A student named Alice Shepherd wrote a letter to Sony Music requesting permission to use Beyonce's song "Pretty Hurts" in a media music video for her A-Level coursework, stating it would only be used for educational purposes.
The Laugharne Festival committee decided that the 2012 festival will feature a production of Under Mik Wood for three nights, going back to the festival's original format. The next committee meeting will be on March 9th at 7pm in Fern Hill Orchard. Sadly, Miss Gleed, a founding trustee of the festival, passed away. She had helped clear stones from the Cors Playing Field and provided prizes to encourage children. In 2010, Burton by Rhodri Miles was well received, and the committee thanked all their supporters for helping make it a success.
The Arctic Playhouse, at 117 Washington St. in West Warwick, RI is a non-profit theater that provides space for local artists to connect to the wider community. If you want to know more about us after checking out this slideshow, visit our website at www.thearcticplayhouse.com, follow us on Twitter at @ArcticPlayhouse, and like us on Facebook at www.facebook.com/thearcticplayhouse!
This is a short history of The Arctic Playhouse. If you love live community theater, please share with others as we help to build an arts community in West Warwick.
30 Reasons to Join the Flat Rock Playhouse 30 Day ChallengeFlat Rock Playhouse
Discover 30 glorious reasons to join in the Flat Rock Playhouse 30 Day Challenge, an opportunity to raise $300K in 30 Days. Learn more about this theatrical and educational treasure and why it's so important to show your support today.
The document describes an art program called "Art in Our Parks" that will be held on Saturdays from noon to 4pm between May 18th and July 13th in Kiwanis Park Plaza next to the Palace Theater in Stamford. The program aims to connect the community through various art activities for both children and adults. Local artists will display their artwork and photos from the events will be uploaded online. The document promotes sponsorship opportunities for local businesses, including promotional posters, event handouts, art frames featuring coupons, signage at events, and website ads/banners. Sponsorship will show support for both the arts and the community.
The document summarizes the history of the New Theatre/Dixie Theatre building in Staunton, Virginia from 1912 to present. It was originally built in 1912 and later purchased by Warner Brothers in 1934. It was destroyed by fire in 1936 and rebuilt in an Art Moderne style. Currently, the Staunton Performing Arts Center aims to restore the theatre to its 1936 appearance and establish a theatre district in downtown Staunton.
The document summarizes the history of the New Theatre/Dixie Theatre building in Staunton, Virginia from 1912 to present. It was originally built in 1912 and later purchased by Warner Brothers in 1934. It was destroyed by fire in 1936 and rebuilt in an Art Moderne style. Currently, the Staunton Performing Arts Center aims to restore the theatre to its 1936 appearance and establish a theatre district in downtown Staunton.
The document summarizes the history of the Dixie Theatre in Staunton, Virginia from its opening in 1912 until current plans to restore and expand it as the centerpiece of the new Staunton Performing Arts Center. It underwent several renovations and name changes over the decades until being purchased by the non-profit in the 2000s. Their plans include fully restoring the theatre to its original 1936 Art Deco design while adding new performance and event spaces to transform the area into a cultural arts district.
The Laugharne Festival committee decided that the 2012 festival will feature a production of Under Mik Wood for three nights, going back to the festival's original format. The next committee meeting will be on March 9th at 7pm in Fern Hill Orchard. Sadly, Miss Gleed, a founding trustee of the festival, passed away. She had helped clear stones from the Cors Playing Field and provided prizes to encourage children. In 2010, Burton by Rhodri Miles was well received, and the committee thanked all their supporters for helping make it a success.
The Arctic Playhouse, at 117 Washington St. in West Warwick, RI is a non-profit theater that provides space for local artists to connect to the wider community. If you want to know more about us after checking out this slideshow, visit our website at www.thearcticplayhouse.com, follow us on Twitter at @ArcticPlayhouse, and like us on Facebook at www.facebook.com/thearcticplayhouse!
This is a short history of The Arctic Playhouse. If you love live community theater, please share with others as we help to build an arts community in West Warwick.
30 Reasons to Join the Flat Rock Playhouse 30 Day ChallengeFlat Rock Playhouse
Discover 30 glorious reasons to join in the Flat Rock Playhouse 30 Day Challenge, an opportunity to raise $300K in 30 Days. Learn more about this theatrical and educational treasure and why it's so important to show your support today.
The document describes an art program called "Art in Our Parks" that will be held on Saturdays from noon to 4pm between May 18th and July 13th in Kiwanis Park Plaza next to the Palace Theater in Stamford. The program aims to connect the community through various art activities for both children and adults. Local artists will display their artwork and photos from the events will be uploaded online. The document promotes sponsorship opportunities for local businesses, including promotional posters, event handouts, art frames featuring coupons, signage at events, and website ads/banners. Sponsorship will show support for both the arts and the community.
The document summarizes the history of the New Theatre/Dixie Theatre building in Staunton, Virginia from 1912 to present. It was originally built in 1912 and later purchased by Warner Brothers in 1934. It was destroyed by fire in 1936 and rebuilt in an Art Moderne style. Currently, the Staunton Performing Arts Center aims to restore the theatre to its 1936 appearance and establish a theatre district in downtown Staunton.
The document summarizes the history of the New Theatre/Dixie Theatre building in Staunton, Virginia from 1912 to present. It was originally built in 1912 and later purchased by Warner Brothers in 1934. It was destroyed by fire in 1936 and rebuilt in an Art Moderne style. Currently, the Staunton Performing Arts Center aims to restore the theatre to its 1936 appearance and establish a theatre district in downtown Staunton.
The document summarizes the history of the Dixie Theatre in Staunton, Virginia from its opening in 1912 until current plans to restore and expand it as the centerpiece of the new Staunton Performing Arts Center. It underwent several renovations and name changes over the decades until being purchased by the non-profit in the 2000s. Their plans include fully restoring the theatre to its original 1936 Art Deco design while adding new performance and event spaces to transform the area into a cultural arts district.
This shot list contains 108 shots for a production about an artist named Harriet. The shots depict Harriet looking at magazines, scrolling through social media, receiving a letter, rehearsing for a performance, going to the gym, swimming, and preparing to perform on stage with her friends' support. Many shots show Harriet looking in the mirror or crying as she struggles with her self-image and confidence. The shots culminate with Harriet smiling as she rips up magazines and walks on stage to perform.
The document lists various props and locations that will be used in an upcoming music video to convey the artist's journey and mental state. Makeup, costumes, mirrors, and food are used to show the artist's initial lack of confidence and depression. Letters, cards, and magazines depict pressures from school, performing, and wanting to be a model. Locations like the bedroom, school, and dance studio will portray the artist isolating herself but eventually gaining confidence to perform. Other props like pills and exercise locations are included to represent the artist's depression and attempts to improve her self-image.
The document provides details on 47 shots for a video depicting an artist struggling with body image issues. Each shot lists the type of shot, camera movement/angle, setting, lighting, costumes, props, sounds and other production details. Many shots show the artist looking at magazines, social media, or her reflection with frustration or tears. Other shots depict her rehearsing, getting encouragement from friends, or taking pills before the final shot of a note saying "you're beautiful." The high level of cinematography details are meant to concisely advance the narrative through visuals.
This document provides a textual analysis of shots and scenes from the Little Mix music video "Love Me Likeyou". It analyzes three different shots - a midshot of one girl alone at a table, a midshot of a girl and boy smiling at a park, and a longshot of the four girls sitting on stairs. Each shot is analyzed to understand character portrayals, themes, and how they relate to the lyrics and progression of the music video within the pop genre conventions. Key aspects analyzed include locations, costumes, lighting, poses, and what they reveal about the characters and their relationships.
The document provides details on 39 shots for a video depicting a woman struggling with body image issues. The shots show her looking at magazines and social media, crying, trying on outfits, watching beauty videos, exercising, and taking pills in her bedroom. Her friends come to visit dressed nicely while she remains in casual clothes. The video shots are meant to tell a story through the woman's actions and facial expressions without dialogue.
The document discusses potential problems that may arise during filming of a music video and proposes solutions. It identifies issues such as not having enough footage, shaky camera work, poor lighting, actors not knowing what to do, forgetting necessary equipment, bad weather if filming outdoors, and the camera dying. The proposed solutions are to film extra footage, use a tripod, film in natural daylight, brief actors beforehand, create an equipment checklist, use waterproof gear if outdoors and have a charger on hand.
The document discusses the creative process behind promoting a new artist named Stormae through a music video, digipak, and poster. Key elements like color scheme, themes, typography, and cinematography were carefully coordinated across all three pieces to create synergy and establish a consistent brand identity. Pink, gold, and black were used prominently to represent femininity, glamour, and confidence. Scenes and photos from the music video were also featured on the digipak and poster to clearly link all parts of the promotional campaign.
This document outlines the song structure, storyline, characters, costumes, locations and potential issues for a music video treatment. The treatment follows a woman who listens to a female empowerment song and has a daydream about becoming a confident, successful singer. Her daydream depicts the song's verses, choruses and bridges through scenes of getting ready, performing at a party, and watching her music video on TV. The summary outlines the key details for each section of the treatment and song, and identifies potential filming challenges around locations, props, and coordinating large casts and crews.
This document provides instructions for analyzing music videos. Students are asked to choose a genre and song, then analyze at least three music videos in detail focusing on cinematography, sound, mise-en-scene, editing, and conventions. A grid is provided to analyze specific shots from a chosen music video by describing shot types, camera movements, mise-en-scene, music/lyrics, and edits/transitions, and analyzing how each element appeals to the target audience. An example analysis of a Justin Bieber music video is also included.
The document provides shooting directions for a music video. It includes 52 shots ranging from close-ups of the artist singing to tracking shots of the talent dancing at home. The shots alternate between the artist professionally performing and the everyday woman enjoying herself. The directions aim to show the talent gaining confidence through the song's empowering message.
This document provides a textual analysis of shots, camera movements, lighting, costumes, settings, and edits in a music video. It analyzes how these elements establish the setting of a diner and friendship between characters. Shots of food help set the scene and represent the artist as ordinary. A shot of a pretty girl and TV relate to the song lyrics. Shots at a party emphasize a party vibe through smoke and lack of clothing. Elements like male gaze, slow motion, and focus are used to emphasize the rebellious themes of the song and artist's changed image.
Meghan Trainor's brand image portrays her as an uplifting and entertaining artist through her use of bright colors in music videos and changing her hair style frequently. She often wears dresses to show her feminine side and independence as she is usually alone in her music videos, conveying that she can achieve her goals on her own. The document also discusses wanting a brand image that promotes diversity, confidence, empowerment and entertainment to send positive messages.
This document contains a shot list for a music video. It includes 87 shots ranging from establishing shots, close-ups, mid shots and more. The shots involve both talent and artist and capture them in various settings like a kitchen, bedroom, car and party. The shots progress from the talent singing and dancing alone at home to joining the artist at a lavish party while holding hands.
This document analyzes the music video for "Uptown Funk" by Bruno Mars and Mark Ronson through its shot types, camera movements, editing, and how they relate to the music and convey meaning. It discusses various shots that objectify women, establish dominance of the male characters, enhance the upbeat tempo through cutting and movement, and use lighting and location to set a fun, party atmosphere. The analysis focuses on how technical elements are used to excite the audience, build tension, and relate the disorganized feel of the video to the song.
This document provides a detailed treatment for a music video featuring a female artist. It outlines the storyline, which follows a woman who dreams of becoming confident and famous. The treatment includes details of each scene, including duration, location, cast, costumes, and any potential problems. It describes scenes such as the woman dancing at home, being picked up in a car, trying on dresses, arriving at a fancy party, and having her daydream rewind to reality at the end. The overall narrative is intended to promote a message of female empowerment.
The video pitch proposes a music video for Meghan Trainor's song "Me Too" that uses a narrative to promote female empowerment. The video would split between a performance by an artist resembling Trainor and a narrative of an average woman gaining confidence. In the narrative, the woman daydreams of empowerment while listening to the song, gaining the confidence by the end to wear bright clothes and walk confidently. The overall goal is to inspire confidence in women through an upbeat, fun message.
The document outlines a music video pitch for Meghan Trainor's song "Me Too." The proposed video would tell the narrative of an average, unconfident woman who gains confidence through a daydream of Trainor's performance. Scenes would split between the woman's story and Trainor performing in various locations. The pitch discusses the song choice, vision, themes, conventions, technical considerations, locations, props, costumes and target audience. The overall goal is to promote female empowerment through an inspiring story and upbeat rendition of the song.
This document contains descriptions for 53 shots for a music video. It provides details for each shot such as the type of shot, camera movement/angle, dialogue, setting, lighting, and duration. The shots cover various scenes of an artist getting ready, performing, and a talent mimicking the artist's actions and lip syncing to the song. They include shots of the talent cleaning, getting ready, listening to music, and expressing herself to the lyrics. Shots of the artist performing on a black backdrop and in a car are also included.
The document lists various props and locations that will be used to portray a popstar's journey from shy girl to confident celebrity. Props like makeup, laptop, earphones, drinks, costumes, mirrors, and cameras will be used in the talent's bedroom to show her transformation from viewing inspiring videos. Locations include the talent's bedroom and kitchen to showcase her ordinary life initially, and a decking area with fancy lighting and drinks to portray an extravagant, wealthy lifestyle once she gains confidence. A car will be used to transport the popstar to locations and depict her living a celebrity lifestyle.
The document discusses the conventions of pop music videos. It notes that common elements include dancing, bright colors, romantic lyrics about love, upbeat tempos, close-ups of artists, and fashionable clothing. It also outlines several subgenres of pop like K-pop, bubblegum pop, and pop punk. A history of popular pop songs from the 1960s to today is provided. The document concludes that understanding pop conventions will help in creating their own music video for the upbeat Meghan Trainor song "Me Too" which will feature dancing, colors, and two narrative threads connected by dance routines.
Learnings from Successful Jobs SearchersBruce Bennett
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
This shot list contains 108 shots for a production about an artist named Harriet. The shots depict Harriet looking at magazines, scrolling through social media, receiving a letter, rehearsing for a performance, going to the gym, swimming, and preparing to perform on stage with her friends' support. Many shots show Harriet looking in the mirror or crying as she struggles with her self-image and confidence. The shots culminate with Harriet smiling as she rips up magazines and walks on stage to perform.
The document lists various props and locations that will be used in an upcoming music video to convey the artist's journey and mental state. Makeup, costumes, mirrors, and food are used to show the artist's initial lack of confidence and depression. Letters, cards, and magazines depict pressures from school, performing, and wanting to be a model. Locations like the bedroom, school, and dance studio will portray the artist isolating herself but eventually gaining confidence to perform. Other props like pills and exercise locations are included to represent the artist's depression and attempts to improve her self-image.
The document provides details on 47 shots for a video depicting an artist struggling with body image issues. Each shot lists the type of shot, camera movement/angle, setting, lighting, costumes, props, sounds and other production details. Many shots show the artist looking at magazines, social media, or her reflection with frustration or tears. Other shots depict her rehearsing, getting encouragement from friends, or taking pills before the final shot of a note saying "you're beautiful." The high level of cinematography details are meant to concisely advance the narrative through visuals.
This document provides a textual analysis of shots and scenes from the Little Mix music video "Love Me Likeyou". It analyzes three different shots - a midshot of one girl alone at a table, a midshot of a girl and boy smiling at a park, and a longshot of the four girls sitting on stairs. Each shot is analyzed to understand character portrayals, themes, and how they relate to the lyrics and progression of the music video within the pop genre conventions. Key aspects analyzed include locations, costumes, lighting, poses, and what they reveal about the characters and their relationships.
The document provides details on 39 shots for a video depicting a woman struggling with body image issues. The shots show her looking at magazines and social media, crying, trying on outfits, watching beauty videos, exercising, and taking pills in her bedroom. Her friends come to visit dressed nicely while she remains in casual clothes. The video shots are meant to tell a story through the woman's actions and facial expressions without dialogue.
The document discusses potential problems that may arise during filming of a music video and proposes solutions. It identifies issues such as not having enough footage, shaky camera work, poor lighting, actors not knowing what to do, forgetting necessary equipment, bad weather if filming outdoors, and the camera dying. The proposed solutions are to film extra footage, use a tripod, film in natural daylight, brief actors beforehand, create an equipment checklist, use waterproof gear if outdoors and have a charger on hand.
The document discusses the creative process behind promoting a new artist named Stormae through a music video, digipak, and poster. Key elements like color scheme, themes, typography, and cinematography were carefully coordinated across all three pieces to create synergy and establish a consistent brand identity. Pink, gold, and black were used prominently to represent femininity, glamour, and confidence. Scenes and photos from the music video were also featured on the digipak and poster to clearly link all parts of the promotional campaign.
This document outlines the song structure, storyline, characters, costumes, locations and potential issues for a music video treatment. The treatment follows a woman who listens to a female empowerment song and has a daydream about becoming a confident, successful singer. Her daydream depicts the song's verses, choruses and bridges through scenes of getting ready, performing at a party, and watching her music video on TV. The summary outlines the key details for each section of the treatment and song, and identifies potential filming challenges around locations, props, and coordinating large casts and crews.
This document provides instructions for analyzing music videos. Students are asked to choose a genre and song, then analyze at least three music videos in detail focusing on cinematography, sound, mise-en-scene, editing, and conventions. A grid is provided to analyze specific shots from a chosen music video by describing shot types, camera movements, mise-en-scene, music/lyrics, and edits/transitions, and analyzing how each element appeals to the target audience. An example analysis of a Justin Bieber music video is also included.
The document provides shooting directions for a music video. It includes 52 shots ranging from close-ups of the artist singing to tracking shots of the talent dancing at home. The shots alternate between the artist professionally performing and the everyday woman enjoying herself. The directions aim to show the talent gaining confidence through the song's empowering message.
This document provides a textual analysis of shots, camera movements, lighting, costumes, settings, and edits in a music video. It analyzes how these elements establish the setting of a diner and friendship between characters. Shots of food help set the scene and represent the artist as ordinary. A shot of a pretty girl and TV relate to the song lyrics. Shots at a party emphasize a party vibe through smoke and lack of clothing. Elements like male gaze, slow motion, and focus are used to emphasize the rebellious themes of the song and artist's changed image.
Meghan Trainor's brand image portrays her as an uplifting and entertaining artist through her use of bright colors in music videos and changing her hair style frequently. She often wears dresses to show her feminine side and independence as she is usually alone in her music videos, conveying that she can achieve her goals on her own. The document also discusses wanting a brand image that promotes diversity, confidence, empowerment and entertainment to send positive messages.
This document contains a shot list for a music video. It includes 87 shots ranging from establishing shots, close-ups, mid shots and more. The shots involve both talent and artist and capture them in various settings like a kitchen, bedroom, car and party. The shots progress from the talent singing and dancing alone at home to joining the artist at a lavish party while holding hands.
This document analyzes the music video for "Uptown Funk" by Bruno Mars and Mark Ronson through its shot types, camera movements, editing, and how they relate to the music and convey meaning. It discusses various shots that objectify women, establish dominance of the male characters, enhance the upbeat tempo through cutting and movement, and use lighting and location to set a fun, party atmosphere. The analysis focuses on how technical elements are used to excite the audience, build tension, and relate the disorganized feel of the video to the song.
This document provides a detailed treatment for a music video featuring a female artist. It outlines the storyline, which follows a woman who dreams of becoming confident and famous. The treatment includes details of each scene, including duration, location, cast, costumes, and any potential problems. It describes scenes such as the woman dancing at home, being picked up in a car, trying on dresses, arriving at a fancy party, and having her daydream rewind to reality at the end. The overall narrative is intended to promote a message of female empowerment.
The video pitch proposes a music video for Meghan Trainor's song "Me Too" that uses a narrative to promote female empowerment. The video would split between a performance by an artist resembling Trainor and a narrative of an average woman gaining confidence. In the narrative, the woman daydreams of empowerment while listening to the song, gaining the confidence by the end to wear bright clothes and walk confidently. The overall goal is to inspire confidence in women through an upbeat, fun message.
The document outlines a music video pitch for Meghan Trainor's song "Me Too." The proposed video would tell the narrative of an average, unconfident woman who gains confidence through a daydream of Trainor's performance. Scenes would split between the woman's story and Trainor performing in various locations. The pitch discusses the song choice, vision, themes, conventions, technical considerations, locations, props, costumes and target audience. The overall goal is to promote female empowerment through an inspiring story and upbeat rendition of the song.
This document contains descriptions for 53 shots for a music video. It provides details for each shot such as the type of shot, camera movement/angle, dialogue, setting, lighting, and duration. The shots cover various scenes of an artist getting ready, performing, and a talent mimicking the artist's actions and lip syncing to the song. They include shots of the talent cleaning, getting ready, listening to music, and expressing herself to the lyrics. Shots of the artist performing on a black backdrop and in a car are also included.
The document lists various props and locations that will be used to portray a popstar's journey from shy girl to confident celebrity. Props like makeup, laptop, earphones, drinks, costumes, mirrors, and cameras will be used in the talent's bedroom to show her transformation from viewing inspiring videos. Locations include the talent's bedroom and kitchen to showcase her ordinary life initially, and a decking area with fancy lighting and drinks to portray an extravagant, wealthy lifestyle once she gains confidence. A car will be used to transport the popstar to locations and depict her living a celebrity lifestyle.
The document discusses the conventions of pop music videos. It notes that common elements include dancing, bright colors, romantic lyrics about love, upbeat tempos, close-ups of artists, and fashionable clothing. It also outlines several subgenres of pop like K-pop, bubblegum pop, and pop punk. A history of popular pop songs from the 1960s to today is provided. The document concludes that understanding pop conventions will help in creating their own music video for the upbeat Meghan Trainor song "Me Too" which will feature dancing, colors, and two narrative threads connected by dance routines.
Learnings from Successful Jobs SearchersBruce Bennett
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
A Guide to a Winning Interview June 2024Bruce Bennett
This webinar is an in-depth review of the interview process. Preparation is a key element to acing an interview. Learn the best approaches from the initial phone screen to the face-to-face meeting with the hiring manager. You will hear great answers to several standard questions, including the dreaded “Tell Me About Yourself”.
Joyce M Sullivan, Founder & CEO of SocMediaFin, Inc. shares her "Five Questions - The Story of You", "Reflections - What Matters to You?" and "The Three Circle Exercise" to guide those evaluating what their next move may be in their careers.
We recently hosted the much-anticipated Community Skill Builders Workshop during our June online meeting. This event was a culmination of six months of listening to your feedback and crafting solutions to better support your PMI journey. Here’s a look back at what happened and the exciting developments that emerged from our collaborative efforts.
A Gathering of Minds
We were thrilled to see a diverse group of attendees, including local certified PMI trainers and both new and experienced members eager to contribute their perspectives. The workshop was structured into three dynamic discussion sessions, each led by our dedicated membership advocates.
Key Takeaways and Future Directions
The insights and feedback gathered from these discussions were invaluable. Here are some of the key takeaways and the steps we are taking to address them:
• Enhanced Resource Accessibility: We are working on a new, user-friendly resource page that will make it easier for members to access training materials and real-world application guides.
• Structured Mentorship Program: Plans are underway to launch a mentorship program that will connect members with experienced professionals for guidance and support.
• Increased Networking Opportunities: Expect to see more frequent and varied networking events, both virtual and in-person, to help you build connections and foster a sense of community.
Moving Forward
We are committed to turning your feedback into actionable solutions that enhance your PMI journey. This workshop was just the beginning. By actively participating and sharing your experiences, you have helped shape the future of our Chapter’s offerings.
Thank you to everyone who attended and contributed to the success of the Community Skill Builders Workshop. Your engagement and enthusiasm are what make our Chapter strong and vibrant. Stay tuned for updates on the new initiatives and opportunities to get involved. Together, we are building a community that supports and empowers each other on our PMI journeys.
Stay connected, stay engaged, and let’s continue to grow together!
About PMI Silver Spring Chapter
We are a branch of the Project Management Institute. We offer a platform for project management professionals in Silver Spring, MD, and the DC/Baltimore metro area. Monthly meetings facilitate networking, knowledge sharing, and professional development. For more, visit pmissc.org.
In the intricate tapestry of life, connections serve as the vibrant threads that weave together opportunities, experiences, and growth. Whether in personal or professional spheres, the ability to forge meaningful connections opens doors to a multitude of possibilities, propelling individuals toward success and fulfillment.
Eirini is an HR professional with strong passion for technology and semiconductors industry in particular. She started her career as a software recruiter in 2012, and developed an interest for business development, talent enablement and innovation which later got her setting up the concept of Software Community Management in ASML, and to Developer Relations today. She holds a bachelor degree in Lifelong Learning and an MBA specialised in Strategic Human Resources Management. She is a world citizen, having grown up in Greece, she studied and kickstarted her career in The Netherlands and can currently be found in Santa Clara, CA.
1. 550 MadisonAvenue,
New York City,
The Headquartersof SonyMusic Entertainment
ElliottsLane,
Codsall
WV8 1PQ
Dear SonyMusic,
I am writingthislettertoaskpolitelyforpermissiontouse Beyonce’ssong‘PrettyHurts’foranA-
Level mediamusicvideothatwillgotowardsmy coursework.Ihope youagree that it will onlybe
usedforeducational purposesandtherefore giveuspermission.
Many Thanks,
Alice Shepherd