The document is a timeline that outlines various shots in a film through brief descriptions and timecodes. It follows an actress from waking up confused and lost, to wandering the streets, using and dealing drugs, and ultimately committing suicide in her bathtub while holding her necklace. The timeline uses short, precise descriptions to delineate multiple establishing shots, close-ups, and interactions that comprise her deteriorating mental state and downward spiral over the course of the film.
http://inarocket.com
Learn BEM fundamentals as fast as possible. What is BEM (Block, element, modifier), BEM syntax, how it works with a real example, etc.
http://inarocket.com
Learn BEM fundamentals as fast as possible. What is BEM (Block, element, modifier), BEM syntax, how it works with a real example, etc.
How to Build a Dynamic Social Media PlanPost Planner
Stop guessing and wasting your time on networks and strategies that don’t work!
Join Rebekah Radice and Katie Lance to learn how to optimize your social networks, the best kept secrets for hot content, top time management tools, and much more!
Watch the replay here: bit.ly/socialmedia-plan
Content personalisation is becoming more prevalent. A site, it's content and/or it's products, change dynamically according to the specific needs of the user. SEO needs to ensure we do not fall behind of this trend.
Lightning Talk #9: How UX and Data Storytelling Can Shape Policy by Mika Aldabaux singapore
How can we take UX and Data Storytelling out of the tech context and use them to change the way government behaves?
Showcasing the truth is the highest goal of data storytelling. Because the design of a chart can affect the interpretation of data in a major way, one must wield visual tools with care and deliberation. Using quantitative facts to evoke an emotional response is best achieved with the combination of UX and data storytelling.
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
By David F. Larcker, Stephen A. Miles, and Brian Tayan
Stanford Closer Look Series
Overview:
Shareholders pay considerable attention to the choice of executive selected as the new CEO whenever a change in leadership takes place. However, without an inside look at the leading candidates to assume the CEO role, it is difficult for shareholders to tell whether the board has made the correct choice. In this Closer Look, we examine CEO succession events among the largest 100 companies over a ten-year period to determine what happens to the executives who were not selected (i.e., the “succession losers”) and how they perform relative to those who were selected (the “succession winners”).
We ask:
• Are the executives selected for the CEO role really better than those passed over?
• What are the implications for understanding the labor market for executive talent?
• Are differences in performance due to operating conditions or quality of available talent?
• Are boards better at identifying CEO talent than other research generally suggests?
Succession “Losers”: What Happens to Executives Passed Over for the CEO Job?
TIMELINE
1. 0.15- 0.27-0.30 0.40-0.47 0.53-1.03
TIMELINE 0.17 MINS MINS MINS
MINS Mid shot Back shot of Reflection
ants of actress actress shot of
0.08- eye looking walking out of actress in
0.09 view of around the camera shop window
MINS shot of lost and wandering the with public
shot of birds confused streets of staring at her
necklace flying Dartford. .
on the in the
floor . sky.
0.00 -
0.07 0.10 -0.14 0.17-0.26 0.30-0.39 0.48- 1.04- 1.07
MINS MINS MINS MINS 0.52 MINS
Actress’ Close up shot Actress Establishing MINS Foot shot
hand of clock wakes up shot of Same down of
zoomed rewinding from outside the shot person
into time. sleep in pub where but of dropping
with the she slept for actress money and
necklace streets of the night walking actress
in hand Dartford featuring the into the diving in to
then on public camera pick it up
falls to cardboard conversing. at an
ground. boxes. angle
2. 1.09- 1.26-1.33 2.03-2.08
1.16 2.17-2.22
MINS 1.41-1.52 MINS 2.41- 2.51
MINS MINS
another MINS Reflection MINS
Shot sitting on
establishi Close up shot of Close up
of kerb of
-ng shot shots of actress in shot of
actres road
of area & wandering park with man
s looking
actress in Dartford camera opening
walkin around
walks to Heath with following door and
g into aimlessly
meet reflection her. actress
phone guy. shot. follows
box inside.
1.08 -
1.09 1.17- 1.52-2.02 2.09-
1.34-1.40 2.23- 2.40 2.52-3.05
MINS 1.25 MINS 2.16
MINS MINS sees MINS
Close MINS establishin MINS
Close up car Actress
up shot makes g shot of walking
shot of approaching preparing
of a call Dartford in street
exchange and man in her hair
actress to drug Heath showing
of drugs car picks her and
picking dealer. leading to torn
and money. up makeup
up close up of clothing .
money. touching
leaves.
3. 3.17-3.30 3.47-3.55 4.18-4.22 4.29-4.33
4.09-4.13 4.39-4.42
MINS MINS MINS MINS
MINS MINS
Getting into Walking mid shot of Close up
Sitting in tub replay of
bed and out of the actress neck to actress
regretful and significant
removing room down in deep in
upset about events
clothing, sho upstairs to water deep thought, c
the way her throughout
t zoomed the in thought loses eyes
life has video
into bathroom to beat of
panned out
necklace. music
3.06- 3.16 3.31- 3.46
MINS MINS 4.34-4.38
3.56-4.08 4.14-4.17 4.23-4.28 4.43-4.48
Actress Laying in MINS
MINS MINS MINS MINS
leaves bed after Actress
Range of Close up of Actress’ Shot of
bathroom interaction commits
shots of necklace hand necklace on
to enter with suicide
actress and zoomed floor and
bedroom man, cryin with
turning on actress’ into with scene ends.
unwillingly g and shots
tap for hand necklace in
. upset with overlappi
bath tub. hand then
cash in her -ng.
falls to
hand ground.