THEMATIC ANALYSIS OF THE LYRICS OF FIVE EXTANT PANSORISijma
This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this
study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga,
Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the
collected data. According to the results of this study, the themes of the five works could be summarized as
love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of
deriving a common theme through thematic analysis of the lyrics of five extant pansoris.
THEMATIC ANALYSIS OF THE LYRICS OF FIVE EXTANT PANSORISijma
This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this
study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga,
Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the
collected data. According to the results of this study, the themes of the five works could be summarized as
love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of
deriving a common theme through thematic analysis of the lyrics of five extant pansoris
THEMATIC ANALYSIS OF THE LYRICS OF FIVE EXTANT PANSORISijma
This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this
study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga,
Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the
collected data. According to the results of this study, the themes of the five works could be summarized as
love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of
deriving a common theme through thematic analysis of the lyrics of five extant pansoris.
THEMATIC ANALYSIS OF THE LYRICS OF FIVE EXTANT PANSORISijma
This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this
study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga,
Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the
collected data. According to the results of this study, the themes of the five works could be summarized as
love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of
deriving a common theme through thematic analysis of the lyrics of five extant pansoris
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
The FIBA Women's Basketball World Cup and Women's Olympic Basketball Tournament feature top national teams from continental championships. The main North American league is the WNBA (NCAA Women's Division I Basketball Championship is also popular), whereas the strongest European clubs participate in the EuroLeague Women.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.
Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.
Concepts of music
If one turns to distinctions in musical style, one of the first questions to arise is “What is music?” Two basic definitions will suffice for the present discussion. The first definition is cultural: a sonic event can be called music if the people who use it call it music, regardless of one’s own reaction to it. Similarly, certain events that sound musical to foreign ears are not music culturally if they are not accepted as such by native culture carriers. A good example of such a situation is found in the Middle East, where singing is never allowed in the mosque, though one may hear performances and even buy records of “readings” from the Qurʾān. Such cultural and functional problems of definition seldom arise in East Asian music, and a more neutral definition is appropriate. A sound event may be considered and studied as music if it combines the elements of pitch, rhythm, and loudness in such a way that they communicate emotionally, aesthetically, or functionally on the levels that either transcend or are unrelated to speech communication. Those who have been moved by a love song or a lament can well appreciate some of the implications of such a view of music. When listening to “exotic” music—i.e., that of a tradition outside one’s own background—it is important to remember that such transcendental values are at work for the alien listener as well as for listeners familiar with the particular musical language in use.
There are many kinds of music and arts nowss
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
The FIBA Women's Basketball World Cup and Women's Olympic Basketball Tournament feature top national teams from continental championships. The main North American league is the WNBA (NCAA Women's Division I Basketball Championship is also popular), whereas the strongest European clubs participate in the EuroLeague Women.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.
Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.
Concepts of music
If one turns to distinctions in musical style, one of the first questions to arise is “What is music?” Two basic definitions will suffice for the present discussion. The first definition is cultural: a sonic event can be called music if the people who use it call it music, regardless of one’s own reaction to it. Similarly, certain events that sound musical to foreign ears are not music culturally if they are not accepted as such by native culture carriers. A good example of such a situation is found in the Middle East, where singing is never allowed in the mosque, though one may hear performances and even buy records of “readings” from the Qurʾān. Such cultural and functional problems of definition seldom arise in East Asian music, and a more neutral definition is appropriate. A sound event may be considered and studied as music if it combines the elements of pitch, rhythm, and loudness in such a way that they communicate emotionally, aesthetically, or functionally on the levels that either transcend or are unrelated to speech communication. Those who have been moved by a love song or a lament can well appreciate some of the implications of such a view of music. When listening to “exotic” music—i.e., that of a tradition outside one’s own background—it is important to remember that such transcendental values are at work for the alien listener as well as for listeners familiar with the particular musical language in use.
There are many kinds of music and arts nowss
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
2. Pansori is a combination of two words pan (판) a
place where people gather and sori (소리) has
multiple meanings it could mean sound or singing
voice and a song.
is a genre of indigenous
traditional music that has stirred
the hearts of Koreans for ages
with its passionate, mournful
sounds.
In a pansori performance, the
singer recites a long narrative
(saseol) to the rhythm of a drum,
while combining it with singing
(chang), recitatives (aniri) and
bodily gestures (balim or
neoreumsae).
판소리
Pansori
WHAT
IS?
3. It has multiple identities.
If the focus is on the song, it is music.
If the focus is on the arrangement of words, it is literature.
If the focus is on theatrical factors, it is a composite art form that falls
under the category of drama.
which makes it a compound art form.
So, what is pansori?
4. In the late 20th century, the
sorrowful "Western style" of pansori overtook
the vigorous "Eastern style" of pansori, and
pansori began being called the "sound of han".
All surviving pansori epics end happily, but
contemporary pansori focuses on the trials and
tribulations of the characters, commonly
without reaching the happy ending because of
the contemporary popularity of excerpt
performances.
Chan E. Park brings pansori singing to Around the
World Music Series in Kent
5. Pansori has been designated as
Korea's National Intangible Cultural
Heritage No. 5 since 1964. On
November 7, 2003, pansori was
registered as the UNESCO's
Masterpiece of the Oral and
Intangible Heritage of Humanity of
Korea.
6. It is not known exactly when, how, or
by whom pansori began to be
performed because the musical
tradition originated from folk tales
that had been passed on orally.
The stories, most of which were very
long and were often told in song
form, eventually evolved into
narrative songs (chang).
Origin
7. However, some believe that pansori has about 300 years of history due to the fact
that the lyrics of “The Song of Chunhyang”, were translated into a poem in
classical Chinese and are contained in the Collected Works of Manhwa (Manhwa
jip), written by a man named Yu Jin-han in the mid-17th century, during the reign
of King Yeongjo of the Joseon Dynasty.
춘향
9. A Sorikkun singer delivers stories through
songs dialogue and narration.
It uses various gestures using a fan on one
hand.
Throughout the performance will use
variety of voice tones, vocal techniques,
musical modes, rhythms, and gestures to
continually shift roles in perspective
between that of a storyteller and characters
that are featured in the story.
Pansori could be performed by a segment
or a full story.
For example: to sing the full version for
instance Chunhyang-ga takes five to eight
hours to fully perform. In order to earn the
strength of vocal cords that can resist hours
of singing needs decades of practice and
intense training.
Sorikkun
(소리꾼):
singer
Ahn
Sook-Sun:
Pansori
Concert
10. The drum player with buk; barrel
drum, accompanied singer by
playing Jangdan.
Jangdan (장단) is a rhythmic cycle
that is based on set of rhythms.
While playing Gosu makes trims which is calls of
encouragement at appropriate moments or phrase
endings:
1. expressions such as: “eolssigu! jota! jalhanda!
gurochi! are commonly used for chuimsae
(추임새).
The use of chuimsae should be compatible with the
melodic phrase and dramatic situation for instance.
2. if it's a scene where two lovers finally unite Gosu
will shout out “eolssiu! jota!”- 얼씨우! 조금!
The role of Gosu is so important that it could even
boost up the quality and the potential of Sorikkun’s
performance.
Gosu:
drummer Pansori master Ahn
Sook-seon practices at
a stage in her house in
Segok-dong, Seoul.
11.
12. Audience is considered one of the key
elements in pansori performance, because it's
the audience who are there to support and
enjoy that makes this art form come alive. so, if
you ever get to see a live pansori performance
you were always welcome to give Chuimsae.
Audience
…
13. Bibliography
Park, Wijin, director. What Is PANSORI? | Korean Traditional Music 101 영어 판소리. YouTube, The Korean
Cultural Center Los Angeles, 9 June 2021, https://youtu.be/JbalRp9yLpM. Accessed 27 Mar. 2023.
“The Pansori Epic Chants.” Intangible Cultural Heritage of Humanity | Cultural Heritage Administration,
https://english.cha.go.kr/cop/bbs/selectBoardArticle.do?ctgryLrcls=CTGRY210&nttId=58042&bbsId=BBSMSTR
_1205&mn=EN_03_02.
Hoffman, Jarrett. “Chan E. Park Brings Pansori Singing to around the World Music Series in Kent.” Cleveland
Classical, 11 Mar. 2019, https://clevelandclassical.com/chan-e-park-brings-pansori-singing-to-around-the-world-
music-series-in-kent/.
“Ahn Sook-Sun: Pansori Concert.” KCCUK, 30 Mar. 2023, https://kccuk.org.uk/en/programmes/k-music-
festival/k-music-festival-ahn-sook-sun-pansori-concert/.