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Pop Art Andy Warhol,  200 Campbell Soup Cans , acrylic on canvas, 1962
Andy Warhol ,[object Object]
[object Object]
[object Object]
   Andy Warhol's Little Electric Chair, 1965  Andy Warhol's Electric Chairs: Reflecting on Capital Punishment in America This exhibition presented Warhol's Electric Chair series of paintings and prints together with diverse audio and written points of view as a catalyst to generate dialogue around the various sides of the capital punishment debate. Presented in collaboration with Amnesty International USA's Human Rights Education Program and Mid-Atlantic Regional Office (MARO), the University of Pittsburgh School of Law, Duquesne University School of Law, The Center for Victims of Violent Crime and The Public Conversations Project. The museum gratefully acknowledges these organizations, the Electric Chair community advisory committee and all the individuals who have given their time to the project. Supported in part by The Animating Democracy Initiative, a project of Americans for the Arts, funded by The Ford Foundation. http://www.warhol.org/education/electric_chair.html
Warhol; section of  Atomic Bomb  1965 Andy Warhol’s work was based on photography.  He created silk screens of the photographic images and repeated them multiple times for effect.  Many critics argued that this was not art.  However, Andy Warhol changed how we view art by using photography to reflect back to the American public imagery that defined the culture of the time.

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Pop+Art 1

  • 1. Pop Art Andy Warhol, 200 Campbell Soup Cans , acrylic on canvas, 1962
  • 2.
  • 3.
  • 4.
  • 5.   Andy Warhol's Little Electric Chair, 1965 Andy Warhol's Electric Chairs: Reflecting on Capital Punishment in America This exhibition presented Warhol's Electric Chair series of paintings and prints together with diverse audio and written points of view as a catalyst to generate dialogue around the various sides of the capital punishment debate. Presented in collaboration with Amnesty International USA's Human Rights Education Program and Mid-Atlantic Regional Office (MARO), the University of Pittsburgh School of Law, Duquesne University School of Law, The Center for Victims of Violent Crime and The Public Conversations Project. The museum gratefully acknowledges these organizations, the Electric Chair community advisory committee and all the individuals who have given their time to the project. Supported in part by The Animating Democracy Initiative, a project of Americans for the Arts, funded by The Ford Foundation. http://www.warhol.org/education/electric_chair.html
  • 6. Warhol; section of Atomic Bomb 1965 Andy Warhol’s work was based on photography. He created silk screens of the photographic images and repeated them multiple times for effect. Many critics argued that this was not art. However, Andy Warhol changed how we view art by using photography to reflect back to the American public imagery that defined the culture of the time.