This document discusses themes of identity, tradition, and globalization in Philippine theater. It contrasts local, ritualistic concepts like "kapwa" and "lokal" with international influences like Westernization and exoticism. It also examines the tension between collective and competitive artistic orientations, and how repetition can assert cultural identity while popularization risks commodification. Overall, the document calls for revitalizing the arts in education to promote a nationalist, pro-people, and scientifically-oriented system.

1. REYALIDAD…IDENTIDAD…UNIBERSIDAD……unity towards national identityBobet Mendoza

2. Ritwal –tradisyon-pag-uulit-tungosapagpapatibayngkultura at identidad. Pag-angkop at pag-angkinEksperimentasyon- rebisyontungosa global nakompetisyon

3. THE BIG BANG EFFECT IN PHILIPPINE THEATERKAPWA/KOLEKTIBOSELF/COMPETITIONLOKALISASYONADOPTATIONEXOTICSMRITWAL/TRADISYONPAG-UULITPOPULARCLASSIC/BROADWAYKATUTUBO/ MAKABAYANGLOBAL /WESTERNREPEATITION AS A PROCESS OF RESISTANCE AND ASSERTION POPULARIZATION AS A PROCESS OF COMMODIFICATION

4. ORGANISASYONARTISTIKOORYENTASYON

5. PANANATILI NG KALAKARAN PAGBABAGO NG LIPUNANORGANISASYONARTISTIKOORYENTASYONKolektiboKapwaBroadwayDayongPamantayanExoticRitwalKatutuboMakabayanLokalisasyonPeraPapuriPangalanSerbisyoAdbokasiyaEdukasyonKompetisyonSarili

6. REVITALIZATION OF ARTS IN THE EDUCATIONAL SYSTEMTOWARDS A NATIONALIST, PRO PEOPLE AND REAL SCIENTIFIC EDUCATIONDEP ED & CHEDSCHOOL ADMINISTRATIONADVISERSSTUDENTSCOMMUNITYNUCTOTHEATER GROUPALUMNI