This document discusses participatory art practices where the audience is involved through either prescribed physical interaction with artworks, creative involvement in artworks, or non-consensual engagement. Examples are given such as Marina Abramovich's "The Artist is Present" which relied on audience's physical interaction, Anthony Gormley's "The Forth Plinth 'One and Other'" which engaged the audience creatively, and Vito Acconci's "Following Piece" which involved non-consensual engagement.

1. Participatory Practice
- Audience Participates through a
task prescribed by the artist
- Artworks that depend on the
audiences physical interaction
- Audience participate through
creative involvement
- Non-Consensual engagement

2. Physical Interaction
“The Artist is Present” (Marina Abramovich 2012 MoMa)

3. “Measuring the Universe” (Roman Ondak 2007)

4. “The Weather Project” (Olafur Elliason 2004 The Turbine Hall)

5. Creative Involvement
“The Forth Plinth ‘One and Other’” (Anthony Gormley 2007)

6. “Walkways” (FrenchMottershead 2012)

7. “Words” (Alan Kaprow 1962)

8. Non-Consensual Engagement
“Following Piece” (Vito Ancconi 1969)

9. “Imponderabilia” (Marina Abramovich and Ulay 1997)