This document discusses film analysis through genre analysis and auteur theory. It provides examples of how to analyze a film's genre based on common elements like characters, settings, and codes/conventions. Moulin Rouge is used to demonstrate how it follows the codes of a musical genre through lavish costumes, settings in different eras, a love story between main characters, and more. Auteur theory is also summarized as examining a director's unique style and themes across their body of work.
This document discusses various methods for analyzing films, including genre analysis and auteur theory. Genre analysis examines elements like codes/conventions, setting, characters, themes, narrative, iconography, and ideological message. Auteur theory focuses on directors who have a unique vision and style that shapes their films. The document provides examples like Quentin Tarantino mixing genres in Pulp Fiction and Luc Besson casting Natalie Portman in a controversial role in Leon. It also compares the action films Quantum of Solace and Leon in terms of their characters, settings, and representations of women. Finally, it highlights how Apocalypse Now broke conventions by realistically portraying the human costs of war.
The document analyzes the genre and narrative conventions used in the romantic comedy film "When Harry Met Sally..." (1989). It discusses how the film follows the conventions of the romantic comedy genre in terms of its characters, tone, and ideology. It also examines how the film adheres to conventions of the neo-traditional romantic comedy form through its use of setting, references, and treatment of sexuality. Additionally, the summary explores how the film's narrative employs theories of narrative structure, including Todorov's three stages of equilibrium, disequilibrium, and new equilibrium.
This document summarizes Olivia Berry's analysis of three comedy films: Three Men and a Baby from 1987, Uncle Buck from 1989, and The Hangover from 2009. For each film, the director, year of release, and a brief synopsis is provided. Olivia also includes screenshots and descriptions from the film trailers. She discusses what attracts her to the comedy genre and analyzes the films in terms of intertextuality, stars, media literacy, reception theory, and active spectatorship.
Here is a summary of key points about identity from the research:
- Identity refers to a person's understanding of who they are, which includes their characteristics, beliefs, personality, and expression of gender, sexuality, culture, etc.
- Gender identity is how one sees their own gender, whether as male, female, non-binary, etc. and may differ from their sex assigned at birth. Transgender people experience a difference between their gender identity and assigned sex.
- Sexual orientation refers to romantic attraction to others and can be heterosexual, homosexual, bisexual, etc. It is separate from gender identity.
- Peer pressure during adolescence can strongly influence a teen's identity as they seek acceptance from
This document provides information about 4 candidates (Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes) who are assigned different color codes. It also discusses inspiration from various film opening sequences and conventions used in drama films. Key points discussed include establishing characters, settings, credits, and creating enigmas or mysteries. Inspiration is drawn from films like Se7en, Lemony Snicket's Series of Unfortunate Events, and Mission Impossible. Conventions explored include conflicts, social status differences, emotional themes like cancer, and characters' journeys. Research is presented on topics like transgender identity, peer pressure and its influence on identity, and defining concepts like
There are two main types of film analysis: genre analysis and auteur theory. Genre analysis examines codes and conventions, themes, characters, settings, narrative, iconography, and ideological messages within a film genre. Auteur theory posits that the director is the author of the film and creates an individual style or theme across multiple films. Films can be analyzed based on how they conform to or break conventions of their genre. For example, the film Leon breaks conventions by having the main character be a hitman who befriends a teenage girl, whereas a James Bond film follows typical action film conventions. Settings, characters, narratives, themes, and iconography all provide meaningful elements for analyzing a film's genre or director's style.
Chloe discusses three of her favorite old Hollywood movies - Some Like It Hot, Breakfast At Tiffany's, and The Hangover. She analyzes these films using various frameworks including star theory, codes and conventions, and intertextuality. She enjoys Some Like It Hot for its humor and Marilyn Monroe. For Breakfast At Tiffany's, she appreciates its meaningful message and Audrey Hepburn's performance. The Hangover appeals to her due to its comedic take on bachelor parties and drunken antics.
There are many ways to analyze films and their genres, including considering codes and conventions. An auteur director breaks conventions by adding their own style. Francis Ford Coppola is an example, breaking conventions in Apocalypse Now by having a village attacked without warning. Napoleon Dynamite has no narrative structure with a clear beginning, middle and end. Sixth Sense is a narrative film with a twist ending. Some films objectify women as in Quantum of Solace, while Leon takes risks by having a young girl develop feelings for the main character. Francis Ford Coppola is renowned for films like The Godfather, while Rian Johnson mixes genres in original films. Auteur directors stand out by putting their individual style and twists
This document discusses various methods for analyzing films, including genre analysis and auteur theory. Genre analysis examines elements like codes/conventions, setting, characters, themes, narrative, iconography, and ideological message. Auteur theory focuses on directors who have a unique vision and style that shapes their films. The document provides examples like Quentin Tarantino mixing genres in Pulp Fiction and Luc Besson casting Natalie Portman in a controversial role in Leon. It also compares the action films Quantum of Solace and Leon in terms of their characters, settings, and representations of women. Finally, it highlights how Apocalypse Now broke conventions by realistically portraying the human costs of war.
The document analyzes the genre and narrative conventions used in the romantic comedy film "When Harry Met Sally..." (1989). It discusses how the film follows the conventions of the romantic comedy genre in terms of its characters, tone, and ideology. It also examines how the film adheres to conventions of the neo-traditional romantic comedy form through its use of setting, references, and treatment of sexuality. Additionally, the summary explores how the film's narrative employs theories of narrative structure, including Todorov's three stages of equilibrium, disequilibrium, and new equilibrium.
This document summarizes Olivia Berry's analysis of three comedy films: Three Men and a Baby from 1987, Uncle Buck from 1989, and The Hangover from 2009. For each film, the director, year of release, and a brief synopsis is provided. Olivia also includes screenshots and descriptions from the film trailers. She discusses what attracts her to the comedy genre and analyzes the films in terms of intertextuality, stars, media literacy, reception theory, and active spectatorship.
Here is a summary of key points about identity from the research:
- Identity refers to a person's understanding of who they are, which includes their characteristics, beliefs, personality, and expression of gender, sexuality, culture, etc.
- Gender identity is how one sees their own gender, whether as male, female, non-binary, etc. and may differ from their sex assigned at birth. Transgender people experience a difference between their gender identity and assigned sex.
- Sexual orientation refers to romantic attraction to others and can be heterosexual, homosexual, bisexual, etc. It is separate from gender identity.
- Peer pressure during adolescence can strongly influence a teen's identity as they seek acceptance from
This document provides information about 4 candidates (Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes) who are assigned different color codes. It also discusses inspiration from various film opening sequences and conventions used in drama films. Key points discussed include establishing characters, settings, credits, and creating enigmas or mysteries. Inspiration is drawn from films like Se7en, Lemony Snicket's Series of Unfortunate Events, and Mission Impossible. Conventions explored include conflicts, social status differences, emotional themes like cancer, and characters' journeys. Research is presented on topics like transgender identity, peer pressure and its influence on identity, and defining concepts like
There are two main types of film analysis: genre analysis and auteur theory. Genre analysis examines codes and conventions, themes, characters, settings, narrative, iconography, and ideological messages within a film genre. Auteur theory posits that the director is the author of the film and creates an individual style or theme across multiple films. Films can be analyzed based on how they conform to or break conventions of their genre. For example, the film Leon breaks conventions by having the main character be a hitman who befriends a teenage girl, whereas a James Bond film follows typical action film conventions. Settings, characters, narratives, themes, and iconography all provide meaningful elements for analyzing a film's genre or director's style.
Chloe discusses three of her favorite old Hollywood movies - Some Like It Hot, Breakfast At Tiffany's, and The Hangover. She analyzes these films using various frameworks including star theory, codes and conventions, and intertextuality. She enjoys Some Like It Hot for its humor and Marilyn Monroe. For Breakfast At Tiffany's, she appreciates its meaningful message and Audrey Hepburn's performance. The Hangover appeals to her due to its comedic take on bachelor parties and drunken antics.
There are many ways to analyze films and their genres, including considering codes and conventions. An auteur director breaks conventions by adding their own style. Francis Ford Coppola is an example, breaking conventions in Apocalypse Now by having a village attacked without warning. Napoleon Dynamite has no narrative structure with a clear beginning, middle and end. Sixth Sense is a narrative film with a twist ending. Some films objectify women as in Quantum of Solace, while Leon takes risks by having a young girl develop feelings for the main character. Francis Ford Coppola is renowned for films like The Godfather, while Rian Johnson mixes genres in original films. Auteur directors stand out by putting their individual style and twists
This document discusses different methods for analyzing films, including genre analysis and auteur theory. Genre analysis looks at how a film follows or breaks conventions of its genre, using examples like Halloween in the horror genre. Auteur theory examines a director's personal creative style, like how Quentin Tarantino breaks conventions in Pulp Fiction. The document also analyzes Quantum of Solace and Leon in terms of their genre conventions and differences, and considers Tarantino an auteur for his unique nonlinear storytelling in Pulp Fiction.
There are two main types of film analysis: genre analysis and auteur theory. Genre analysis examines the codes and conventions within a film genre to understand how a film fits or breaks the typical narrative, characters, themes, and other elements. Auteur theory analyzes how some directors challenge conventions to create unusual films. Some examples provided are Quantum of Solace as an action/spy thriller adhering to genre conventions, while Leon is cited as an example of auteur theory through its unconventional elements.
The document discusses several film franchises including The Purge, Step Up, and The Dark Knight trilogies. For each franchise, it provides a brief summary of each film in the trilogy, noting common plot elements and similarities across the films. It also analyzes target audiences and imagery for each series. The franchises became popular and multiple films were produced due to concepts like The Purge that were new to the horror genre and the large fanbases for properties like Batman that originated from comic books.
1) The document discusses genre analysis in film, focusing on the romantic drama genre.
2) Romantic drama revolves around two people in love facing an obstacle to their relationship, such as differences in class, religion, or age.
3) Examples of notable romantic drama films include "Charlie St. Cloud", "Casablanca", "Water for Elephants", and "A Walk to Remember".
This document summarizes common conventions of different film genres including comedy, romantic comedy (romcom), action, and horror. For each genre, it discusses typical props, editing pace, locations, main characters, music, sound effects, and dialogue. It then provides examples of how the author could utilize these conventions in their own low-budget student film, noting limitations due to lack of access to weapons, vehicles, expensive equipment or professional actors.
This document summarizes common conventions of different film genres including comedy, romantic comedy (romcom), action, and horror. For each genre, it discusses typical props, editing pace, locations, main characters, music, sound effects, and dialogue. It then provides examples of how the author could utilize these conventions in their own low-budget student film, noting limitations due to lack of access to weapons, vehicles, expensive equipment or professional actors.
The document discusses how to analyze films through genres, narrative, semiotics, and representation. It then analyzes the 1994 films Leon and Pulp Fiction. For Leon, it summarizes the plot, characters, settings, and how they establish the action thriller genre. It discusses the unconventional protagonist and relationship between Leon and Mathilda. For Pulp Fiction, it notes the nonlinear narrative and interconnected characters. It summarizes the postmodern techniques used like intertextuality, parody, pastiche, reflexivity, bricolage, and self-referentiality.
The document discusses various aspects that can influence a viewer's perception of a movie, including genre, narrative, semiotics, and representation. It then analyzes the 1994 film Leon, noting its nonlinear narrative, portrayal of characters like the hitman Leon and young girl Mathilda, and their complex relationship. Finally, it examines Pulp Fiction, praising director Quentin Tarantino's use of a nonlinear structure and techniques like intertextuality, bricolage, and reflexivity to blend genres and reference other works.
The document discusses film genres and their codes and conventions. It outlines several popular genres like action, horror, drama, and comedy. For each genre, it provides examples of films that exemplify common codes and conventions. For example, it notes that James Bond films commonly feature advanced technology and a female character who assists Bond. For horror films, it points out that the Saw series typically leaves victim's bodies at the scene. It also discusses elements often found in chick flicks like a focus on women's issues and romance storylines. Overall, the document analyzes how genres are defined by consistent narrative elements and techniques seen across films.
This document discusses different approaches to analyzing films, including genre analysis and auteur theory. Genre analysis examines how a film adheres to or breaks from the typical codes and conventions of its genre, such as narrative structure, characters, themes, and ideology. Auteur theory focuses on how a director may break conventions to impose their own style. Examples provided include Mean Girls following teen rom-com conventions, while Napoleon Dynamite and Pulp Fiction break conventions in unique ways through characters and nonlinear narratives. Both theories consider how films use setting, characters, and other elements in conventional or unconventional ways.
The document discusses three films: Hot Fuzz, Anchorman, and American Pie. It provides plot summaries for each film, including the director, year of production, and a brief overview of the storyline. It also includes analyses of trailers for Anchorman and American Pie based on genre codes and conventions. The document then discusses what attracts the author to comedy films and how they find out about new movies through friends, social media, and websites like IMDB. It concludes with explanations of reception theory and active spectatorship.
The document discusses conventions of gangster and film noir genres. It provides examples from movie openings that utilize these conventions, such as low lighting, urban settings, suits/hats on male characters, and femme fatale women. The openings analyzed establish settings and characters quickly through shots of cities at night, silhouetted figures, and dialogue between potential romantic interests or criminals.
This document summarizes the opening of a student film project that aims to challenge conventions of the thriller genre. The opening establishes a sense of normalcy by showing a house and a photo of a happy couple. It then shows the female protagonist transforming from a "nerdy" identity to a glamorous and dangerous femme fatale through shots of her changing clothes and appearance. Upon completing her transformation, she discovers her boyfriend dead and calmly adjusts his tie, leaving the audience wondering if she killed him. The opening uses conventions like suspenseful music, identity transformation themes, and props associated with thrillers to set up intrigue and suggest the genre without revealing plot details. It introduces the main character through a photo that contrasts with her
Dystopian Trailer Analysis // The Maze Runner & Children Of Menamber_jackson
This document provides a summary and analysis of key elements in the dystopian film "The Maze Runner", including its narrative structure, themes, characters, camera work, props, locations, and sound design. The summary focuses on how the film establishes a gloomy, harsh atmosphere and puts the main character in a state of panic and desperation as he finds himself trapped with no memory in an enclosed maze with dangerous monsters.
Lo1 how do we analyse film chloe cleary[1]chloecleary
The document discusses two main ways to analyze films: genre analysis and auteur theory. Genre analysis examines a film based on its genre by looking at seven key areas such as codes/conventions, setting, characters, themes, narrative, iconography, and messages. Auteur theory considers a director an "auteur" if they have a distinctive style that reflects their personality and is present across multiple films. The document provides examples to illustrate genre analysis for westerns and thrillers and discusses the criteria for determining if a director is an auteur.
Genre analysis & auteur theory finishedirrealimagens
This document discusses different ways of analyzing films, including genre analysis and auteur theory. Genre analysis examines how films follow conventions of certain genres like action or thriller, while auteur theory focuses on films from the perspective of the director's artistic vision. It provides details on various elements used in genre analysis, such as codes, conventions, settings, characters, themes, and narratives. It also discusses the role of the director as an auteur and provides examples of both genre films and auteur films like Leon and films by Quentin Tarantino and Rian Johnson. In conclusion, it argues that both genre films and auteur films are important for the film industry.
The document discusses the 1994 film Léon: The Professional, analyzing its characters, themes, and stylistic elements that are common in the thriller genre. It examines the stereotypical characters such as Leon and Mathilda, as well as themes of revenge, corruption, love, and crime. The document also analyzes the film's narrative techniques, iconography involving weapons, and audiovisual style using shots like close-ups.
The document summarizes how a media product represents particular social groups through its protagonist. The protagonist in the thriller opening is a femme fatale characterized by black tight clothes, a leather jacket, and confidently murdering her husband. She is similar to characters in films like Salt that depict tough, confident women who change identities. The group gave their protagonist a twist by starting her as a nerd, contrasting her new powerful identity. Their goal was to attract female audiences by showing strong women who can play mind games and represent less common thriller protagonists as males usually dominate the genre. The protagonist continues calmly after murdering her husband, making her seem cold and psycho.
This document contains research by George Wetton on the genre of comedic horror films. It includes potential essay titles, questions that could be asked, existing ideas on a mind map, and examples of existing analyses of comedic horror films. The document explores how directors like John Landis, Sam Raimi, and Edgar Wright have successfully blended horror and comedy genres. It discusses how they established and maintained a balance between the two genres and influenced future filmmakers. The research aims to analyze what makes these hybrid films successful and their impact on filmmaking.
The document discusses techniques used to analyze films and categorize them into genres. It explains that genre theory facilitates organizing films based on storyline, director, and audience expectations. Common elements of westerns and horror films are provided as examples. Various media analysts' genre theories are outlined, such as Lacey's elements of setting, character, narrative, iconography and style. The document also discusses auteur theory and how some directors like Tim Burton and Luc Besson imprint their unique style on films within established genres. In conclusion, understanding genre and auteur theories leads to deeper film appreciation and allows analysts to study movies from different perspectives.
This document discusses genre theory and provides examples of analyzing films through their genre. It begins by explaining that genres are categories of cultural works, like films, that share common elements, themes, settings, and conventions. Two genre theorists, Daniel Chandler and Steve Neale, are cited for their definitions of genres as relying on repetition across works and the manipulation of conventions. The document then provides examples of different film genres and conventions commonly found within them, such as the use of violence in gangster films and isolation in horror films. It emphasizes that genres can be analyzed based on their visuals, style, characters, settings, and narrative patterns. The director Jared Hess is also discussed as an auteur for his recognizable directorial style
This document discusses different ways to analyze films, including genre analysis and auteur theory. Genre analysis looks at how films follow codes and conventions of their genre. Auteur theory analyzes a director's unique style and how they may blend genres or break conventions. The document then provides examples analyzing the James Bond and action genre films Quantum of Solace and Leon using the seven key areas of auteur theory: codes/conventions, characters, setting, narrative, themes, iconography, and ideological message. It contrasts how these two action films either follow or break genre conventions.
This document discusses different methods for analyzing films, including genre analysis and auteur theory. Genre analysis looks at how a film follows or breaks conventions of its genre, using examples like Halloween in the horror genre. Auteur theory examines a director's personal creative style, like how Quentin Tarantino breaks conventions in Pulp Fiction. The document also analyzes Quantum of Solace and Leon in terms of their genre conventions and differences, and considers Tarantino an auteur for his unique nonlinear storytelling in Pulp Fiction.
There are two main types of film analysis: genre analysis and auteur theory. Genre analysis examines the codes and conventions within a film genre to understand how a film fits or breaks the typical narrative, characters, themes, and other elements. Auteur theory analyzes how some directors challenge conventions to create unusual films. Some examples provided are Quantum of Solace as an action/spy thriller adhering to genre conventions, while Leon is cited as an example of auteur theory through its unconventional elements.
The document discusses several film franchises including The Purge, Step Up, and The Dark Knight trilogies. For each franchise, it provides a brief summary of each film in the trilogy, noting common plot elements and similarities across the films. It also analyzes target audiences and imagery for each series. The franchises became popular and multiple films were produced due to concepts like The Purge that were new to the horror genre and the large fanbases for properties like Batman that originated from comic books.
1) The document discusses genre analysis in film, focusing on the romantic drama genre.
2) Romantic drama revolves around two people in love facing an obstacle to their relationship, such as differences in class, religion, or age.
3) Examples of notable romantic drama films include "Charlie St. Cloud", "Casablanca", "Water for Elephants", and "A Walk to Remember".
This document summarizes common conventions of different film genres including comedy, romantic comedy (romcom), action, and horror. For each genre, it discusses typical props, editing pace, locations, main characters, music, sound effects, and dialogue. It then provides examples of how the author could utilize these conventions in their own low-budget student film, noting limitations due to lack of access to weapons, vehicles, expensive equipment or professional actors.
This document summarizes common conventions of different film genres including comedy, romantic comedy (romcom), action, and horror. For each genre, it discusses typical props, editing pace, locations, main characters, music, sound effects, and dialogue. It then provides examples of how the author could utilize these conventions in their own low-budget student film, noting limitations due to lack of access to weapons, vehicles, expensive equipment or professional actors.
The document discusses how to analyze films through genres, narrative, semiotics, and representation. It then analyzes the 1994 films Leon and Pulp Fiction. For Leon, it summarizes the plot, characters, settings, and how they establish the action thriller genre. It discusses the unconventional protagonist and relationship between Leon and Mathilda. For Pulp Fiction, it notes the nonlinear narrative and interconnected characters. It summarizes the postmodern techniques used like intertextuality, parody, pastiche, reflexivity, bricolage, and self-referentiality.
The document discusses various aspects that can influence a viewer's perception of a movie, including genre, narrative, semiotics, and representation. It then analyzes the 1994 film Leon, noting its nonlinear narrative, portrayal of characters like the hitman Leon and young girl Mathilda, and their complex relationship. Finally, it examines Pulp Fiction, praising director Quentin Tarantino's use of a nonlinear structure and techniques like intertextuality, bricolage, and reflexivity to blend genres and reference other works.
The document discusses film genres and their codes and conventions. It outlines several popular genres like action, horror, drama, and comedy. For each genre, it provides examples of films that exemplify common codes and conventions. For example, it notes that James Bond films commonly feature advanced technology and a female character who assists Bond. For horror films, it points out that the Saw series typically leaves victim's bodies at the scene. It also discusses elements often found in chick flicks like a focus on women's issues and romance storylines. Overall, the document analyzes how genres are defined by consistent narrative elements and techniques seen across films.
This document discusses different approaches to analyzing films, including genre analysis and auteur theory. Genre analysis examines how a film adheres to or breaks from the typical codes and conventions of its genre, such as narrative structure, characters, themes, and ideology. Auteur theory focuses on how a director may break conventions to impose their own style. Examples provided include Mean Girls following teen rom-com conventions, while Napoleon Dynamite and Pulp Fiction break conventions in unique ways through characters and nonlinear narratives. Both theories consider how films use setting, characters, and other elements in conventional or unconventional ways.
The document discusses three films: Hot Fuzz, Anchorman, and American Pie. It provides plot summaries for each film, including the director, year of production, and a brief overview of the storyline. It also includes analyses of trailers for Anchorman and American Pie based on genre codes and conventions. The document then discusses what attracts the author to comedy films and how they find out about new movies through friends, social media, and websites like IMDB. It concludes with explanations of reception theory and active spectatorship.
The document discusses conventions of gangster and film noir genres. It provides examples from movie openings that utilize these conventions, such as low lighting, urban settings, suits/hats on male characters, and femme fatale women. The openings analyzed establish settings and characters quickly through shots of cities at night, silhouetted figures, and dialogue between potential romantic interests or criminals.
This document summarizes the opening of a student film project that aims to challenge conventions of the thriller genre. The opening establishes a sense of normalcy by showing a house and a photo of a happy couple. It then shows the female protagonist transforming from a "nerdy" identity to a glamorous and dangerous femme fatale through shots of her changing clothes and appearance. Upon completing her transformation, she discovers her boyfriend dead and calmly adjusts his tie, leaving the audience wondering if she killed him. The opening uses conventions like suspenseful music, identity transformation themes, and props associated with thrillers to set up intrigue and suggest the genre without revealing plot details. It introduces the main character through a photo that contrasts with her
Dystopian Trailer Analysis // The Maze Runner & Children Of Menamber_jackson
This document provides a summary and analysis of key elements in the dystopian film "The Maze Runner", including its narrative structure, themes, characters, camera work, props, locations, and sound design. The summary focuses on how the film establishes a gloomy, harsh atmosphere and puts the main character in a state of panic and desperation as he finds himself trapped with no memory in an enclosed maze with dangerous monsters.
Lo1 how do we analyse film chloe cleary[1]chloecleary
The document discusses two main ways to analyze films: genre analysis and auteur theory. Genre analysis examines a film based on its genre by looking at seven key areas such as codes/conventions, setting, characters, themes, narrative, iconography, and messages. Auteur theory considers a director an "auteur" if they have a distinctive style that reflects their personality and is present across multiple films. The document provides examples to illustrate genre analysis for westerns and thrillers and discusses the criteria for determining if a director is an auteur.
Genre analysis & auteur theory finishedirrealimagens
This document discusses different ways of analyzing films, including genre analysis and auteur theory. Genre analysis examines how films follow conventions of certain genres like action or thriller, while auteur theory focuses on films from the perspective of the director's artistic vision. It provides details on various elements used in genre analysis, such as codes, conventions, settings, characters, themes, and narratives. It also discusses the role of the director as an auteur and provides examples of both genre films and auteur films like Leon and films by Quentin Tarantino and Rian Johnson. In conclusion, it argues that both genre films and auteur films are important for the film industry.
The document discusses the 1994 film Léon: The Professional, analyzing its characters, themes, and stylistic elements that are common in the thriller genre. It examines the stereotypical characters such as Leon and Mathilda, as well as themes of revenge, corruption, love, and crime. The document also analyzes the film's narrative techniques, iconography involving weapons, and audiovisual style using shots like close-ups.
The document summarizes how a media product represents particular social groups through its protagonist. The protagonist in the thriller opening is a femme fatale characterized by black tight clothes, a leather jacket, and confidently murdering her husband. She is similar to characters in films like Salt that depict tough, confident women who change identities. The group gave their protagonist a twist by starting her as a nerd, contrasting her new powerful identity. Their goal was to attract female audiences by showing strong women who can play mind games and represent less common thriller protagonists as males usually dominate the genre. The protagonist continues calmly after murdering her husband, making her seem cold and psycho.
This document contains research by George Wetton on the genre of comedic horror films. It includes potential essay titles, questions that could be asked, existing ideas on a mind map, and examples of existing analyses of comedic horror films. The document explores how directors like John Landis, Sam Raimi, and Edgar Wright have successfully blended horror and comedy genres. It discusses how they established and maintained a balance between the two genres and influenced future filmmakers. The research aims to analyze what makes these hybrid films successful and their impact on filmmaking.
The document discusses techniques used to analyze films and categorize them into genres. It explains that genre theory facilitates organizing films based on storyline, director, and audience expectations. Common elements of westerns and horror films are provided as examples. Various media analysts' genre theories are outlined, such as Lacey's elements of setting, character, narrative, iconography and style. The document also discusses auteur theory and how some directors like Tim Burton and Luc Besson imprint their unique style on films within established genres. In conclusion, understanding genre and auteur theories leads to deeper film appreciation and allows analysts to study movies from different perspectives.
This document discusses genre theory and provides examples of analyzing films through their genre. It begins by explaining that genres are categories of cultural works, like films, that share common elements, themes, settings, and conventions. Two genre theorists, Daniel Chandler and Steve Neale, are cited for their definitions of genres as relying on repetition across works and the manipulation of conventions. The document then provides examples of different film genres and conventions commonly found within them, such as the use of violence in gangster films and isolation in horror films. It emphasizes that genres can be analyzed based on their visuals, style, characters, settings, and narrative patterns. The director Jared Hess is also discussed as an auteur for his recognizable directorial style
This document discusses different ways to analyze films, including genre analysis and auteur theory. Genre analysis looks at how films follow codes and conventions of their genre. Auteur theory analyzes a director's unique style and how they may blend genres or break conventions. The document then provides examples analyzing the James Bond and action genre films Quantum of Solace and Leon using the seven key areas of auteur theory: codes/conventions, characters, setting, narrative, themes, iconography, and ideological message. It contrasts how these two action films either follow or break genre conventions.
This document discusses different approaches to film analysis, including genre analysis and auteur theory. Genre analysis examines how a film follows or breaks conventions of its genre. Auteur theory analyzes a director's personal creative vision and tendency to blend genres. The document provides several examples of films and directors that demonstrate these theories, such as the works of Stanley Kubrick, Quentin Tarantino, and Luc Besson. It also analyzes specific films like Pulp Fiction, Quantum of Solace, and Leon in terms of their genres and directors' styles.
This document discusses genre analysis and auteur theory in film. It provides examples of films that follow genre conventions like Quantum of Solace, as well as those that break conventions, such as Apocalypse Now. Key aspects of genre analysis are discussed, including codes/conventions, setting, characters, narrative, iconography, and ideological messages. Auteur theory is also examined through directors like Luc Besson, Quentin Tarantino, and Jared Hess, whose films often break conventions. In conclusion, genre analysis looks at common elements in films of a genre, while auteur theory considers a director's unique style that may subvert genre expectations.
1) This document discusses different ways to analyze films, including genre analysis, auteur theory, and using Lacey's repertoire of elements.
2) It provides examples of analyzing the action thriller genres of James Bond and Leon films using these elements, noting similarities like settings in famous cities and iconography of guns/attractive characters, as well as differences like the relationship between Leon and the female character.
3) Mean Girls and Napoleon Dynamite are analyzed as examples of the teen comedy genre, noting similarities in iconography, settings, and narrative conventions, as well as differences in the characters focused on in each film.
There are two main ways to analyze a film: genre analysis and auteur theory. Genre analysis looks at how a film follows or breaks conventions of its genre, like how Halloween adheres to horror tropes. Auteur theory examines a director's unique stylistic choices that break conventions, like how Quentin Tarantino's Pulp Fiction uses a nonlinear narrative. The document then discusses using genre analysis to examine the James Bond film Quantum of Solace and how it fits action movie conventions, before contrasting it with Leon by Luc Besson, an auteur film that breaks several action norms.
This document discusses methods for analyzing films, including genre analysis and auteur theory. Genre analysis examines common elements in different genres like horror films, while auteur theory looks at directors who put their own style on films across genres. Examples are given of auteur directors like Quentin Tarantino, Ridley Scott, Tim Burton, and Wes Craven who infuse their signature style into various film genres. The document also outlines the seven key areas to examine when determining a film's genre, such as codes/conventions, characters, themes, and ideological messages.
The document discusses several common stereotypes in films involving the representation of social groups. It notes that women are often portrayed as weak and in need of saving, especially in action and thriller genres. However, some recent blockbuster films have featured strong female protagonists who are the heroes. When it comes to the portrayal of teenagers and racial minorities, stereotypes from music and media have often involved criminal or negative behavior. However, some films like Attack the Block and Moonlight have challenged these stereotypes by portraying teenagers and people of color in a more positive or nuanced light. The document also analyzes how some of these stereotypes are both embraced and subverted in the film being discussed.
This document discusses different techniques for analyzing films, including genre analysis and auteur theory. Genre analysis examines codes, conventions, settings, characters, themes, narratives, iconography and messages within a genre context. Auteur theory focuses on films where the director has a singular vision and style that shapes the film. The document then analyzes two action films, Quantum of Solace and Leon, comparing their adherence to and breaks from action movie conventions. It also discusses Quentin Tarantino as an auteur director for his unique nonlinear narratives that blend genres, as seen in Pulp Fiction.
This document discusses genre analysis and auteur theory in film. It analyzes the 2008 action film Quantum of Solace and how it adheres to genre conventions through props, editing, and portrayals of gender and wealth. In contrast, Leon breaks conventions by featuring an unconventional male protagonist and a 12-year-old female lead. The document argues the director of Leon, Luc Besson, is an auteur for giving the film a unique style. It also discusses Quentin Tarantino as an auteur for films like Pulp Fiction that break conventions through nonlinear storytelling while still including some genre codes and conventions.
This document summarizes common conventions of different film genres including comedy, romantic comedy (romcom), action, and horror. For each genre, it discusses typical props, editing pace, locations, main characters, music, sound effects, and dialogue. It then provides examples of how the author could utilize these conventions in their own low-budget student film, noting limitations due to lack of access to weapons, vehicles, expensive equipment or professional actors.
Codes and Conventions of Mystery Romance with Reference to Existing Filmspolina Zalevskaya
This document discusses the typical codes and conventions of mystery and romance genres in film. For romance films, common elements include urban settings, diegetic music that reflects the mood, editing techniques like shot reverse shot, characters like the romantic leads and their friends/families, and props like flowers. Mystery films often have isolated settings, involve solving a crime through clues, feature dramatic music, use close-ups and moving shots during tense moments, employ low-key lighting, and include props related to investigations. Both genres are compared to the film Big Eyes, which features a female artist protagonist, romantic relationships, and music/narration in the opening.
This document discusses genre theory and its application to film analysis. It provides examples of different film genres like action, horror, musical, and science fiction. It explains that genres have common visual imagery, technical styles, character tropes, settings, and narrative structures that audience expect. The document analyzes several films like Leon, Mean Girls, and Independence Day: Resurgence using genre theory concepts. It also discusses the auteur theory and provides examples of auteur directors like Tarantino, Burton, Cameron, and Besson who have distinctive styles and themes.
This document discusses settings, narratives, characters, and iconography for the genres of thriller and romance films. It provides examples of how settings like alleys and houses can convey thriller themes through darkness and vulnerability. Romance genres commonly use daytime settings like beaches and parks to portray happiness. The narrative may include flashbacks and non-chronological storytelling for thrillers or show the perspectives of the protagonist and antagonist meeting in romance. Common thriller icons include weapons and confined spaces while romance uses gifts and candlelit settings to convey affection.
The document provides information about the target audience for romance genre films and trailers for several romantic films including Crazy Stupid Love, The Notebook, and Wall-E. The audience for romance films is described as primarily female, aged 13-18, students or low-income workers. The trailers are then analyzed and summarized as conforming to romance genre conventions through themes of love, relationships, and happy endings. Production details like budgets and box office earnings are also listed for some films.
In what ways does your media product use develop or challenge forms and conve...DylanRHayes1
The document summarizes how the media product, a film titled "Blossom", uses and develops conventions of the coming-of-age genre while also challenging some conventions. Some key points:
- The film uses a narrative of a boy discovering the adult world that is initially bleak but finds hope. This challenges some films' conventions of unhappy endings.
- It has a stylized, dream-like visual style with lingering shots, like other coming-of-age films. Music is also used and changed in unconventional ways.
- Common themes of maturing, hope, loneliness and happiness are explored, like in other genre examples such as Stand By Me.
- Examples are given
Todorov's classical Hollywood narrative structure outlines a typical plot progression from equilibrium, to disruption, to disequilibrium as the protagonist works to resolve the disruption and restore equilibrium. Propp identified common character archetypes like the hero, villain, and helper. Levi-Strauss examined binary oppositions that represent good vs evil. Bordwell and Thompson noted narratives rely on events occurring in time and space, with gaps the audience must infer. These theories provide tools to understand narratives and character roles. The document analyzes how Halloween uses some theories despite diverging from the classical structure, identifying character types but lacking a clear resolution.
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This document discusses genre theory and its application to analyzing films. It provides examples of how genre theory can be used to categorize films based on conventions of themes, settings, styles, and narratives. It analyzes several films through the lens of genre theory, including Leon, Casino Royale, Mean Girls, and Napoleon Dynamite. It also discusses the concept of the auteur theory and provides examples of directors like Tim Burton and Martin Scorsese who demonstrate recognizable styles and themes across their films.
1) Companies remake films for profit, as production values and technology have advanced, allowing for higher quality remakes that appeal to wider audiences.
2) Remakes of popular franchises like Batman are low-risk endeavors that build on existing audiences and intellectual property, ensuring financial success.
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Radio production schedule call sheet templateNicole Melia
The production schedule call sheet is for a Fiat 500C radio commercial to be filmed on November 27th, 2015 at the E6 Radio Studio. Nicole Melia will serve as the writer, producer and director. The crew includes Chris Gladwin for sound, Jazzy Jeffy's "Summer Time" for music, and car engine sounds. Megan Hughes will voice act and the equipment includes microphones, mixing boards, and audio software.
To create a radio advert, the document describes importing voice recordings and music into editing software. Sections of voice recordings were cut down while matching the soundtrack. Effects like a car engine were shortened and added. The final edit combined all audio elements, with the voice pitch adjusted using additional software for a more natural sound.
The document provides details about creating a radio commercial to promote the new Fiat 500C convertible. It aims the commercial at young female audiences by highlighting the car's stylish new interior and exterior, customizable options, and affordable monthly payments that would appeal to teenage girls. The commercial will be 30-50 seconds, fun and exciting in tone to persuade listeners that they need the car. Overall costs to produce the commercial are estimated between £1200-£1600.
Quantitative research involves collecting large amounts of data from surveys of large groups to gather information. Common techniques include mail, phone, internet, and in-person surveys. This data helps media companies understand viewership figures, ratings comparisons, audience opinions on new films or concepts. The information is easy to collect and analyze in databases. Qualitative research explores people's views, opinions, and behaviors through observations over days or weeks to gain a deeper understanding. Marketers may observe reactions to new films to understand what audiences enjoyed or disliked to inform future works. Both quantitative and qualitative research are important tools used in the media industry.
The cost of radio advertising depends on several factors:
- The general cost is about £2 for every 1000 listeners reached, so ads with more listeners are more expensive.
- The day and time an ad airs affects the price, with morning and late afternoon slots being the most popular and expensive.
- Ad lengths of 30 seconds are most common but shorter ads are half the price.
- Choosing a station focuses on the target audience rather than overall popularity.
- Ads typically run for 4 weeks or longer for intensive campaigns.
The document discusses considerations for music in commercial production. Producers must choose music styles and functions to match the tone and purpose of their ads. They must also seek permission to use copyrighted music through organizations like PRS, who distribute royalties to artists. While fair use allows limited use of excerpts, using full songs requires licensing. There is no "7-second rule" allowing unlicensed use of short excerpts. Producers may find it easiest to use original music they composed to avoid licensing fees. E6 radio has a library of copyrighted music their producers can use for their shows.
The radio advertisement promotes the Volkswagen Passat Highline Plus primarily to male drivers by using stereotypical male and female voices. The female voice describes features like heated seats and boot space, while the male voice discusses the car's price and performance like a "boy toy." The advertisement aims to persuade listeners to purchase the car by highlighting its expensive new features but could be more effective if it included slogans, mentioned the Volkswagen name more, and provided additional contact information.
This radio advertisement promotes Canon's new XS 200 IS camera to older listeners of Absolute Radio. It uses a male voice to provide factual tips and information about the camera's features in a way that stereotypes men as wanting these details, while a female voice speaks seductively to attract male attention. The advertisement encourages listeners to buy the camera for themselves or as a Christmas present by emphasizing its high quality pictures and additional features. It aims to get both Canon and Absolute Radio stuck in the listener's mind through repetition of their names.
This document analyzes and summarizes a radio advertisement for the restaurant Nando's. It discusses several aspects of the advert's style, tone, and content, including its use of humor, repetition of words and slogans, upbeat musical style, and overall message of inclusiveness. However, it notes that the advert fails to provide any contact details, which could have better encouraged people to sign up for membership offers and deals.
Creative producers create and manage radio content, generating ideas and ensuring production standards are met. They work in studios but also on location. Production engineers record high quality audio, operating equipment and mixing tracks under tight deadlines. Copywriters write scripts for radio ads, understanding how listeners respond. Voiceover artists convey messages through commercials and announcements, while recording artists create and manage albums, overseeing recording sessions and striving for chart success.
The Nandos radio advert uses a humorous and repetitive style with a simple, modern tone. It features a male voice impersonating a Mexican accent saying "It's ok!" and promoting Nandos' tagline "cheeky Nandos". The overall message is that everyone is welcome to eat at Nandos. It aims to be an amusing yet informative advert about the food options, though it could have included contact details. The salsa music matches the fake Mexican accent used for comedic effect.
This radio advert promotes a Canon camera, mentioning the Canon name 3 times. It uses a conversational tone as a seductive female voice provides informative tips to attract male listeners. The overall message is to buy the camera for the best quality winter photographs. While detailed and persuasive, the advert could have been more concise and catchy with its long tagline of "Absolute radio's winter photography guide with Canon."
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The ASA is the independent regulator of advertising across all media in the UK. They enforce advertising codes written by the Committees of Advertising Practice (CAP) to ensure ads are not misleading, harmful, or offensive. For television and radio, the ASA regulates advertising under a contract with Ofcom.
The CAP writes and maintains the UK Advertising Codes, and provides industry guidance to help create compliant ad campaigns. Getting an ad banned by the ASA can significantly damage brands, so the CAP offers various advice and training services to help advertisers understand and follow the rules.
The codes enforced by regulators in the UK broadcasting system include specific rules for issues like weight loss claims and medicines. The CAP provides online
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Music copyright protects musicians, composers, artists and others involved in creating music. It ensures they are paid when their work is used. PRS and PPL are non-profit organizations that collect royalties on behalf of musicians and composers when their music is broadcast or otherwise used. Clearance must be obtained to use copyrighted music, usually through PRS or PPL, or by contacting the composer or record label directly. Larger companies may have blanket licensing agreements that allow use of any music managed by PRS without obtaining individual clearances, but all uses still must be reported. Failure to obtain proper clearance or report uses can result in legal action and substantial financial penalties.
This episode of Friends centers around Ross trying to get his friends ready on time for a party he needs to attend for work. However, each friend has their own delays and distractions that prevent them from being ready on time. Rachel takes a long time to choose an outfit, Joey and Chandler start fighting over a chair and underwear, Monica is distracted by a message from her ex, and Phoebe's dress gets ruined. The comedic situations each friend finds themselves in, and Ross's increasing stress about the time, make this a classic sitcom episode that many viewers can relate their own experiences to.
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1. Nicole Melia
There are various ways that you can analyse a film, within my essay I will show how genre
analysis/theory and auteur theory impact on film analysis.
Genre is a French word meaning ‘type’ and film genres have existed since the early days of cinema.
Nowadays most cultural production, be it television, magazines, music, painting or literature, ends
up being assigned to one genre or another. In all cases what makes a genre possible is the
existence of common elements across a range of productions. In other words, it is the identification
of repetition across a series of productions that results in them being described as a particular type.
An example of this is when watching a romance genre it’s stereotypically a love story between a
male and female and you can usually see this by the props within the film whether it be flowers,
engagement rings or children. Where as if it was an action film it would contain lots of men as
usually they stereotype the men to be the dominant characters and the women’s to just be there
for a sex appeal, it would also involve police and usually a villain. If you look at The Martian (2015)
which is a science-fiction film, the main character is a male, Matt Damon he is shown to be an
intelligent, dominant male who can survive on his own without any females help. Whereas Silence
of the Lambs a Thriller from 1991 is focused on a female main character who is the protagonist.
She shows that females can do what males can do and is shown as the hero within the film.
By looking at a film you can usually see what genre the film is going to be straight away. The
way that directors and producers do this is by using codes and conventions. For example a
horror film would usually include a haunted house or forest and include blood, weapons and
other iconography that you would tend to see in a horror genre, an example of a horror film
that shows these codes and conventions is The Exorcist.
Also by looking at the main characters you can usually see what type of genre the film will
be. An example of actors that show the typical genre of the film would be Adam Sandler and
Ben Stiller, they are associated with the comedy genre. Whereas Arnold Schwarzenegger is
associated with action, you wouldn’t see him in a chick flick or romance genre film.
By looking at the setting and actors you know what genre the film is going to be and
whether you want to watch it. The two main ways that you can analyse the film’s genre and
also the application of auteurs theory, an example of a film genre that shows auteurs theory
is Tim Burton films, they all have the same style and theme throughout the film.
Auteur theory is when the director, who oversees all audio and visual elements of the motion
picture, is more to be considered the “author” of the movie. They will help with not just directing
the film but the soundtrack, visual editing and the theme. The auteur theory, which was derived
largely from Astruc’s elucidation of the concept of caméra-stylo(“camera-pen”), holds that the
director, who oversees all audio and visual elements of the motion picture, is more to be
considered the “author” of the movie than is the writer of the screenplay. In other words, such
fundamental visual elements as camera placement, blocking, lighting, and scene length, rather than
plot line, convey the message of the film. In film criticism, auteur theory holds that a film reflects
the director's personal creative vision; it is also the French word for author. There are many
2. Nicole Melia
different types of auteurs including Tarantino, Tim Burton and Martin Scorsese. By looking at the
type of style of Tim Burton’s work you can see similar themes, gothic imagery and a contrast
between light and dark. Spielberg’s work usually contains a spilt family, due to his parents
separating when he was a child, a lot of Auteurs work revolves around their life whether it’s their
childhood or family matters. Tarantino’s films usually have a retro feel and his cinematography is
usually the same throughout his films whereas James Cameron concentrates more on his special
effects, he is most known for his films Terminator, Titanic and Avatar, which he used the 3D
technology. Two other popular auteurs are Luc Benson and Martian Scorsese. Benson has an art
look towards his work such as films like The Fifth Element where as Martian Scorsese concentrates
a lot on anti-hero and crime films such as GoodFellas. All of these Auteurs either demonstrate a
particular style, innovation, artist merit over commercial success or makes a film with similar
themes.
I am now using genre analysis to look at Moulin Rouge to show how the genres of Musicals
all have similarities within the codes and conventions.
The first setting you see when watching Moulin Rouge is the Eiffel Tower, this straight away
sets the scene in France, Paris and creates the romantic setting and the feeling of love. By the
name of the film you obviously expect the film or setting to be focused around the Moulin
Rouge, which it is. By showing the over the top cabaret dancing and singing straight away
you know that this film is in the genre of a musical. In the film the Moulin Rouge isn’t just
known for its brilliant shows and performances its represented as a brothel, where rich men
will go to find a young attractive women to hire for the night (Satine and The Duke). This
brings out the fantasy element of the film. The film shows all the codes and conventions of a
musical, usually the codes and conventions of a musical revolves around the characteristics,
songs sung by the character to advance the plot or development to the films characters or
theme. The narrative and themes, over all musicals tend to be utopic and happy where good
rules over evil or where the protagonist prevails. The narrative often involves a romance or a
love story. Usually the setting will be set in many different times and places and are
embedded in many other genres, typically big, lavish and colourful that is more dreamlike.
And lastly the characters usually consist of a male lead who is the protagonist, a female lead
who is also a protagonist and often the love interest of the male lead, the villain usually an
adult male and then sidekicks, who support the protagonists. It revolving around love and
romance, showing dreamlike scenes such as Satine and Christian stood on the clouds singing
to one another, it shows the reflexivity that the film is a film. The over the top costumes and
bold bright colours especially when on stage and the unrealistic scenes such as Kylie
Minogue dancing dressed as a fairy after the main characters have been drinking absinthe
and start to hallucinate. The film shows different settings of years such as a changing of
century’s from 1899 to the 1900, which typical musicals are set in lots of different places and
eras. The more modern musicals such as High School Musical (Kenny Ortega, 2006) still
follow the musical codes and conventions. The two main characters Troy and Gabriella are
3. Nicole Melia
telling a love story between each other, singing, dancing and end up finishing with a show at
the end just like Moulin Rouge.
The two main characters throughout Moulin Rouge are Satine (Nicole Kidman) and Christian
(Ewan McGregor). Satine is represented as a beautiful, seductive, young women who is very
materialistic and will sell her own body for money and diamonds where as Christian is a
down to earth, well educated, inspiring writer who believes in true love. Throughout the film
the whole theme of love and romance is set around both of them and gives us the idea of
‘Opposites attracting’. The names of the characters try to reflect their personality’s, Satine
sounds similar to Satan and this makes you think of a devilish character compare to when
you think of the name Christian you think of religious conventions and goodness. The male
and female leads are obviously Christian and Satine and if you compare them to Propp’s
theory Christian is the Hero and Satine is the Princess. You then have characters such as The
Duke (Richard Roxburgh) who is the Villain; He’s trying to kill Christian so that he can be with
Satine and at many points of the film becomes a jealous, control freak who thinks he can
have his own way because he is wealthy. He attempts to rape Satine and also shoot Christian,
along with help from his henchman sidekick. Toulouse-Lautrec (John Lequizamo) is the
helper and the donor, he’s the one that tells The Duke that Christian has written this story
and helps save Christian in the end when the henchman fires the gun at him. He is also
Christian’s sidekick as he is always there for Christian. Harold Zidler (Jim Broadbent), the
owner of Moulin Rouge plays the part of the False Hero and the Father, as he lies to The
Duke to delay him from having sex with Satine as he knows she loves Christian. But also the
father figures as you see his emotion and upset when he finds out she is dying. There are the
similar types of characters in Grease, The Hero who is the male lead Danny, who falls in love
with the leading female role Sandy (another typical code and convention for a musical). You
then have the Villain’s The Scorpions, who dislike the T-Birds and want to ruin their
reputation. The Helper Frenchie, who is Sandys best friend and does what is best for Sandy
and always is by her side even when the rest of the Pink Ladies aren’t, she is also the donor
as she helps prepare Sandy to go and see Danny to make the finale ending at the fair
ground. The Princess would be Sandy, as she is the main focus that everyone is looking after
who Danny ends up in love with. You can see how the same characters within the musicals
are similar to one another.
Throughout the film the music matches the theme of Moulin Rouge. They all revolve around
love and romance and follows the theme of the good ruling over the evil. Even though
Satine’s death is something to be hurt by, it brings out the best as she tells Christian to “write
a story” which turns out to be Moulin Rouge. Most musicals involve a love story and through
the music and dancing shows this whether it’s Troy and Gabriella in High School Musical or
Danny and Sandy in Grease. The dancing and singing makes the characters feel better for
example when The Duke is annoyed because Satine will not spend the night with him Harold
sings ‘Like A Virgin’ which causes humour because Satine works in a brothel. The Duke then
feels better within himself because he just thinks Satine wants the first time between them to
4. Nicole Melia
be special, when in fact it’s because she’s in love with Christian. Even though there are
several flashbacks which tell us the woman he loves is dead it follows a linear narrative, it all
follows a chronological order and most musicals followthis order. Even though the film
follows all the typical codes and conventions it also shows darker theme as the death of
Satine, when The Duke tries to rape Satine, Satine using her body for prostitution so she can
have materialistic objects and also the use of alcohol and drugs.
The iconography is all very stereotypical of a musical genre, its set in the location of Paris
known as the city of love, showing the romance theme. Everything is over the top, like the
settings, costume and the way that when they sing they show all their emotion. It is very
theatrical, which follows the costumes as when they are performing in the theatre they are all
wearing big bright over the top clothing. As the Moulin Rouge is a huge cabaret show
everything about it is exaggerated, especially the performances such as at the beginning and
ending of the film when the curtains open and shut it’s very large and extravagant. The
costumes are big and bold and always something that represents the characters. In
comparison to Hairspray (2007), each character has their own style which is always big and
bold. With the film being based in the 1962 the hair is very other top and just by looking at
the characters you can see when the era was.
Moulin Rouge is really un-realistic, people suddenly start singing and dancing in the middle
of the streets or in the middle of a sentence, this is a main convention of a musical especially
when you look at Grease, Hairspray and The Sound of Music they all do this. Everything is
very over the top in a Broadway style; they act very dramatic and emotional to everything
mainly when they are singing a song. In the film there are so many classic songs that
everyone has heard of, Diamonds Are a Girl’s Best friend (Marylyn Monroe) and Like a Virgin
(Madonna). All songs are relatable towards the character singing it. Diamonds Are a Girl’s
Best friend relates to Satines life and how she is very superficial and will do anything for
money and diamonds. When she is singing this she has a huge diamante necklace round her
neck. When ‘Like a Virgin’ is being sung it’s all about Satines and Duke having sex for the first
time and Duke is angry at the fact she wants to wait. Harold then tells Duke it’s because
Satines wants it to be special so she can feel virginal again, which is humorous as Satine is a
prostitute. Satin also sings ‘One Day I’ll Fly Away’, Satine is telling us through the song how
one day she wants to get away from being in the Moulin Rouge and wants to find love and
not have to sell her body for money. At the end of the film they sing ‘The Show Must Go On’.
This is referring to how even though Satine is dying they still need to finish the show to tell
the end of the love story. All these songs are themes of love and romance, which again is a
main code and convention of a musical, like Summer Nights and All together in Grease. All
the music is Bricolage, all the music is from different years for example Nature Boy by Nat
King Cole from 1947, Lady Marmalade by Labelle1974, and Rhythm of the Night by DeBarge
1985 and Smells like teen Spirit by Nirvana 1991. This shows the range of songs from the
40’s to the 90’s.
5. Nicole Melia
Tim Burton is well known as an auteur, all of his work contains the same visual style such as
the dark tones within the costume, makeup and hair, similar narrative structure’s and themes,
including flashbacks, low key lighting and high key lighting. Burton usually uses similar
looking characters and uses collaboration with the actors and actresses. He is a well-known
American film director, producer, artist, writer and animator. He is mostly known for his dark,
gothic and quirky fantasy films such as Beetlejuice (1988), Edward Scissorhands (1990) and
The Nightmare before Christmas (1993) and for his Horror Fantasy films such as Sleepy
Hallow (1999) and Corpse Bride (2005). Burton has worked repeatedly with Johnny Depp,
who has become a close friend of Burton since their first film together. He has also worked
with musician Danny Elfman. Actress Helena Bonham Carter, Burton's former partner, has
also appeared in many of his films.
‘Sweeney Todd: The Demon Barber of Fleet Street’ straight away it shows you it’s a Tim
Burton film, Sweeney Todd is based on a man Benjamin Baker aka Sweeney Todd, who sets
up a barber shop in London which is located above Mrs. Lovett’s pie shop. Throughout the
film the themes are based on death, Gothic imagery, loss, love, rape and gang rape,
blackmail and cannibalism. Everything to do with Sweeney Todd himself if very dark whether
it’s his costume, all being black with parts of white and his hair being the same, this contrast
against his very pale skin and dark eyes, in fact Mrs. Lovett is exactly the same. When
comparing this to his other films Burton has produced such as Beetlejuice, Edward
Scissorhands and Charlie and the Chocolate Factory the main characters are all dressed in
very similar ways. And when comparing the characters they all have a certain look, gothic,
messy dark hair and pale skin.
When looking back Tim Burton’s visual style have many similarities to the ‘The Cabinet to Dr.
Caligari’ (1920), the visual style is much like The German Expression. Sweeney Todd is very
unrealistic, the blood is a very vivid red which shows that obviously it is fake but it’s also so
that it stands out especially again the black, low key lighted basement. Another way of
making the film very unrealistic was the use of pathetic fallacy and also how the setting and
locations were sometimes very dream like. For example when Mrs. Lovett is dreaming about
having a picnic with Todd and it being romantic. At the start of the film there is a tracking
shot all through the streets and alleys of London, it’s a similar opening to Moulin Rouge. This
is to set the scene and show where the film is going to be set. Throughout the movie it is
mainly low key lighting, very dull and dark but as they go back to flashbacks from Todd’s
past, with his wife Lucy and daughter Joanna its high key lighting to show his feeling and
6. Nicole Melia
emotion towards them. The same thing happens in Edwards Scissorhands, It’s based in a
bright high key lighting suburban street and at the end of the street Edwards’s house is the
dark, abandoned looking house. This shows the personality of character who lives there.
Then in Charlie and The Chocolate Factory when its shows us Charlies house its very dull and
low key lighting in comparison to when he finds the golden ticket, it then shows high key
lighting to show how important that ticket is.
As Sweeney Todd is a serial killer who is a barber, who slits people’s throats, kills them and
then puts them into pies for people to eat the whole film is very strange. With his wife Lucy
poisoning herself (even though in the end we find out that was a lie), with the linear narrative
we begin to really feel sorry for Todd for what has happened, losing the love of his wife and
Judge Terpin stealing his daughter Joanna. Through this we begin to see the evil vs the
good. We then have representation of isolation, Joanna is locked away in her room and just
wants to be set free, and this is where Antony comes in as ‘prince charming’, as it follows a
very fairy-tale and fantasy genre. But then you don’t expect cannibalism to be in a fairy tale
so the narrative theme and structure is very different throughout the film.
All characters within the film all are represented as quite dark and dull people, especially
Todd and Mrs Lovett, with their dark, messy hair, black theatrical costumes, pale face and
black dark eyes. But if you compare them to Todd’s past, Lucy and Joanna (his wife and
daughter) they are represented are young, beautiful blonde females. Belowyou can see the
differences between Mrs Lovett and Lucy. From the use of lighting it shows how Todd’s life
changes from him being Benjamin Barker and having a bright future with high key lighting
compare to his life now as Sweeney Todd, the serial killing barber and the use of low key
lighting.
Judge Terpin is the villain of the film, keeping Joanna locked away and isolating her from the
rest of the world, whereas even though Todd is a serial killer and is also evil, we feel sorry for
him and relate to how hurt and heartbroken he must be and all this is caused by Judge
Terpin. The hero figure is Antony as he is the one who saves Joanna, as much as it isn’t really
a ‘happy ending’, it is. Todd is now with his wife, the judge is dead and Todd’s daughter Lucy
is free, safe and in love.
7. Nicole Melia
Tim Burton mainly used the same actors for his films; this is why they all look so effective and
what makes him an auteur that stands out. One main actor is Johnny Depp, he plays Willy
Wonka, Edward Scissorhands and Sweeney Todd and actress Hellen Bonham Carter, who
plays Mrs Lovett and Mrs Bucket (Charlie and the Chocolate Factory). Both actors are well
known for their fantastic acting and fit the roles perfectly and this is why Tim Burton’s styles
and themes work so well. Another collaboration he has is with Danny Elfman who creates
most of Tim Burton’s music throughout his films. The costumes in all of Burtons films have a
similarity as the main character, who is usually the quirky and un-popular one has a dark
theme in what they wear, usually black and white. He uses the designer Colleen Ackwood to
create his costumes as she understands what he wants his main characters to be represented
as just by looking at what they are wearing.
In conclusion, by analysing films through both genre and auteur theory it has given me a
wider appreciation for these films.