Production plan.
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The document outlines a production plan for a school magazine photoshoot over several days in December. It will involve shooting photos of students portraying musicians at various on- and off-campus locations like the recording studio and performing arts areas, as well as their homes. Equipment like cameras, software, and props will be needed. Different models from the media class will be assigned persona names and photographed in roles like a musician holding instruments or using studio equipment to populate the magazine before it is finished and proofread by mid-December.
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Here are a few suggestions to improve the interview draft:
1. Add follow up questions to get more details from the artist's responses. For example after she mentions being made fun of, ask a question like "How did you overcome those obstacles?"
2. Use more natural language than just question/answer format. For example say "Thanks for sharing that" after a response instead of just moving to the next question.
3. Ask questions about her music/style to give readers insight into her as an artist. For example "How would you describe your musical style?"
4. Proofread for typos like missing words or incorrect punctuation.
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Here are a few suggestions to improve the interview draft:
1. Add follow up questions to get more details from the artist's responses. For example after she mentions being made fun of, ask a question like "How did you overcome those obstacles?"
2. Use more natural language than just question/answer format. For example say "Thanks for sharing that" after a response instead of just moving to the next question.
3. Ask questions about her music/style to give readers insight into her as an artist. For example "How would you describe your musical style?"
4. Proofread for typos like missing words or incorrect punctuation.
5. Consider including a brief bio at the start to introduce the
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Photography Plan outlines two photo shoots to create images for a music magazine. Photo shoot 1 on October 26th will feature close-up and mid-shot images of the model Macy Dear in front of a black or white backdrop. She will wear a pink dress and hold a guitar with flowers to represent femininity. Photo shoot 2 on October 27th will use long shots of Macy holding a microphone to show her full outfit. Low camera angles will make her appear powerful. Both shoots will be conducted by Ellis Dear using a camera, backdrop, and props at their house.
Portrait proposal form
The candidate proposes to produce 10 portrait photos suitable for a music magazine. They will photograph their friends to appear confident. The photos will be primarily faces and bodies in different poses. The candidate is inspired by photographers like Paul Harris, Callan Hammond, and Phil Sharp, who take portrait photos for magazines. The candidate will use their Canon 600D camera, possibly with a 50mm lens, and shoot manually outside at Princes Park to get clear shots with no other people. They will consider lighting, ISO, shutter speed, and f-stop settings and keep framing simple since the focus is on the foreground subjects. A risk assessment will be completed.
mediaTask 3 portrait photo shoot proposal form
The student proposes a project to create portrait photographs for a music magazine. They will shoot a wide range of portraits of a chosen artist to be of high quality and look professional. The photos will then be edited in Photoshop. They were inspired by magazine covers and want to emulate the style of Vibe magazine. They will use a Nikon camera on manual settings and props to convey the visual message. The location will either be their home or college to keep the background plain for editing.
Initial Ideas + Context
Aidan Jones proposes creating a photography magazine for their FMP project. The magazine would include photos from different photography styles taken by Aidan, tips for photography, and reviews of cameras and lenses. Aidan is inspired by nature photographers from National Geographic and hopes to showcase their passion for photography and possibly pursue photography-related careers. They recognize strengths like photography skills but also limitations like a lack of expert knowledge in camera settings. Potential research includes outdoor photography guides and tutorials on photo editing software.
A2 research planning music video
The document provides background information on steel pan/calypso music and the student's main portfolio project of creating a music video for a soca/calypso song titled "Battle Zone". It discusses the history and origins of steel pan music in Trinidad and Tobago and London. It also includes details about the student's research, target audience, key concepts and storyboard for the music video project.
3. Pre-Production.pptx
This document provides planning details for a pre-production assessment. Locations discussed include Wheldrake Woods, Crockey Hill Woods, and rooms in the filmmaker's house. Equipment listed includes cameras, lenses, laptops, and tripods. Models and their roles are defined. A schedule is outlined with shooting dates at various locations. Example shots are storyboarded. Health and safety considerations are noted around equipment, locations, and concerts.
Task 10 planning paperwork
The document outlines the planning for a photo shoot for a magazine. It discusses booking a studio space for the shoot that has a black backdrop, professional lighting, and a projector to display the magazine title. Equipment used will include the projector, a high-quality camera, and studio lighting. Props like a mannequin and stool are mentioned to add variety. The makeup and costume plans aim to portray the model as an indie artist who is unique yet relatable. A production schedule provides details on location, time, props, and clothing for the planned photo shoot.
Exploration of Photo Shoot
The document discusses planning for a photo shoot for a music magazine. It considers potential venues but decides a studio setting would be best to ensure control. It examines backdrop colors and chooses white for high contrast. Plans are made for lighting setup, equipment needed, scheduling, and artist profile. Possible props include an amp lead to relate to the artist's music. Outfit and pose ideas aim to showcase the artist naturally and on-brand without cliches.
Task3portraitphotoshootproposalform 141201202750-conversion-gate02
I will conduct a photo shoot capturing portraits of musicians to feature in an indie music magazine. I was inspired by the vibrant colors and exaggerated expressions in photos by photographers Dewey Nicks, Jay Brooks, and others. Using my Nikon D3100 camera, I will take at least 50 photos at locations in Monton and Chorlton, choosing the best 10 to edit in Photoshop. Various techniques like freezing motion with high shutter speeds and shallow depth of field will help convey an upbeat, energetic feeling. A risk assessment will ensure health and safety.
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A-Level Media Studies - Plan, Props, Equipment & Setting
A-Level Media Studies - Plan, Props, Equipment & Setting
Task3portraitphotoshootproposalform 141201202750-conversion-gate02
Task3portraitphotoshootproposalform 141201202750-conversion-gate02
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Equipment required
The document lists the equipment, crew, actors, transport, and props/scenery required for a film production titled "No. 19" for client Andrew Ashley. It includes a digital video camera, digital SLR camera, dictaphone, microphone, tripod, editing suite, recording studio, food and toilet facilities for crew, 3 cameramen, a director, 3 actors, a car and driver for transport, a house for filming, a prop trunk, and a costume budget.
Questionnaire result three.doc
A 16-year-old male was asked questions in a questionnaire about how he finds out about and watches new films. He prefers trailers 30-40 seconds in length that are action-filled to attract him to horror films. He expects conventions like weird bad guys, low lighting, violence and gore in horror films and finds slow, suspenseful editing and realistic paranormal activity most effective for scaring audiences.
Initial ideas
Young teenagers go camping in the woods at night and capture strange paranormal occurrences on video cameras. The film uses both amateur footage and professional footage with dramatic music to build climax. It has elements of horror involving ghosts, poltergeists, torture, death and a twisted story line where a woman becomes possessed.
Paranormal Activity Poster Analysis.
The poster for Paranormal Activity uses colors like black, white, red, and blue that are typically associated with the horror genre to set the right tone. A large image of a scared couple in bed at night grabs attention and poses the question of what they are afraid of. Below is the title "Paranormal Activity" in a font that conveys danger. The phrase "Don't see it alone" and a quote calling it "one of the scariest films of all time" aim to stir interest and hype for the film. Overall, the poster effectively advertises the film through its visuals and text.
Proposal.
Paranormal Productions intends to produce a promotional package for an upcoming horror film including a teaser trailer, magazine cover, and poster. The film will target 15-30 year olds interested in horror and combine "amateur" and "professional" footage inspired by films like Paranormal Activity. The package will attract the intended audience by thoroughly following horror conventions and making the story believable. The poster and magazine cover will be consistent in style with the trailer and contain images from its production. The film focuses on a young couple who move into a haunted house previously lived in but quickly left by others. It will effectively use suggestion to create tension without always showing the demon haunting. The promotional package requests a £60,000
Budget.
Ryan Ward prepared a production budget totaling £56,800 including a 10% contingency. Major expenses included £21,000 for location and equipment hire for 14 days, £10,500 for 3 actors for 14 days, £18,200 for crew and post production including 3 cameramen and editors for 14-7 days, and £3550 for props, costumes and deposits. An additional £10,000 was budgeted as overflow funds.
Equipment Required.
The production schedule outlines the equipment, crew, actors, models, transport, and props needed to film a program titled "No. 19" between October 27th and November 10th. It lists the professional and amateur cameras, audio equipment, editing and recording facilities, and three crew members needed. It also provides details on the actors, models, and secured transportation and filming location - a house with props including an old trunk and costumes.
Paranormal activity trailer analysis
The trailer for Paranormal Activity effectively builds tension and mystery around strange events occurring in a house. It shows the protagonists investigating creepy noises and movements using cameras without revealing the source. Audience reaction shots demonstrate the film's scariness. Quotes praise it as "one of the scariest movies" to entice viewers. The trailer follows the rule of revealing some plot details but not everything, leaving viewers wanting to experience the film themselves.
Paranormal Activity Poster Evaluation
The poster uses colors like black, white, red, and blue that are typically associated with the horror genre to set the right tone. It immediately draws the eye to the large, scary image of a couple in bed with a night-vision effect, posing the question of what they are afraid of. Below is the title "Paranormal Activity" in a font that conveys danger. The tagline "Don't see it alone" and quote at the top claiming the film will cause "nightmares" and is "one of the scariest films" aim to stir interest and hype. Overall, the evaluation finds the poster very successfully advertises the film's scary nature and increases the likelihood of commercial success.
Empire Magazine Front Cover Evaluation
The document provides an analysis of the Empire magazine front cover advertising the film "I Am Legend" starring Will Smith. It notes that the masthead is partially covered by Will Smith's head, showing Empire's confidence in their brand recognition. The main cover line and large image of Will Smith holding a weapon effectively advertise the horror film. Black, white and red colors, as well as a mysterious foggy effect, maintain a horror theme fitting for the genre. Smaller images and text plugs advertise other magazine contents, but clearly position the "I Am Legend" feature as most important. The analysis concludes by identifying design elements to incorporate in a magazine cover promoting their group's film.
Trailer Analysis.
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of action and pacing is shown, how music and voiceovers provide clues to the genre, and whether the trailer or movie poster is more effective at attracting viewers. Key details like release dates, actors, and production companies are often presented at the end. The document suggests trailers give audiences a better sense of what a movie will be like compared to just a poster.
Transformers
The document provides an analysis of three movie trailers for Transformers, Atonement, and Hairspray. It examines elements like when the movie title is revealed, what type of information is provided about the cast and crew, how the music and pacing are used, and whether the trailer or movie poster is more effective at attracting viewers. Key details like genre cues, voiceover styles, and end frames are evaluated for each trailer.
Proposal.
Ryan Ward proposes creating a music magazine called "Real Music Magazine" that focuses on music genres using instruments like guitar, bass, drums, and piano. The magazine would be for people aged 15-60 who enjoy indie, heavy metal, and other styles featuring those instruments. It would have a more mature, text-focused style than image-heavy magazines, and be released every two weeks at a cost of £3.50, occasionally including free gifts for readers.
Doctor Who Analysis.
The document discusses how gender is represented in an extract from Doctor Who through the use of camerawork, mise-en-scene, editing, and sound. Initially, stereotypes are depicted where males are dominant and higher in status than females. However, the character Martha later proves these stereotypes wrong by becoming quite domineering. Camera angles, costumes, props, editing techniques, and music are used to first show Martha as vulnerable but later as powerful as she rises up against the Master.
Doctor Who - Sequence Evaluation.
The document discusses how gender is represented in a sequence of Doctor Who through the technical elements of camerawork, sound, editing, and mise-en-scene, as well as more generally. At first, these elements reinforce stereotypes of males being higher in status and power than females. However, as the sequence continues, Martha gains power and the stereotypes are challenged. Camera angles, soundtracks, editing techniques, and costumes are all used to initially position the male character as dominant but later elevate Martha's status as she fights back, representing a shift in the portrayal of gender.
Doctor Who - Sequence Evaluation.
The document discusses how gender is represented in a sequence of Doctor Who through the technical elements of camerawork, sound, editing, and mise-en-scene, as well as more generally. At first, these elements reinforce stereotypes of males being higher in status and power than females. However, as the sequence continues, Martha gains power and the stereotypes are challenged. Camera angles, soundtracks, editing techniques, and costumes are all used to initially position the male character as dominant but later elevate Martha's status as she fights back, representing a shift in the portrayal of gender.
Skins - Sequence Evaluation.
The document discusses how age is represented in the British TV series Skins through the use of camerawork, sound, editing, and mise-en-scene. It provides several examples of how these technical elements portray differences in age and status between teenage characters and adult teacher characters. Camera angles and shot types make the teachers appear more dominant and important compared to the students. The language used by students and teachers also reflects stereotypical age differences. Costumes, expressions, and props help establish the personas associated with teenagers versus authority figures.
Cinematography.
This document outlines various techniques used in camera shots including different types of shots like close-ups, mid-shots, and long shots. It also discusses camera angles such as high, low, and canted angles. Various camera movements are covered including pans, tilts, tracks, dollies, and zooms. Finally, the document touches on compositional techniques for framing shots, using the rule of thirds, and manipulating depth of field.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
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Career Milestones
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Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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teleprotection market size is expected to see
exponential growth in the next few years. It will grow
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growth rate (CAGR) of 26.0%.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
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From Swing Music to Big Band Fame_ 5 Iconic Artists.pptx
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I Know Dino Trivia: Part 3. Test your dino knowledge
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
Treasure Hunt Puzzles, Treasure Hunt Puzzles online
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The Evolution of the Leonardo DiCaprio Haircut: A Journey Through Style and C...
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240529_Teleprotection Global Market Report 2024.pdf
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Production plan.
- 1. Production Plan. 2nd December - First photo shoot at Recording Studio. 3rd December - Photo shoot Performing Arts. 4th December to 6th December -Photo shoot (after school). 6th December to 14th December - Creating/Editing the magazine. 15th December -Finish Magazine and proof evaluate it. Equipment Required. · Digital Camera. · Tripod. · Editing Software. – (Photoshop etc.) · Props. - (Instruments, Instrumental equipment, Recording Studio, Album Case) · Make-up. · Outfits. Setting. The locations for my staged photography are; The Armthorpe School’s Recording Studio, Performing Arts and various places outside in the grounds. I also intend to take other photos, such as in general places such as home, sat on a wall, in a bedroom, sat under a tree, the streets etc, this creates different aspects for the musician as in their home life as well as working life. I will also take pictures of some of the props alone for features of the magazine, such as for things for the consumer to ‘win’ as such. Models. I will use various different models for the imagery that will be contained within my magazine, maybe even including myself. The models to which I will use within the production of making my magazine are generally the people to which are in my media class; because it’s more convenient. These people will be the following, Ryan Ward, Will Tollerfield, Lewis Fennell, Clare Meadows and potentially I will contribute. Each individual will be given a persona as such, to which they’ll be photographed as; for example, I have decided to call my main musician ‘Axl Faith’ and will be using Ryan Ward as my main musician, therefore he’ll be photographed as Axl Faith. Photograph Ideas. · Model holding Instrument in different positions. · Model playing Instrument. · Model using Studio (recording/mixing/editing) equipment. · Model setting up staging for a concert. · Model going about their everyday life (as their musician persona given to them).