D.J. Caruso is an auteur film director known for the films Disturbia, Taking Lives, and I Am Number Four. He focuses on themes of character and identity in his films. Caruso brings a personal style to his films through his attention to characters, actors, influences from directors like Spielberg, use of color palettes, and sound editing. He portrays identity through his protagonists and sometimes unusual costume choices.
The photographer chose a rural field location for a photoshoot promoting an indie music artist to connect the genre with nature. The model wore casual clothes representing individuality. When they arrived, the photographer instructed the model on posing to match the planned shots before sunset. Photos were taken from the middle of the field and by a tree to frame the landscape. The shoot went according to plan within an hour without any safety issues.
Planning The Double Page Spread Image.Doc New Music Magguest3bed7f
The document outlines the planned details for a photoshoot of Danielle Emina playing guitar, including the agency name, model, camera angle, location, lighting, props, intended connotation and denotation, contingency plans if the model is absent, an alternate shooting angle, and comments about using close-ups and long shots.
Thom Anderson's 2003 documentary Los Angeles Plays Itself analyzes how Los Angeles has been portrayed in films from the 1910s to 2000s. It references over 210 films and TV shows to show how the city has been used as a background, character, and subject. The film traces the changing depictions of the Bunker Hill neighborhood from the 1950s through its redevelopment in the 1980s. Anderson acknowledges the challenge of making a personal documentary as a privileged filmmaker, noting it's hard to notice the less fortunate who make up almost everyone.
The document discusses genre research focused on the film "Juno". It can be categorized as a coming of age, romance, comedy, or indie drama genre. The film portrays females as strong and independent, while males seem oblivious. It uses simple, bubbly fonts for opening titles that appear on screen as the main character walks. The setting and locations are important to show the type of people the characters are. Costumes also help stereotype characters, like the main character Juno dresses casually while her friend dresses girly. Cinematography includes 180 degree shots and over the shoulder shots to see what Juno sees.
Art Wolfe is known for his nature and wildlife photography. He specializes in incorporating patterns found in animals and using strong contrasts between warm and cold colors. Wolfe also contributes to conservation efforts and teaches photography. He has published many books of his work and hosts a television show about his travels, where he photographs places around the world. Wolfe's style is distinguished by his use of color, pattern, and photo manipulation techniques.
The photographer chose a rural field location for a photoshoot promoting an indie music artist to connect the genre with nature. The model wore casual clothes representing individuality. When they arrived, the photographer instructed the model on posing to match the planned shots before sunset. Photos were taken from the middle of the field and by a tree to frame the landscape. The shoot went according to plan within an hour without any safety issues.
Planning The Double Page Spread Image.Doc New Music Magguest3bed7f
The document outlines the planned details for a photoshoot of Danielle Emina playing guitar, including the agency name, model, camera angle, location, lighting, props, intended connotation and denotation, contingency plans if the model is absent, an alternate shooting angle, and comments about using close-ups and long shots.
Thom Anderson's 2003 documentary Los Angeles Plays Itself analyzes how Los Angeles has been portrayed in films from the 1910s to 2000s. It references over 210 films and TV shows to show how the city has been used as a background, character, and subject. The film traces the changing depictions of the Bunker Hill neighborhood from the 1950s through its redevelopment in the 1980s. Anderson acknowledges the challenge of making a personal documentary as a privileged filmmaker, noting it's hard to notice the less fortunate who make up almost everyone.
The document discusses genre research focused on the film "Juno". It can be categorized as a coming of age, romance, comedy, or indie drama genre. The film portrays females as strong and independent, while males seem oblivious. It uses simple, bubbly fonts for opening titles that appear on screen as the main character walks. The setting and locations are important to show the type of people the characters are. Costumes also help stereotype characters, like the main character Juno dresses casually while her friend dresses girly. Cinematography includes 180 degree shots and over the shoulder shots to see what Juno sees.
Art Wolfe is known for his nature and wildlife photography. He specializes in incorporating patterns found in animals and using strong contrasts between warm and cold colors. Wolfe also contributes to conservation efforts and teaches photography. He has published many books of his work and hosts a television show about his travels, where he photographs places around the world. Wolfe's style is distinguished by his use of color, pattern, and photo manipulation techniques.
Психология восприятия. Часть 4. Эффекты восприятия.Inelymy
Четвертая часть (из 4-х) презентации курса "Психология восприятия". Наиболее интересные иллюзии восприятия и иллюстрации к различным феноменам восприятия.
The document discusses the concept of trust in international relations and the Iran nuclear issue. It covers the principles of the UN, the Nuclear Non-Proliferation Treaty, Iran's status as a signatory, and resolutions by the UN Security Council. It also discusses a proposed agreement between Brazil, Iran, and Turkey to resolve concerns over Iran's nuclear program through diplomacy and inspections rather than sanctions.
How effective is the combination of your main production - Media Question 06zerrgurc
The document discusses the creative process behind a music video and ancillary materials for a song about romance. The artist wanted to convey feelings of power, loss and love through a slow-paced narrative focused on the female protagonist. Scenes of the protagonist alone in her bedroom were used to depict her loneliness. Costumes and props reinforced the theme of modern young love. The digipak and magazine ad continued telling the story through images of the characters together surrounded by nature, contrasting with the protagonist alone on the digipak cover. Consistent themes, backgrounds and positioning of the characters throughout the materials helped provide clarity about the romantic relationship to the audience.
Jonathan and Katherine both have busy mornings getting ready for work. Jonathan is a businessman who drives his Mercedes to work while Katherine drives her Volkswagen Beetle. They both take elevators up to their floors but collide in the elevator, causing Katherine to spill coffee all over Jonathan's shirt. Though apologetic, they exchange some sarcastic remarks. Jonathan's secretary then informs Katherine that Jonathan wants to meet with her in five minutes.
Психология восприятия. Часть 4. Эффекты восприятия.Inelymy
Четвертая часть (из 4-х) презентации курса "Психология восприятия". Наиболее интересные иллюзии восприятия и иллюстрации к различным феноменам восприятия.
The document discusses the concept of trust in international relations and the Iran nuclear issue. It covers the principles of the UN, the Nuclear Non-Proliferation Treaty, Iran's status as a signatory, and resolutions by the UN Security Council. It also discusses a proposed agreement between Brazil, Iran, and Turkey to resolve concerns over Iran's nuclear program through diplomacy and inspections rather than sanctions.
How effective is the combination of your main production - Media Question 06zerrgurc
The document discusses the creative process behind a music video and ancillary materials for a song about romance. The artist wanted to convey feelings of power, loss and love through a slow-paced narrative focused on the female protagonist. Scenes of the protagonist alone in her bedroom were used to depict her loneliness. Costumes and props reinforced the theme of modern young love. The digipak and magazine ad continued telling the story through images of the characters together surrounded by nature, contrasting with the protagonist alone on the digipak cover. Consistent themes, backgrounds and positioning of the characters throughout the materials helped provide clarity about the romantic relationship to the audience.
Jonathan and Katherine both have busy mornings getting ready for work. Jonathan is a businessman who drives his Mercedes to work while Katherine drives her Volkswagen Beetle. They both take elevators up to their floors but collide in the elevator, causing Katherine to spill coffee all over Jonathan's shirt. Though apologetic, they exchange some sarcastic remarks. Jonathan's secretary then informs Katherine that Jonathan wants to meet with her in five minutes.
This document provides production details for a music video being filmed between October 22nd and November 3rd. It includes contact information for the cast and crew, location details and maps, a scene breakdown, and a shot list. Safety and emergency contact information is also included. The production will take place across five scenes at various outdoor locations in and around Cambridge, England.
This document provides production details for a music video being filmed from October 22nd to November 1st. It includes the schedule, locations, cast and crew contact information, technical requirements, and scene breakdown. The production will take place across 3 locations in and around Cambridge, filming 6 scenes over 4 days. Contact information is provided for the director, producers, camera operator, and other key crew positions. A detailed shooting schedule is outlined for each day, identifying call times, scenes to be filmed, and expected timing. Properties, costumes, and transportation needs are also specified for the production.
This document is a shot list for a film titled "RED PRODUCTION" by Zerrin Gurcali. It contains 83 shots organized across 6 scenes. Scene 1 takes place in a field and involves shots of a girl and guy walking and interacting from a distance. Scene 2 takes place in a bedroom and focuses on the girl looking at pictures scattered on the floor. Scene 3 returns to an outdoor location of chalk pits, with shots of the girl walking, singing, and interacting with broken glass. Scenes 4 and 5 continue to follow the girl in various outdoor locations as she walks and sings. The final Scene 6 takes place in a graveyard with shots of the girl visiting a gravestone.
This risk assessment form outlines the planned activities for a music video production shoot. The activities will take place at various outdoor locations, including the Chalk Pits in Cherry Hinton Hall and a graveyard in Newmarket. Zerrin Gurcali will be the director and camera operator. Potential hazards include falling into ditches, tripping over branches, and interference from people walking around the filming areas. Control measures to manage these risks include checking filming areas for hazards, keeping actors and crew away from dangerous areas, and shooting in less crowded places with warnings about the filming. The overall risk level for the planned activities is assessed as low after applying the listed control measures.
This document contains a shot list for a film production divided into 6 scenes. It provides technical shooting descriptions such as camera angles, movements, and close-ups for 27 total shots across outdoor and indoor locations. The shots will depict a girl walking through a field and different areas of town, in a bedroom with scattered photos, singing in a graveyard, and include interactions with a boy from afar.
The document outlines plans for a focus group to gather feedback on a proposed music video concept from its target audience of 14 to 30 year olds. It will introduce the song's narrative about a girl dealing with the death of her past lover and ask for opinions on the visuals, location, artist, and mise-en-scene. Specific topics to cover include preferred story elements, setting, props, audience expectations, and whether a cliffhanger or happy ending is preferred. The focus group aims to help shape critical design decisions for the music video to best engage its intended demographic.
This document analyzes symbols and meanings in a music video. It discusses how the singer's black dress, suitcase, and tattoos of doves represent sadness over a lost relationship. The backdrop of New York City and a sign saying "New York" imply that the city and another woman were responsible for luring away and changing the singer's lover. The unfolding story revealed through the lyrics and visuals tell of heartbreak from her lover leaving her for another girl.
The document proposes a music video for the song "Clarity" by Foxes. It would tell the story of a girl who has lost the love of her life and is trying to forget him. The narrative would be depicted through locations like forests, graveyards, and pictures gradually disappearing. It would feature 18-year-old actress Melike Akyildiz and incorporate themes of love, mystery, sadness, and death through imagery like roses, broken glass, and masks. Locations in Cambridge like fields and halls would be used for filming. The target audience would be teenagers and young adults aged 16 to 30, and the video would be around 3 minutes and 25 seconds long.
The document provides production details for the film "Rearranged Marriage" including schedules, locations, crew contact details, and technical requirements. It will be filmed over two locations in Cambridge on February 23rd - a city center location from 9:30-11:30am and Jesus Green from 1:30-6pm. The crew call is 8:30am and principals at 9am. Costume needs, transportation plans, and emergency contact information is also included.
The document describes 39 camera shots for a music video featuring a girl getting ready, singing and dancing in various locations including her bedroom, garden, street, and pathway. The shots include close-ups of the girl applying makeup, mid shots of her lying on her bed and sitting in the garden, and long shots of her walking, dancing and singing down the street and pathway.
This document discusses several elements that are commonly found in music videos, including intertextual references to other media, synchronization between the music and visuals through editing and dancing, relationships between lyrics and accompanying images, promotions of the artist, demonstrations of music genres, voyeurism through intimate settings, and framing with doors or windows.
The speaker woke up feeling tired and sick one Tuesday. They felt something was missing from their daily life. After changing into old jeans, a t-shirt, and ripped shoes that didn't suit them, they changed into new shoes which made them feel better. With their new shoes on, everyone was smiling and it felt inviting. The new shoes lifted their mood and helped them feel less rushed despite being short on money and running late.
This shot list contains 24 shots for the first scene and 6 shots for the second scene of the film "Rearranged Marriage". The first scene takes place in Cambridge city centre and shows Isobel walking and shopping, then bumping into James and spilling coffee on his shirt. Shots include various angles of the characters walking, talking on the phone, panicking, and reacting to the spill. The second scene is set on Jesus Green and includes establishing shots of benches and close ups of James and Isobel glancing at each other from a distance.
3. Focus films
Main Film :
Disturbia 2007
Two Related films :
Taking Lives 2004
I Am Number Four 2011
4. How does D.J Caruso
portray identity
in his films?
“I always lean towards
character and theme”
5. AUTEUR THEORY
“A true film auteur
is someone who
brings something
genuinely personal
to his subject
instead of
producing a
tasteful, accurate
but lifeless
rendering of the
original material”
10. “Stevens love of science
fiction and endearing
characters is, of course,
present. I feel like the dark
room scene – where four
uses his hand to light
Sarah‟s face – is very
Spielberigian”
INFLUENCES
11. COLOUR
„I always lay out
the colour palettes
of my movies and
so I do it with
pictures, like ill just
put it around my
office‟
Daniel John Caruso was born in Norwalk, Connecticut, USA. He was born in 17 January 1965. He married holly Kuespert on July 6, 19991 and they have 5 children. He graduated from Norwalk high school in 1983 and then Pepperdine University with a B.A in film and television. He is of an Italian descent. Caruso started working in film as an associate producer for a number of John Balham films such as Point of no return (1993) another stakeout (1993). [9]
My focus film is I Am Number Four (2011) and my two related is Taking Lives (2004) and Disturbia (2007) they have all the same genre of thriller, drama and suspense which link with the theme of Identity that I will be exploring. His storylines are linked by the killers trying to hind who they are so that their identity is not found. The narrative has a strong main character that has been through a lot like a death which has accrued in most of his films, like the death of kales father in Disturbia and the loss of his parent of four in I Am Number Four. His films have characters who have a power which in I Am Number Four, four’s power is through his hand and in Taking lives her power is in her mind how she tries to sold the mystery. The storylines are about solving a mystery or a problem they have to face. I was looking for a somewhat family friendly science fiction film like the great ones in the 80's that I grew up watching like Back to the Future.’ [1] which shows his love for science fiction films, and also Back to the future is also linked with his films in the sense of going to the past and his characters mostly have a bad past. They are also teenagers which links with the film also. [6] [7] [8]
“How does D.J. Caruso portray identity in his films?” is my problematic because in his films he makes the main characters not having a true identity they try to hind who they are in order to achieve what they need in life. They have lost someone which made them loses a part of them. “I always lean towards character and theme” This interested me as he had talked about putting his characters before the narrative storytelling which he establishes each character. He adds his identity into the films by having the characters have interests in sport which he plays tennis. The identity of each character is unique to the storyline because they have been through a hard time. ‘We all feel or felt like outsiders at some points in our lives. I was more of an observer then a participant in high school. I was a decent student who played sports, but never hung out with the jocks exclusively.’ [1] this quote is linked with his childhood with the characters as they are not truly accepted in the society they live in which makes us feel that maybe he was that kind of person who didn’t truly know who he was or had.
The term auteur originates from France which translates as author, which means that a director’s film reflects their creative vision. The Auteur theory was introduced in the 1950’s by French film directors like Francois Truffaut who advocated a focus on the contribution directors made on the style and form of film, he quoted... “A true film auteur is someone who brings something genuinely personal to his subject instead of producing a tasteful, accurate but lifeless rendering of the original material” An auteur is a film maker whose style and practise is distinctive which creates a signature auteur status for them. It is also a film maker who has a personal, signature style and keeps creative control over his or her work. I think my director is a auteur by his style in which he uses his identity in his character and creates personal feelings in his films which have been linked through his childhood and his hobbies to create the character that links with him. His style is a thriller drama genre which he adds his own creativity and his own personal views of the narrative. He is influenced by many different people around him as he develops understanding in his films like Steven Spielberg who he truly respects. He can add tension and drama in his films which gets you blood flowing in a taut drama or thriller, his car crash is his signature as he adds his open style to his films. He believes that camera work is most important to create the best shot because it gives the effect of perfection, even if the scene is perfect without the right shot it wont be seen to the audience as he talks about..
I am number four scene at 22:42 – 24:41 2 minutes on the scene of ‘John’s Smith’ first day in the new high school this scene shows how we as a audience are watching him D.J. Caruso wanted us to be a voyeur and watch him without dialogue just soundtrack with lyrics “hide away” “can you hear when I say I have never felt this way” “can I make it better with the lights turned off”. These lyrics helped establish his character as four because of him always trying to be invisible, not be seen and to show this my director added non-diegetic soundtrack. “As a director, you're a voyeur” [4] I felt like we were the ones observing the scene with the panning shots, long shot and Point of view shots to show how he is an outsider and not fitting in. this scene told a story to the audience without dialogue but with soundtrack and camera movements. ‘I loved that John had to sacrifice what he loved and wanted for the greater good. I also loved that he stepped in and stopped the bullying that was happening with Sam.’ [1] in this scene we see Sam getting bullied and as four comes to help we see how he is a good character fighting the bad ones even though he knows that it could have consequences in the future. This scene also had the element of romance and love, of the mysterious girl the unknown that the viewers are drawn towards. “Once you accept who you truly are, you become empowered to great things with your life. In his quest for normality and true live he learns that his destiny calls in him to sacrifice the things he truly wants. He must become selfless.” [10] this quote is powerful in describing the character of Four in I am number four it shows he values what he truly needs than what is just there.
The directing style of D.J. Caruso is shown frequently in his films. One feature is the way he uses a car crash scene in his films, which shows his signature sign. We see a car crash in Taking Lives and also in the beginning of Disturbia, which establishes the characters. This is linked with the identity as he wants to show to the audience about the vulnerability in his characters. The car crash also connotes to the audience that this a D.J. Caruso film. Another style is bringing the sports side of him into his films, for example having the main character in I Am Number Four being a sports boy. He played tennis and loves sports having the element of his identity into his films shows that he wants to have the main characters more like himself. ‘I felt completely liberated because I wasn’t constrained by what people loved or didn’t love about the book.’ [3] they style and narrative of I am number four wasn’t influenced by the people around him because of the books like most films but instead he had his own flavor and own style to create the drama and suspense.
D.J Caruso is very focused towards the characters and how he wants them to be. “I always lean towards character and theme” he is more towards how a character should be then the actual storyline because he has mentioned that once the characters are set in his mind he can then focus on the Narrative and where it will take him, putting the identity of each person which forms the narrative and the film. He added his sports side to the I Am Number Four character four, “I feel like playing sports and competing helped me to prepare to become a filmmaker. I attack each shoot day like a game that I must win”[1] he is putting himself into the film. His own identity as he loves sports he wants that element into the characters. “I was looking for a somewhat family friendly science fiction film like the great ones in the 80’s that I grew up watching like Back to the future. I felt that I am number four had qualities that I could tap into that would satisfy that desire.” [1] he wanted a film that will link with his past and help him reunite with his past and how he felt when he watched Back to the future. He wanted a friendly science film because he has children who are teenagers he wanted them to be related to his childhood. ‘He wants to be normal’ [2] End up a warrior’ [2] the characters in his films are mentally strong as they have been through rough upbringings and deaths that has surrounded them. This is links with how D.J. Caruso plays sports to fit in as his characters are trying to fit into the society to even if they are abnormal to their surroundings. ‘I wanted to develop the characters, because if you look at the movies today in this genre, they're necessarily not that good; I wanted to get a character that was real,’ [4] he believes that having good character will make you narrative and narrative arch much more realistic to the world around us which I truly believe because the character gives us the drama and tension in a film. That makes us want to go see that film and buy it. ‘Teens tend to be narcissistic by nature and I loved that John had to sacrifice what he loved and wanted for the greater good. I also loved that he stepped in and stopped the bullying that was happening with Sam.’ [1]
“I like working with young actors because they haven’t developed old habits. They’re open to trying new things or new ways of reaching the potential of a scene or character” he has younger children and with having young actors like Alex Pettyfer and Shia Labouf shows his child side into his film. He wants that element of young and this shows his identity by his younger children he wants to be closer to them. “I have five children between the ages of 3 and 16. Initially, all my films were rated R and, now, the last few have been PG 13. I wanted some that they could see and hopefully enjoy” [11]we see that he is attached to his children and by this he has used younger actors that they can relate to. He is interested in films that will be suitable for his family. “Unity is vital in order to create. I always try to bind in a way that helps actors understand that we’re partners” [1]he enjoyed working with Angelina Jolie because she was very well experience and he learnt a lot form her character. ‘I think there's a lot of Kale in DJ. As a director, you're a voyeur. I always think back to my childhood and I remember being back and watching everyone, watching their behavior.’ [4] he feels that the character Kale that was played by Shia Labouf links with him as well as in taking lives Angelina Jolie's character was also looking others behave, he added that element in his films as the main characters are mostly interested in others movements and there businesses .
“Stevens love of science fiction and endearing characters is, of course, present. I feel like the dark room scene – where four uses his hand to light Sarah’s face – is very Spielberigian” [10] he is influenced by Steven Spielberg having him be the producer of Disturbia and adding the darkroom to have the effect. As he had spoken about he talks about his interest in science fiction and thriller which is influenced by Spielberg. He has also been influenced by Del Toro as he has meet him and he was very interested in his works. ‘Just this passionate, passionate guy, he gets into each frame.’[5] he said that his work is very influential to my director in the sense of his camera work which “The job of directing is demanding. When I’m shooting out of state, it’s very difficult to be away from the family. But I am 100% there in between project so they get their full doses of dad.” [11] He has used the father figure in his films as the one being lost by death as in I am number four, four losses the person he truly sees as a father, and also the loss of Kale’s dad in Disturbia which shows the link that D.J. Caruso has lost his father and through that he wants to show that losing someone is very hard and powerful which links which his identity.
“I always lay out the colour palettes of my movies and so I do it with pictures, like ill just put it around my office” [5] in the three films I have chosen the colour palette is very dark when the action is taking place this shows the different sides of the characters to the audience which shows us a new identity as the colours turn from bright to darkness. There are similarities as the scene in Taking lives of the bedroom which the detective looks into shows the characters identity by the pictures and dreams and the scene of the Disturbia as the killer comes into his room as it shows his dreams and hobbies to the audience by the close up shots.The colour tone in the film Taking lives changes as the killer is seen the screen colour is more dark and mysterious like in Disturbia as he is trying to save his mother he goings into his house which is pitch black which helps emphasis the tension but also the show the darkness within the character which shows us the identity of being alone with no love or happiness. Especially in I am number four the colour’s are very different in the way the blue and red are contrasted with each other to show the bad and the evil as the character of I am number four his powers are shown with the colour blue to connote calmness which is the opposite of the situation that the character is in which is very interesting.
‘I love lacing in great music for the young audiences as well. I'm still a teen, musically (ha ha).’ [1] his films are aimed at younger audience and having soundtracks which will interest the audience and there genre is hard he still believes that he is a child he enjoys listening to teenage music.The uses of sound in his films are shown through the diegetic, silence that adds to the tension of thriller. The scene where detective Scott in Taking Lives has entered the room the silence give it a more dramatic scene as the built up by the minimum of sound used which shows his style of creating suspense and tension by the sound. This is also used in the scene where kale in Disturbia is in the house looking for his father which is also use of silence to show that the characters are very frightened because the lack of non- diegetic sound doesn’t dhow the characters as brave but sacred and normal.
“I was more interested in a character piece about a guy who falls in love with the girl next door… particularly with falling in love with the girl next door, I always looked through the trees. … I was a little shy. I think I talked to her at the bus stop, that’s about as far as we ever got. I definitely had a voyeuristic relationship with her.” [11] This is shown through the narrative of Disturbia as Kale the main character falls in love with the girl next door which links which his life and the shy type was also brought up by the main character shy to even talk to her. In the film he has shown his identity through the narrative and the characters. “Inspiration comes from those who exceed my expectations. A desire to discover universality in my characters that help the audience to understand that they are not alone when they experience pain or joy” [12]
The costume of the Main characters are causal clothing to show there identity of there youth and there personalities. He has children who are near the age of teenage which influenced his style in helping the costume. “I wanted the Mog look to be very strong in silhouette. I loved the old black western duster jackets. Their membrane eyes and gill-like breathers were of course alien inspired. Finally, the Tattoos were a tribal ranking system that we developed for each Mog.” [1] TheMogadoriancostumes were influenced by the tattoos and the big boots and black coats the show they are danger and unwanted. Black connotes danger but also death. [13] in the end, D.J. Caruso chose a design in which all the Mogs were bald, so the detailed Mogadorian military ranking tattoos could be seen.
To conclude my director and my problematic I believe I have portrayed identity in his films by showing each issues and showing how he added identity in his films. I added this with his childhood and his family but also how he is a person his own identity in his films. I believe he adds the element of himself into his films and he does this by sports, four being good at soccer adding that element has made the character link more with my director. Romance is also added by his past relations and experiences. Thank you for watching.