Orphan timeline
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The document is a timeline of a movie title sequence that lasts from 0:00 to 1:30. It consists of various drawings and images that slowly fade in and out, with some flickering between normal and glow-in-the-dark versions. Text with the names of cast members and the director are overlaid on some of the drawings. Low ominous music plays throughout the sequence.
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Drive opening analysis
The opening credits of Drive establish several neo-noir conventions including an aerial shot of a city at night, a low angle shot introducing the anti-hero protagonist, and chiaroscuro lighting with characters hidden in shadows. However, it also features some atypical elements such as a cursive title font, absence of a femme fatale, and upbeat music contrasting the cynical protagonist. The sequence aims to appeal to audiences' affective and tension release needs through an emotionally stimulating story per uses and gratification theory.
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Conventions of neo noir
This document discusses the conventions of neo-noir that were used and developed in a trailer for a production company called Black City Productions. It describes including elements like tracking shots of characters, close-ups of objects to represent codes and mystery, shots showing a protagonist's worried expression to represent world-weariness, and high saturation/blue tones to create a sense of dystopia. These conventions were inspired by neo-noir films like Brick, True Detective, Sin City, and were intended to establish the serious tone of films the company would produce, focusing on themes of drugs, romance, and crime.
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This document discusses the history and evolution of neo-noir films from the late 1950s to the 2000s. It outlines the key periods of neo-noir, from post-noir in the late 1950s to postmodern neo-noir in the late 20th century. Important influences included French crime films of the 1950s, the French New Wave movement, and changing social and political contexts in the 1960s-70s like the Vietnam War and civil rights movement. The document also examines elements commonly found in neo-noir films like color cinematography and experimentation, as well as common character types like the impotent private eye.
Conventions of neo noir
This document outlines several conventions of neo-noir films compared to classic noir films. It discusses how neo-noirs pushed boundaries with more explicit depictions of sexuality. It also notes that neo-noir protagonists often have personal codes of conduct and that plots frequently involve false accusations and betrayals. Additionally, neo-noirs make prominent use of unreliable narrators and complex, non-linear plots.
Film lighting, light and colour part 2
Film lighting and color can be used to create different moods and effects. The temperature of light can vary from cool blues and grays for somber scenes to warm pinks and golds for romantic scenes. Cinematographers use filters and digital manipulation to adjust colors. Whole films are sometimes desaturated in post-production to achieve a particular look, as with O Brother, Where Art Thou? which was given an old, dusty look. Spot lighting, backlighting, and directional light can also create dramatic effects and silhouettes that impact the audience. Occasionally black and white is used instead of color for specific artistic reasons.
H:\Challenging Conventions 9 Screen Grabs
This document discusses the cinematography and stylistic choices made in a media project. It explains that titles were given their own frames rather than being placed underneath shots. Many shots use close-ups, shadows, and minimal effects to build suspense and mystery rather than relying on special effects. This challenges Hollywood conventions by using simplicity rather than elaborate CGI. Symbolism is also used, such as a shadow representing a character's split personality.
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Drive opening analysis
The opening credits of Drive establish several neo-noir conventions including an aerial shot of a city at night, a low angle shot introducing the anti-hero protagonist, and chiaroscuro lighting with characters hidden in shadows. However, it also features some atypical elements such as a cursive title font, absence of a femme fatale, and upbeat music contrasting the cynical protagonist. The sequence aims to appeal to audiences' affective and tension release needs through an emotionally stimulating story per uses and gratification theory.
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The film begins with the excited sounds of a crowd awaiting the famous actress Anna Scott at a movie premiere. After the opening credits, the camera shows close-ups of Anna Scott smiling for photographers amid flashing lights and loud reporters. The scenes then fade between close-ups of her face and shots of the documentary-style footage as the opening song plays. It dissolves to black before introducing the next scene, which includes a man's voiceover and shots tracking him as he walks away from the camera in a new location.
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This document discusses the conventions of neo-noir that were used and developed in a trailer for a production company called Black City Productions. It describes including elements like tracking shots of characters, close-ups of objects to represent codes and mystery, shots showing a protagonist's worried expression to represent world-weariness, and high saturation/blue tones to create a sense of dystopia. These conventions were inspired by neo-noir films like Brick, True Detective, Sin City, and were intended to establish the serious tone of films the company would produce, focusing on themes of drugs, romance, and crime.
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This document discusses the history and evolution of neo-noir films from the late 1950s to the 2000s. It outlines the key periods of neo-noir, from post-noir in the late 1950s to postmodern neo-noir in the late 20th century. Important influences included French crime films of the 1950s, the French New Wave movement, and changing social and political contexts in the 1960s-70s like the Vietnam War and civil rights movement. The document also examines elements commonly found in neo-noir films like color cinematography and experimentation, as well as common character types like the impotent private eye.
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Film lighting and color can be used to create different moods and effects. The temperature of light can vary from cool blues and grays for somber scenes to warm pinks and golds for romantic scenes. Cinematographers use filters and digital manipulation to adjust colors. Whole films are sometimes desaturated in post-production to achieve a particular look, as with O Brother, Where Art Thou? which was given an old, dusty look. Spot lighting, backlighting, and directional light can also create dramatic effects and silhouettes that impact the audience. Occasionally black and white is used instead of color for specific artistic reasons.
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Colour is an integral part of film production and can be used in various ways. It is used to set specific tones through filters and lighting, as well as to symbolize meanings. Red is often used to indicate danger or something ominous, while the oppressive darkness in Se7en reflects the moral decay in the film through a gloomy colour palette achieved using a bleach bypass process. Colour is also used to depict character transformations, such as the cold blue tones used in Traffic to show the main character's change.
Task #10
The opening sequence of The Dark Knight Rises contains the opening credits over shots and documentation relating to the film's production. These opening credits are presented in a dark style with jump cuts that suit the film's dark and suspenseful themes. The sequence introduces the main cast and credits the film's producers, directors, and screenwriters to acknowledge their contributions.
Orphan
The opening sequence of the film Orphan establishes the main character has multiple personalities through flickering drawings that depict both normal and violent versions of the characters, showing one innocent and one evil side. Unusual drawings of the company logo link it to the film's dark tone. The use of minor key strings and unsteady sounds and camera movements in the opening creates a sense of discomfort in the audience. Revealing the film's title only at the end of the sequence builds more tension than if it were shown at the beginning.
Neo Noir
Neo-noir films typically differ from classic film noir in their use of color, though some like Misfits flip between color and black and white. Settings and characters also reflect more modern or diverse societies while maintaining some classic noir elements. The camerawork, music, and editing in neo-noir films are generally similar to film noir but also incorporate newer techniques or styles of music to emphasize modern settings or characters.
Lighting plan
High key lighting aims to reduce lighting ratios and shadows for a more even, homogeneous light. It creates low contrast between brighter and darker areas. High key lighting was commonly used in classical Hollywood films and sitcoms due to its suitability for three-point lighting setups.
Low key lighting uses predominantly shadowy areas lit by a single key light and minimal fill. It heightens a sense of alienation in the viewer and is often used in film noir and horror genres. Romantic dramas conventionally use high key lighting for joyous scenes and low key lighting for sorrowful scenes to depict emotions. The director challenged these conventions by using high key lighting for crying scenes in the romantic drama "Melancholia".
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The document discusses the color scheme for a 2 minute horror/thriller film opening. It recommends a scheme using dark, dull colors like black, grey, and shades of red, as these colors are conventional for the horror genre. Examples of existing horror films that use similar dark color schemes, like Shutter Island, provide evidence and inspiration for this choice.
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The document provides roles and a treatment for a short film involving a masked psychopath. The treatment involves:
1) Pictures of a woman being shown rapidly and ending with a camera flash revealing the pictures spread on a table and a brief shot of the psychopath's face.
2) A woman is shown strapped to a chair in a room as the camera zooms in and pans around her head.
3) A husband arrives home and finds his front door covered in words written in blood and a picture of his sleeping wife, dropping his keys in shock.
4) A slow motion shot of the panicking wife is shown with amplified heartbeat sound before cutting back to the husband running to his car.
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Question 1 - Part 1
1) The opening sequence of the film incorporates some conventions of thriller films, such as dark lighting, different camera angles, and an atmosphere of mystery surrounding a kidnapping.
2) It challenges conventions by using black teen characters, which is uncommon for thrillers, and more diegetic sound rather than non-diegetic music.
3) While incorporating some generic thriller conventions, the film falls into the mystery thriller subgenre by leaving the audience with questions about what will happen, who is seeking revenge, and if the girl will be rescued.
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Task #10
The opening sequence of The Dark Knight Rises contains the opening credits over shots and documentation relating to the film's production. These opening credits are presented in a dark style with jump cuts that suit the film's dark and suspenseful themes. The sequence introduces the main cast and credits the film's producers, directors, and screenwriters to acknowledge their contributions.
Orphan
The opening sequence of the film Orphan establishes the main character has multiple personalities through flickering drawings that depict both normal and violent versions of the characters, showing one innocent and one evil side. Unusual drawings of the company logo link it to the film's dark tone. The use of minor key strings and unsteady sounds and camera movements in the opening creates a sense of discomfort in the audience. Revealing the film's title only at the end of the sequence builds more tension than if it were shown at the beginning.
Neo Noir
Neo-noir films typically differ from classic film noir in their use of color, though some like Misfits flip between color and black and white. Settings and characters also reflect more modern or diverse societies while maintaining some classic noir elements. The camerawork, music, and editing in neo-noir films are generally similar to film noir but also incorporate newer techniques or styles of music to emphasize modern settings or characters.
Lighting plan
High key lighting aims to reduce lighting ratios and shadows for a more even, homogeneous light. It creates low contrast between brighter and darker areas. High key lighting was commonly used in classical Hollywood films and sitcoms due to its suitability for three-point lighting setups.
Low key lighting uses predominantly shadowy areas lit by a single key light and minimal fill. It heightens a sense of alienation in the viewer and is often used in film noir and horror genres. Romantic dramas conventionally use high key lighting for joyous scenes and low key lighting for sorrowful scenes to depict emotions. The director challenged these conventions by using high key lighting for crying scenes in the romantic drama "Melancholia".
Colour scheme
The document discusses the color scheme for a 2 minute horror/thriller film opening. It recommends a scheme using dark, dull colors like black, grey, and shades of red, as these colors are conventional for the horror genre. Examples of existing horror films that use similar dark color schemes, like Shutter Island, provide evidence and inspiration for this choice.
02. mise en scene notes sheet (amelia kelly)
Mise-en-scene refers to everything visible within a single shot that helps tell the story. There are six key elements of mise-en-scene: color, costumes, props, set/location, blocking/performance, and lighting. Color, costumes, and lighting can be used to convey specific meanings and moods. For example, the color red may represent danger or love, while white could symbolize purity. Costumes can indicate social class or status. Lighting is also important for setting tone, with high key lighting for an even exposure and low key lighting using shadows for drama. Together, these elements of mise-en-scene provide visual storytelling cues for the audience.
Pitch
The document provides roles and a treatment for a short film involving a masked psychopath. The treatment involves:
1) Pictures of a woman being shown rapidly and ending with a camera flash revealing the pictures spread on a table and a brief shot of the psychopath's face.
2) A woman is shown strapped to a chair in a room as the camera zooms in and pans around her head.
3) A husband arrives home and finds his front door covered in words written in blood and a picture of his sleeping wife, dropping his keys in shock.
4) A slow motion shot of the panicking wife is shown with amplified heartbeat sound before cutting back to the husband running to his car.
Mise-en-scene in the mystery-thriller genre
The document discusses various elements of mise-en-scène that are commonly used in mystery-thriller films to create suspense and tension. Low key lighting and dark colors are used to hide details and play on fears of the unknown. Props like weapons increase stakes during confrontations. Non-diegetic music and silence are employed to build suspense, while diegetic sounds like footsteps indicate impending scenes. Settings range from urban areas that feel familiar yet dangerous to rural isolation or dystopian futures acting as social commentary. Costumes reflect the time period or indicate a character's morality through bright or dark colors.
Question 1 - Part 1
1) The opening sequence of the film incorporates some conventions of thriller films, such as dark lighting, different camera angles, and an atmosphere of mystery surrounding a kidnapping.
2) It challenges conventions by using black teen characters, which is uncommon for thrillers, and more diegetic sound rather than non-diegetic music.
3) While incorporating some generic thriller conventions, the film falls into the mystery thriller subgenre by leaving the audience with questions about what will happen, who is seeking revenge, and if the girl will be rescued.
Neo noir conventions
This document outlines several conventions of neo noir films compared to classic film noir. It discusses how neo noirs pushed boundaries with their depictions of sexuality and eroticism. It also describes common neo noir tropes like protagonists with personal codes of conduct, the use of unreliable narrators and complex plots, and the continued importance of the femme fatale character archetype. Settings in neo noirs range from darkened urban areas to brighter rural locations. Crime and violence are often more prominent compared to subtle suggestions in classic noir.
Evaluation Q1 part 2
Blair struggles with grief after her best friend Abigail is murdered. Unsatisfied with the police investigation, Blair takes it upon herself to find Abigail's killer. The document discusses conventions of the psychological thriller genre that were incorporated into the trailer, including urban settings, low lighting, quick editing, and iconography involving shadows, mirrors and water. Costume and makeup were used to show Blair's deterioration as she loses grip on her sanity while searching for answers.
Seven - Media Presentation
This document analyzes the title sequence of the film "SE7EN" through its mise-en-scene, camera work, sound, editing, and colors. Key elements analyzed include low-key lighting, desaturated colors like black and red to connote death, and extreme close-ups of hands and objects to build mystery around the plot. Unsteady camera work and uncomfortable sounds are used to unsettle the audience. The analysis highlights how the title sequence builds an atmosphere of mystery, horror, and instability to engage the viewer.
Real media research- Connor
The document discusses conventions used in music videos to represent depression. It analyzes shots from videos by XXXtentacion, Chris Brown, twenty one pilots, and iLoveMemphis. Some conventions it identifies include using dark lighting, black backgrounds, dark clothing, and narrow spaces to portray the small world of the depressed character and show their struggle and isolation. It also notes contrasting light and dark can symbolize overcoming depression but decides not to use this in its own video because it presents a false representation.
Step Outline for Sinister 2012
This document provides a breakdown of the opening title sequences and logos for several films and production companies. It describes the visual elements, sounds, camerawork, editing, and typography used over specific time intervals. For the Momentum Pictures logo, simple lowercase lettering fades in and out over a black screen. The Alliance Film logo uses flashing lights that form the company name along with tense fizzing and breaking sounds. The BH Productions logo features floating objects and a sinister girl in a dark room with blood and storm sounds. Finally, the Sinister opening shows scratchy found footage of people hanging from a tree in fog before the title scratches onto the film reel.
Production
This document discusses techniques used in horror film lighting, camera work, and sound design. It explains that horror films typically use dark, profile lighting to create an eerie atmosphere and a sense of mystery. Camera techniques mentioned include close-ups, point-of-view shots, and hand-held camera work. Regarding sound, the document notes that horror trailers aim to set a tense mood through techniques like incorporating heartbeats and abrupt changes in music.
Mise en-scene notes
Mise-en-scene refers to everything presented to the viewer within the frame of a shot. There are six key areas of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting can be used to convey specific meanings and set the mood. Costume especially provides clues about a character's identity, personality, and social class. Props must be chosen carefully to advance the story and influence how actors use them in a scene. Blocking determines the positioning and movement of actors, while performance covers gestures and expressions. Lighting, whether low key, high key, or ambient, also impacts the dramatic tone.
Antagonists - A2 Media
The document analyzes how the demon nun Valak from The Conjuring 2 creates fear in viewers through its portrayal and use of mise-en-scene elements, camerawork, sound, and editing. Specifically, Valak's black nun costume, white face makeup, possession of a child in the realistic setting of Enfield, London portrayed in low-key lighting and close-ups generate unease. Props like a crooked toy man and moving fire engine, as well as silence before non-diegetic sounds and cuts between Valak and protagonist Lorraine Warren, enhance the fear factor for audiences.
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Your Skill Boost Masterclass: Strategies for Effective UpskillingExcellence Foundation for South Sudan
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...
BÀI TẬP BỔ TRỢ TIẾNG ANH 8 CẢ NĂM - GLOBAL SUCCESS - NĂM HỌC 2023-2024 (CÓ FI...Nguyen Thanh Tu Collection
https://app.box.com/s/y977uz6bpd3af4qsebv7r9b7s21935vdA Survey of Techniques for Maximizing LLM Performance.pptx
A Survey of Techniques for Maximizing LLM Performance
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar KanvariaThe Diamonds of 2023-2024 in the IGRA collection
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
CACJapan - GROUP Presentation 1- Wk 4.pdf
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...National Information Standards Organization (NISO)
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.A Strategic Approach: GenAI in Education
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityAkanksha trivedi rama nursing college kanpur.
Natural birth techniques are various type such as/ water birth , alexender method, hypnosis, bradley method, lamaze method etcRPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS Template 2023-2024 by: Irene S. Rueco
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Azure Interview Questions and Answers PDF By ScholarHat
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Orphan timeline
- 1. 0:35 – Drawing of a child appears, slowly fading in. Name if cast member appears next to the 0:08 – Dark Castle logo drawing. 1:00 – Drawing of children appears and flickers Flickers to glow in the dark in a building appears with between normal and glow version at 0:37 and the name of the director. in the dark version. Fades continues to flicker from Fast flickers between out slowly. normal to glow in the dark normal and glow in the 0:00 dark. 1:30 0:03 – Warner Bros logo 0:22 – Childlike drawing of 0:50 – Another drawing 1:19 – Film name fades slowly appears, flickering bible appears slowly the slowly fades in with a cast in very slowly, flickers between normal and glow fading in from black. Next members name, this time it between normal and in the dark. Low ominous the drawing is a name to doesn’t flicker to glow in dark version. Fades to tone/strings music in thefrom the cast. This slowly the dark but stays normal. black. Music Continues background. Flickering fades back out to black. even after the name of disjointed sound in sync the film has disappeared with flickering image; this happens throughout the sequence.