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The document discusses techniques used in movie trailers. It provides an example of a teaser trailer that shadows the actors' faces and leaves out plot details to add mystery. It also describes research on trailers for the movies Alfie, East is East, and Pirates of the Caribbean to incorporate comedy. Specific techniques mentioned include using backing music to set tone, voiceovers to provide context, sped up music to indicate cocaine use, still frames and titles to denote comedy, and blurred point-of-view shots to show drunkenness.
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In what ways does your products use, develop or challenge forms and conventio...
The document discusses how the student's film opening uses, develops, and challenges conventions of film genres. Specifically:
- Stereotypical vampire elements like a cape, fangs, and blood were included in the main character's costume to signal the horror genre.
- Humorous slippers were added to tone down the seriousness and signal a comedic element, drawing from the film What We Do in the Shadows.
- The documentary-style filming location and modern actors challenge expectations for a horror but fit with the comedy aspects.
- Nighttime filming captures the horror aesthetic while drawing from What We Do in the Shadows, integrating genres.
In what ways does your products use, develop or challenge forms and conventio...
Chloe Collins discusses how her film opening uses, develops, and challenges conventions of the media genre. She inserts logos of real production companies to make it seem realistic. Pictures of the vampire character Luca show horror conventions like a cape and blood. Comedy is incorporated through Luca's slippers. The location challenges expectations by being a modern house. It is filmed at dusk to incorporate horror elements. Character names at the end mimic real films. Introductory text establishes it as a documentary, relating to What We Do In The Shadows. Overall, it blends horror and comedy conventions while challenging expectations through modern elements.
In what ways does your products use, develop or challenge forms and conventio...
The document discusses how the filmmaker's opening sequence for their film uses and develops conventions of the horror and comedy genres. Specifically, the filmmaker has included production company logos to make it seem more professional, costumes the main character in a vampire costume with fangs and blood to signify the horror genre, and adds humorous slippers to lighten the tone. The location is a modern house and it is filmed at nighttime to incorporate generic horror elements. Text is also included to give it a documentary style like the film What We Do In the Shadows, which inspires parts of the opening.
Question one
The document discusses conventions in horror movie posters and trailers. It analyzes posters for movies like Scream, Cabin in the Woods, and Saw II. It notes that some posters feature the protagonist or antagonist, while others use objects to represent the movie's theme or location. The author decided to base their poster on the Cabin in the Woods concept of using a location, combined with featuring the antagonist.
The document also analyzes conventions in horror movie trailers, such as using dark lighting, high key lighting for twists, suspenseful music, and revealing the story in a confusing but clear way. The author incorporated these conventions into their trailer by representing the clash of good and evil through a puzzling storyline
Question one
The document discusses conventions in horror movie posters and trailers. It analyzes posters for movies like Scream, Cabin in the Woods, and Saw II. It notes that some posters feature the protagonist or antagonist, while others use objects to represent the movie's theme or location. The author decided to base their poster on the Cabin in the Woods concept of using a location, combined with featuring the antagonist.
The document also analyzes conventions in horror movie trailers, such as using dark lighting, high key lighting for twists, suspenseful music, and revealing the story in a confusing but clear way. The author incorporated these conventions into their trailer by representing the clash of good and evil through a puzzling storyline
Alidaviestrailer analysis
The three trailers analyzed all effectively conveyed genre through different techniques. The RIPD trailer used fast pacing, official fonts, and sci-fi sound effects to portray an action/comedy/supernatural genre. The About Time trailer emphasized romance through titles, cinematography showing time travel, and warm colors. The Inkeepers trailer established a horror genre through a character's ominous dialogue, frightening music building to loud sounds, an old font with heavy shadowing, dark colors, and fast editing to create a scary atmosphere.
Scream 1996 Trailer - Detailed Description
The trailer uses various camera techniques like close-ups and tracking shots to build suspense and show characters' emotions. Editing cuts between scenes to make the action feel fast-paced and engage viewers. Non-diegetic sounds like a sinister voiceover and diegetic sounds like phones and screams add to the tension. The killer is only partly shown to increase mystery. Mis-en-scene creates a typical American setting to feel realistic while the killer's dark cloak and mask add eeriness.
Codes and Conventions - Fargo
This document provides a summary and analysis of the opening scenes of the 1996 film Fargo. It notes that an enigma is created around the car and its driver through limited visibility and unusual circumstances. No characters are formally introduced, suggesting the story may not have a single protagonist. Descriptive text titles are used to set up the plot in a simple, straightforward manner. Shots establish the isolated, snowy setting to build mystery around where the characters are traveling. The pace is slow, using straight cuts to imply realism and montage editing to suggest a haphazard lifestyle. Fades to black indicate the passage of time. The non-diegetic music is initially calm but becomes more tense, reflecting the increasing importance of the
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In what ways does your products use, develop or challenge forms and conventio...
The document discusses how the student's film opening uses, develops, and challenges conventions of film genres. Specifically:
- Stereotypical vampire elements like a cape, fangs, and blood were included in the main character's costume to signal the horror genre.
- Humorous slippers were added to tone down the seriousness and signal a comedic element, drawing from the film What We Do in the Shadows.
- The documentary-style filming location and modern actors challenge expectations for a horror but fit with the comedy aspects.
- Nighttime filming captures the horror aesthetic while drawing from What We Do in the Shadows, integrating genres.
In what ways does your products use, develop or challenge forms and conventio...
Chloe Collins discusses how her film opening uses, develops, and challenges conventions of the media genre. She inserts logos of real production companies to make it seem realistic. Pictures of the vampire character Luca show horror conventions like a cape and blood. Comedy is incorporated through Luca's slippers. The location challenges expectations by being a modern house. It is filmed at dusk to incorporate horror elements. Character names at the end mimic real films. Introductory text establishes it as a documentary, relating to What We Do In The Shadows. Overall, it blends horror and comedy conventions while challenging expectations through modern elements.
In what ways does your products use, develop or challenge forms and conventio...
The document discusses how the filmmaker's opening sequence for their film uses and develops conventions of the horror and comedy genres. Specifically, the filmmaker has included production company logos to make it seem more professional, costumes the main character in a vampire costume with fangs and blood to signify the horror genre, and adds humorous slippers to lighten the tone. The location is a modern house and it is filmed at nighttime to incorporate generic horror elements. Text is also included to give it a documentary style like the film What We Do In the Shadows, which inspires parts of the opening.
Question one
The document discusses conventions in horror movie posters and trailers. It analyzes posters for movies like Scream, Cabin in the Woods, and Saw II. It notes that some posters feature the protagonist or antagonist, while others use objects to represent the movie's theme or location. The author decided to base their poster on the Cabin in the Woods concept of using a location, combined with featuring the antagonist.
The document also analyzes conventions in horror movie trailers, such as using dark lighting, high key lighting for twists, suspenseful music, and revealing the story in a confusing but clear way. The author incorporated these conventions into their trailer by representing the clash of good and evil through a puzzling storyline
Question one
The document discusses conventions in horror movie posters and trailers. It analyzes posters for movies like Scream, Cabin in the Woods, and Saw II. It notes that some posters feature the protagonist or antagonist, while others use objects to represent the movie's theme or location. The author decided to base their poster on the Cabin in the Woods concept of using a location, combined with featuring the antagonist.
The document also analyzes conventions in horror movie trailers, such as using dark lighting, high key lighting for twists, suspenseful music, and revealing the story in a confusing but clear way. The author incorporated these conventions into their trailer by representing the clash of good and evil through a puzzling storyline
Alidaviestrailer analysis
The three trailers analyzed all effectively conveyed genre through different techniques. The RIPD trailer used fast pacing, official fonts, and sci-fi sound effects to portray an action/comedy/supernatural genre. The About Time trailer emphasized romance through titles, cinematography showing time travel, and warm colors. The Inkeepers trailer established a horror genre through a character's ominous dialogue, frightening music building to loud sounds, an old font with heavy shadowing, dark colors, and fast editing to create a scary atmosphere.
Scream 1996 Trailer - Detailed Description
The trailer uses various camera techniques like close-ups and tracking shots to build suspense and show characters' emotions. Editing cuts between scenes to make the action feel fast-paced and engage viewers. Non-diegetic sounds like a sinister voiceover and diegetic sounds like phones and screams add to the tension. The killer is only partly shown to increase mystery. Mis-en-scene creates a typical American setting to feel realistic while the killer's dark cloak and mask add eeriness.
Codes and Conventions - Fargo
This document provides a summary and analysis of the opening scenes of the 1996 film Fargo. It notes that an enigma is created around the car and its driver through limited visibility and unusual circumstances. No characters are formally introduced, suggesting the story may not have a single protagonist. Descriptive text titles are used to set up the plot in a simple, straightforward manner. Shots establish the isolated, snowy setting to build mystery around where the characters are traveling. The pace is slow, using straight cuts to imply realism and montage editing to suggest a haphazard lifestyle. Fades to black indicate the passage of time. The non-diegetic music is initially calm but becomes more tense, reflecting the increasing importance of the
Analysis of scream film trailer
The document analyzes the film trailer for Scream and discusses how various film techniques are used effectively to persuade viewers. It summarizes how mis en scene, editing, camera work, lighting, color, and sound are employed. Specifically, it notes that the mask is iconic and builds tension through quick edits and fading. Suspense is also generated through over-the-shoulder shots, red coloring signifying blood, and ambient sounds of breaking glass. A voiceover and diegetic sounds are highlighted as persuasive techniques used in the trailer.
Use, develop, challenge
The document discusses key elements of TV show trailers including using background music, logos, following a storyline, using various camera shots including close-ups and voiceovers, and having a similar short length. It also discusses using close-up shots to understand characters, sticker logos showing the channel, not using pans due to equipment limitations, establishing shots with multiple characters, unusual shots focusing on action rather than characters, and using transitions between scenes.
Textual Analysis
This document contains an analysis of two trailers - a EastEnders trailer and a Skins trailer.
For the EastEnders trailer, the analysis discusses the use of verbal codes like narration and dialogue to create tension. Non-verbal codes like character expressions and the rustling paper are examined. Technical codes around camera angles and shots are also analyzed.
For the Skins trailer, the analysis looks at the non-diegetic music, voiceover, and sound effects. It explores how lighting and facial expressions are used symbolically. The camera movements and shots focused on characters' expressions are also discussed.
The document concludes by comparing the two trailers and discussing elements that could be replicated, such as
Question 1 Evaluation Notes
The document discusses how the media product adheres to and challenges conventions of thriller and supernatural genres. It employs conventions like building tension through cuts, implying something bigger is happening, and including supernatural elements. Enigma codes are used through strange imagery and a non-chronological storyline. Color schemes and settings evoke the genres while not being too overtly horror. The gender of the protagonist draws from conventions but includes both male and female characters. The only convention challenged is starting in disruption rather than equilibrium. Ancillary materials also take influences from real publications.
Artur rudzinski
This document contains an analysis of two trailers - a EastEnders trailer and a Skins trailer.
For the EastEnders trailer, the analysis notes the use of voiceover, music, and sound effects to generate tension. Camera shots are used to emphasize characters' fear and power dynamics.
For the Skins trailer, the analysis discusses the non-diegetic soundtrack, voiceover, sound effects, nude clothing transitions symbolizing transformation, lighting contrasting characters, and camera movements focusing on expressions and falling motions.
The evaluation compares the trailers, noting how elements like themes, soundtracks, and technical skills could be replicated or improved upon to engage audiences.
Se7en analysis (1)
The trailer for the crime thriller Se7en uses various techniques to build tension, mystery, and intrigue. It employs a slow, tense musical score and serious voiceover to draw in viewers. Dark lighting, colors, and camera work are used to give the trailer an eerie feel that is conventional for the genre. The editing varies between longer, calm shots to build mystery, and faster, action-packed shots to create excitement. Close-ups of characters' faces convey emotions without revealing too much of the plot. Major stars like Morgan Freeman and Brad Pitt in the titles aim to attract a wide audience. Overall, these elements leave viewers wanting to learn more about the film's mysterious plot.
Codal analysis
The document analyzes the visual, narrative, enigma, and audio codes used in the trailers for three gangster films: Black Mass, Legend, and Gangster Squad. For each film, the analysis summarizes how the trailer uses visual techniques like lighting and shot structure, a voiceover narrative, ambiguous clips to generate questions, and an intense musical score to engage audiences while hinting at but not fully revealing the plot. The goal of these codes in all three trailers is to draw viewers in without giving away the entire story.
The woman in black 2 textual analysis
The trailer summarizes the plot of the film "The Woman in Black: Angel of Death" which follows a group of evacuees haunted by the Woman in Black at Eel Marsh House during World War 2. It establishes the setting and introduces the main characters through dialogue and establishing shots. Tension is built through the use of fast editing, ominous music, and ambiguous references to "she".
Detailed analysis of horror trailer
The document analyzes the conventions used in the trailer for the horror film "Sinister" through its camerawork, sound, mise-en-scene, editing, genre conventions, and format conventions. It notes that the camerawork uses zooms and wide shots to create tension and suspense. Non-diegetic sounds are used to scare the audience, while diegetic screams convey a character's fear. Elements like a pale antagonist, low key lighting, and a violent axe prop follow horror genre conventions. Fast editing keeps viewers on edge, and the trailer avoids revealing the ending to make audiences want to see the full movie.
Tracers Trailer Analysis
This document analyzes the trailer for the film "Tracers" through its text, sound, editing, mise-en-scene, and camera work. It notes that the trailer uses fast-paced editing, loud dialogue, and an upbeat soundtrack to create tension and set the tone of an action film. Costumes like tracksuits and props like guns and masks also reinforce the action genre conventions. Shots that establish settings and introduce characters are used, as well as low angles on some characters to portray them as powerful.
Genre research
Drama films focus on developing realistic characters dealing with emotional themes. The author chooses drama as their genre because it allows for a range of shots from abstract to naturalistic. Effective drama title sequences set the emotive atmosphere through music, images, and editing style without including narrative text. Key aspects of drama titles include interesting locations, props, costumes, font, soundtracks, cinematography using jumps cuts, and editing to control tension. These elements must be used to reflect the time period and create the right dramatic mood.
Analysis of hangover 3
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Media evaluation question 1
This document discusses how the media product adheres to and challenges conventions of real TV show trailers. It follows conventions like having a runtime of 2-3.5 minutes, including an ident at the start, and revealing the title at the end. It breaks conventions by not including the school and having multiple protagonists instead of one. It also aims to represent diverse characters and storylines to engage audiences. Feedback confirmed it pleased its target audience.
film trailer question 1
The document analyzes how the film trailer follows conventions of real film trailers. It discusses how the trailer includes fast flashes of shots, production company logos, film ratings, quotes, and other typical elements of trailers. It also summarizes how the trailer uses techniques like shot reverse shot, subtitles, flashing shots set to music, and establishes characters to engage the audience, build tension, and set up the storyline. Overall, the document demonstrates how the student's trailer challenges some conventions while developing and adhering to most conventions of real film trailers.
I, robot
This document provides an analysis of the opening scenes of the 2004 film I, Robot. It discusses the mise-en-scene, cinematography, editing, sound, character exposition, setting, and themes presented in the film's trailer. The mise-en-scene establishes a dark, gloomy atmosphere through the positioning of a car in water and characters appearing restrained. Cinematography uses dull colors and slanted camera angles to achieve a sci-fi look. Editing uses fading, juxtaposition, and parallel cuts to build tension. Sound incorporates exotic music that increases in tempo with the tension.
Research fmp
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
Coursework evaluation Question 1
In this document, the author discusses how their media product adheres to and develops conventions of real thriller/psychological thriller films. Specifically, the author sets their opening sequence in an eerie house setting using low key lighting and black and white, mimicking popular films. They also follow genre conventions for the title, credits, and production logo. Iconography like portraits and empty chairs are used to create unease. Camera angles, editing techniques, and an ambiguous point of view also emulate real thriller films. The goal is to make the product look professional and appeal to audiences by conforming to established genre conventions.
Chernobyl Diaries
This document analyzes the trailer for the horror movie "Chernobyl Diaries" in several sections. It summarizes the storyline established at the beginning of the trailer through text overlays on clips. It describes the visual style and color scheme of title cards used throughout the trailer. The document also analyzes camera shots, angles, lighting, settings and character interactions shown in the trailer that help set up the plot and establish locations the characters visit before heading to Chernobyl. Dialogue reveals they are going to Chernobyl for "extreme tourism."
Evaluation for media coursework A2
This document discusses the media student's production of a TV soap trailer and ancillary texts. It details how the student analyzed existing soap trailers to develop forms and conventions. Audience research and feedback informed the targeting of 16-21 year olds. Photoshop, Publisher, and Fireworks were used to construct the trailer, title card, and e4 logo respecting the brand identity. The combination of texts created synergy, effectively promoting the soap world. Lessons in deconstruction, design, and addressing audience needs were learned throughout the process.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis comments on the effective use of verbal codes like incidental music and dialogue to build tension. Non-verbal codes like costumes, facial expressions, and setting help establish the working class community. Technical codes like fast cuts, close-ups, and camera angles intrigue viewers about possible suspects. Analysis of the second trailer also comments on effective use of codes like dialogue, music, facial expressions, and shot types to portray tension and suspense. The document evaluates strengths of both trailers, noting aspects that could be repeated or exploited in future trailers, like the use of lighting, on-screen text, and portrayals of characters.
Evaluation q 1
The document analyzes how the student's media trailer does or does not follow conventions of real trailers. The student's trailer is 1.09 minutes long, similar to real teaser trailers. However, its pace is slower than typical fast-cut trailers. Editing and sound effects are also less used than in real trailers. On the other hand, aspects like music, costumes, camerawork, and voiceovers are similarly used to real romantic comedy trailers. Overall, some elements challenge conventions while others follow them.
Trailer evaluation
The document discusses conventions used in film trailers and whether they were followed in a trailer for the comedy film "PLAN C". It notes that the trailer shows the story in chronological order rather than using unusual angles or quick cuts, in order to reflect the simplicity of the characters. It showcases the main characters and uses dialogue and shots to develop comedy. Music is used to build tension and shift atmosphere. The title is revealed at the end to aid recall, and an anti-climax is created to emphasize the comedy genre.
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Analysis of scream film trailer
The document analyzes the film trailer for Scream and discusses how various film techniques are used effectively to persuade viewers. It summarizes how mis en scene, editing, camera work, lighting, color, and sound are employed. Specifically, it notes that the mask is iconic and builds tension through quick edits and fading. Suspense is also generated through over-the-shoulder shots, red coloring signifying blood, and ambient sounds of breaking glass. A voiceover and diegetic sounds are highlighted as persuasive techniques used in the trailer.
Use, develop, challenge
The document discusses key elements of TV show trailers including using background music, logos, following a storyline, using various camera shots including close-ups and voiceovers, and having a similar short length. It also discusses using close-up shots to understand characters, sticker logos showing the channel, not using pans due to equipment limitations, establishing shots with multiple characters, unusual shots focusing on action rather than characters, and using transitions between scenes.
Textual Analysis
This document contains an analysis of two trailers - a EastEnders trailer and a Skins trailer.
For the EastEnders trailer, the analysis discusses the use of verbal codes like narration and dialogue to create tension. Non-verbal codes like character expressions and the rustling paper are examined. Technical codes around camera angles and shots are also analyzed.
For the Skins trailer, the analysis looks at the non-diegetic music, voiceover, and sound effects. It explores how lighting and facial expressions are used symbolically. The camera movements and shots focused on characters' expressions are also discussed.
The document concludes by comparing the two trailers and discussing elements that could be replicated, such as
Question 1 Evaluation Notes
The document discusses how the media product adheres to and challenges conventions of thriller and supernatural genres. It employs conventions like building tension through cuts, implying something bigger is happening, and including supernatural elements. Enigma codes are used through strange imagery and a non-chronological storyline. Color schemes and settings evoke the genres while not being too overtly horror. The gender of the protagonist draws from conventions but includes both male and female characters. The only convention challenged is starting in disruption rather than equilibrium. Ancillary materials also take influences from real publications.
Artur rudzinski
This document contains an analysis of two trailers - a EastEnders trailer and a Skins trailer.
For the EastEnders trailer, the analysis notes the use of voiceover, music, and sound effects to generate tension. Camera shots are used to emphasize characters' fear and power dynamics.
For the Skins trailer, the analysis discusses the non-diegetic soundtrack, voiceover, sound effects, nude clothing transitions symbolizing transformation, lighting contrasting characters, and camera movements focusing on expressions and falling motions.
The evaluation compares the trailers, noting how elements like themes, soundtracks, and technical skills could be replicated or improved upon to engage audiences.
Se7en analysis (1)
The trailer for the crime thriller Se7en uses various techniques to build tension, mystery, and intrigue. It employs a slow, tense musical score and serious voiceover to draw in viewers. Dark lighting, colors, and camera work are used to give the trailer an eerie feel that is conventional for the genre. The editing varies between longer, calm shots to build mystery, and faster, action-packed shots to create excitement. Close-ups of characters' faces convey emotions without revealing too much of the plot. Major stars like Morgan Freeman and Brad Pitt in the titles aim to attract a wide audience. Overall, these elements leave viewers wanting to learn more about the film's mysterious plot.
Codal analysis
The document analyzes the visual, narrative, enigma, and audio codes used in the trailers for three gangster films: Black Mass, Legend, and Gangster Squad. For each film, the analysis summarizes how the trailer uses visual techniques like lighting and shot structure, a voiceover narrative, ambiguous clips to generate questions, and an intense musical score to engage audiences while hinting at but not fully revealing the plot. The goal of these codes in all three trailers is to draw viewers in without giving away the entire story.
The woman in black 2 textual analysis
The trailer summarizes the plot of the film "The Woman in Black: Angel of Death" which follows a group of evacuees haunted by the Woman in Black at Eel Marsh House during World War 2. It establishes the setting and introduces the main characters through dialogue and establishing shots. Tension is built through the use of fast editing, ominous music, and ambiguous references to "she".
Detailed analysis of horror trailer
The document analyzes the conventions used in the trailer for the horror film "Sinister" through its camerawork, sound, mise-en-scene, editing, genre conventions, and format conventions. It notes that the camerawork uses zooms and wide shots to create tension and suspense. Non-diegetic sounds are used to scare the audience, while diegetic screams convey a character's fear. Elements like a pale antagonist, low key lighting, and a violent axe prop follow horror genre conventions. Fast editing keeps viewers on edge, and the trailer avoids revealing the ending to make audiences want to see the full movie.
Tracers Trailer Analysis
This document analyzes the trailer for the film "Tracers" through its text, sound, editing, mise-en-scene, and camera work. It notes that the trailer uses fast-paced editing, loud dialogue, and an upbeat soundtrack to create tension and set the tone of an action film. Costumes like tracksuits and props like guns and masks also reinforce the action genre conventions. Shots that establish settings and introduce characters are used, as well as low angles on some characters to portray them as powerful.
Genre research
Drama films focus on developing realistic characters dealing with emotional themes. The author chooses drama as their genre because it allows for a range of shots from abstract to naturalistic. Effective drama title sequences set the emotive atmosphere through music, images, and editing style without including narrative text. Key aspects of drama titles include interesting locations, props, costumes, font, soundtracks, cinematography using jumps cuts, and editing to control tension. These elements must be used to reflect the time period and create the right dramatic mood.
Analysis of hangover 3
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Media evaluation question 1
This document discusses how the media product adheres to and challenges conventions of real TV show trailers. It follows conventions like having a runtime of 2-3.5 minutes, including an ident at the start, and revealing the title at the end. It breaks conventions by not including the school and having multiple protagonists instead of one. It also aims to represent diverse characters and storylines to engage audiences. Feedback confirmed it pleased its target audience.
film trailer question 1
The document analyzes how the film trailer follows conventions of real film trailers. It discusses how the trailer includes fast flashes of shots, production company logos, film ratings, quotes, and other typical elements of trailers. It also summarizes how the trailer uses techniques like shot reverse shot, subtitles, flashing shots set to music, and establishes characters to engage the audience, build tension, and set up the storyline. Overall, the document demonstrates how the student's trailer challenges some conventions while developing and adhering to most conventions of real film trailers.
I, robot
This document provides an analysis of the opening scenes of the 2004 film I, Robot. It discusses the mise-en-scene, cinematography, editing, sound, character exposition, setting, and themes presented in the film's trailer. The mise-en-scene establishes a dark, gloomy atmosphere through the positioning of a car in water and characters appearing restrained. Cinematography uses dull colors and slanted camera angles to achieve a sci-fi look. Editing uses fading, juxtaposition, and parallel cuts to build tension. Sound incorporates exotic music that increases in tempo with the tension.
Research fmp
The Shutter Island trailer effectively conveys the psychological thriller genre in under 3 minutes. It establishes the basic plot of U.S. Marshal Teddy Daniels (Leonardo DiCaprio) investigating a psychiatric facility on a remote island for missing patients. Through its use of ominous music, dark lighting and mysterious dialogue, the trailer builds an unsettling atmosphere and leaves viewers with many questions. It implies the hospital staff may be hiding sinister activities while also hinting that Teddy could be losing his grip on reality. Though it reveals only selective scenes, the trailer intrigues audiences to learn more about what's truly happening on Shutter Island. The filmmaker analyzes how the trailer misdirects viewers and maintains mystery, techniques they aim
Coursework evaluation Question 1
In this document, the author discusses how their media product adheres to and develops conventions of real thriller/psychological thriller films. Specifically, the author sets their opening sequence in an eerie house setting using low key lighting and black and white, mimicking popular films. They also follow genre conventions for the title, credits, and production logo. Iconography like portraits and empty chairs are used to create unease. Camera angles, editing techniques, and an ambiguous point of view also emulate real thriller films. The goal is to make the product look professional and appeal to audiences by conforming to established genre conventions.
Chernobyl Diaries
This document analyzes the trailer for the horror movie "Chernobyl Diaries" in several sections. It summarizes the storyline established at the beginning of the trailer through text overlays on clips. It describes the visual style and color scheme of title cards used throughout the trailer. The document also analyzes camera shots, angles, lighting, settings and character interactions shown in the trailer that help set up the plot and establish locations the characters visit before heading to Chernobyl. Dialogue reveals they are going to Chernobyl for "extreme tourism."
Evaluation for media coursework A2
This document discusses the media student's production of a TV soap trailer and ancillary texts. It details how the student analyzed existing soap trailers to develop forms and conventions. Audience research and feedback informed the targeting of 16-21 year olds. Photoshop, Publisher, and Fireworks were used to construct the trailer, title card, and e4 logo respecting the brand identity. The combination of texts created synergy, effectively promoting the soap world. Lessons in deconstruction, design, and addressing audience needs were learned throughout the process.
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Similar to Question 1 trailer
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis comments on the effective use of verbal codes like incidental music and dialogue to build tension. Non-verbal codes like costumes, facial expressions, and setting help establish the working class community. Technical codes like fast cuts, close-ups, and camera angles intrigue viewers about possible suspects. Analysis of the second trailer also comments on effective use of codes like dialogue, music, facial expressions, and shot types to portray tension and suspense. The document evaluates strengths of both trailers, noting aspects that could be repeated or exploited in future trailers, like the use of lighting, on-screen text, and portrayals of characters.
Evaluation q 1
The document analyzes how the student's media trailer does or does not follow conventions of real trailers. The student's trailer is 1.09 minutes long, similar to real teaser trailers. However, its pace is slower than typical fast-cut trailers. Editing and sound effects are also less used than in real trailers. On the other hand, aspects like music, costumes, camerawork, and voiceovers are similarly used to real romantic comedy trailers. Overall, some elements challenge conventions while others follow them.
Trailer evaluation
The document discusses conventions used in film trailers and whether they were followed in a trailer for the comedy film "PLAN C". It notes that the trailer shows the story in chronological order rather than using unusual angles or quick cuts, in order to reflect the simplicity of the characters. It showcases the main characters and uses dialogue and shots to develop comedy. Music is used to build tension and shift atmosphere. The title is revealed at the end to aid recall, and an anti-climax is created to emphasize the comedy genre.
Evaluation q 1
The document discusses various elements of the student's media trailer project and how it compares to conventions found in real movie trailers. The student's trailer is of similar length to real teaser trailers. While the pace is slower than typical trailers, showing more footage helps convey the romantic comedy genre. Editing and sound/music are used in ways conventional for romantic comedies, though some aspects like lack of sound effects challenge conventions. Costume and setting choices also generally follow conventions for the genre.
A2 Media- Evaluation question 1
This document discusses how the media producer's horror film trailer, magazine cover, and poster use, develop, or challenge conventions of real media forms.
The trailer is constructed conventionally, using titles, logos, black-and-white photos, soundtracks, and locations similarly to existing horror film trailers like Ouija. Some techniques like longer black screens and different text alignments challenge conventions slightly. Parallel editing is used to create dramatic irony, challenging genre conventions.
The magazine cover is inspired by Empire magazine, and the poster is inspired by Ouija, making their styles consistent with their inspiration. Mise-en-scene features Halloween costumes and dark clothing to match the genre. Overall, the media products
Film Trailer Evaluation Q1
1) The document analyzes how the film trailer uses conventions of real film trailers and whether it challenges any conventions.
2) Key conventions used include showing the title at a dramatic moment with music, using realistic settings, appropriate costumes and props to portray characters, and varying camera angles.
3) The trailer also follows conventions of using different music to break up sections, steady pacing of edits to match the narrative, and mainly straight cuts for transitions.
4) One way the trailer challenges conventions is by using both black and white and color imaging to represent two different eras in the narrative.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, it summarizes the effective use of close-up shots, low lighting, on-screen text, and facial expressions to intrigue viewers. It recommends repeating these techniques. For the second trailer, it notes the impactful dialogue and portrayal of complex female characters, suggesting repeating the use of "wow" dialogue moments. Overall, the analysis evaluates strengths of both trailers and techniques to potentially reuse in creating a new trailer.
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the analysis summarizes the use of verbal codes like dialogue, music and sound effects to build tension. It also examines the non-verbal codes of costumes, facial expressions and lighting used to set mood. Technically, fast-paced cuts between characters and a zoom out shot are used.
For the second trailer, the analysis notes the use of dialogue and music to engage viewers. Facial expressions of the main character Sienna reveal her guilt. Female characters seem more dominant. Costumes and lighting are used to portray the antagonist as dark. Transitions between scenes build suspense. Shot types like close-ups reveal emotions. The trailer
Film Trailer Evaluation Q1
The document provides an evaluation of how the film trailer uses conventions of real film trailers and whether it challenges any conventions. It summarizes key elements of the trailer including the title introduction, settings, costumes, props, camerawork, editing, special effects, narrative, voiceover, and intertitles. The evaluation finds that most elements follow conventions but some aspects like the dual timeline with black and white and color footage challenge conventions.
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
Research fmp
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
Evaluation Q1 Film Trailer
1) The document analyzes how the film trailer uses conventions of real film trailers and whether it challenges any conventions.
2) Key conventions used include showing the title at a dramatic point with music, using realistic settings, appropriate costumes and props to portray characters, and varying camera angles to keep viewers interested.
3) The trailer also follows conventions through its three-part musical structure, steady editing pace matched to the voiceover, and mostly straight cuts between clips.
4) One way the trailer challenges conventions is through its use of both black and white and color imaging to represent two different eras, a less common technique than typically using one or the other.
Analysis of hangover 3
The document analyzes the camerawork, sound, editing, mise-en-scene, conventions of genre, and conventions of form used in the trailer for Hangover 3. It notes the establishing shots, two shots, and close ups used to set the scenes and show character reactions. It discusses how the dialogue establishes the personalities and intended adult audience. Fast-paced editing and inclusion of numerous quick scenes are used to create chaos and intrigue viewers to watch the full film. The characters' costumes become dirtier throughout, and strange props like a giraffe are included for comedy. Both slow and fast pacing connote different types of humor within the genre conventions of a comedy.
Evaluation question 1
The document discusses how the media products conform to and challenge conventions of their forms.
For the film trailer, conventions such as logos, taglines, and editing techniques like fade to blacks and jump cuts were followed. However, some conventions were challenged, like including institutional information in the middle rather than beginning.
Mise en scene, shots like point of view and extreme close ups, and a lack of dialogue also conformed to thriller conventions for the trailer. But clothing of characters and inclusion of a montage sequence challenged expectations.
The film poster used long shots and low lighting to build tension but included standard elements like billing, title, and reviews. The magazine cover followed conventions with its masthead, tag
Evaluation dorna
The document discusses conventions that are commonly found in film openings. It notes that characters and settings are typically introduced to establish the protagonist and grab the audience's attention. Mise-en-scene elements like costumes can also introduce characters. Music is used to set the genre and mood, often building tension for thriller genres. Film openings aim to engage audiences and set the scene for the rest of the film.
Q1
The document discusses various elements of a music album project for a post-hardcore genre band, including the digipack design, advertising poster, and film stills from the accompanying music video. Key elements featured throughout include curtains from the song lyrics/story, a focus on the relationship between the male and female lead characters, and connecting motifs between the album packaging and video.
Video production evaluation
The document discusses various editing techniques used to create a thriller effect in a short film, including:
- Using cross dissolve transitions between scenes to prevent an abrupt cut and build tension.
- Adding black and white footage, piano music, and increasing audio levels to create an ominous tone during a scene of a character digging.
- Employing zoom tools to draw focus to important props or expressions and add dramatic effect during jump scare moments.
- Including loud sting effects synchronized with actions to startle viewers.
- Choosing a red and white title design representing blood and ghosts to fit the thriller genre.
Question 1
The document discusses how the media product, a horror film trailer, uses and develops conventions of real horror film trailers. It analyzes the trailer's use of location, lighting, sound, camera shots, binary opposites between the antagonist and protagonists, and typography. The trailer conforms to horror genre conventions through its isolated location, minimal lighting, incorporation of unsettling sounds, shots that build tension, clear power dynamic between characters, and use of on-screen text. The document examines in detail how each formal element was employed to effectively emulate established horror trailer tropes.
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Question 1 magazine cover
My magazine cover follows the conventional layout that most magazines follow, which includes a large bold title, bar code, dominant background image, and cover lines. I added some elements influenced by my research of other popular film magazines to make my magazine cover link with the film poster and trailer, such as placing the date in a more interesting location inspired by Empire magazine. The cover lines use quotes from the fictional film's Oscar campaign and trailer to give a sense of the genre and tie the materials together, while teasing that the viewer will "finally get to see the man in Charlie" since his face is obscured in the trailer.
Question 7
Rebecca Hopkins reflects on what she has learned from creating school magazines and her music magazine. She learned how to use Photoshop better and gained confidence with the tools. Researching magazine layouts taught her the proper terminology and how to structure different sections. Comparing her first draft to the final product showed her improved ability to design for her audience and create a more visually appealing magazine.
Question 6
The document summarizes the student's process of creating a cartoon effect from a photograph and editing other photographs for their media evaluation project. They tried two attempts at creating a cartoon effect using different Photoshop techniques, but were not fully satisfied with how bright or cartoon-like the results were. For their main photographs, they used Picasa to adjust lighting, contrast, and apply black and white and sepia filters. They also used PaintShop Pro to change the color of text.
Question 6
The document summarizes the student's process of creating a cartoon effect from a photograph and editing other photographs for their media evaluation project. They tried two attempts at creating a cartoon effect using different Photoshop techniques, but were not fully satisfied with how bright or cartoon-like the results were. For their main photographs, they used Picasa to adjust lighting, contrast, and apply black and white and sepia filters. They also used PaintShop Pro to change the color of text.
Evaluation qu 1
This document compares the layout and design conventions used in the student's media magazine project and a real magazine called "The Source". [1] Some key differences noted are that the student's magazine uses a colored background for the main image on the cover, lists page contents down the side, and offers subscription deals to encourage repeat purchases. [2] The interview section in the student's magazine splits up the text more with bolding, italics, and colored fonts. [3] Overall, the student aimed to develop a consistent "house style" with their color and font choices to make the magazine look professionally designed.
Evaluation qu 1
This document compares the media student's magazine layout and conventions to real magazines. [1] The student used a background image on the cover instead of just images, included different fonts and placed elements like the masthead and cover lines differently. [2] For articles, the student split text using bold and italics, included quotes and notes to break up pages similarly to real magazines. [3] By maintaining a consistent color scheme and fonts throughout, the student aimed to establish a clear "house style" to make the magazine look professionally designed.
Evaluation qu 1
The document compares the layout and design conventions used in the student's media product, a magazine, to real magazines.
Some key differences noted include using a background image on the cover rather than just images, listing page contents down the side rather than with quotes, and offering subscription deals to encourage repeat purchases.
The student also discusses using consistent fonts, colors, and layouts throughout the magazine to establish a clear "house style" and make the product feel professionally designed and not like something a child made.
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Question 1 trailer
- 1. CHARLIE Trailer In what ways does your media product use, develop or challenge forms and conventions of real media products?
- 2. TEASER TRAILER A teaser trailer, or just teaser, is a short trailer used to advertise an upcoming film, television program, video game, or product.. (google definition) My film trailer is being used to advertise a Comedy, Drama but it is not giving the plot to the story away and the actors face reminds shadowed and herd to be able to see. I did this to give it a more comical element. Different genres of movies use different techniques in there trailers to advertise there film. Different text, music, lighting, noise is used to create different moods/atmosphere
- 3. Research in to Trailers. For my research I focused mainly on three trailers, Alife 1966, Alife 2004 and East is East. I looked into the two Alfie Trailers because even though they are both about the same thing, the trailers are very different... And with the East is East trailer I looked at this because it had the same type of character as it does in Alfie, they are perceived at ‘Ladies men’ . I also looked into Pirates of the Caribbean scene where Jack Sparrow was being slapped, these scenes added more comical effects to the trailer. But because of me wanting to keep the actors face shadowed/hidden it was hard to find the right angle of shot to put in the trailer.
- 4. TECHNIQUES Sound – •I used the backing track from the early Alfie movie to indicate to the audience that its going to be the same type of comedy so that they can relate back to it. •I also used voice over's to make the trailer flow and for it to make more sense. •In the Rihanna concert is used the song that she was singing in the extra long shot and sped it up to indicate that he was in fact on cocaine (or Charlie) the name of the film Charlie referrers to cocaine because it is another name that it can be called.
- 5. TECHNIQUES I used lost of still frames a titles to indicate that it was a comedy... This is one of the techniques that can be seen in the early Alfie movie. Using titles to advertise that your film has one an award will compel the audience to want to see it more .
- 6. TECHNIQUES Using a point of view shot these dark fuzzy clips to indicate him being drunk and an air of chaos.