Recce
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Recce is a military term meaning to spy out the enemy's position and strength. In film and photography, a recce involves scouting a location to check if it is suitable for shooting, then taking reference photos to present to the art director for approval. The document provides instructions for a recce assignment, noting the need to find alternatives that match four visual references - an old, scary door; a close-up of a wooden bench with space for text; a long-lens shot of a stack of pots; and an easily isolated tree against the sky. It stresses the importance of alternatives and notes one photo per item is unacceptable.
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Pre Visualisation
Camera A will capture mid shots, long shots, and horizontal tracking shots of the actor in the Tithe Barn. Camera B will take overhead shots looking down on the actor. Camera C will film tracking shots across locations. Camera D will shoot close-ups of the actor's emotions. In Anna's Kitchen, Camera A will follow the actor and get over-the-shoulder and close-up shots, possibly indicating flashbacks. Camera B will track around the kitchen. Lighting A will keep the kitchen looking dark by facing away from that area. The entrance will be used for flashback scenes of characters entering.
Camera Plans
The document outlines camera plans for different shooting locations. Scenes at the audience, chat show studio, and Officer Rogers' lounge will use a variety of shots like close-ups, panning, and over-the-shoulder to capture emotions and the conversation. Shots in the hallway will introduce a character and show him walking between rooms, while outside shots will establish the location and show the character reacting to a phone call.
Presentation1
The document discusses different camera shots used in a preliminary task shoot, including a wide shot to show a character alone in a room, an over-the-shoulder shot to depict someone entering to confront them and appearing larger to suggest dominance, and a shot reverse shot to create the illusion of a conversation between the two characters. It ends with returning to the wide shot to show one character leaving the scene, suggesting the end of the scene, and notes that improving a similar future scene by making it longer.
Research
This document discusses and demonstrates three film techniques: the 180-degree rule, shot/reverse shot, and match on action. It provides definitions and examples of each technique. For the 180-degree rule, it explains how the camera must stay on one side of an imaginary axis between characters. It shows an example from The Shining that breaks this rule. Shot/reverse shot involves alternating shots between two characters in a conversation. Match on action involves cutting between shots where the action begins in one shot and continues in the next. It provides a video example demonstrating all three techniques.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Location Recce
The document discusses location scouting for a short film set in a forest. Several forest locations were identified that could represent different scenes from the storyboard, including an open field for an establishing shot of the main character running, a small wooded area that looks like a cave, a clearing with a log, and a gap between two trees. For each location, the document notes that care must be taken to protect the camera during handheld shooting and ensure no members of the public are present during filming at the public forest sites.
Shortcut to photography 2
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This document provides tips for taking better portrait photographs, including using proper camera angles, maintaining eye contact, following the rule of thirds composition, considering lighting, shooting candidly within a subject's comfort zone, incorporating props, focusing on specific body parts, and taking multiple shots from different angles and with different expressions, orientations, and backgrounds.
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Pre Visualisation
Camera A will capture mid shots, long shots, and horizontal tracking shots of the actor in the Tithe Barn. Camera B will take overhead shots looking down on the actor. Camera C will film tracking shots across locations. Camera D will shoot close-ups of the actor's emotions. In Anna's Kitchen, Camera A will follow the actor and get over-the-shoulder and close-up shots, possibly indicating flashbacks. Camera B will track around the kitchen. Lighting A will keep the kitchen looking dark by facing away from that area. The entrance will be used for flashback scenes of characters entering.
Camera Plans
The document outlines camera plans for different shooting locations. Scenes at the audience, chat show studio, and Officer Rogers' lounge will use a variety of shots like close-ups, panning, and over-the-shoulder to capture emotions and the conversation. Shots in the hallway will introduce a character and show him walking between rooms, while outside shots will establish the location and show the character reacting to a phone call.
Presentation1
The document discusses different camera shots used in a preliminary task shoot, including a wide shot to show a character alone in a room, an over-the-shoulder shot to depict someone entering to confront them and appearing larger to suggest dominance, and a shot reverse shot to create the illusion of a conversation between the two characters. It ends with returning to the wide shot to show one character leaving the scene, suggesting the end of the scene, and notes that improving a similar future scene by making it longer.
Research
This document discusses and demonstrates three film techniques: the 180-degree rule, shot/reverse shot, and match on action. It provides definitions and examples of each technique. For the 180-degree rule, it explains how the camera must stay on one side of an imaginary axis between characters. It shows an example from The Shining that breaks this rule. Shot/reverse shot involves alternating shots between two characters in a conversation. Match on action involves cutting between shots where the action begins in one shot and continues in the next. It provides a video example demonstrating all three techniques.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Location Recce
The document discusses location scouting for a short film set in a forest. Several forest locations were identified that could represent different scenes from the storyboard, including an open field for an establishing shot of the main character running, a small wooded area that looks like a cave, a clearing with a log, and a gap between two trees. For each location, the document notes that care must be taken to protect the camera during handheld shooting and ensure no members of the public are present during filming at the public forest sites.
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This document provides tips for taking better portrait photographs, including using proper camera angles, maintaining eye contact, following the rule of thirds composition, considering lighting, shooting candidly within a subject's comfort zone, incorporating props, focusing on body parts, and taking a series of shots from different angles that capture a variety of subject expressions against varied backgrounds.
Photography 1
This document provides tips for taking better portrait photographs, including using proper camera angles, maintaining eye contact, following the rule of thirds composition, considering lighting, shooting candidly within a subject's comfort zone, incorporating props, focusing on specific body parts, and taking multiple shots from different angles and with different expressions, orientations, and backgrounds.
Photography 1
This document provides tips for taking better portrait photographs, including using proper camera angles, maintaining eye contact, following the rule of thirds composition, considering lighting, shooting candidly within a subject's comfort zone, incorporating props, focusing on specific body parts, and taking multiple shots from different angles and with different expressions, orientations, and backgrounds.
Camera Demonstration
The document outlines different camera positions tested during a demonstration shoot in a small room, including Position A that captured both actors but did not allow for needed zooming, Position B that captured needed frames but included an unwanted cupboard in the shot, and Position C2 that worked best by extending the tripod height and filming at an angled downward point of view, allowing everything needed to be captured.
Camera Demonstration1
The document outlines different camera positions tested during a demonstration shoot in a small room, including Position A that captured both actors but did not allow for needed zooming, Position B that captured needed frames but included an unwanted cupboard in the shot, and Position C2 that worked best by extending the tripod height and filming at an angled downward point of view, allowing everything needed to be captured.
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This document discusses techniques for taking better portraits including using different camera angles, ensuring eye contact, following the rule of thirds, considering lighting, keeping the subject in their comfort zone, using candid shots, props, body parts, taking a series of photos from different angles and with different expressions, and paying attention to orientation and backgrounds.
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Location Recognisance
The document discusses the camera shots that will be used during the filming of scenes for a short horror film called "They Watched". It describes that interview scenes will use medium shots, but some may use long or medium shots. House scenes will use hand-held shots, while study room scenes will use a mixture of close-ups and medium shots. Various locations like the hall and bedroom will use medium, long, and close-up shots to capture the surroundings and actions.
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This document summarizes a preliminary filmmaking task involving creating continuity shots. The task involved using techniques like the 180-degree rule and shot-reverse-shot. The group filmed a series of shots showing a character walking down a corridor and entering a room to talk to another character. They had some success with visual continuity but identified areas for improvement like diegetic sound continuity and using more varied shots and transitions. The task gave ideas for creating tension and suspense in the opening of their upcoming 2-minute film.
Recce
A recce visit is conducted prior to filming at a location to assess its suitability. Key factors considered include access, potential lighting conditions, and any sound-related issues. The document provides descriptions and evaluations of several potential filming locations - a bedroom, garden, street, houses, and office - in terms of their accessibility, lighting suitability at different times, and potential noise or other issues to be aware of. Minor preparations like tidying may be needed at some locations.
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The document outlines a plan for creating a poster for a Grease production. It involves taking photographs of the cast during a lecture theatre photography session, both in scenes and in pairs, and during a studio session of posed shots. The best photographs from both sessions will be selected and possibly refined with effects in Photoshop and Illustrator to create the final poster for the show.
Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Zone Presentation
1) The document outlines zone blocking techniques for an offensive line, including initial steps, blocking areas rather than defenders, and various blocking techniques like combo blocks and traps.
2) It recommends specific drills to practice zone blocking skills like first steps, zone scoops, and slides. Drills should replicate the techniques and skills needed for the upcoming opponent.
3) Effective zone pass protection relies on linemen blocking zones rather than individual defenders, using calls to pass defenders between zones.
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This document defines and describes various cinematography techniques:
- A birds eye view shot photographs a scene from directly overhead.
- A crane shot is taken from a mechanical arm that can move the camera in any direction.
- Cross cutting alternates shots from two sequences to suggest they are happening simultaneously.
- An establishing shot provides context at the beginning of a scene from an extreme long or long shot.
- An extreme close up shows a minutely detailed view of an object or person's eyes or mouth.
- An extreme long shot photographs an exterior location from a great distance, up to a quarter mile away.
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1) The document discusses the evaluation of a student film project where they focused on ensuring characters and props were properly framed in different shot types.
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Editing glossary
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Recce
- 1. The Recce
- 2. Recce is short for Reconnoitre It is a military term, which means to spy out the enemies position and strength. In Film and Photography to carry out a recce is to check that the situation on location is appropriate for a full shoot. Reference pictures are taken which are then presented to the art director who either rejects or approves them before giving the go-ahead for the commission. When carrying out a recce you will have a brief and a visual to help you
- 3. For this exercise you will have 4 visuals to work from: You will go out today and return with reference pictures by 3pm
- 5. The door does not have to match the visual exactly, but it must be old and have a sense of dread about it – scary looking. The image will be used as a cut out.
- 7. Note that this is a wooden bench, and that it is a close up. The arm of the bench is at a precise angle and position within the image area to accommodate the text, so the recce shots should show that this is possible.
- 9. This is obviously a long lens shot. The stack is long and has four pots on it. This is the ideal shot, but get as close as you can. If there is any roof clutter such as aerials, make sure that they are easy to retouch out.
- 11. This tree has leaves (could be blossom) on it, and should be easy to isolate against the sky without retouching.
- 12. Coming back from a recce with just one shot of each is not acceptable. Always present alternatives. Keep the door open! THE BRIEF IS…