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Sample Editing	


Selecting, trimming and consolidating
           an audio sample.
Making the selection	

•  The note of G was played ten times in succession
   on an acoustic piano. 	

•  This was recorded with the intention of selecting
   one or two of the notes played and converting the
   selection(s) into discrete piano note samples. 	

•  Each time the note of G was played sufficient time
   was allowed before the next note on the sequence
   was played. This ensured the capture of each
   note’s natural decay to silence.
Audition 	

•  Listen carefully to each note and make a decision
   as to which one sounds most appropriate for your
   needs. 	

•  It is not always the loudest note (sound) that is
   best suited to the intended application, make your
   selection based on informed choice.
Edit stage 1	

•  Activate the ‘Smart Tool’ and select ‘Slip’ mode.	

•  Click the audio region to select the entire
   recording, the background should turn black.	

•  Make a copy by pressing ‘Command + C’.	

•  Make a new ‘play list’ for the track by clicking on
   the up/down arrows positioned to the right of the
   track name and selecting ‘New’.	

•  Paste the copied region into the new play list.
Edit stage 2	

•  Make a selection of the chosen note by clicking in
   front of the note’s waveform and dragging to the
   right to a point where the note has clearly decayed
   to silence.	

•  Now press the keys ‘Command + E’ to separate
   your selection from the whole region.	

•  Notice how the original single region divides into
   three individual regions that are automatically
   given unique identifying names.	

•  Click on your edit selection and copy.
Edit stage 3	

•  Create a new play list and paste the copied sample
   selection region into this new play list.	

•  Press the keys ‘Alt + F’ to expand the region to
   full screen width.	

•  Position the cursor at the front of the region and
   trim the the start position to a point where you
   want the note to begin.	

•  You may wish to zoom in closer to get a better
   visual indication of the exact start point.
Edit stage 4	

•  Using the ‘arrow’ key, located on the numeric part
   of your keyboard, that points to the right jump to
   the end of the region and trim the audio to a point
   where you consider the sound to have just reached
   silence.	

•  Resize the trimmed region to fill the screen (Alt
   +F) and click on the transport bars ‘Play’ button
   while holding down the ‘Control’ key. This
   activates ‘Loop’ play back.	

•  With the region selected press the space bar to
   begin play back and listen carefully to the trimmed
   audio region.	

•  The note should sound complete.
Edit stage 5	

•  Zoom into the leading edge of the region and
   position the cursor in the top left hand corner of
   the region. A small square symbol with a sloping
   line connecting two opposite corners should
   appear. This is the symbol for ‘Fade-ins’.	

•  Click and drag to create a short fade-in making
   sure that you do not fade any part of the
   waveform’s leading edge.	

•  Go to the opposite end of the region and repeat to
   create a short ‘fade out’. 	

•  Audition the audio in loop play back mode
   listening for any pops or clicks!
Edit stage 6	

•  Resize the region to fill the screen and make a
   copy.	

•  Create a new play list and paste the trimmed and
   faded region.	

•  The region must now be consolidated into a single
   audio file. To do this press ‘Shift + Alt + 3’, Pro
   Tools writes a new audio file to disk.

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Sample editing

  • 1. Sample Editing Selecting, trimming and consolidating an audio sample.
  • 2. Making the selection •  The note of G was played ten times in succession on an acoustic piano. •  This was recorded with the intention of selecting one or two of the notes played and converting the selection(s) into discrete piano note samples. •  Each time the note of G was played sufficient time was allowed before the next note on the sequence was played. This ensured the capture of each note’s natural decay to silence.
  • 3. Audition •  Listen carefully to each note and make a decision as to which one sounds most appropriate for your needs. •  It is not always the loudest note (sound) that is best suited to the intended application, make your selection based on informed choice.
  • 4. Edit stage 1 •  Activate the ‘Smart Tool’ and select ‘Slip’ mode. •  Click the audio region to select the entire recording, the background should turn black. •  Make a copy by pressing ‘Command + C’. •  Make a new ‘play list’ for the track by clicking on the up/down arrows positioned to the right of the track name and selecting ‘New’. •  Paste the copied region into the new play list.
  • 5. Edit stage 2 •  Make a selection of the chosen note by clicking in front of the note’s waveform and dragging to the right to a point where the note has clearly decayed to silence. •  Now press the keys ‘Command + E’ to separate your selection from the whole region. •  Notice how the original single region divides into three individual regions that are automatically given unique identifying names. •  Click on your edit selection and copy.
  • 6. Edit stage 3 •  Create a new play list and paste the copied sample selection region into this new play list. •  Press the keys ‘Alt + F’ to expand the region to full screen width. •  Position the cursor at the front of the region and trim the the start position to a point where you want the note to begin. •  You may wish to zoom in closer to get a better visual indication of the exact start point.
  • 7. Edit stage 4 •  Using the ‘arrow’ key, located on the numeric part of your keyboard, that points to the right jump to the end of the region and trim the audio to a point where you consider the sound to have just reached silence. •  Resize the trimmed region to fill the screen (Alt +F) and click on the transport bars ‘Play’ button while holding down the ‘Control’ key. This activates ‘Loop’ play back. •  With the region selected press the space bar to begin play back and listen carefully to the trimmed audio region. •  The note should sound complete.
  • 8. Edit stage 5 •  Zoom into the leading edge of the region and position the cursor in the top left hand corner of the region. A small square symbol with a sloping line connecting two opposite corners should appear. This is the symbol for ‘Fade-ins’. •  Click and drag to create a short fade-in making sure that you do not fade any part of the waveform’s leading edge. •  Go to the opposite end of the region and repeat to create a short ‘fade out’. •  Audition the audio in loop play back mode listening for any pops or clicks!
  • 9. Edit stage 6 •  Resize the region to fill the screen and make a copy. •  Create a new play list and paste the trimmed and faded region. •  The region must now be consolidated into a single audio file. To do this press ‘Shift + Alt + 3’, Pro Tools writes a new audio file to disk.