Popularity As Natural Selection
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This document proposes a digital art project called "Popularity as Natural Selection" that would visualize meme competition and evolution over the internet. It would use Google Trends data to represent abstract search terms as procedurally generated creatures that compete for dominance, with the most popular terms thriving over time in a simulation of natural selection. The interactive installation would educate viewers about Darwinian evolution and showcase how popularity works online, while making a statement about the democratic nature of the internet.
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![Popularity as Natural Selection A digital art project Submitted for the Darwin Bicentennial Art Competition By Paul Sawaya [email_address]](https://image.slidesharecdn.com/popularityasnaturalselection-090331021159-phpapp02/85/Popularity-As-Natural-Selection-1-320.jpg)
![What is Digital Art? ,[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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A INTER, ,CTIOW
DESIGN I
beyond human-computer interaction
Color Plate 1
Figure 1.2 Novel forms of interactive products embedded with computational power (clockwise from top left):
(i) Electrolux screen-
fridge that provides a
range of functionality, in-
cluding food manage-
ment where recipes are
displayed, based on the
food stored in t h e fridge.
(iii) 'geek chic', a Levi jacket equipped
with a fully integrated computer network
(body area network), enabling the wearer
to be fully connected to the web.
ENTER
[IV) Barney, an interactive cuddly
toy that makes learning enjoyable.
Figure 1.1 1 2D and 3D buttons. Which a r e easier t o distin-
guish between?
Color Plate 2
Figure 2.1 An example of augmented reality. Virtual and
physical worlds have been combined so that a digital image of
the brain is superimposed on the person's head, providing a
new form of medical visualization.
Figure 2.14 The i-room project at Stanford: a graphical
rendering of the Interactive Room Terry Winograd's
group is researching, which is an innovative technology-
rich prototype workspace, integrating a variety of dis-
plays and devices. An overarching aim is to explore new
possibilities for people to work together (see
http://graphics.stanford.EDU/projects/iwork/).
-
. -
I.. , .
Color Plate 3
Figur ...
A INTER, ,CTIOW DESIGN I beyond human-computer interacti.docx
A INTER, ,CTIOW
DESIGN I
beyond human-computer interaction
Color Plate 1
Figure 1.2 Novel forms of interactive products embedded with computational power (clockwise from top left):
(i) Electrolux screen-
fridge that provides a
range of functionality, in-
cluding food manage-
ment where recipes are
displayed, based on the
food stored in the fridge.
(iii) 'geek chic', a Levi jacket equipped
with a fully integrated computer network
(body area network), enabling the wearer
to be fully connected to the web.
ENTER
[IV) Barney, an interactive cuddly
toy that makes learning enjoyable.
Figure 1.1 1 2D and 3D buttons. Which are easier to distin-
guish between?
Color Plate 2
Figure 2.1 An example of augmented reality. Virtual and
physical worlds have been combined so that a digital image of
the brain is superimposed on the person's head, providing a
new form of medical visualization.
Figure 2.14 The i-room project at Stanford: a graphical
rendering of the Interactive Room Terry Winograd's
group is researching, which is an innovative technology-
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plays and devices. An overarching aim is to explore new
possibilities for people to work together (see
http://graphics.stanford.EDU/projects/iwork/).
-
. -
I.. , .
Color Plate 3
Figure 2.6 Recent direct-manipulation virtual environments
(a) Virtue (Daniel Reid, 1999, www-pablo.cs.uiuc.edulPro-
jectNRNirtue) enables software developers to directly ma-
nipulate software components and their behavior.
(b), (c) Crayoland (Dave Pape, www.ncsa.uiuc.eduNis/) is an interactive virtual environment where the child
in the image on the right uses a joystick to navigate through the space. The child is interacting with an avatar in
the flower world.
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Figure 3.7 Dynalinking used in the PondWorld software. In the background is a simulation
of a pond ecosystem, comprising perch, stickleback, beetles, tadpoles, and weeds. In the
foreground is a food web diagram representing the same ecosystem but at a more abstract
level. The two are dynalinked: changes made to one representation are reflected in the
other. Here the user has clicked on the arrow between the tadpole and the weed rep-
resented in the diagram. This is shown in the PondWorld simulation as the tadpole eating
the weed. The dynalinking is accompanied by a narrative explaining what is happening and
sounds of dying organisms.
Figure 3.9 A see-through
handset-transparency does not
mean simply showing the insides of
a machine but involves providing a
good system image.
Color Plate 5
Figure 4.1 'l'he rooftop gar-
den in BowieWorld, a collab-
orative virtual environment
(CVE) supported by
Worlds.com. The User takes
part by "dressing up" as an
avatar. There are hundreds of
avatars to choose from, in-
cluding penguins and real
people. Once avatars have
entered a world, they can ex-
plore it and chat with other ...
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There is a lot of great technology being created and developed everyday. This session provides an overview of some of the "hot-topics" within the emerging tech field, what trends to watch, and what can libraries do with these emerging technologies. We will uncover everything from where touch-based computing and gesture-based computing. Most importantly, we can uncover ways libraries can create new technology, driving down our own technology costs and increasing overall benefits for our libraries.
GroupF_Task-2_Group Proposal report presentation_HUT351 (1).pptx
Check for blockchain-related metadata: When art is created using blockchain technology, there may be metadata associated with the artwork that indicates its origins. This could include information about the artist, the date the artwork was created, the blockchain platform used, and more. If you have access to this metadata, you can examine it to see if it suggests that the artwork was generated using blockchain technology.
Look for a blockchain certificate: Some blockchain platforms offer certificates that can be used to verify the authenticity and provenance of art. These certificates may include information about the artwork's origins, the blockchain platform used, and more. If you have access to a certificate associated with the artwork in question, you can examine it to see if it suggests that the artwork was generated using blockchain technology.
Consult with experts: If you're unsure whether a particular piece of art was generated using blockchain technology, you can consult with experts in the field. This might include art historians, blockchain developers, or other professionals with expertise in art and technology. They may be able to examine the artwork and its associated metadata to provide insights into its origins and the technologies used to create it.
Check for other indicators: While there may not be a foolproof way to determine whether a piece of art was generated using blockchain technology, there may be other indicators that can help you make an informed guess. For example, you could look for stylistic or thematic similarities between the artwork in question and other pieces of art that are known to have been created using blockchain technology. You could also examine the artwork's provenance and history to see if there are any clues that suggest it may have been created using this technology.
Overall, verifying whether a piece of art was generated using blockchain technology may require a combination of these approaches, as well as careful analysis and consideration of the available evidence.
Reverse Image Search: One way to check if an artwork has been generated using AI is to perform a reverse image search on the artwork. This will help you identify if the artwork has been generated using an existing image dataset or if it is unique.
Metadata Analysis: Another method is to analyze the metadata of the artwork. If the metadata indicates that the artwork was created using an AI algorithm, then it is likely that the artwork was generated using AI.
Pixel Analysis: You can also perform pixel analysis on the artwork. AI-generated art often has a distinct pixel pattern that is different from traditional art.
Artist Verification: If the artwork is attributed to a specific artist, you can check if that artist has a history of using AI in their art. If the artist is known for using AI, it is likely that the artwork was generated using AI.
The web in the world
In the same way as the web is quickly extending onto the mobile platform, we are starting to see the web moving further into the physical world. Many emerging technologies are beginning to offer physical-world inputs and outputs; multi-touch iPhones, gestural Wii controllers, RFID-driven museum interfaces, QR-coded magazines and GPS-enabled mobile phones.
These technologies have been used to create very useful services that interact with the web such as Plazes, Nokia Sports Tracker, Wattson, Tikitag and Nike Plus. But the technologies themselves often overshadow the user-experience and so far designers haven’t had language or patterns to express new ideas for these interfaces.
This talk will focus on a number of design directions for new physical interfaces. We will discuss various ideas around presence, location, context awareness, peripheral interaction as well as haptics and tangible interfaces. How do these interactions work with the web? What are the potentials and problems, and what kinds of design approaches are needed?
Technology,
visual Trends
& References
Undeniably 2020 has been an unpredictable year. This originated some creativity for innovation as much as adaptation and acceleration of existent ideas.
Every so often at Cocoon we feel the need to review these technologies and approaches and filter what we feel is relevant for us and our clients into a document that we share internally and externally.
This year we gave this document a linear context: Digital Global Humanism.
Up until recently people were the central focus in digital businesses and ecosystems.
Businesses started by embracing humanism to achieve their results and to enable clients to access their products in the easiest ways possible.
But now we also need to remind people about their own responsibility for the Earth. We added this to our process of business transformation.
SXSW 2011 South By Southwest 2011 Review
For those not familiar with South by Southwest (SXSW) is a 10 day conference with 3 focus areas around film, interactive and music festivals that take place every spring (usually in March) in Austin, Texas. Attached is a 2011 SXSW 2011 Review from an agency owner perspective on what take aways are worth learning about and what Apps are worth checking out.
Make Tools
My keynote talk at the 2007 IA Konferenz in Stuttgart, Germany, I argued we need to create fewer final designed artifacts and more tools to help everyone design. The audio can be downloaded from here: http://www.iavoice.com/2007/11/27/ia-konferenz-2007-keynote-english/
User Experience
The document discusses the importance of user experience in business. It provides examples of companies like Netflix, iTunes, and iPhone that have achieved success through focus on user experience rather than just technological capabilities. The key aspects of successful experience design highlighted are that it is multidisciplinary, cultural, invisible when done right, and integrates user needs with business goals. Rapid prototyping and getting user feedback in short iterations is also emphasized.
TestingTime - Guest Article - let’s save the world—democracy, inclusion and s...
You are probably asking yourself: “As a UX designer, can I actually change the world?” Not by yourself – but you can make a positive contribution. The prerequisite is the interdisciplinary cooperation of specialists in operational ergonomics, product designers, developers, and some others. Find out the influence of technologies on our society, how we reduce reservations thanks to human-centred design, and how we use our tools optimally in the “Digital Designer” college to obtain a relationship between human beings and technology that has real added value. Let’s go!
Crowdsourcing for Online Data Collection
Slides on how to use crowdsourcing and Amazon's Mechanical Turk for collecting online data, particularly for psychologists. Presented at the Online Data Collection Workshop at ICSTE in Lisbon, Portgual on Jan 9, 2012.
DDiMIT Workshop: 3D Printing
This document summarizes a 3D printing workshop that covered the current state of desktop 3D fabrication and 3D printing. It discussed how 3D printing has evolved from expensive industrial tools to more affordable desktop 3D printers, enabled by projects like RepRap and companies like MakerBot. The workshop taught basics of 3D modeling for printing and discussed how people are using 3D printing for custom enclosures, extensions, branding, and problem solving. Participants learned hands-on 3D printing and were assigned a tutorial to design an object to print.
SXSW Recap
The document summarizes key takeaways from the SXSW conference, including that gaming and gamification are replacing social media as a framework for influence, location-based apps and personalization were major themes, and new technologies are changing the retail experience through interactive displays and digital signage. Social media is about building relationships rather than just content, and consumers want personalized and relevant experiences.
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Successful marketing campaign can yield positive financial outcom
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みなさんこんにちはこれ何文字まで入るの？40文字以下不可とか本当に意味わからないけどこれ限界文字数書いてないからマジでやばい文字数いけるんじゃないの？えこ...
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みなさんこんにちはこれ何文字まで入るの？40文字以下不可とか本当に意味わからないけどこれ限界文字数書いてないからマジでやばい文字数いけるんじゃないの？えこ...
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Popularity As Natural Selection
- 1. Popularity as Natural Selection A digital art project Submitted for the Darwin Bicentennial Art Competition By Paul Sawaya [email_address]
- 7. Inherently dynamic and interactive
- 8. Brings something over a hundred years old ( Darwin 's ideas) into a modern context
- 12. Popularity also changes over time.
- 13. Most searches for information on the web start at Google.com...
- 15. Why do we search for something on Google? What do we say about something when we Google it?
- 17. Some are what you'd expect
- 18. Others offer more interesting insight
- 20. Popularity- not approval (Source: BBC website, Gallup data)
- 22. Meme theory tells us that memes develop and evolve in the wild, just like genes. They self-replicate and mutate so that they can continue to spread.
- 23. The internet is a breeding ground for memes!
- 27. These creatures move across the space, fighting each other while bringing food back to their base.
- 28. As time passes, some creatures die while others thrive.
- 29. Demo
- 31. Algorithm that parses Trends data focuses on relative success and improvement, which is how “dawkins” is able to dominate the competition despite having a lower search volume than the others.
- 33. Drag creatures around the screen
- 35. Let the player enter the game and compete against the creatures himself.
- 41. Fun to watch or play.
- 45. Setup would be similar to the web kiosks already on campus, except with a larger monitor, and perhaps some printed materials explaining the work and what it means.
- 46. Release open source version for web, “installed” in web browsers anywhere.