Nollywood
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Film display started to flourish during the Colonial period, with Glover Memorial Hall playing host to a scope of noteworthy movies saw by "potential Nigerians", in August 1903. Notwithstanding, the non-accessibility of appropriate records mirroring the title of the presentation film displayed has made a slip by in the point of reference stock. Regardless the lacuna, the way had been cleared for the presentation of more unfamiliar movies at the Hall and other assigned scenes. Nollywood Nigerian movies
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1900 1950’s
Between 1900-1950, the British Board of Film Censors (BBFC) was established to regulate and censor films shown in the UK. Over time, the BBFC expanded the list of concerns that could warrant censorship, deletion, or banning of a film to include themes of crime, drugs, sexual content, and politically or socially controversial topics. By the 1930s-40s, the BBFC introduced rating categories like 'A' for adult films and 'H' for horror films, and in 1952 established the 'X' rating to restrict children under 16 from viewing certain films. Several high-profile films were banned or censored during this period for their content.
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The document provides a historical overview of the British film industry from its origins in the late 19th century through recent decades. Some key points covered include:
- The British invented cinema in the late 1800s with early films being shot in Leeds and London.
- British studios and filmmakers experienced success in the early-mid 20th century but began losing out to Hollywood in the 1920s due to its much larger market.
- The British film industry revived in the 1930s with the emergence of documentaries and productions from London Films.
- World War 2 gave new life to the industry through wartime documentaries and dramas.
- In subsequent decades British films capitalized on new styles and genres, achieving international
History of film
The history of film began in 1895 with the Lumiere brothers inventing the cinematograph. Within 20 years, films were being widely produced and watched globally in different genres like comedy, fantasy, and horror. Early silent films helped cinema grow more popular internationally. By the 1900s, major studios emerged in places like Hollywood, pioneering cinematic techniques and mass production. Modern cinema continues advancing with technologies like CGI, 3D, and virtual reality, transporting audiences with immersive visuals and experiences.
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- The first moving images were produced using devices like the zoetrope in the 1830s. William Fox Talbot invented the photographic negative in 1839.
- Thomas Edison developed the Kinetoscope in 1889 and the Kinetograph movie camera in 1893, making the first motion picture exhibitions possible.
- In 1895, the Lumiere brothers developed the Cinematographe, which combined a movie camera and projector, allowing films to be publicly projected for the first time.
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The roots of horror films come from 18th and 19th century Gothic literature works such as Frankenstein, Dracula, and Dr. Jekyll and Mr. Hyde. During the silent film era of the late 19th century, early horror films thrilled audiences without sound effects or dialogue. In the 1930s, films featuring monsters and mad scientists like Frankenstein and King Kong became popular, helping audiences cope with the Great Depression. The 1950s saw the rise of creature features influenced by atomic testing and the Space Race, making science-related horrors more frightening. Slashers and body horror emerged in the 1970s and 1980s as scientific knowledge grew, exemplified in films like Nightmare on Elm Street and Evil Dead 2
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Presentación1
The history of film spans over a hundred years from the late 19th century to today, developing from a carnival novelty to one of the most important communication and entertainment mediums. Early moving images were produced on devices like the zoetrope and phenakistoscope in the 1830s. By the late 1880s, the first motion picture films were recorded on celluloid and the first commercial film exhibition occurred in 1894, establishing the film industry.
History of documentaries
The history of documentaries can be broken into several eras:
- Pre-1900s featured "actuality films" that captured single moments on film like trains arriving or workers leaving factories.
- 1900-1920 saw the rise in popularity of travelogue films and the first feature-length documentary, South, was released in 1919.
- The 1920s brought several traditions to documentaries including romanticism films, city symphonies focusing on urban environments, and newsreels which sometimes included staged reenactments. Techniques like fluid camera work and montage were also used.
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Documentary films aim to document aspects of reality using moving pictures. Early documentary films from before 1900 were short actuality films capturing single events like a train arriving. Modern documentaries expanded in the 1960s with portable cameras allowing a more intimate relationship between filmmaker and subject. Some documentaries are made without words using only music and images to convey meaning, such as the Qatsi trilogy films. The purpose of documentaries is to present real events, history, and information rather than fictional stories, and to allow interpretation and understanding of evidence. Types of documentaries include those on a variety of topics as well as the documentary hypothesis about the origins of the Pentateuch.
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Shoe-Horn
The document discusses how authors use visual techniques like imagery, lighting, camera angles and symbolism to explore the effects of war. It analyzes how the play Shoe-Horn Sonata and the short film The Porcelain Unicorn use these visuals to portray how war can impact relationships and individuals. Specifically, it looks at how the play uses lighting and a spotlight to set scenes and draw attention, while the film uses shots of a man approaching a house and smashing of a unicorn toy to represent lasting effects of war.
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This document provides a summary of the history of filmmaking in Australia from its origins in 1896 to the present day. It discusses early actuality films and genres like bushranger films. It highlights some of the first Australian films including The Story of the Kelly Gang (1906) and the importance of short films. It also covers the development of censorship, war propaganda films during WWI, and the revival of the Australian film industry from the 1970s onward. Historical films, adaptations of Australian literature, and films about Australian military conflicts have remained prominent themes in Australian cinema over the decades.
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Investing in the stock market means buying and selling stocks or shares of ownership in companies. To be successful, you must understand how the stock market works by learning the basics of buying and selling stocks, the different types of stocks like common and preferred shares, and the factors that can affect stock prices. Some key considerations for investing include committing time to learn the business, only investing what you can afford to lose as the market is risky, and diversifying your portfolio among several stocks rather than concentrating in just one company. Most people who invest in the stock market lose money, so investors must be prepared to cut their losses.
Investing in the Stock Market.pdf
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- 1. The Nigerian Movie Industry (Nollywood) - The Origin (History) Here is a condensed rendition (yet luxuriously edifying) from one of the articles I composed concerning this topic. Film display started to flourish during the Colonial period, with Glover Memorial Hall playing host to a scope of noteworthy movies saw by "potential Nigerians", in August 1903. Notwithstanding, the non- accessibility of appropriate records mirroring the title of the presentation film displayed has made a slip by in the point of reference stock. Regardless the lacuna, the way had been cleared for the presentation of more unfamiliar movies at the Hall and other assigned scenes. Nollywood Nigerian movies The sincerely damaging "Expert - Servant" relationship, clear in the consistent attacks, batteries, terrorizing, isolation, exploitation, completed by the Colonial bosses on the colonized, with obscured billows of hatred, retaliation, hunger for opportunity, offering approach to splattering drops of such considerations, instinctually projected through the colonized discontinuous in-subordinate activities, started to spread among the blacks. The British realized they needed to string with alert on the off chance that they actually needed to play "god" in their lives when movies, for example, Tales of Manhattan, Trailer horn, Tarzan series started to work up an unrest in the hearts of Blacks across the globe. Mindful of the deadly force of uprising which could be released through the Film medium, the British out of dread for their lives and conceivable loss of the Queen's power took the bull by the horn, and quickly made a Colonial Film Censors Board (FCB) in 1933 to blue pencil and arrange films before they were delivered for visual utilization by people in general. Following the foundation of the board, Films, for example, "The crude, crude man, Dixie, Buffalo Bill, The Keys of the Kingdom, Sleepy Town Girl were labeled 'reasonable' to be watched, while Dr Jekyll and Mr Hyde, Clive of India, The Isle of Forgotten Sins, House of Frankenstein were considered unsatisfactory for review. The Censor's body went through a change interaction into the Federal Board of Film Censors (FBFC) from the previously mentioned, and the laws from which the changed body got its forces went from the 1948 Cinematograph Laws of Nigeria, the Cinematograph Laws of 1963, to the 1963/64 Cinematograph Law and Regulations. The current National Film and Video Censors Board appeared by ethicalness of declaration, presently Act 85 of 1993. The approach of Nigeria's Independence (1960) and the Republican status (1963), proclaimed the beginning of another time in all areas.
- 2. "The Yoruba Traveling Theater Group" of the 60's and 70's can be alluded to as the "Wellspring Head" of film creations in Nigeria. The veterans with extraordinary Theatrical abilities and incredible exhibitions took their works past the stage, and bird into the ocean of film creations utilizing the Celluloid organization. Striking movie producers on the Roll call of Honor during the Celluloid blast period of the 70's incorporate Ola Balogun, Eddie Ugbomah, late Herbert Ogunde, Adeyemi Afolayan a.k.a Ade Love (father of Kunle Afolayan of the Irapada notoriety), Ladi Ladebo, Moses Adejumo, Adebayo Salami and Afolabi Adesanya.