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SCRIPT 
FADE IN 
EXT. THE AUNTS HOUSE – DAY 
In the heart of Surrey, South East England, an Establishing 
shot of the aunt’s home to give the audience a sense of the 
surroundings and its isolation. 
CUT TO: 
INT. EVE’S BEDROOM – DAY 
Long shot, tracking the protagonist in her bedroom as she is 
writing in her diary. 
CUT TO: 
INT. EVE’S BEDROOM – DAY 
High angle, over the shoulder shot of Eve writing in her 
diary. The handwriting is clearer and the audience is able to 
see what is being written. 
CUT TO: 
INT. EVE’S BEDROOM – DAY 
Extreme close up of what Eve is writing in her diary. 
FADE TO: 
INT. THE AUNTS HOUSE – DAY 
Extreme close up of Eve’s eye looking through the peep hole of 
the door. 
CUT: 
INT. THE AUNTS HOUSE – DAY
Close up of Eve looking through the peephole, beginning to 
show signs of becoming anxious. 
CUT TO: 
INT. THE AUNTS HOUSE – DAY 
High angle, long shot of Eve look through the peephole, her 
anxiety begins to surface. 
CUT TO: 
INT. THE AUNTS HOUSE – DAY 
Mid shot of Eve turning around to face the camera with her 
eyes closed and her back against the door. She begins to slide 
down to the floor. 
TILT DOWN: 
INT. THE AUNTS HOUSE – DAY 
Mid shot of Eve sitting on the floor with her back against the 
door, crying. 
FADE TO: 
EXT. A FIELD – DAY 
Mid shot of Eve sitting outside, looking into the distance. 
She is mourning the loss of her parents. 
CUT TO: 
EXT. A FIELD – DAY 
Over the shoulder shot of Eve looking down into the lake at 
her reflection. 
CUT TO:
EXT. A FIELD – DAY 
Close up of a picture of her mother and father. Eve’s teardrop 
falls onto the picture. 
CUT TO: 
INT. THE AUNTS KICHEN - DAY 
Mid shot showing a pull focus from the aunt on the phone to 
Eve with her back against the door, overhearing the 
conversation. 
CUT TO: 
INT. THE AUNTS KICHEN - DAY 
Over the shoulder shot of Eve and her aunt arguing about her 
disorder. 
FADE TO: 
EXT. A FIELD – DAY 
Mid, two shot of Eve and her friend hugging and laughing 
together. 
CUT TO: 
EXT. A FIELD – DAY 
Long shot of the camera tracking the two friends running in 
the field together. 
CUT TO: 
EXT. A FIELD – DAY 
Close up of the two friends hugging.
FADE TO: 
INT. EVES BEDROOM – DAY 
Mid shot of Eve writing in her diary. This should match the 
shots at the beginning of the piece to reflect the idea of the 
diary entry coming to an end. 
CUT TO: 
INT. EVES BEDROOM – DAY 
Extreme close up of Eve’s handwriting I her diary so what she 
has written is clearly seen. This should match what is being 
said in the voice over. 
FADE TO WHITE

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Script

  • 1. SCRIPT FADE IN EXT. THE AUNTS HOUSE – DAY In the heart of Surrey, South East England, an Establishing shot of the aunt’s home to give the audience a sense of the surroundings and its isolation. CUT TO: INT. EVE’S BEDROOM – DAY Long shot, tracking the protagonist in her bedroom as she is writing in her diary. CUT TO: INT. EVE’S BEDROOM – DAY High angle, over the shoulder shot of Eve writing in her diary. The handwriting is clearer and the audience is able to see what is being written. CUT TO: INT. EVE’S BEDROOM – DAY Extreme close up of what Eve is writing in her diary. FADE TO: INT. THE AUNTS HOUSE – DAY Extreme close up of Eve’s eye looking through the peep hole of the door. CUT: INT. THE AUNTS HOUSE – DAY
  • 2. Close up of Eve looking through the peephole, beginning to show signs of becoming anxious. CUT TO: INT. THE AUNTS HOUSE – DAY High angle, long shot of Eve look through the peephole, her anxiety begins to surface. CUT TO: INT. THE AUNTS HOUSE – DAY Mid shot of Eve turning around to face the camera with her eyes closed and her back against the door. She begins to slide down to the floor. TILT DOWN: INT. THE AUNTS HOUSE – DAY Mid shot of Eve sitting on the floor with her back against the door, crying. FADE TO: EXT. A FIELD – DAY Mid shot of Eve sitting outside, looking into the distance. She is mourning the loss of her parents. CUT TO: EXT. A FIELD – DAY Over the shoulder shot of Eve looking down into the lake at her reflection. CUT TO:
  • 3. EXT. A FIELD – DAY Close up of a picture of her mother and father. Eve’s teardrop falls onto the picture. CUT TO: INT. THE AUNTS KICHEN - DAY Mid shot showing a pull focus from the aunt on the phone to Eve with her back against the door, overhearing the conversation. CUT TO: INT. THE AUNTS KICHEN - DAY Over the shoulder shot of Eve and her aunt arguing about her disorder. FADE TO: EXT. A FIELD – DAY Mid, two shot of Eve and her friend hugging and laughing together. CUT TO: EXT. A FIELD – DAY Long shot of the camera tracking the two friends running in the field together. CUT TO: EXT. A FIELD – DAY Close up of the two friends hugging.
  • 4. FADE TO: INT. EVES BEDROOM – DAY Mid shot of Eve writing in her diary. This should match the shots at the beginning of the piece to reflect the idea of the diary entry coming to an end. CUT TO: INT. EVES BEDROOM – DAY Extreme close up of Eve’s handwriting I her diary so what she has written is clearly seen. This should match what is being said in the voice over. FADE TO WHITE