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Oblivion
Box Figures and Technology
used
Technology Used
• Runtime 2 hr 4 min (124 min)
• Sound MixSDDS | Datasat | Dolby Digital | Dolby Atmos
• ColorColor
• Aspect Ratio1.89 : 1 (IMAX version)
2.35 : 1
Camera
• Camera Red Epic, Zeiss Master Prime and Fujinon Premier Lenses
Sony CineAlta F65, Zeiss Master Prime and Fujinon Premier Lenses
• LaboratoryDeLuxe, Hollywood (CA), USA (color)
Technicolor, Hollywood (CA), USA (digital intermediate)
• Film Length3,408 m (Portugal, 35 mm)
• Negative FormatRedcode RAW
SRMemory
• Cinematographic ProcessDigital Intermediate (2K) (master
format)
F65 RAW (4K) (source format)
Redcode RAW (5K) (source format)
• Printed Film Format35 mm (anamorphic) (Kodak Vision 2383)
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383)
D-Cinema
Box Office Figures
OBLIVION
Release Date 19th April 2013
Budget Set $120,000,000 (Estimated)
Box Office $286,168,572 (Worldwide)
Net Profit 166,168,572

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Oblivion

  • 1. Oblivion Box Figures and Technology used
  • 2. Technology Used • Runtime 2 hr 4 min (124 min) • Sound MixSDDS | Datasat | Dolby Digital | Dolby Atmos • ColorColor • Aspect Ratio1.89 : 1 (IMAX version) 2.35 : 1 Camera • Camera Red Epic, Zeiss Master Prime and Fujinon Premier Lenses Sony CineAlta F65, Zeiss Master Prime and Fujinon Premier Lenses • LaboratoryDeLuxe, Hollywood (CA), USA (color) Technicolor, Hollywood (CA), USA (digital intermediate) • Film Length3,408 m (Portugal, 35 mm) • Negative FormatRedcode RAW SRMemory
  • 3. • Cinematographic ProcessDigital Intermediate (2K) (master format) F65 RAW (4K) (source format) Redcode RAW (5K) (source format) • Printed Film Format35 mm (anamorphic) (Kodak Vision 2383) 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema
  • 4. Box Office Figures OBLIVION Release Date 19th April 2013 Budget Set $120,000,000 (Estimated) Box Office $286,168,572 (Worldwide) Net Profit 166,168,572