Constantine 
Analysis 
By Polly Pritchard
The standard warner brothers logo appears, making the 
audience excited the film as it is produced by a well known 
company with a history of successful and famous films. 
This is violently knocked aside by wind creating 
connotations of natural disasters and hell, causing tension 
in the audience, this forebodes the hellish content featured 
several times in the film.
The Village Roadshow Picture Logo appears from the 
dissolving smoke of the Warner Brothers production 
company Logo, the transition is significantly shorter than 
that of the Warner Bros. Logo. The dissolving transition 
from the Warner bros. logo has implications of destruction, 
foreboding the content to come later in the film.
Wipe transition to Vertigo DC Comics production company 
logo, made to look like dusty wind, which makes the 
audience feel tense and confused, furthering the 
connotations of hell and destruction.
The Quotation forebodes the premise of the film because 
the film centers around the ‘Spear of Destiny’ and the 
trouble it causes. It also says that the spear had been 
missing since the end of world war two, peaking the 
curiosity of the audience, wondering what had happened to 
it etc. The sound of wind continues from the first credit 
through the captions and into the first scene.
The establishing shot sets the mood for the film and 
established the location. The smoke links back to the 
connotations of hell, building tension in the audience, 
foreboding chaos and punishment. The crosses represent 
the religious themes of the film, religion comes up many 
times in the film.
Long shot of setting, establishes the scene and poverty the 
characters are suffering from, the shot slowly zooms in 
closer to the characters into a two shot.
Long, Two shot establishing the characters, shows the 
poverty the characters experience and the work they are 
forced to do to cope with this. A car drives past, breaking 
the silence and creating non-diegetic sound of music 
increasing the tension and highlight the difference in 
finance and status between the driver and the characters.
Low angle shots usually imply power and authority but 
these connotations don’t match the position we see of the 
character, he looks around curiously making the audience 
wonder what he is looking at.
Match on action shot, the first shot is a high angle shot of 
him reaching into the hole, while the second is a low angle 
shot of him clutching it tightly, the two images contrast 
because the low angle shot suggests power and the low 
angle shot the opposite.
Shot, Reaction, Shot, shows us a detailed shot of the spear 
and then a close up image of the weapon, then his reaction 
to put it into context, we then see his almost inhuman way 
of reacting to it.
Pan shot originally focusing on the second man, pans to 
focus on the first man marching towards with a sense of 
determination, the low angle again makes him look 
powerful.
Wide shot of him walking into the road, the car barges into 
the side of the shot without any suggestion with noise or a 
shot, shocking the audience and creating a lot of tension 
very quickly. There is no music in this shot, which could 
diffuse the tension or remind the audience that the scene 
isn’t real.
Reaction shot, we see the second man’s horror and 
sadness at his death showing us that while he may be 
wealthy he has someone who genuinely cares about him 
contrasting with later in the film when he is very wealthy but 
unloved.
Shows us the damage done by the car accident but masks 
the gruesome details, we see the lower half of his body 
through the smoke, so it looks as if he is dead or at least 
very seriously injured however the smoke prevents us 
seeing clearly, creating a sense of mystery.
An extreme close up focuses on the first man’s wrist, the 
mark show’s that the spear has marked him supernaturally, 
this shot pans to show the spear, building tension. The 
music is cold and haunting, building tension and implying 
something is about to happen.
Long shot of location but the first man, jumps up seemingly 
unhurt, this is shocking to the audience and will help build 
tension, this suggests supernatural intervention, the demonic 
imagery contrasts with the religious crosses in the background. 
The music fades out with one long note building tension. The 
screen fades to black hooking the audience, making them want 
to know what will happen next.
The title appears from the darkness as the pans around the 
title, the background seems to have scratches on it, almost 
like tallies, this could suggest imprisonment, highlighting 
the feeling of claustrophobia. 
The font is clear and square making it easy for the 
audience to read, it is in 3D to make it more noticeable for 
the audience.
The piercing noise of the kettle builds tension, mimicking a 
scream making the audience feel on edge. The location 
has changed, the shot zoomed out slowly to highlight this, 
the caption simply says ‘Los Angeles’ showing the 
geographical distance between the opening scene and the 
present scene.

Presentation1

  • 1.
    Constantine Analysis ByPolly Pritchard
  • 2.
    The standard warnerbrothers logo appears, making the audience excited the film as it is produced by a well known company with a history of successful and famous films. This is violently knocked aside by wind creating connotations of natural disasters and hell, causing tension in the audience, this forebodes the hellish content featured several times in the film.
  • 3.
    The Village RoadshowPicture Logo appears from the dissolving smoke of the Warner Brothers production company Logo, the transition is significantly shorter than that of the Warner Bros. Logo. The dissolving transition from the Warner bros. logo has implications of destruction, foreboding the content to come later in the film.
  • 4.
    Wipe transition toVertigo DC Comics production company logo, made to look like dusty wind, which makes the audience feel tense and confused, furthering the connotations of hell and destruction.
  • 5.
    The Quotation forebodesthe premise of the film because the film centers around the ‘Spear of Destiny’ and the trouble it causes. It also says that the spear had been missing since the end of world war two, peaking the curiosity of the audience, wondering what had happened to it etc. The sound of wind continues from the first credit through the captions and into the first scene.
  • 6.
    The establishing shotsets the mood for the film and established the location. The smoke links back to the connotations of hell, building tension in the audience, foreboding chaos and punishment. The crosses represent the religious themes of the film, religion comes up many times in the film.
  • 7.
    Long shot ofsetting, establishes the scene and poverty the characters are suffering from, the shot slowly zooms in closer to the characters into a two shot.
  • 8.
    Long, Two shotestablishing the characters, shows the poverty the characters experience and the work they are forced to do to cope with this. A car drives past, breaking the silence and creating non-diegetic sound of music increasing the tension and highlight the difference in finance and status between the driver and the characters.
  • 9.
    Low angle shotsusually imply power and authority but these connotations don’t match the position we see of the character, he looks around curiously making the audience wonder what he is looking at.
  • 10.
    Match on actionshot, the first shot is a high angle shot of him reaching into the hole, while the second is a low angle shot of him clutching it tightly, the two images contrast because the low angle shot suggests power and the low angle shot the opposite.
  • 11.
    Shot, Reaction, Shot,shows us a detailed shot of the spear and then a close up image of the weapon, then his reaction to put it into context, we then see his almost inhuman way of reacting to it.
  • 12.
    Pan shot originallyfocusing on the second man, pans to focus on the first man marching towards with a sense of determination, the low angle again makes him look powerful.
  • 13.
    Wide shot ofhim walking into the road, the car barges into the side of the shot without any suggestion with noise or a shot, shocking the audience and creating a lot of tension very quickly. There is no music in this shot, which could diffuse the tension or remind the audience that the scene isn’t real.
  • 14.
    Reaction shot, wesee the second man’s horror and sadness at his death showing us that while he may be wealthy he has someone who genuinely cares about him contrasting with later in the film when he is very wealthy but unloved.
  • 15.
    Shows us thedamage done by the car accident but masks the gruesome details, we see the lower half of his body through the smoke, so it looks as if he is dead or at least very seriously injured however the smoke prevents us seeing clearly, creating a sense of mystery.
  • 16.
    An extreme closeup focuses on the first man’s wrist, the mark show’s that the spear has marked him supernaturally, this shot pans to show the spear, building tension. The music is cold and haunting, building tension and implying something is about to happen.
  • 17.
    Long shot oflocation but the first man, jumps up seemingly unhurt, this is shocking to the audience and will help build tension, this suggests supernatural intervention, the demonic imagery contrasts with the religious crosses in the background. The music fades out with one long note building tension. The screen fades to black hooking the audience, making them want to know what will happen next.
  • 18.
    The title appearsfrom the darkness as the pans around the title, the background seems to have scratches on it, almost like tallies, this could suggest imprisonment, highlighting the feeling of claustrophobia. The font is clear and square making it easy for the audience to read, it is in 3D to make it more noticeable for the audience.
  • 19.
    The piercing noiseof the kettle builds tension, mimicking a scream making the audience feel on edge. The location has changed, the shot zoomed out slowly to highlight this, the caption simply says ‘Los Angeles’ showing the geographical distance between the opening scene and the present scene.