This document summarizes and analyzes several recipe pages and cards from different sources:
1. A Cordon Vert recipe card uses minimal text, high quality images, and colors relating to the featured dish to draw the eye to the focal point.
2. A vegetarian beginners' book uses a lime green background, child-friendly illustrations and fonts, and no images on the recipe page itself to appeal to children.
3. The Vegetarian Society cards use professional photography, varied fonts, and colors relating to the dishes and branding for an older, likely female, audience.
4. One card separates ingredients and method onto different pages for an unusual two-page format.
The document analyzes the layout and design of several recipe cards. For each card, it examines elements like fonts, images, color schemes, and how information is organized on the page. It also evaluates how effective the overall layout is and identifies the implied target audience for each card based on these visual cues. The analysis provides insightful feedback on how the cards' designs appeal to different demographics and could be improved.
This document summarizes Henry Buckham's evaluation of recipe card designs he created for Creative Media Production 2013. The designs opted for a simple yet stylish layout featuring large front cover photos and indicators of skill level and difficulty. Feedback noted the initial back design was too simplistic, lacking aesthetics, so Henry evolved the design to include tilted photos and faded foliage decorations. The finished products reflect the brief's requirements and incorporate peer feedback to improve technical and aesthetic qualities through techniques like drop shadows, strokes and textures. Henry gained skills in design evolution and consistency that can apply to future projects.
This recipe card shows how to make Tangy Leek and Ginger Soup. The color scheme matches the colors in the food. The front features a high-quality image of the soup to showcase its texture. Contact details are included on the back for those interested in other recipes.
This second card shows how to make Carrot and Cashew Fan. The color scheme matches the dish and the front features a perfect-looking meal. The company logo promotes other recipes. Ingredients and methods are clearly laid out in an easy-to-read font.
This third card shows how to make Fudge Brownies. The pink and white color scheme seems aimed at young girls. Simple images and a handwritten-
This recipe card provides instructions for making a festive filo pillow in a clean, easy to follow format. The front features an image of the finished product and the company logo. On the back, the ingredients and instructions are laid out in columns alongside a smaller reference image. Key details are highlighted in gold and purple fonts, continuing the festive color scheme while the main text remains simple black. The overall layout and design makes the recipe visually appealing and accessible.
The document summarizes the findings of a primary research questionnaire conducted about homelessness. It describes how the questionnaire was created and distributed online and to friends and family. It then provides details on the 10 questions asked, including demographics of respondents and their opinions on homelessness, homeless people, and supporting homeless charities. The conclusion indicates the questionnaire provided useful information about awareness of a homeless youth charity and attitudes towards helping the homeless.
The document provides a summary and analysis of several charity advertisements and branding materials, including:
- A SASH website that features a smiling young person to challenge stereotypes of homelessness.
- A Shelter online ad showing a family living outside to raise awareness of how easily people can lose their homes.
- A Global Cause ad using a simple image of a red chair against a dark background to draw attention to poverty.
- A Simon on the Streets ad featuring an image of a homeless man to evoke an emotional response and highlight homelessness issues.
- A Spare Room ad using a childlike drawing of a house and bright colors to help young people facing housing instability.
This document outlines 6 experiments conducted using InDesign page layouts with grids. Each experiment is labeled and involves using grids for the page layout in InDesign.
The document analyzes the layout and design of several recipe cards. For each card, it examines elements like fonts, images, color schemes, and how information is organized on the page. It also evaluates how effective the overall layout is and identifies the implied target audience for each card based on these visual cues. The analysis provides insightful feedback on how the cards' designs appeal to different demographics and could be improved.
This document summarizes Henry Buckham's evaluation of recipe card designs he created for Creative Media Production 2013. The designs opted for a simple yet stylish layout featuring large front cover photos and indicators of skill level and difficulty. Feedback noted the initial back design was too simplistic, lacking aesthetics, so Henry evolved the design to include tilted photos and faded foliage decorations. The finished products reflect the brief's requirements and incorporate peer feedback to improve technical and aesthetic qualities through techniques like drop shadows, strokes and textures. Henry gained skills in design evolution and consistency that can apply to future projects.
This recipe card shows how to make Tangy Leek and Ginger Soup. The color scheme matches the colors in the food. The front features a high-quality image of the soup to showcase its texture. Contact details are included on the back for those interested in other recipes.
This second card shows how to make Carrot and Cashew Fan. The color scheme matches the dish and the front features a perfect-looking meal. The company logo promotes other recipes. Ingredients and methods are clearly laid out in an easy-to-read font.
This third card shows how to make Fudge Brownies. The pink and white color scheme seems aimed at young girls. Simple images and a handwritten-
This recipe card provides instructions for making a festive filo pillow in a clean, easy to follow format. The front features an image of the finished product and the company logo. On the back, the ingredients and instructions are laid out in columns alongside a smaller reference image. Key details are highlighted in gold and purple fonts, continuing the festive color scheme while the main text remains simple black. The overall layout and design makes the recipe visually appealing and accessible.
The document summarizes the findings of a primary research questionnaire conducted about homelessness. It describes how the questionnaire was created and distributed online and to friends and family. It then provides details on the 10 questions asked, including demographics of respondents and their opinions on homelessness, homeless people, and supporting homeless charities. The conclusion indicates the questionnaire provided useful information about awareness of a homeless youth charity and attitudes towards helping the homeless.
The document provides a summary and analysis of several charity advertisements and branding materials, including:
- A SASH website that features a smiling young person to challenge stereotypes of homelessness.
- A Shelter online ad showing a family living outside to raise awareness of how easily people can lose their homes.
- A Global Cause ad using a simple image of a red chair against a dark background to draw attention to poverty.
- A Simon on the Streets ad featuring an image of a homeless man to evoke an emotional response and highlight homelessness issues.
- A Spare Room ad using a childlike drawing of a house and bright colors to help young people facing housing instability.
This document outlines 6 experiments conducted using InDesign page layouts with grids. Each experiment is labeled and involves using grids for the page layout in InDesign.
This recipe card uses a color scheme of red and green to match the featured risotto stuffed ramiro peppers dish and reinforce its vegetarian nature. The large photograph on the front draws attention and shows an idealized version of the finished meal. Additional details like ingredients listed clearly, preparation time noted, and easy-to-follow writing style make the recipe accessible and appealing to consumers. The consistent color scheme and formatting carry through to the back of the card as well.
This document contains summaries of 12 different recipe layouts, including some from children's cookbooks, websites, and standard recipe books. Key points mentioned include font size and color, use of images, spacing, and whether the layout is clear and easy to follow or could be improved. Overall impressions are given as to whether each recipe seems aimed at children or adults.
The document analyzes several recipe cards and vegetarian book covers in terms of their design elements. Key findings include:
- Recipe card layouts are generally simple, with titles, images, instructions and ingredients. Colors often include shades of green and match food colors.
- Fonts usually follow a non-serif style for body text, while titles vary in styles. Images are professionally captured to make food appealing.
- Content and styles and conventions are consistent within brands but vary based on intended audience, such as using simpler designs and fonts for children.
- Overall presentations keep designs clean and minimalistic for ease of use. Writing styles are straightforward for their purposes.
This recipe card uses a simple and clean layout with minimal colors. The photography focuses on clearly presenting the food. A consistent font is used throughout, with one change to draw attention. The writing style is formal and instructive. Overall, the card prioritizes clear organization and presentation over eye-catching design.
This recipe card uses a combination of serif and sans serif fonts to create a formal, stylish atmosphere fitting for a Christmas recipe. The main image shows the finished pie staged with side dishes to depict a festive meal. Colours like gold and purple represent Christmas, while white and light grey create a snowy background. Decorative elements like baubles and swirls add flair in a way that breaks from the typical geometric style of other cards, conveying the seasonal theme through a stylized layout and formal design.
This recipe card uses a sans serif font throughout that is simple and clean, making the instructions easy to understand. A large title font draws the reader's eye. The colour scheme is simple, using only shades of red and white, which relates back to the recipe ingredients of beetroot and rhubarb. A wide-aperture photo takes up most of the front, focusing attention on the food and enticing the reader. The writing style is formal but avoids long words to ensure accessibility. The two-column, two-row layout separates ingredients from instructions neatly.
This recipe card uses a sans serif font throughout that makes the instructions simple and clean. The title is larger to draw attention, with headings in the same color but smaller text. The color scheme is simple, using shades of red and white, which relates to the recipe ingredients of beetroot and rhubarb. A large, in-focus photo takes up most of the front, using shallow depth of field to draw attention to the food and entice viewers. The writing is formal with full sentences and accessible language to make instructions easy to understand.
- This recipe card is aimed at children due to its simple layout with illustrations used instead of text for instructions. The images are clear and explain the process well. The text is in an easy to read font, size and color. Space is used well without things looking cramped or too far apart.
- This recipe card is also aimed at children based on its basic layout and use of illustrations for instructions. The layout is very simple and clear with spaced used well without things looking crammed or too far apart. The image of the final product is small but clear in the top corner without distracting from the instructions.
- This recipe card summarizes the document by identifying two cards that are aimed at children based on
The document describes the design elements used in various recipe cards. Some key design elements discussed include using colorful graphics and images to appeal to children, sectioning text into lists for easy reading, including brand logos and contact information, and using photography techniques like shallow depth of field to draw attention to the food. The intended audiences of the different cards, whether children or adults, are considered in the design choices around fonts, layouts, and visuals used.
The document discusses an advertising campaign created for the charity SASH to prevent youth homelessness. The campaign includes three products: a bookmark, park bench advertisement, and two posters. The author believes the products are fit for purpose because they relate to the charity's goals, use bright colors to catch attention, and look cohesive as part of the same campaign. The products are also deemed appropriate for the target 16-24 year old audience through use of engaging fonts, colors, and simple designs. However, the author notes the products could more clearly communicate the charity's message and services provided.
This document contains 6 mood boards created for charity products for the organization SASH. Mood board one establishes a green color scheme with variations and addition of red and blue. Mood board two features images of happy families to convey positive messages. Mood board three uses images depicting different types of homelessness. Mood board four showcases sans-serif fonts that are clear and readable. Mood board five features serif fonts that stand out and draw attention. Mood board six combines texts, images, and colors from the previous boards to represent a unified set of products.
The document discusses resubmitting a brainstorming assignment for a social action course. It contains ideas for improving an initial brainstorming submission by focusing the ideas into specific, actionable proposals that could create positive change in the community. The revised submission should outline concrete plans with clear goals and steps that are feasible to implement.
The document lists 4 final products: a poster, park bench advert, bookmark, and social action for LO3 resubmissions. These appear to be creative works or community engagement projects turned in for a class.
This document appears to be a record of recipe card submissions by Savannah Hardwick, showing an original design that was refined followed by multiple resubmissions with new designs until an unknown final submission.
This document summarizes Savannah Hardwick's evaluation of her final project where she created three print products - a broadsheet front cover, tabloid front cover, and fanzine. Savannah feels she managed her time well to complete all tasks on schedule. She reviewed her work in progress to ensure it met the briefs and looked like real products. Savannah learned new skills using InDesign and tailored each product to its target audience. Overall, she believes the finished products met her goals and showed the development of her technical, creative, and time management skills.
The document provides feedback on three layout designs: a broadsheet newspaper, tabloid newspaper, and fanzine.
For the broadsheet, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid, the feedback praises the attention-grabbing headline font and realistic holiday advert design. It notes a minor issue with the number of asterisks used in the headline.
For the fanzine, the feedback appreciates the consistent color scheme, cropped photo style, and title fonts fitting the punk theme. It recommends using a single-colored font for readability and reducing the number of fonts used.
The document provides feedback on designs for different newspaper layouts: a broadsheet, tabloid, and fanzine.
For the broadsheet design, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid design, the feedback praises the attention-grabbing headline font but notes a minor issue with the number of asterisks used.
For the fanzine designs, the feedback appreciates the consistent color scheme and cropped photo style. However, it suggests using a clearer font color and reducing the number of fonts for better readability.
This document contains sections on existing punk fanzines, style sheets for fonts and images, flat plans or layouts for a fanzine, and experiments in designing a fanzine. It includes research on punk fanzines, guidelines for typography and visual design, mockups of fanzine pages, and work samples from developing a fanzine concept.
Savannah Hardwick created experiments for a tabloid front cover layout. She designed style sheets for fonts used in the masthead, headlines, and copy. Flat plans were made for different sections. The document describes her first experiment with a tabloid front cover layout that uses a bold headline, colorful masthead, and holiday advertisement to catch readers' attention. Savannah was happy with the overall layout and bold headline that draws readers into the story.
This document discusses the process of designing a broadsheet newspaper page layout. It includes examples of style sheets and flat plans that were created. The author notes that their first attempt at a layout was difficult to work with and they disliked the image placement. They experimented with different designs before settling on a final layout that did not use a flat plan but instead placed elements within basic grid guides. The author notes some elements like the large image could be improved and provides an overview of their final broadsheet design.
This document summarizes an experimental photography student's photomontage projects. For the first project, the student created a photomontage from photos of an artistic map, experimenting with brightness, saturation, and adding a blue stroke around each layer. They moved the images to distort the original image. For the second project, the student was inspired by David Hockney's photomontages and created one from photos of a corridor at different angles and layers. The student evaluated their work and discussed technical qualities like post-production techniques as well as areas for improvement such as composition and original photo quality.
This document outlines 9 experiments conducted as part of a task. Each experiment is given its own header but no other details are provided about the purpose, methods, or results of the individual experiments. The document provides only a high-level structure with experiment headers but no other substantive information.
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This recipe card uses a color scheme of red and green to match the featured risotto stuffed ramiro peppers dish and reinforce its vegetarian nature. The large photograph on the front draws attention and shows an idealized version of the finished meal. Additional details like ingredients listed clearly, preparation time noted, and easy-to-follow writing style make the recipe accessible and appealing to consumers. The consistent color scheme and formatting carry through to the back of the card as well.
This document contains summaries of 12 different recipe layouts, including some from children's cookbooks, websites, and standard recipe books. Key points mentioned include font size and color, use of images, spacing, and whether the layout is clear and easy to follow or could be improved. Overall impressions are given as to whether each recipe seems aimed at children or adults.
The document analyzes several recipe cards and vegetarian book covers in terms of their design elements. Key findings include:
- Recipe card layouts are generally simple, with titles, images, instructions and ingredients. Colors often include shades of green and match food colors.
- Fonts usually follow a non-serif style for body text, while titles vary in styles. Images are professionally captured to make food appealing.
- Content and styles and conventions are consistent within brands but vary based on intended audience, such as using simpler designs and fonts for children.
- Overall presentations keep designs clean and minimalistic for ease of use. Writing styles are straightforward for their purposes.
This recipe card uses a simple and clean layout with minimal colors. The photography focuses on clearly presenting the food. A consistent font is used throughout, with one change to draw attention. The writing style is formal and instructive. Overall, the card prioritizes clear organization and presentation over eye-catching design.
This recipe card uses a combination of serif and sans serif fonts to create a formal, stylish atmosphere fitting for a Christmas recipe. The main image shows the finished pie staged with side dishes to depict a festive meal. Colours like gold and purple represent Christmas, while white and light grey create a snowy background. Decorative elements like baubles and swirls add flair in a way that breaks from the typical geometric style of other cards, conveying the seasonal theme through a stylized layout and formal design.
This recipe card uses a sans serif font throughout that is simple and clean, making the instructions easy to understand. A large title font draws the reader's eye. The colour scheme is simple, using only shades of red and white, which relates back to the recipe ingredients of beetroot and rhubarb. A wide-aperture photo takes up most of the front, focusing attention on the food and enticing the reader. The writing style is formal but avoids long words to ensure accessibility. The two-column, two-row layout separates ingredients from instructions neatly.
This recipe card uses a sans serif font throughout that makes the instructions simple and clean. The title is larger to draw attention, with headings in the same color but smaller text. The color scheme is simple, using shades of red and white, which relates to the recipe ingredients of beetroot and rhubarb. A large, in-focus photo takes up most of the front, using shallow depth of field to draw attention to the food and entice viewers. The writing is formal with full sentences and accessible language to make instructions easy to understand.
- This recipe card is aimed at children due to its simple layout with illustrations used instead of text for instructions. The images are clear and explain the process well. The text is in an easy to read font, size and color. Space is used well without things looking cramped or too far apart.
- This recipe card is also aimed at children based on its basic layout and use of illustrations for instructions. The layout is very simple and clear with spaced used well without things looking crammed or too far apart. The image of the final product is small but clear in the top corner without distracting from the instructions.
- This recipe card summarizes the document by identifying two cards that are aimed at children based on
The document describes the design elements used in various recipe cards. Some key design elements discussed include using colorful graphics and images to appeal to children, sectioning text into lists for easy reading, including brand logos and contact information, and using photography techniques like shallow depth of field to draw attention to the food. The intended audiences of the different cards, whether children or adults, are considered in the design choices around fonts, layouts, and visuals used.
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The document discusses an advertising campaign created for the charity SASH to prevent youth homelessness. The campaign includes three products: a bookmark, park bench advertisement, and two posters. The author believes the products are fit for purpose because they relate to the charity's goals, use bright colors to catch attention, and look cohesive as part of the same campaign. The products are also deemed appropriate for the target 16-24 year old audience through use of engaging fonts, colors, and simple designs. However, the author notes the products could more clearly communicate the charity's message and services provided.
This document contains 6 mood boards created for charity products for the organization SASH. Mood board one establishes a green color scheme with variations and addition of red and blue. Mood board two features images of happy families to convey positive messages. Mood board three uses images depicting different types of homelessness. Mood board four showcases sans-serif fonts that are clear and readable. Mood board five features serif fonts that stand out and draw attention. Mood board six combines texts, images, and colors from the previous boards to represent a unified set of products.
The document discusses resubmitting a brainstorming assignment for a social action course. It contains ideas for improving an initial brainstorming submission by focusing the ideas into specific, actionable proposals that could create positive change in the community. The revised submission should outline concrete plans with clear goals and steps that are feasible to implement.
The document lists 4 final products: a poster, park bench advert, bookmark, and social action for LO3 resubmissions. These appear to be creative works or community engagement projects turned in for a class.
This document appears to be a record of recipe card submissions by Savannah Hardwick, showing an original design that was refined followed by multiple resubmissions with new designs until an unknown final submission.
This document summarizes Savannah Hardwick's evaluation of her final project where she created three print products - a broadsheet front cover, tabloid front cover, and fanzine. Savannah feels she managed her time well to complete all tasks on schedule. She reviewed her work in progress to ensure it met the briefs and looked like real products. Savannah learned new skills using InDesign and tailored each product to its target audience. Overall, she believes the finished products met her goals and showed the development of her technical, creative, and time management skills.
The document provides feedback on three layout designs: a broadsheet newspaper, tabloid newspaper, and fanzine.
For the broadsheet, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid, the feedback praises the attention-grabbing headline font and realistic holiday advert design. It notes a minor issue with the number of asterisks used in the headline.
For the fanzine, the feedback appreciates the consistent color scheme, cropped photo style, and title fonts fitting the punk theme. It recommends using a single-colored font for readability and reducing the number of fonts used.
The document provides feedback on designs for different newspaper layouts: a broadsheet, tabloid, and fanzine.
For the broadsheet design, the feedback notes that the main headline font is too informal and would be better suited for a tabloid. It also suggests adding more content like advertisements.
Regarding the tabloid design, the feedback praises the attention-grabbing headline font but notes a minor issue with the number of asterisks used.
For the fanzine designs, the feedback appreciates the consistent color scheme and cropped photo style. However, it suggests using a clearer font color and reducing the number of fonts for better readability.
This document contains sections on existing punk fanzines, style sheets for fonts and images, flat plans or layouts for a fanzine, and experiments in designing a fanzine. It includes research on punk fanzines, guidelines for typography and visual design, mockups of fanzine pages, and work samples from developing a fanzine concept.
Savannah Hardwick created experiments for a tabloid front cover layout. She designed style sheets for fonts used in the masthead, headlines, and copy. Flat plans were made for different sections. The document describes her first experiment with a tabloid front cover layout that uses a bold headline, colorful masthead, and holiday advertisement to catch readers' attention. Savannah was happy with the overall layout and bold headline that draws readers into the story.
This document discusses the process of designing a broadsheet newspaper page layout. It includes examples of style sheets and flat plans that were created. The author notes that their first attempt at a layout was difficult to work with and they disliked the image placement. They experimented with different designs before settling on a final layout that did not use a flat plan but instead placed elements within basic grid guides. The author notes some elements like the large image could be improved and provides an overview of their final broadsheet design.
This document summarizes an experimental photography student's photomontage projects. For the first project, the student created a photomontage from photos of an artistic map, experimenting with brightness, saturation, and adding a blue stroke around each layer. They moved the images to distort the original image. For the second project, the student was inspired by David Hockney's photomontages and created one from photos of a corridor at different angles and layers. The student evaluated their work and discussed technical qualities like post-production techniques as well as areas for improvement such as composition and original photo quality.
This document outlines 9 experiments conducted as part of a task. Each experiment is given its own header but no other details are provided about the purpose, methods, or results of the individual experiments. The document provides only a high-level structure with experiment headers but no other substantive information.
This document discusses 4 experiments related to a factual page layout task. Each experiment is given a heading but no other details are provided about the purpose, methods, or results of the individual experiments. The document provides a high-level structure but lacks specifics about the content and outcomes of the experiments.
This document outlines the layout elements for different types of publications, including magazine double page spreads, newspaper front covers, and magazine double page spreads. It identifies common elements such as grids, columns, headlines, pull quotes, captions, and white space that structure the content and flow of information across pages. Standard design conventions like orientation, margins, and baselines are also noted to achieve a coherent aesthetic across a publication.
This how-to guide provides simple instructions for making paleo pancakes. The guide uses a muted color palette of greys and features images showing each step of the recipe alongside short, clear instructions in a simple font. The images and formatting help make the recipe easy to follow visually and through short, declarative sentences. The guide aims to provide accurate instructions for readers to interpret and follow as they wish to make the paleo pancakes.
This document summarizes a how-to guide for making paleo pancakes. The guide uses simple images and minimal text written in an informal register. The color palette is muted greys and the images are emphasized with grey borders. Important text like the title and ingredients are written in a darker, capitalized grey to stand out. Overall, the guide has a simple, easy-to-follow design to clearly instruct readers on the paleo pancake recipe.
The document summarizes the student's experimental photography assignments exploring photomontage techniques. For the first image, the student manipulated brightness, saturation, and added a blue stroke around layered images of a map. They found this abstract approach most successful. The second image aimed to emulate David Hockney's style by layering corridor photos and editing colors. For the third, the student created a Hockney-inspired grid with individual square manipulations like opacity and overlays. Overall, the assignments explored locations through photomontage, with influences from Hockney, to fulfill the theme of discovery through experimental photography.
The student plans to create photomontages using images taken around York College from February 5th-7th 2014 with a Canon EOS Rebel T3i DSLR camera. The images will be of various locations on and around campus and will be combined in Photoshop using the photomontage technique to rearrange the scenes in disjointed or collaged compositions. The goal is to create three images - one where the location is clearly visible, one where it is less clear, and one that is highly disjointed and unclear. Mixed media may also be added to the printed photomontages. Post-production work like manually moving images and altering colors will be done to further disjoint some of the images. A variety
The document summarizes Savannah Hardwick's mood boards and proposal for a photography project on the theme of discovery. It includes:
1) Four mood boards focused on animals, religion, locations, and food to explore themes and ideas.
2) A proposal to shoot photos of varying locations around college, both interior and exterior, to experiment with photomontage techniques like those of David Hockney.
3) The goal is to create photomontages with college locations that are clearly recognizable, somewhat recognizable, and abstract, potentially adding mixed media elements.
2. Cordon Vert recipe card-front
The front cover of this recipe card has the
image in the centre of the page which draws
the readers eye towards it straight away
making it essentially the most important
thing on the page as its what will make the
reader look further. The surrounding colours
on the page all relate to the image of the
carrot and cashew fan, featuring reds and
greens as the primary colours on the page.
The image itself is of high quality and the
food on the plate is presented in a
professional manor. There is minimal
amounts of texts used on the page which
makes the image the focal point of this
page. The text itself isn't bold or
capitalised, and is presented in white, a
simple colour that stands out against the
red of the boarder. By having a boarder on
the page makes the picture more
centralised and important. The group who
have created the recipe cards logo is
featured in the bottom left hand corner of
the page, again the logo is green, which
relates to the image due to the garnish that
has been placed on the meal itself.
3. Cordon Vert recipe card-back
The back page of the recipe card is where
the details such as ingredients, cooking
method and preparation times are
shown. This page features primarily
writing. The font varies throughout the
page, having the main bulk of the text be
a simple, clear and easy to read font and
having a serif font along the right hand
side of the page adds a more feminine
look to the page. The page is again
bordered by a red block and the centre of
the page is white. The colour of the texts
alternates depending on which colour it is
on top of, red text on a white background
and white text on a red background. The
image used is a close up of the meal
itself, and is placed on the left hand side
of the page and is much smaller than the
image featured on the front cover. The is
again a green logo on the page but its
more centralised. The colours all relate to
the image on the page, featuring reds and
greens. You can see by the
professionalism of the pages and the
formal presentation, text types and
colour used, that this recipe card is aimed
at an older female audience.
4. Recipe page taken from a ‘vegetarian for beginners’ book-front
This recipe page has a lime green
background and features mainly
greens, blues and whites. Each of the
colours have a contrast against each
other and stand out again the colour of
the background, making the page look
more fun and child like. The style of
page has a look of a notebook with
notes written on it. It also features a
‘children can help with’ section which
further establishes the childlike theme
to the page. The page features no
images of the food at all, which doesn’t
give a clear ides of what the food could
look like. The images used on the page
are childlike drawings of equipment
that would be used to cook this food.
The text on the page is in a simple sans
serif font that is easy to read, clear and
concise.
5. Recipe page taken from a ‘vegetarian for beginners’ book-back
The page after the recipe is a full page
view of the food itself. Although its not
shown before the recipe, it follows
directly. The image itself features blue,
green, red and orange as its primary
colours. The orange in the bowl is a
stark contrast to the green and blue
that surround it. The colours are similar
to those used on the recipe page itself.
This page has no text at all, and the
reader has to assume that it’s the
picture that goes along side the recipe.
The image itself is a photograph which
is most likely to have been
photographed specifically for the
recipe book.
6. Vegetarian society recipe card-front
The front page of this recipe features
the main image of the food, a
raspberry frangipane tart. The image is
of high quality and clear to see. The
image has been photographed
specifically for this recipe and the
image is of the food being described.
The colours in the images are primarily
red and green, which are the colours
that have been used in the background
as well. The red is shown through the
napkin that the white plate is placed
on and the green is shown through the
green blocks acting as a boarder. The
text on the page is very simple and in a
sans serif font, the colour of the text is
white, which stands out against the
green of the boarder. There is a
vegetarian society logo in the bottom
left hand corner of the page, which
tells the reader where the recipe has
come from.
7. Vegetarian society recipe card-back
The page featuring all the written
information is where the main details
such as ingredients, cooking method and
preparation times are shown to the
reader. The font varies throughout the
page, having the main bulk of the text be
a simple and easy to read font and having
a serif font along the right hand side of
the page, which makes the page look
slightly more feminine. The page is again
bordered by a green block and the centre
of the page is white. Much like the front
page of the recipe. The colour of the text
is either green or white depending on
where it is placed. The image used is a
close up of the dessert, and is placed on
the right hand side of the page and is
much smaller than the image featured on
the front cover. The colours once again
relate to the image on the page, featuring
reds and greens. Due to the very formal
and professional look of the page, I would
suggest that the audience for this recipe
would be an older woman.
8. Vegetarian society recipe card-front
This front age of the recipe has the
majority of the page featuring a
medium close up of the ‘big bad boy
salad’. The clear, high quality images
shows a variety of colours, including
reds, light pinks, greens and yellows,
will draw the reader to the recipe. The
food looks as though it has been
placed next to other food with colours
that contrast against its own, the
yellow of the noodles against the green
of the cucumber for example. The text
on the page has been separated from
the image by it being placed in a faded
red square, which has been made to
look like it has been pulled out of a
notebook, on top of the image. The
text is written in lower case, and is in
white. The white text against the red
background makes it stand out and the
reader will notice it.
9. Vegetarian society recipe card-back
This recipe card is slightly different due to the fact that it has
ingredients on one page and then the method on a separate
page to that. Although they are on two different pages it is
clear that they are still for the same recipe due to the colour
scheme used. They both feature texts in the same font, which
is clear and easy to read. They also have the same background
on the page- the modern looking orange pattern.
The ingredients page has a
small image in the bottom left
hand corner, this image is also
titled ‘tasty fun!’, the image
looks like it has come directly
from a Polaroid camera. Both
pages are labeled clearly and
have a step by step guide,
clearly stating the method and
the ingredients.
10. Vegetarian society recipe bookmarks
These bookmark styled recipe cards
made by the vegetarian society are
small and easy to store but they also
contain all the information you need as
well as a bright and colourful images.
Each bookmark is set up in a similar
way, having the image take up the top
third of the page. The colour scheme
also stays the same throughout each
bookmark, having the title of the recipe
over the image in bold white writing
with a green boarder. The main text on
the page is in black, with the
ingredients bolded, and the smaller
details in italic. Along the left hand side
of the page features the title of the dish
again, but turned on its side and in
green. The idea behind this is that due
to the recipe being in a ‘bookmark’
style, if you were to put the page in a
book or diary, you would be able to see
either the top of the page- which shows
the title of the recipe and the image, or
the left hand side of the page-which has
the title in bold and green.
11. Recipe card.
The title is written in a sans serif font, the colour Bright and colourful, using
of the text is brown, the brown font relates to the colours like pinks, yellows
brown of the chocolate in the images. The title and green have a strong
appears very informal which show that the recipe contrast against each other,
page itself will be informal also. this will draw the readers
eye towards it.
There is a fun, childlike
style to the colours and
images used.
The images take up half of
the page and are essentially
the first thing the reader
will see. High quality
The ingredients are clearly photographs help the
displayed on the entire left images to look more
hand side of the page. The professional on an informal
colour of the text is once background. The colours in
again brown, which relates the images are repeated
to the ingredients that are throughout the page on the
being used. The font used is background and in the
simple and easy to read. texts.
The childlike drawing in the left hand bottom The method of the recipe is
corner continues the childlike theme of the the biggest bulk of text on
page. By having the image look hand drawn, it the page, the clear and
separates it from the professionalism of the easy to read font gives step
photographs. by step instructions.
12. Recipe card.
The title is on the top of the page and is slightly The colours used on this
separated from the rest of the things on the page. page are dark and muted
The colour used is not easily readable when its colours. Featuring reds and
against the colour of the background its on. The greens as well as faded
yellow square also has brown spots faded into it browns. The colours tie into
which makes it even harder to read. the images shown on the
page.
The style of the page is
more formal than the one
previously, but is still very
informal.
The images take up half of
the page and are essentially
the first thing the reader
will see. High quality
The ingredients are clearly photographs help the
displayed on the entire left images to look more
hand side of the page. The professional on the dark
colour of the text is dark background. Although the
green making it hard to images are of a high quality,
read clearly. the food itself is not clear
of what it is.
The method of the recipe is
the biggest bulk of text on
The illustrations in the centre of the page are the page, the font gives
representing the Mexican feel of the dish by step by step instructions,
having ‘ole’ written in a sans serif font. although the colour and
style of the text is not easy
to read.
13. Simple imagery used on the page. Photos
of the food used In the recipes instead of
the finished piece.
Very basic colours used- white is the
primary colour on the page. Splashes of
red and green across the page. Lack of
colour draws the readers eye to where the
colour is.
Small and simple title in the top left hand
corner going on a diagonal slant. Sans serif
font used adds a more feminine look to it.
Each title for the recipes is seperated from
the rest of the recipe via a ‘paper clip’ this
paper clip effect makes the page look
slightly more 3D and adds a fun and
inventive aspect to the page.
Simple background means that the recipes
are the main focus of the page.
Shadows around the images and the
crinkled look of the paper notes make the
page look more interesting to the eye. It
appears that the background is a table and
these items have been placed on the
surface, then photographed.
Simple black boarder outlining the recipe
and seperating it from where it might be-
recipe book, magazine etc.
14. Front of a recipe card for leek and
ginger soup
• As you can see there is a very
professional look to this page.
The photography is very strong
and with the use of a shallow
depth of field the focus is kept
firmly on the product itself. The
lighting allows you to see the dish
clearly and allows you to get a
feel for the texture of the food.
There is a elegant feel to the
image with the use of the wood
and the spoon, you get the
feeling of sitting beside a roaring
fire, this gives a pleasing finish to
the image.
15. Back of the leek and ginger soup card
With the back they have kept it
simple using only two colors and two
font types. This makes it easy to read
whilst still upholding a professional
finish to the card. There is some serif
font that goes from top to bottom
on the right hand side that also
shows the elegancy of the dish. The
step by step walkthrough is very
clear and easy to follow. There is
also a lot of extra information at the
foot of the card where they show all
of the numbers and email addresses
that you can go to if you wish to
gather more information regarding
what they as a company are about
or any general queries they have
about the products that they
16. A vegetarian guide for young people
• This is a stark contrast to the work
on the previous slides as this is
aimed specifically at the younger
generations and they hope to
appeal more to them with the use
of eye catching and stimulating
colors.
• The playful use of the foods to
construct some of the letters will
also help with the interaction
between them and the children
and will also help the appeal of the
text to the younger children.
• You can tell clearly which sort of
age groups they are trying to reach
out to. The concept whilst being an
interesting one it is also simplistic
in its makeup.
17. Example of the photography used in
the young peoples guide
• The photography used in this guide
is a positive representation of what
they are trying to achieve within
the vegetarian community which is
to get more young people
interested and aware of the
vegetarian options that there are
available. The Images are very
welcoming and fun with a
professional element in there as
well. The images labeled 21 and 23
show a couple of the dishes that
can be made with the use of this
guide whilst the other photographs
show children interacting with
others and the food.
18. A vegetarian food guide for teens
• Although this is focused on a
similar aspect to the previous
slide there are vast differences in
this product to the last. It is easy
to tell that this is for an older
audience in comparison to the
one aimed at “young people”.
There is a sense that this has
been put together with more of a
professional finish in mind, with
the title along the top, the logo in
the bottom left corner and an
image that helps to illustrate
what they are about making up
the majority of the cover.
19. Nutritional information
• This page of the guide enables the
readers to get a good idea of the
sorts of foods you should be eating
in order to maintain a healthy diet
if you are a vegetarian.
• There is a strong use of color
throughout the entire publication
and is especially present in this
example with lots of use of greens
and yellows which are bright and
eye-catching.
• It gives information that can be
beneficial to the readers as well as
there being an accompanying visual
representation of the sorts of foods
that are given as examples.
20. An adult/parent guide
• This is yet another example of one of the
publications that this company is responsible
for.
• You can tell that this is for a more mature
audience as it has a much cleaner finish to it
with the focus being entirely on the food itself
rather than incorporating an image that
comprises of both the people that it is aimed at
as well as the food.
• This is more of the standard culinary publication
layouts that we are accustomed to seeing where
there is a shallow depth of field and also where
a focal point is very clear.
• It is easy to see how the escalation in age of the
target audience has effected the finish of the
overall layout, use of text, fonts, color etc.
• The use of the caption in the top left corner
“quick meal ideas” is one that will appeal to
parents as time is always a factor when
considering meal choice.
21. Parent guide layout/style
• This is an example of the layout and
the style that is used in this
particular guide. In comparison the
the previous editions of their work
for young people and teens there is
noticeably more text on the page
and it is in relatively large
quantities.
• There is also a difference in the
different colors that are on the
page and there is simply a couple of
different colors and a few different
font styles depending on what
effect they are trying to create. For
example on the two strips of paper
they have used a font that makes it
look as though there is hand
writing on there.
22. Vegetarianism pregnancy
• This again is an example of a
vegetarian product that has a
specific clientele in mind and in this
case it is concerning the topic of
pregnancy and how and if being a
vegetarian affects you or your child.
• The front cover is fairly simple and
consists of a few main factors; the
title, images of parents, food and
children and a line specifying what
you will find throughout the guide
“useful information to support you
and your baby”.
• Taking this all into account there is
complete clarity of what the book is
about and the information you will
find within.
23. Comparison
• This is a screenshot to show how two pieces of
the same information can be depicted
completely differently when there is a different
target market in mind. This version of the same
pie chart has significantly more text on and
noticeably less color than the version of it on
the teens guide. There is also a large amount of
text that is found above the chart that helps to
illustrate the points that are made by the pie
chart and the accompanying information.
• Since this is a publication that is aimed at the
topic of pregnancy the majority of the audience
will be women and it could be said that this is
reflected trough the choice of font. The font is
sans serif and has a nice curvy and smooth feel
to it rather than a serif font which can be hard
on the eye.
• This is helpful to me as it shows me that I will
have to really think about who the cards that I
am going to create are aimed at and how I can
go about executing different techniques in order
to get the desired effects.
24. What extras are offered?
• This screenshot helps to illustrate
that the company have put in
additional information regarding
certain topics that people going
through pregnancy might have for
example, morning sickness or
digestive problems. The guide
gives a considerable amount of
information about these topics.
• The same color scheme is used
through the inner pages of the
publication with the green
header and white background
with overlaying black text which
makes it formal and easy to read.
25. Festive/seasonal
• This is an example of how you can
adjust the style of your recipe cards
to accommodate for any specific
seasonal or festive times. With this
particular dish you get the feeling
that it is Christmas. The use of
bokeh photography gives a nice
relaxed and pleasant atmosphere
that you would associate with that
time of the year. The focal point of
the image is the meal itself that is
placed directly in the middle of the
photograph. The image feels as
though it is quite intimate with the
use of candles and what appears to
be a wine glass also there is
another plate that is in the
background of the image.
26. Festive/seasonal
• This is another example of how the look
of a recipe card can be affected by the
time of year or season. This particular
example is trying to portray the feeling
of Christmas, one of the ways that they
do this is by using colors such as gold
and purple which can be linked to the
Christmas period. Also there is a theme
of sharing in this image which is also
associated with Christmas time.
• They have also included a fancy and
elegant feel to it, there is an extremely
shallow depth of field to the point that
the only part of the image that is sharp
in focus is the pie itself and not even
the greens or the sides are clear.
27. Festive/ seasonal
• The Christmas theme is continued on into
the publication with further use of purple
and gold also there are more Christmas
related images in this such as the
decoration with text and even images in
them. The numbers for the method also
feature Christmas elements.
• The titles are done in gold or purple and
also in a serif font which is a more
attractive and elegant style of text and
then the bulky portions of information
have been done in a sans serif font which
easier to read and therefore better for
instructional use. Also making it easier to
read the larger amounts of text are done
in black against the white background.
• We will have to take into account any
ways that we can make the products that
we make more appealing and this could
be down to matching it to the time of year
i.e. spring, (Easter) and being able to
create a theme to match this.