Susan Benarcik is an installation artist based in New York City. Her work incorporates recycled and sustainable materials like tree limbs, book pages, and wire to create tactile sculptures and installations for both interior and exterior spaces. Benarcik aims to bring equilibrium to the senses through compositions that transform natural elements. She holds a Master's degree from Cranbrook Academy of Art and has received awards from organizations like the Pollock-Krasner Foundation.

1. Susan Benarcik
34 East 23rd St., 4th Fl. • New York NY 10010 • www.susanbenarcik.com

2. Bio
Susan Benarcik is an installation artist and surface designer based in New York City. Her work is
exhibited across the country in private collections, sculpture parks and museums such as the Brooklyn
Botanic Garden, Lyman Allyn Art Museum and the Delaware Center Contemporary Art. The artist is
the recipient of a 2009 Pollock-Krasner Foundation Award, and the 2006 E. Avery Draper Award for
Outstanding Craft Exhibition at the DCCA.
Evidencing a fondness and respect for honest and simple materials, Benarcik incorporates both recycled
and newly manufactured sustainable materials into highly tactile and evocative contemplative compositions.
The artist’s concern for the environment is made evident as she takes elemental forms of the natural world
and carefully transforms them by stacking, stringing, layering, knotting, and weaving them into dimensional
sculpture for public and private spaces. These interior and exterior compositions become part of our daily
cognitive experience, and bring equilibrium to our senses
The artist has a Master’s degree in printmaking from Cranbrook Academy of Art. She was an apprentice
at the Fabric Workshop of Philadelphia, a Core Fellow at the Museum of Fine Arts in Houston, Texas and
is currently a fellow with CFEVA; the Creative Fellowship for Emerging Visual Artists in Philadelphia.
She continues to design and install site-responsive and living installations for green spaces.

3. Mental Notes
book pages and copper wire

4. The Mooring
tree limbs and live saplings

5. Liminal
steel, wire, and string

6. Loosing Touch with Reality
plaster cast hands and wheat grass

7. 30 Days; A Collection Of Disparate Memories
newspaper, wire, and wax

8. Sensatus
tree limbs, branches, and steel wire

9. Watermark
book pages and cardboard tubes

10. Resident Pods
grape vine and fired clay

11. Ladder Patterns
copper wire and dress patterns

12. 30 Days for Iktomei
grape vine and book pages