The document outlines a brief for creating images through photomontage to protest a societal injustice. It discusses researching artists like John Heartfield for inspiration in handmade montages. The creator considers issues like wealth inequality and the way celebrities promote unhealthy products. Initial ideas include contrasting wealthy celebrities with facts about poverty. Research explores protest posters and Dadaist techniques. Outcomes include handcut and digital photomontages contrasting wealth and poverty to promote on t-shirts.
This campaign poster from the Joint Council for the Welfare of Immigrants aims to change attitudes about immigration. It does so by highlighting the important contributions immigrants make, such as saving lives through their work in healthcare. Rather than portraying immigrants negatively as is often done in media, the poster personalizes immigration by noting that the life saved next could be your own. The technique of appealing to self-interest in this way is meant to make people reconsider common misconceptions about immigration. The campaign and issue have received attention in mainstream media outlets like newspapers and social media, showing debate around immigration laws and policies.
This document summarizes several social action campaigns and organizations:
- A "We are a culture not a costume" poster campaign by STARS that raises awareness of cultural appropriation and stereotyping.
- Caine's Arcade, a viral video about a boy's cardboard arcade that led to a foundation supporting children's creativity.
- Carousel, a Brighton-based organization that provides media training for learning-disabled artists.
- The JCWI campaign posters that aim to shift perceptions of immigration by highlighting immigrants' humanity rather than stereotypes.
This document discusses how to create brand advocates using digital tools and strategies. It begins by defining what a brand advocate is - someone who independently recommends and supports a brand through their own credibility and reputation. It then discusses why brand advocates are important by noting that peer recommendations are more trusted than advertising. The rest of the document provides tips for how to make brand advocates, including understanding your target audience, committing to your brand values, engaging in two-way communication, and providing ongoing value and support to retain advocates. The overall message is that digital tools can be used to build awareness, engage customers, and foster long-term retention through community-building.
This document discusses the power of storytelling and provides guidance on constructing an effective public story. It explains that stories communicate values through emotion and inspire action. The document then provides a framework for constructing a public story, including a story of self that discusses one's background and experiences, a story of us that discusses the shared community, and a story of now that addresses current challenges. It offers questions to help reflect on these different elements of an individual's journey and shared community to construct a compelling public story.
This campaign by Models of Diversity aims to bring about global change by challenging dominant views and increasing representation of disabled people in the modeling industry. The campaign uses images of diverse models and text that crosses out "Dis" in "Disabled" to promote the message that disability does not preclude ability or beauty. It provides contact information to encourage public involvement in the organization and its mission. While the full impact is difficult to measure, the campaign has led to further publicity that could help change public attitudes over time.
The campaign by Models of Diversity aims to bring about global change by changing attitudes towards disabled models. It features three models of different abilities to showcase diversity and natural beauty. The poster crosses out the "Dis" in "Disabled" and fades the last letter to emphasize that disabled people are able to model. It encourages people to get involved by visiting their website and supporting more inclusion of diverse models in the industry.
This campaign poster from the Joint Council for the Welfare of Immigrants aims to change attitudes about immigration. It does so by highlighting the important contributions immigrants make, such as saving lives through their work in healthcare. Rather than portraying immigrants negatively as is often done in media, the poster personalizes immigration by noting that the life saved next could be your own. The technique of appealing to self-interest in this way is meant to make people reconsider common misconceptions about immigration. The campaign and issue have received attention in mainstream media outlets like newspapers and social media, showing debate around immigration laws and policies.
This document summarizes several social action campaigns and organizations:
- A "We are a culture not a costume" poster campaign by STARS that raises awareness of cultural appropriation and stereotyping.
- Caine's Arcade, a viral video about a boy's cardboard arcade that led to a foundation supporting children's creativity.
- Carousel, a Brighton-based organization that provides media training for learning-disabled artists.
- The JCWI campaign posters that aim to shift perceptions of immigration by highlighting immigrants' humanity rather than stereotypes.
This document discusses how to create brand advocates using digital tools and strategies. It begins by defining what a brand advocate is - someone who independently recommends and supports a brand through their own credibility and reputation. It then discusses why brand advocates are important by noting that peer recommendations are more trusted than advertising. The rest of the document provides tips for how to make brand advocates, including understanding your target audience, committing to your brand values, engaging in two-way communication, and providing ongoing value and support to retain advocates. The overall message is that digital tools can be used to build awareness, engage customers, and foster long-term retention through community-building.
This document discusses the power of storytelling and provides guidance on constructing an effective public story. It explains that stories communicate values through emotion and inspire action. The document then provides a framework for constructing a public story, including a story of self that discusses one's background and experiences, a story of us that discusses the shared community, and a story of now that addresses current challenges. It offers questions to help reflect on these different elements of an individual's journey and shared community to construct a compelling public story.
This campaign by Models of Diversity aims to bring about global change by challenging dominant views and increasing representation of disabled people in the modeling industry. The campaign uses images of diverse models and text that crosses out "Dis" in "Disabled" to promote the message that disability does not preclude ability or beauty. It provides contact information to encourage public involvement in the organization and its mission. While the full impact is difficult to measure, the campaign has led to further publicity that could help change public attitudes over time.
The campaign by Models of Diversity aims to bring about global change by changing attitudes towards disabled models. It features three models of different abilities to showcase diversity and natural beauty. The poster crosses out the "Dis" in "Disabled" and fades the last letter to emphasize that disabled people are able to model. It encourages people to get involved by visiting their website and supporting more inclusion of diverse models in the industry.
1) The document describes an unconventional marketing campaign for "Dave", a fictional tree.
2) The goal was to market an "unmarketable" product by creating an engaging story and world around the tree to generate interest.
3) The campaign followed a three-act story arc over five months that centered around selling slices of Dave's shade ("leaves") and building intrigue, before "killing off" Dave which sparked controversy and boosted final sales.
Theoretical research vs production revampedkristylai__
This document discusses how various communication theories were applied in the production of a magazine. It summarizes how AIDA theory was used to attract audiences through colorful design and engaging content tailored to the target demographic. Feminist theory informed the inclusion of empowered female characters. Gramsci's and Adorno's theories suggest how advertisements may distract from social issues. Marxist theory both supported celebrating cultural diversity and undermining status quo through immigrant success stories.
Who would be the audience for you media product and how did you attract/addre...Ann Migichi
The document discusses strategies for attracting a target audience for a hip hop/R&B music magazine. The target audience is identified as ages 11-20 based on a questionnaire. The magazine's design, images, clothing, and content aim to be youthful and relatable to this demographic. Marketing strategies discussed include using social media like Tumblr to promote the magazine's content and attract this audience by posting photos, articles, and music videos from featured artists.
Cultural Movement - Cannes workshop - Strategic PlanningPatricia De Luca
Cultural Movement Workshop presented @ the Cannes Festival of Creativity 2011.
Aprsentação sobre Movimentos Culturais durante o Cannes Lions 2011.
Patricia De Luca Pereira Lima - Strategic Planning - Planejamento Estratégico.
How does your media product represent particular socialchloe_mullahy
The document discusses how the media product represents particular social groups. It aims its R&B magazine at youth aged 15-30 and those in social groups D and E, who are unemployed, students, or unskilled workers. To attract this demographic, the magazine features models wearing basic clothing like hoodies that would be relatable and affordable. It also keeps pricing around £1.99 to be accessible. Through these representation of models and consideration of pricing, the magazine adapts its content to effectively reach its target demographic.
How does your media product represent particular socialchloe_mullahy
The document discusses how the media product represents particular social groups. It aims its R&B magazine at youth aged 15-30 and those in social groups D and E, who are unemployed, students, or unskilled workers. To attract this demographic, the magazine features models wearing basic clothing like hoodies that would be relatable and affordable. It also keeps pricing around £1.99 to be accessible. Through these representation of models and consideration of pricing, the magazine adapts its content to effectively reach its target demographic.
This document analyzes several fanzines and discusses their contexts, styles, techniques, and contents. It compares two fanzines called "Now What" and "Changes" that were created during the COVID-19 pandemic to provide information and inspiration. It also analyzes fanzines focused on specific interests like anime ("Fly High" and "Film Garden"). The document finds that while fanzine styles have modernized, their purpose remains for communities to connect over shared passions and give voice to topics not represented by mainstream media, reflecting the issues relevant to their times of release.
This document proposes a new campaign approach for Victoria's Secret that celebrates female imperfection and embraces a more realistic definition of beauty. It notes that Victoria's Secret has faced criticism for promoting unattainable standards of beauty. The proposed campaign would shift to a more honest portrayal by showing flaws and imperfections, giving consumers a real muse they can relate to. It suggests getting Victoria's Secret models to openly share their insecurities to create an emotional connection. The goal is to redefine beauty through the eyes of women and oppose unrealistic media standards.
The document discusses potential poster ideas for raising awareness about social issues such as homelessness, deforestation, homophobia, and women's rights. For homelessness, the author proposes a poster using an ordinary image placed near a homeless person to help viewers relate. For deforestation, a creative, unique poster using rainforest colors is suggested. For homophobia, shocking words or imagery are proposed to grab attention. For women's rights, juxtaposing feminine colors and fonts with a strong female image is described to challenge stereotypes. Existing campaigns on these issues aim to make the impacts personal and remind people that those affected are just like everyone else. The posters aim to be thought-provoking, unique and effective
Social action and community media presentationhndoja
The document summarizes techniques used in three homeless charity advertisements. The first advert by SASH uses sympathetic photographs of homeless people to appear more genuine and elicit empathy. It uses green and white colors which are relaxing and inviting. The second advert by Shelter uses dark red and black colors to represent danger but also love and passion as it targets families. It features a sad child to appear more sympathetic. The third advert by Rock Trust targets young people and uses green and the slogan "because every young person has potential" to inspire and welcome young people.
This document discusses how the media product represents social groups. It uses a model named Blaine to represent struggling teenagers. Blaine's clothing and facial expressions represent fans of hip hop/rap music. The photos aim to depict raw emotions and anguish to connect with this target audience. Stories are included that relate to troubled teenagers facing dilemmas, to appeal to this social group. Clothing, props, and backgrounds in the photos also aim to represent and relate to the lifestyle of the target audience.
How did you attract/adress your audience? In this essay, I talked about the various way I could attract my audience, for example, using TV/radio ads or Billboards
The document describes research conducted for a media product targeting 18-25 year old fans of dubstep music. It outlines the target audience as post-materialist hedonists and underachievers who enjoy partying. Feedback from the target audience praised the cover design and colors used, but noted the double page spread text boxes could be improved and the contents page appeared bare. The media product aims to represent its audience as fun-loving while not stereotyping all fans negatively. It would be distributed in music stores and cities with larger dubstep scenes.
The document provides an analysis of the stylistic considerations used in a fashion magazine for teenage girls, noting that bright colors, consistent branding, youthful fonts, inspirational stories and advertisements are used to create an image of trendiness and aspiration. The layout employs lined paper and creative white space to seem fun yet mature, while the tone encourages independence through authoritative subheadings. Graphics depict models smiling and shopping to portray those acts positively.
The document provides an analysis of the stylistic considerations used in a fashion magazine spread titled "Kendall and Kylie's Fashion Journal". There is consistency in colour and font used throughout to create a trendy and appealing aesthetic for young readers. Clever marketing techniques are employed such as tapping into contemporary social issues and using aspirational content and styles to encourage readers to purchase featured fashion items.
The document provides an analysis of the stylistic considerations used in a fashion magazine spread titled "Kendall and Kylie's Fashion Journal". There is consistency in colour and font throughout to create a trendy and appealing aesthetic for young readers. Clever marketing techniques are employed such as tapping into contemporary social issues and using aspirational content and styles to encourage readers to purchase featured fashion items.
The double page spread aims to challenge conventions while also conforming to some. It breaks from traditions by using a long shot instead of a close-up, and edits the image in an unrealistic way to make it more interesting. Elements that conform include using house colors, a drop cap, masthead, and low camera angle to portray the model as powerful. The spread also challenges stereotypes by portraying the female model as strong and independent rather than weak or in need of saving.
The document discusses how the media product represents social groups. It challenges stereotypes about teenagers by portraying them as role models rather than troublemakers. It represents teenagers through using youth-oriented language and discussing fashion and fun with friends. The models depicted belong to a girly social group based on their clothing and poses. The magazine aims for a middle-class readership by featuring affordable brands rather than expensive luxury brands.
The target audience for the music magazine is 13-25 year olds who enjoy hip-hop music. The magazine aims to attract a mostly male audience from social classes D and E. Images of the magazine's black male model, dressed in an Adidas hoodie, Tupac shirt, and jeans, conform to genre stereotypes while making the magazine seem realistic. The catchy alliterative cover line "Mix Tape Madness" and the varied double page story are intended to attract readers. Marketing campaigns would include distributing leaflets, posters, and short excerpts from the magazine around areas likely to be frequented by the target audience.
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1) The document describes an unconventional marketing campaign for "Dave", a fictional tree.
2) The goal was to market an "unmarketable" product by creating an engaging story and world around the tree to generate interest.
3) The campaign followed a three-act story arc over five months that centered around selling slices of Dave's shade ("leaves") and building intrigue, before "killing off" Dave which sparked controversy and boosted final sales.
Theoretical research vs production revampedkristylai__
This document discusses how various communication theories were applied in the production of a magazine. It summarizes how AIDA theory was used to attract audiences through colorful design and engaging content tailored to the target demographic. Feminist theory informed the inclusion of empowered female characters. Gramsci's and Adorno's theories suggest how advertisements may distract from social issues. Marxist theory both supported celebrating cultural diversity and undermining status quo through immigrant success stories.
Who would be the audience for you media product and how did you attract/addre...Ann Migichi
The document discusses strategies for attracting a target audience for a hip hop/R&B music magazine. The target audience is identified as ages 11-20 based on a questionnaire. The magazine's design, images, clothing, and content aim to be youthful and relatable to this demographic. Marketing strategies discussed include using social media like Tumblr to promote the magazine's content and attract this audience by posting photos, articles, and music videos from featured artists.
Cultural Movement - Cannes workshop - Strategic PlanningPatricia De Luca
Cultural Movement Workshop presented @ the Cannes Festival of Creativity 2011.
Aprsentação sobre Movimentos Culturais durante o Cannes Lions 2011.
Patricia De Luca Pereira Lima - Strategic Planning - Planejamento Estratégico.
How does your media product represent particular socialchloe_mullahy
The document discusses how the media product represents particular social groups. It aims its R&B magazine at youth aged 15-30 and those in social groups D and E, who are unemployed, students, or unskilled workers. To attract this demographic, the magazine features models wearing basic clothing like hoodies that would be relatable and affordable. It also keeps pricing around £1.99 to be accessible. Through these representation of models and consideration of pricing, the magazine adapts its content to effectively reach its target demographic.
How does your media product represent particular socialchloe_mullahy
The document discusses how the media product represents particular social groups. It aims its R&B magazine at youth aged 15-30 and those in social groups D and E, who are unemployed, students, or unskilled workers. To attract this demographic, the magazine features models wearing basic clothing like hoodies that would be relatable and affordable. It also keeps pricing around £1.99 to be accessible. Through these representation of models and consideration of pricing, the magazine adapts its content to effectively reach its target demographic.
This document analyzes several fanzines and discusses their contexts, styles, techniques, and contents. It compares two fanzines called "Now What" and "Changes" that were created during the COVID-19 pandemic to provide information and inspiration. It also analyzes fanzines focused on specific interests like anime ("Fly High" and "Film Garden"). The document finds that while fanzine styles have modernized, their purpose remains for communities to connect over shared passions and give voice to topics not represented by mainstream media, reflecting the issues relevant to their times of release.
This document proposes a new campaign approach for Victoria's Secret that celebrates female imperfection and embraces a more realistic definition of beauty. It notes that Victoria's Secret has faced criticism for promoting unattainable standards of beauty. The proposed campaign would shift to a more honest portrayal by showing flaws and imperfections, giving consumers a real muse they can relate to. It suggests getting Victoria's Secret models to openly share their insecurities to create an emotional connection. The goal is to redefine beauty through the eyes of women and oppose unrealistic media standards.
The document discusses potential poster ideas for raising awareness about social issues such as homelessness, deforestation, homophobia, and women's rights. For homelessness, the author proposes a poster using an ordinary image placed near a homeless person to help viewers relate. For deforestation, a creative, unique poster using rainforest colors is suggested. For homophobia, shocking words or imagery are proposed to grab attention. For women's rights, juxtaposing feminine colors and fonts with a strong female image is described to challenge stereotypes. Existing campaigns on these issues aim to make the impacts personal and remind people that those affected are just like everyone else. The posters aim to be thought-provoking, unique and effective
Social action and community media presentationhndoja
The document summarizes techniques used in three homeless charity advertisements. The first advert by SASH uses sympathetic photographs of homeless people to appear more genuine and elicit empathy. It uses green and white colors which are relaxing and inviting. The second advert by Shelter uses dark red and black colors to represent danger but also love and passion as it targets families. It features a sad child to appear more sympathetic. The third advert by Rock Trust targets young people and uses green and the slogan "because every young person has potential" to inspire and welcome young people.
This document discusses how the media product represents social groups. It uses a model named Blaine to represent struggling teenagers. Blaine's clothing and facial expressions represent fans of hip hop/rap music. The photos aim to depict raw emotions and anguish to connect with this target audience. Stories are included that relate to troubled teenagers facing dilemmas, to appeal to this social group. Clothing, props, and backgrounds in the photos also aim to represent and relate to the lifestyle of the target audience.
How did you attract/adress your audience? In this essay, I talked about the various way I could attract my audience, for example, using TV/radio ads or Billboards
The document describes research conducted for a media product targeting 18-25 year old fans of dubstep music. It outlines the target audience as post-materialist hedonists and underachievers who enjoy partying. Feedback from the target audience praised the cover design and colors used, but noted the double page spread text boxes could be improved and the contents page appeared bare. The media product aims to represent its audience as fun-loving while not stereotyping all fans negatively. It would be distributed in music stores and cities with larger dubstep scenes.
The document provides an analysis of the stylistic considerations used in a fashion magazine for teenage girls, noting that bright colors, consistent branding, youthful fonts, inspirational stories and advertisements are used to create an image of trendiness and aspiration. The layout employs lined paper and creative white space to seem fun yet mature, while the tone encourages independence through authoritative subheadings. Graphics depict models smiling and shopping to portray those acts positively.
The document provides an analysis of the stylistic considerations used in a fashion magazine spread titled "Kendall and Kylie's Fashion Journal". There is consistency in colour and font used throughout to create a trendy and appealing aesthetic for young readers. Clever marketing techniques are employed such as tapping into contemporary social issues and using aspirational content and styles to encourage readers to purchase featured fashion items.
The document provides an analysis of the stylistic considerations used in a fashion magazine spread titled "Kendall and Kylie's Fashion Journal". There is consistency in colour and font throughout to create a trendy and appealing aesthetic for young readers. Clever marketing techniques are employed such as tapping into contemporary social issues and using aspirational content and styles to encourage readers to purchase featured fashion items.
The double page spread aims to challenge conventions while also conforming to some. It breaks from traditions by using a long shot instead of a close-up, and edits the image in an unrealistic way to make it more interesting. Elements that conform include using house colors, a drop cap, masthead, and low camera angle to portray the model as powerful. The spread also challenges stereotypes by portraying the female model as strong and independent rather than weak or in need of saving.
The document discusses how the media product represents social groups. It challenges stereotypes about teenagers by portraying them as role models rather than troublemakers. It represents teenagers through using youth-oriented language and discussing fashion and fun with friends. The models depicted belong to a girly social group based on their clothing and poses. The magazine aims for a middle-class readership by featuring affordable brands rather than expensive luxury brands.
The target audience for the music magazine is 13-25 year olds who enjoy hip-hop music. The magazine aims to attract a mostly male audience from social classes D and E. Images of the magazine's black male model, dressed in an Adidas hoodie, Tupac shirt, and jeans, conform to genre stereotypes while making the magazine seem realistic. The catchy alliterative cover line "Mix Tape Madness" and the varied double page story are intended to attract readers. Marketing campaigns would include distributing leaflets, posters, and short excerpts from the magazine around areas likely to be frequented by the target audience.
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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2. THE BRIEF
The end product of this brief will be a powerful image or
series of images to protest a chosen societal injustice.
I’ll create this outcome by means of researching into
photomontage as a means of portraying a message.
I’ll experiment with hand made montaging and digital work
for a variety of outcomes.
By looking at artists such as John Heartfield, Peter
Kennard and the Dada movement I’ll gain inspiration as to
the method of hand-making montages and by researching a
chosen topic which means something to me, I’ll have the
means to adapt and shape their methods to my project.
I’ll use my outcome as a means to promote my chosen cause.
3. SOCIETAL INJUSTICES –
INITIAL IDEAS “GOD I hope all these celebrities
all shit their pants in public, the
way the poor women who buy
this nonsense upon their
recommendation do,” - Jameela
Jamil
https://www.theguardian.com/global/video/2019/j
an/25/owen-jones-meets-tim-martin-
wetherspoons-no-deal-brexit-poverty-wages-dont-
ask-childish-questions-video
https://www.independent.co.uk/news/world/politics/the-
62-people-who-are-as-wealthy-as-the-poorest-half-of-
humanity-combined-a6818766.html
https://www.thecut.com/2016/08/ftc-is-cracking-
down-on-celeb-sponsored-content.html
https://mic.com/articles/136002/why-weight-loss-
tea-is-the-biggest-scam-on-
instagram#.RNldGNPQN
My initial idea of something I believe is wrong in society
and symbolises an imbalance and misuse of power between
the rich and the not so rich was the way celebrities are paid to
promote ‘health’ drinks (fit tea etc) which are either laxatives
or scams. It also touches on the issue of body image.
Celebrities have money for personal chefs, personal trainers
and surgery whereas regular people don’t. comparisons between
yourself and celebrities is useless because of those factors, but
celebrities and companies capitalise on this by paying celebs to
pretend the secret to their looks/lifestyle/etc is the drinks.
Another idea I had is about wealth hoarding. While researching
protest art I saw a poster which showed the combined wealth of
the 85 richest people is equal to the total of the poorest 3.5 billion
people. Having such a monstrous amount of money would mean
one of the 85 could give away about 95% of their wealth and still
be overly comfortable for the rest of their lives. This statistic really stood out to me and spurred me onto thinking about
hy[pocrisy of rich people and the unnecessary amount of wealth people have. I don’t think there’s any need whatsoever for an
individual to have a personal wealth of an amount so great they couldn’t even spend it all over a lifetime if they tried.
Rich people such as Tim Martin – Wetherspoons founder, when asked about his workers on poverty wages - while he’s a
millionaire labelled the questions ‘childish’ , celebrities asking the public for donations while dressed in designer clothes,
celebrities making insensitive comments about a harsh reality for some people
4. INITIAL IDEAS
Some other ideas I had were about animals and the ethics involved in
farming them for slaughter, the way in which our damaging the
environment affects them and in turn, us.
I went with the idea of wealth hoarding because I felt it was analysed more
in depth than the other options by charities and awareness campaigns,
with facts and figures which I felt more compelled to share. They were
shocking to read and would make a strong campaign. I realized I felt quite
passionately about it.
5. I liked the contrast between celebrities
saying insensitive things about poverty
and flaunting wealth against real
people in poverty today – as in my
research, I liked the idea of using
people of interest. In the news, things
that catch peoples’ eyes the most are
related to celebrities and tragedy. I
wanted my photomontages to combine
this with facts and figures that make
the reality of poverty a bit more
understandable to people who have
never faced it.
8. RESEARCH INTO PHOTOMONTAGES,
PROTESTS, COLLAGES AND
AWARENESS CAMPAIGNS When researching books of protest posters and campaigns, the posters which
stood out most to me and pulled my interest were ones which were satirical takes
on people of interest or corporations. I like wordplay and visual puns and found it
was reminiscent of Dadaism movement.
9.
10.
11.
12.
13. HANNAH HOCH “Höch was not only a rare female practicing
prominently in the arts in the early part of the
20thcentury - near unique as a female active in
the Dada movement that coalesced in her time
- she also consciously promoted the idea of
women working creatively more generally in
society. She explicitly addressed in her
pioneering artwork in the form of
photomontage the issue of gender and the
figure of woman in modern society. ”
https://www.theartstory.org/artist-hoch-hannah.htm
Hannah Hoch is one of my favourite artists
who pioneered photomontages during the Dada
movement in Germany. Meaning in her work is
a lot more subtle than the protest pieces and
her methods are a lot more DIY and hand
made.
14. MAX ERNST, HERBERT
BAYER, MARCEL
DUCHAMPS, RAOUL
HAUSMAN
The Dadaist montages differ from the
protest pieces visually, though there are
strong meanings in both. Because of the
different societal contexts of these eras,
messages in Dadaist times were more
subtle whereas contemporary pieces can
be more explicit.
15. I found more images relating to my topic to use for
my photomontages. Through research I started
forming ideas such as contrast between poverty in
England and wealth in the biggest richest parts of
America, where houses, lifestyles and luxuries are
otherworldly.
20. OUTCOMES
I first used cut up pictures to play around with and create montages. These were limited
in what I could make, as changing scale and colours wasn’t an option once printed. I
liked that this was challenging and meant I had to find ways around to alter and get to
where I wanted to be. I was happy with my outcomes, but felt they were quite busy
when comparing to the protest photomontages I’d researched. They were more like the
Dada era montages both visually and in terms of how I’d made them.
I didn’t enjoy the montages I made digitally without the hand drawn bases – I found it
harder to get inspired when I didn’t have all the pictures laid out in front of me. The
idea of sticking Mariah Carey’s face onto one of the starving children she’d envied the
body type of came about during assessing my paper collages. I tried it digitally but even
then, liked it better when the cut out style was a bit more messy than clean Photoshop. I
decided to go back to editing the existing montages. I edited paris Hilton’s ‘stop being
poor’ shirts onto one of the pictures of the poverty struck children to make a piece to go
alongside the Mariah/celebrity quote idea. Even though I didn’t like the medium so
much, I felt the ideas were interesting.
As the Dadaist movement is one of my favorite eras of design out of the research I’d
done, I was alright with how my outcomes at this point were more like that than the
protest pieces. I adapted them slightly while maintaining the content. I did this using
ProCreate on my iPad. I wanted the colours to reflect the difference between extreme
wealth and extreme poverty – bright and pretty vs dark and dingy.
21. USING THE DESIGN TO
PROMOTE3 main ways to promote a cause are billboards, tote bags and t shirts. Billboards reach
huge audiences based on location, totes and t shirts mean the charity gets promoted by
people who have already donated. I looked at existing charity products to see which my
designs would suit best.
Billboards tended to be mostly large type and limited imagery and tote bags were often
snappy and short with just a charity’s logo on.
22. T shirt designs were noticeably more colourful and decorative than tote bags and
billboards. I thought my style of montage would suit a t shirt more than a
billboard or tote. My design was noticeably more busy than charity t shirt designs
pictured, but I could subvert from the norm to make my product stand out.
23. OUTCOMES
I liked how the digital versions of
my handmade photomontages had
come out, so I used my favourite one
of them on a t shirt. I reflected on
this and then chose to simplify the
design slightly to keep the message
clear. If I’d chosen a billboard there
would be more room for small
details, but I felt a t shirt would
benefit from a slightly altered
version of my design. I liked how the
photomontage looked on a t shirt
and as a design in itself.
The two children and the lips
cutouts look very DIY which I’m
glad I kept as an element in the
montage.