The document discusses plans to build the SFJAZZ Center in San Francisco through a $60 million fundraising campaign called "The World is Listening." It will establish SFJAZZ as a permanent home for jazz alongside other major arts institutions. The campaign aims to ensure the center opens in 2012 and remains a sustainable focal point for jazz. It also discusses why jazz is an important American art form that deserves recognition and preservation through education.

1. THE WORLD IS LISTENING:
Campaign for the SFJAZ Z Center

2. Just a few of the amazing musicians who have performed with SFJAZZ We have a dream — to build the SFJAZZ Center.
With this spectacular new building, SFJAZZ will
take its place, alongside the Symphony, the Opera
TOmmy FLAnAgAn SOnny ROLLInS mARC RIBOT PAOLO COnTE ChAnO DOmínguEZ BILL ChARLAP and other major institutions, as a permanent home for
POnChO SAnChEZ hAnk CRAWFORD mARIO BAuZÁ RAmSEy LEWIS ChICk COREA STAnLEy CLARkE jazz — America’s original, indigenous art form. It will
TOny WILLIAmS kuRT ELLIng LADySmITh BLACk mAmBAZO BILL FRISELL WORLD SAxOPhOnE QuARTET
hERBIE hAnCOCk DAvE BRuBECk mEShELL nDgEOCELLO ORnETTE COLEmAn mERLE hAggARD
transform our organization, which already plays a
gERALD WILSOn RIChARD gALLIAnO DOC ChEAThAm JAmES CARTER CESARIA EvORA DR. LOnnIE SmITh significant role in the Bay Area’s cultural landscape.
JOhnny FRIgO JOhn ZORn mARC AnThOny CAChAO EDDIE PALmIERI yuSEF LATEEF JEAn-LuC POnTy The campaign, called The World is Listening, aims to
SAvIOn gLOvER LOuIE BELLSOn mARIZA TOmASZ STAnkO ALLEn TOuSSAInT SLIDE hAmPTOn raise $60 million. It provides a comprehensive roadmap
ROSEmARy CLOOnEy PAT mEThEny PACO DE LuCíA JImmy hEATh STAnTOn mOORE CECIL TAyLOR
to ensure the SFJAZZ Center opens its doors in 2012
ILLInOIS JACQuET kEnny BuRRELL nAnCy WILSOn PAQuITO D’RIvERA BIg JOhn PATTOn DICk hymAn
kROnOS QuARTET JImmy SmITh JOÃO gILBERTO DAvID muRRAy JIm hALL CELIA CRuZ JOhn hAnDy and remains a vibrant and sustainable focal point
BOBBy huTChERSOn TOShIkO AkIyOShI CASSAnDRA WILSOn gEORgE ShEARIng ROy hAynES for jazz going forward.
JOhnny OTIS JACk DeJOhnETTE mIChAEL BRECkER J.J. JOhnSOn gERRy muLLIgAn BRAnFORD mARSALIS
AnDREW hILL mARCuS ROBERTS mARy STALLIngS JAy mCShAnn TEREnCE BLAnChARD OJOS DE BRuJO
ChRIS BOTTI mODERn JAZZ QuARTET DIZZy gILLESPIE mOSE ALLISOn LOu RAWLS ChICO O’FARRILL
THE WORLD IS LISTENING:
JOE LOvAnO TITO PuEnTE ARTuRO SAnDOvAL nAT ADDERLEy JOE ZAWInuL DEE DEE BRIDgEWATER
Campaign for the SFJAZ Z Center
JImmy SCOTT mARCuS mILLER JOEy DeFRAnCESCO RAvI ShAnkAR JACk mcDuFF AhmAD JAmAL
ThE BLInD BOyS OF ALABAmA TuRk muRPhy REgInA CARTER mEDESkI, mARTIn & WOOD
mARk muRPhy PhAROAh SAnDERS BRAD mEhLDAu ALI AkBAR khAn BILLy hIggInS JAmES COTTOn
ALLA RAkhA JAnE IRA BLOOm AngELIQuE kIDJO mILTOn nASCImEnTO TOny BEnnETT JOhn SAnTOS
JOhn LEE hOOkER ChuChO vALDéS CARLA BLEy SALIF kEITA TERRy RILEy ChARLES LLOyD CAETAnO vELOSO
ELvIn JOnES JOE hEnDERSOn gOnZALO RuBALCABA mcCOy TynER JOShuA REDmAn LARRy gOLDIngS
ChARLIE hunTER nAnÁ vASCOnCELOS SOLOmOn BuRkE kEnny BARROn WAynE ShORTER mAx ROACh
JImmy mcgRIFF PRESERvATIOn hALL JAZZ BAnD DAvID SAnBORn ETTA JAmES TOOTS ThIELEmAnS
DAvID SÁnChEZ CARLOS SAnTAnA ZAkIR huSSAIn STEFOn hARRIS ChRISTIAn mcBRIDE kEITh JARRETT
JOhn mcLAughLIn JOn hEnDRICkS PAT mARTInO DIAnnE REEvES mARIAn mcPARTLAnD DOn ChERRy
BOBBy mcFERRIn ESBJÖRn SvEnSSOn JASOn mORAn mAvIS STAPLES mADELEInE PEyROux
gARy BuRTOn mAkOTO OZOnE ChRIS POTTER vIJAy IyER BEnny CARTER gERI ALLEn ELLIS mARSALIS
hugh mASEkELA gILBERTO gIL ABBEy LInCOLn JAmES “BLOOD” uLmER TOumAnI DIABATé DOn ByROn
JOhn SCOFIELD EL gRAn COmBO AL DI mEOLA RAnDy WESTOn PhILIP gLASS PhIL WOODS
WynTOn mARSALIS kEB’ mO’ ChARLES BROWn TAJ mAhAL DAvID gRISmAn LOu DOnALDSOn Most of the artists appearing within were photographed during SFJAZZ performances. All illustrations
mIChEL CAmILO BuDDy guy BETTy CARTER ROy hARgROvE DAvE hOLLAnD yOuSSOu n’DOuR of the SFJAZZ Center are artist renderings for conceptual purposes only. They are the property of
Mark Cavagnero Associates or Propp+Guerin and may not be used in any form without express
BuEnA vISTA SOCIAL CLuB DIAnA kRALL hERmETO PASCOAL ChARLIE hADEn nIChOLAS PAyTOn written permission from SFJAZZ.
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3. Why jazz is important
Jazz is thrilling. It is amazing, exhilarating
and thought-provoking music. Jazz stirs
emotions of all kinds, deep within the
heart, mind and soul. The influence of
jazz is felt worldwide, upgrading the
quality of all related forms of music. Jazz
is truly a vibrant art form and deserves
a special place in our culture. here are
michelle Obama’s thoughts on the matter:
“globally recognized as America’s music,
originating in the great city of new
Orleans just a century ago through the
African American experience, today jazz
is performed and listened to by people
of all ethnicities, backgrounds, ages and Taj mahal Bobby mcFerrin
creeds. Indeed, jazz is considered by
many to be America’s greatest artistic
gift to the world.
The understanding and appreciation
of jazz is integral to understanding
and appreciating American history and
culture. It’s an outstanding artistic model
of individual expression, and democratic
expression as well. And there’s probably
no better example of democracy than a “For the first time, jazz in America will
jazz ensemble: individual freedom, but have a counterpart to the symphony
hall, an edifice that proclaims the
with responsibility to the group.
value of jazz to anyone who sees
it on the street.”
It’s essential that we preserve, develop
and expand this treasured art form for — The Chicago Tribune
our future generations by recognizing
and elevating the importance of our
jazz education programs in every single
school across America.”
— First Lady michelle Obama, 2009
Joshua Redman hiromi uehara
2 3

4. Campaign Objectives
With the World is Listening campaign,
SFJAZZ looks back on three decades of jazz
heritage while providing fertile ground for
“The new home of SFJAZZ is not only musicians and audiences going forward. The
an important development for a vital campaign will raise $60 million over the next
organization in our city; it’s also a three years, with linked objectives in facility
welcome addition to the rich cultural construction, endowment and program
fabric of San Francisco.” support. here are the goals:
— Mayor Gavin Newsom
• SFJAZZ Facility: Raise $50 million to
build the SFJAZZ Center, a permanent
home and dedicated jazz performance
space, in order to cultivate audiences
and foster future generations of
jazz musicians.
herbie hancock Ana moura
• SFJAZZ Endowment: Raise $10 million to
expand the existing SFJAZZ Endowment
and provide a permanent source of
operating income.
• SFJAZZ Programs: Double the number of
SFJAZZ members — our devoted Annual
Fund supporters — to increase capacity
for programming and operations.
Designed as a vehicle to transform our
organization, the World is Listening
campaign will enable SFJAZZ to grow
strategically, creating new infrastructure,
programming and financial viability critical
for long-term success.
Ambitious? yes. But the stakes have never
been higher, for the future of our culture
both locally and worldwide.
Dave Brubeck Charles Lloyd John Scofield
4 5

5. The World Listens to SFJAZZ
SFJAZZ is one of the world’s leading presenters of jazz and related
forms of music, with over 100 performances each year. It is also a
nonprofit organization which provides rich and rewarding jazz
education programs for people of all ages. Since our modest
beginnings in 1983 as a three-day event called “Jazz in the City,”
“The #1 jazz festival in the world.” our mission has been to celebrate and explore the full spectrum
— London Observer of jazz, from its origins in the African American community to
its diverse present-day expressions worldwide.
Today, SFJAZZ is one of the largest performing arts organizations in the
Bay Area, presenting internationally acclaimed events that enrich the
cultural landscape and bringing great artists here via the San Francisco
Jazz Festival and the SFJAZZ Spring Season. We also encourage a vibrant
local music scene with our SFJAZZ Summerfest, Discover Jazz and year-
round hotplate programs, featuring stellar Bay Area-based artists.
Ahmad Jamal Richard Bona
All told, more than a million people have attended SFJAZZ concerts
and heard over 10,000 musicians grace our stages — including almost
half of the national Endowment for the Arts (nEA) Jazz masters.
The images on these pages represent a handful of the great artists
who have performed for SFJAZZ. Please see the inside front cover for
a few more — no doubt you will recognize some of the iconic names.
While we are very proud of our deep artistic heritage, it’s clear
that SFJAZZ is far more than just a concert presenter.
John mcLaughlin gal Costa Bobby hutcherson Jazz in the City poster — 1983
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6. SFJAZZ Education —
Keeping the Beat for
Years to Come
Something else that makes SJFAZZ unique “The SFJAZZ Center will expand
is our dedication to nurturing the next SFJAZZ’s education outreach to Bay
generation of musicians — cultivating the Area children and adults through new
dynamic artists who will advance the art of lecture series, additional rehearsal
jazz, and the audiences to hear them. SFJAZZ spaces and opportunities to interact
Education introduces people of all ages to with world-class artists.”
jazz, through a variety of year-round efforts. — Salt Lake City Tribune
• Jazz in the Middle — This program provides
entertaining instruction for middle school
students in San Francisco.
• High School All-Stars — Talented young Family matinee
musicians gain advanced jazz training and
performance opportunities.
• Family Matinees — Children and parents
enjoy lively, interactive performances by
the Bay Area’s finest jazz musicians
and educators.
• Discover Jazz — Colorful courses for adults
dive into the rich mythology and history of
jazz,inspiring lifelong learners.
• Pre-Concert Talks — Rich conversations
with legendary jazz artists take fans
deep inside the music.
Every one of these many programs will
be significantly enhanced with the SFJAZZ
Center, allowing even greater impact on
the community.
SFJAZZ high School All-Stars miguel Zenón at Jazz in the middle
8 9

7. SFJAZZ Collective
We commission the SFJAZZ Collective, our
resident professional ensemble, which is 2009 Small Group Ensemble of the Year
deeply rooted in jazz heritage while creating — Jazz Journalists Association
exciting new possibilities that propel jazz
forward as a living art form.
Launched in 2004, the Collective has become
one of the most critically acclaimed groups
on the international jazz scene. Each year, the
ensemble performs entirely new repertoire, “The SFJAZZ Collective is an egalitarian
consisting of arrangements of a modern wonder, equally concerned with
where the music has been and
jazz master’s works, plus new compositions
where it’s going...” — JazzTimes
by each of the eight Collective members
(commissioned by SFJAZZ). Thus far, they
have tackled the legacies of several jazz giants:
matt Penman and Eric harland
• 2004 — Ornette Coleman
• 2005 — John Coltrane
• 2006 — Herbie Hancock
• 2007 — Thelonious Monk
• 2008 — Wayne Shorter
• 2009 — McCoy Tyner
• 2010 — Horace Silver
During this time, the Collective has featured
an assortment of high-caliber musicians
among its ranks including Bobby hutcherson,
Joe Lovano, Joshua Redman, nicholas Payton,
Dave Douglas, miguel Zenón, Renee Rosnes,
Brian Blade and many others.
multi-CD sets of their live recordings
document the Collective’s extraordinary
evolution, sold via sfjazz.org and digital
downloads at iTunes, Amazon and others.
The SFJAZZ Center will become the
band’s new home.
SFJAZZ Collective SFJAZZ Collective
10 11

8. The SFJAZZ Center — A Beacon for Jazz
By any measure, SFJAZZ is already a world “This building will be a beacon for the
leader and key reference point for jazz future of jazz,” says Randall kline, SFJAZZ
presentation, education and creation. But founder and Executive Artistic Director.
now, we have an extraordinary opportunity “most important, it will offer musicians like
to literally “build” on this legacy and embark the many greats who we’ve presented —
on the next stage of our journey. including nearly every major performer in
jazz and numerous emerging artists —
That’s why we’ve launched The World is a building that embodies the beauty
Listening. The campaign’s centerpiece will of this indigenous art form.”
be the realization of the SFJAZZ Center —
a dedicated jazz performance space and
permanent home to our organization’s
many functions. Led by an anonymous gift “The SFJAZZ Center is ambitious in its
of $20 million, the largest ever given to a vision to present the diverse spectrum
jazz institution, the campaign will raise $50 of jazz in a first-rate facility.”
million toward construction of this facility, — San Francisco Chronicle
plus $10 million to further build the
SFJAZZ Endowment.
12 13

9. Built for Jazz and Education
The SFJAZZ Center will be built specifically for the growth of
jazz music and audiences alike. It will be the first concert hall of
its type in the western united States: a unique, free-standing,
high-quality performance venue with flexible seating and staging
for artists of every stature. It will also include spaces designed for jazz
education, program development and our administrative staff.
Designed by awarding-winning San Francisco architect mark
Cavagnero and ideally located in San Francisco’s vibrant cultural
corridor, the SFJAZZ Center will be comprised of 35,000 square
feet in a transparent, freestanding, LEED gold-Certified structure.
key features of this phenomenal new building:
• State-of-the-art auditorium, adjustable from 350 to 700 seats
• 80-seat multi-purpose ensemble room, for education and
intimate performances
• Rehearsal spaces
• Digital learning lab
• Café at sidewalk level
• Ground floor lobby, retail shop and box office
• SFJAZZ administrative offices
The SFJAZZ Center will provide a world-class facility to foster
development of musicians and audiences alike. At the same time, it
will offer our patrons a strong sense of affiliation, based on having a
physical place in which to congregate — one of the fundamental
elements of success for virtually all other major arts presenters.
Sonny Rollins
14 15

10. Built for Culture and Community
The SFJAZZ Center will provide more than a superb and flexible
concert hall. Located at the corner of Franklin and Fell streets in
the heart of San Francisco’s vibrant hayes valley, the SFJAZZ Center
will be a hub of culture, community and commerce for locals
and tourists alike.
It will take its place alongside world-renowned arts institutions
such as the San Francisco Symphony, San Francisco Opera and
the San Francisco Ballet. Located a short distance from both the
Western Addition and the mission neighborhoods, the SFJAZZ
Center will also be close to its cultural and creative roots in
the African American and Latino communities.
Equally important, this new facility allows for expanded SFJAZZ
educational opportunities, perfectly centralized in the hayes
valley location. In fact, the SFJAZZ Center will be within easy
walking distance of Civic Center Station (home to munI and
BART trains). It will be served by several local bus routes and
equipped with other amenities such as bike racks to promote
low-impact transit. This location was selected to create easy
access and foster a strong jazz community from throughout
the Bay Area and beyond.
As noted by Randall kline, “SFJAZZ ’Center’ is truly the right
name to describe the building that we have in mind. Day and
night, seven days a week, it will be a hub of activity, drawing
jazz fans, musicians, young students and their families, members
“As a long-time supporter of the arts,
and scholars alike, whether to see a show, attend a talk,
I am delighted to welcome this new
rehearse new works, view a jazz-related film or have a
facility to San Francisco.”
meal at our sidewalk café.”
— Speaker Nancy Pelosi
Ecstasy sculpture at Patricia’s green
16 17

11. Built for Tourism, Civic
and Economic Growth
not only will the SFJAZZ Center serve
as a destination that provides the “jazz
thread” in the fabric of hayes valley and
San Francisco performing arts communities,
but it also gives Bay Area residents a
focal point for all things jazz.
Proximity to public transportation and
a great location within the thriving
hayes valley neighborhood ensure
that the SFJAZZ Center will bolster the
local economy by attracting audiences
and business to stores, restaurants and
other commercial developments. It’s no
wonder the hayes valley neighborhood
Association and San Francisco Planning
Commission have enthusiastically
endorsed and approved the project.
The SFJAZZ Center will encourage
tourism among music lovers from
around the world, as does Jazz at
“The addition of the SFJAZZ Center Lincoln Center in new york City. And
provides San Francisco visitors and
for that reason, the San Francisco
residents alike a permanent, year-round
Convention & visitors Bureau has
home to continue to showcase what
already expressed its strong support.
is widely regarded as one of the
world’s finest jazz festivals.”
— Matt Stiker
Executive Vice President
Chief Marketing Officer
SF Convention & Visitors Bureau
18 19

12. Built for Good Business
We currently present over 100 concerts annually in more
than 20 venues around the Bay Area — from Bimbo’s 365
Club and the Palace of Fine Arts to Davies Symphony hall
and the Paramount Theatre. Our reliance on this “nomadic”
patchwork of venue rentals is challenging, expensive and
inefficient. In addition to requiring a great deal of financial
and staff resources to move SFJAZZ events from one location
to another, these venues also vary greatly in terms of
ambiance, acoustics and seating flexibility.
Owning and operating our own building will allow us to
dramatically enhance the audience experience with improved
production, sound, lighting and seating. Fans will have a
centralized place to go for jazz, much like devotees of
the San Francisco Symphony, Opera or Ballet. All of this
Chris Potter Abbey Lincoln
will be accomplished without increasing ticket prices.
Likewise, building a mid-sized venue with flexible seating
capacity will let us tailor our productions and marketing
campaigns, so they are always appropriate in scale
relative to the stature of the artist performing.
Further, SFJAZZ will gain an additional income stream by
renting the venue to other presenters and organizations.
Only in these ways can we ensure our sustainability in this
era of a constantly changing cultural landscape.
“We can look forward to new and
emerging talent to be fostered by
the building of this exciting new
art facility for SFJAZZ.”
— SFGate.com
Poncho Sanchez vijay Iyer
20 21

13. Built for Financial Viability
In addition to raising funds for the SFJAZZ
Center, the World is Listening campaign is
also designed to substantially grow the
existing SFJAZZ Endowment and the ranks
of our current membership. Achieving these “The SFJAZZ Center represents a
objectives will ensure that SFJAZZ has the major transformation for SFJAZZ.”
strong financial viability to remain a beacon — Srinija Srinivasan
for jazz presentation and education. Chair of the SFJAZZ
Board of Trustees
A healthy endowment and a large membership
base support all aspects of SFJAZZ operations:
artistic programming; jazz education; facility and
equipment maintenance; and the retention of
a capable staff.
The endowment sits as the bedrock of our Dianne Reeves
institution, allowing us to think and grow with
the long view in mind. An increased membership
means more than funding alone — it represents
a bigger family of music lovers who will continue
to engage in all that we do.
These initiatives will provide financial stability,
allowing SFJAZZ to weather any economic cycle.
mcCoy Tyner
22 23

14. Built for the Way Forward
no doubt the goals of the World is Listening campaign are ambitious,
especially during this time of great economic challenges.
yet the investment is critical, not only for SFJAZZ but also for the future
of our nation’s culture. Jazz is at a crossroads. It needs an institution
“Everything in the building will
on the West Coast to encompass a century of jazz heritage — while
be adjusted for SFJAZZ’s top
providing a safe haven for musical innovation going forward.
priority: music.”
The SFJAZZ Center, a larger SFJAZZ Endowment and an expanded — The New York Times, Bay Area Blog
SFJAZZ membership will collectively maximize the potential of
SFJAZZ to cultivate artists, nurture talent, inspire audiences, foster
community and celebrate jazz as a living art form. It will provide
jazz musicians a true cornerstone on which to build their touring
schedules throughout the u.S.
We believe SFJAZZ is the ideal institution to create this inclusive,
community-oriented center. here are just a few of the many reasons why:
• A nearly 30-year history as one of the world’s leading jazz presenters
• The continued vision of our founder and Executive Artistic Director
• Upwards of 100,000 attendees at our events each year
• Ongoing financial support from thousands of SFJAZZ
members and donors
• A strong commitment to jazz education, for people of all ages
• An extraordinary and very involved Board of Trustees
• Enthusiastic endorsement from prominent city organizations
• A talented and vibrant staff
• Hundreds of long-standing volunteers
Raul midón Wynton marsalis keith Jarrett Esperanza Spalding
24 25

15. Help Build the Future of SFJAZZ
Artists perform for SFJAZZ because we give them the freedom to
take creative risks and we connect them to large and appreciative
“The upshot will be the elevation audiences. Fans choose SFJAZZ because we deliver modern masters,
of jazz to the same level of cultural emerging artists and brilliant locals. Educators and young people
importance as symphonic classical choose SFJAZZ because we open minds, inspire creativity and help
music, opera, theater and other
develop a lifelong relationship with high-quality music of many kinds.
arts — deserving a steady home
and full facilities for cultivating new
generations of talent. Expect a lot
We have already made extraordinary progress towards realizing
more educational programs, lectures, all our campaign goals, thanks to much hard work and the Brad mehldau
small-scale shows and lots more.” generosity of a few key individuals. here is a snapshot of
our achievements thus far:
— San Francisco Examiner
• Launched the World is Listening campaign, having already
achieved more than half of our financial goal
Wil Blades Savion glover
• Purchased the site at Franklin & Fell
• Devised an elegant and purposeful architectural design
with mark Cavagnero
• Received unanimous approval from the San Francisco
Planning Commission
• Conducted “town hall” meetings and gained community support
• Received coverage from major publications around the world
But, we still have a long way to go, in order to close the deal —
and open the doors to our first planned performance in 2012.
That’s where you come in.
Avishai Cohen SFJAZZ high School All-Stars nicholas Payton
26 27

16. Now it’s Your Turn! Credits Notes
Won’t you join us in supporting the ARCHITECTURE TEAM
SFJAZZ Center architecture & renderings mark Cavagnero Associates
World is Listening campaign? In order SFJAZZ Center theater design Auerbach Pollock Friedlander
to reach our target of breaking ground SFJAZZ Center acoustical design SIA Acoustics, Sam Berkow
in Spring 2011 and opening the doors in PHOTOGRAPHY & ILLUSTRATION Page
Fall 2012, we need your help. SFJAZZ Center marquee
Joshua Redman
Propp+guerin
Walt Denson
1
2
Taj mahal Scott Chernis 3
Bobby mcFerrin mark Brady 3
Please see our Schedule of Recognition hiromi uehara mark Brady 3
Opportunities for contributions of $5,000 herbie hancock mark Brady 4
Ana moura Sun Lee 4
and up. To learn more about The World is Dave Brubeck Sun Lee 4
Listening and opportunities to participate Charles Lloyd James knox 4
John Scofield nick Suttle 5
via cash donations, planned giving and Ahmad Jamal Sun Lee 6
Richard Bona Sun Lee 6
gifts of appreciated stocks and other John mcLaughlin mark Brady 6
assets, please contact kevin Causey. gal Costa Walt Denson 6
Bobby hutcherson Ronald Davis 6
SFJAZZ high School All-Stars Sun Lee 8
SFJAZZ Family matinee Ronald Davis 9
miguel Zenón Christina Ayala 9
SFJAZZ Collective Walt Denson 10
SFJAZZ Collective Walt Denson 11
Eric harland Walt Denson 11
Sonny Rollins Sun Lee 15
Ecstasy sculpture Charles Rubinoff 16
Absinthe restaurant Charles Rubinoff 17
War memorial Opera house Andreas Praefcke 17
munI bus Charles Rubinoff 17
City hall Stephen Betheil 18
hayes & Octavia streetsigns Roland Picasa 18
BART train Shakata ga nai 18
Chris Potter Tamas Talaber 20
Abbey Lincoln Adger W. Cowans 20
Ponco Sanchez Devin Dehaven 20
vijay Iyer hans Speekenbrink 21
Dianne Reeves Sun Lee 23
mcCoy Tyner gene martin 23
Kevin Causey Raul midon
Wynton marsalis
Jurvetson
vân nguyen
24
25
Director of Development keith Jarrett
Esperanza Spalding
Sun Lee
Scott Chernis
25
25
415-283-0306 Wil Blades
Savion glover
Scott Chernis
Ronald Davis
26
26
kcausey@sfjazz.org Avishai Cohen
SFJAZZ high School All-Stars
Walt Denson
Sun Lee
26
26
Brad mehldau mark Brady 27
nicholas Payton Ronald Davis 27
BROCHURE PRODUCTION
mike Charlasch Creative direction, editing & copywriting
kathy Lemmon Copywriting
Ronnie Shapiro Art direction & design
megan mock Design
Teddy hutcherson Production
Lahlouh Printing
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17. San Francisco Jazz Organization
THE WORLD IS LISTENING: Three Embarcadero Center, Lobby Level
Campaign for the SFJAZ Z Center sfjazz.org San Francisco, CA 94111