Narrative theory
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This document summarizes several narrative theory approaches. It discusses Propp's identification of 8 key character types in stories, including villains, heroes, donors, and false heroes. It also outlines Todorov's story timeline approach and Barthes' 5 codes for analyzing narratives, such as action, referential, semantic, and symbolic codes. Finally, it notes some modern narrative conventions identified by Cameron, including anachronic structures, forking paths, episodic formats, and split screens.
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Narrative Theory - Propp
The document discusses Vladimir Propp's analysis of narrative elements in Russian folk tales. Propp identified 7 character types that commonly appear, including the hero, villain, donor, helper, false hero, and authority figure. Students are asked to apply Propp's theory by analyzing the characters in a film they have seen and completing related worksheets.
Narrative theory
The document discusses several narrative theories and how they apply to films. It explains Todorov's 5 stages of narrative structure which are equilibrium, disruption, recognition, attempt to repair, and new equilibrium. This theory is demonstrated through an analysis of the plot of the film "Gone." It also outlines Propp's 8 character types and 31 narrative functions, again using "Gone" as an example. Finally, it discusses Levi-Strauss' concept of binary oppositions, and Barthes' enigma code and how films like "Se7en," "Insomnia," and "Frozen" employ these concepts.
Narrative theory
Narrative theory analyzes how media texts communicate meaning about events through stories. Several theorists have contributed concepts to narrative theory, including Propp who identified character archetypes, Todorov who described narratives as moving from equilibrium to disruption to new equilibrium, and Barthes who identified five codes that make up narratives. Levi-Strauss introduced the concept of binary oppositions in stories, such as representing good as civilized and bad as savage. Genre theory categorizes films by type and studies them as members of genres rather than as unique works. Theorists Buckingham and Altman noted that genres are not static but evolve through negotiation, change, and hybridization with other genres over time.
Narrative theory
Narrative theory analyzes how media texts communicate meaning about events through stories. It can be applied to films, television, photographs, and magazines. Vladimir Propp identified character archetypes that commonly appear in stories, including villains, heroes, donors, helpers, princesses, fathers, dispatchers, and false heroes. Tzvetan Todorov suggested most narratives follow a structure of equilibrium, disruption of equilibrium by an outside force, and resolution or return to equilibrium. Roland Barthes identified five codes that help readers make sense of narratives: the action code, referential code, semantic code, enigma code, and symbolic code.
Narrative theory
This document summarizes several narrative and genre theorists:
1. Propp and Todorov proposed early theories of narrative structure, with Propp identifying character archetypes and Todorov describing a typical three-part narrative pattern of equilibrium, disruption, and resolution.
2. Barthes identified five narrative codes that provide meaning: action, referential, semantic, enigma, and symbolic.
3. Levi-Strauss suggested narratives rely on binary oppositions of good vs evil.
4. Genre theorists Buckingham and Altman argued that genres are constantly evolving due to cultural changes, with no pure genres remaining static.
Narrative theories
This document discusses different theories of narrative structure. It explains that narratives generally involve an equilibrium that is disrupted, leading to actions to restore equilibrium. The document outlines Vladimir Propp's theory that narratives involve 8 character types including a villain, dispatcher, and hero. It also discusses Tzvetan Todorov's 3-part narrative structure of equilibrium, disruption, and resolution. Finally, it summarizes Roland Barthes' 5 codes for analyzing meaning in texts, including hermeneutic, proairetic, semantic, symbolic, and referential codes.
Narrative theories
This document discusses different theories of narrative structure. It explains that narratives generally involve an equilibrium that is disrupted, leading to actions to restore equilibrium. The document outlines Vladimir Propp's theory that narratives involve 8 character types including a villain, dispatcher, and hero. It also discusses Tzvetan Todorov's 3-part narrative structure of equilibrium, disruption, and resolution. Finally, it summarizes Roland Barthes' 5 codes for analyzing meaning in texts, including hermeneutic, proairetic, semantic, symbolic, and referential codes.
Narrative theory
Narrative theory proposes that narratives are organized sequences of causally related events that unfold over time, from a beginning to a middle to an end, embodying a judgment about the nature of those events. Key theorists identified common character types in narratives, structural elements like codes that readers use to make sense of a story, and underlying symbolic oppositions. More recently, narratives have become more complex, incorporating modified chronologies, alternative versions, loose collections of stories, and other nonlinear techniques.
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Narrative Theory - Propp
The document discusses Vladimir Propp's analysis of narrative elements in Russian folk tales. Propp identified 7 character types that commonly appear, including the hero, villain, donor, helper, false hero, and authority figure. Students are asked to apply Propp's theory by analyzing the characters in a film they have seen and completing related worksheets.
Narrative theory
The document discusses several narrative theories and how they apply to films. It explains Todorov's 5 stages of narrative structure which are equilibrium, disruption, recognition, attempt to repair, and new equilibrium. This theory is demonstrated through an analysis of the plot of the film "Gone." It also outlines Propp's 8 character types and 31 narrative functions, again using "Gone" as an example. Finally, it discusses Levi-Strauss' concept of binary oppositions, and Barthes' enigma code and how films like "Se7en," "Insomnia," and "Frozen" employ these concepts.
Narrative theory
Narrative theory analyzes how media texts communicate meaning about events through stories. Several theorists have contributed concepts to narrative theory, including Propp who identified character archetypes, Todorov who described narratives as moving from equilibrium to disruption to new equilibrium, and Barthes who identified five codes that make up narratives. Levi-Strauss introduced the concept of binary oppositions in stories, such as representing good as civilized and bad as savage. Genre theory categorizes films by type and studies them as members of genres rather than as unique works. Theorists Buckingham and Altman noted that genres are not static but evolve through negotiation, change, and hybridization with other genres over time.
Narrative theory
Narrative theory analyzes how media texts communicate meaning about events through stories. It can be applied to films, television, photographs, and magazines. Vladimir Propp identified character archetypes that commonly appear in stories, including villains, heroes, donors, helpers, princesses, fathers, dispatchers, and false heroes. Tzvetan Todorov suggested most narratives follow a structure of equilibrium, disruption of equilibrium by an outside force, and resolution or return to equilibrium. Roland Barthes identified five codes that help readers make sense of narratives: the action code, referential code, semantic code, enigma code, and symbolic code.
Narrative theory
This document summarizes several narrative and genre theorists:
1. Propp and Todorov proposed early theories of narrative structure, with Propp identifying character archetypes and Todorov describing a typical three-part narrative pattern of equilibrium, disruption, and resolution.
2. Barthes identified five narrative codes that provide meaning: action, referential, semantic, enigma, and symbolic.
3. Levi-Strauss suggested narratives rely on binary oppositions of good vs evil.
4. Genre theorists Buckingham and Altman argued that genres are constantly evolving due to cultural changes, with no pure genres remaining static.
Narrative theories
This document discusses different theories of narrative structure. It explains that narratives generally involve an equilibrium that is disrupted, leading to actions to restore equilibrium. The document outlines Vladimir Propp's theory that narratives involve 8 character types including a villain, dispatcher, and hero. It also discusses Tzvetan Todorov's 3-part narrative structure of equilibrium, disruption, and resolution. Finally, it summarizes Roland Barthes' 5 codes for analyzing meaning in texts, including hermeneutic, proairetic, semantic, symbolic, and referential codes.
Narrative theories
This document discusses different theories of narrative structure. It explains that narratives generally involve an equilibrium that is disrupted, leading to actions to restore equilibrium. The document outlines Vladimir Propp's theory that narratives involve 8 character types including a villain, dispatcher, and hero. It also discusses Tzvetan Todorov's 3-part narrative structure of equilibrium, disruption, and resolution. Finally, it summarizes Roland Barthes' 5 codes for analyzing meaning in texts, including hermeneutic, proairetic, semantic, symbolic, and referential codes.
Narrative theory
Narrative theory proposes that narratives are organized sequences of causally related events that unfold over time, from a beginning to a middle to an end, embodying a judgment about the nature of those events. Key theorists identified common character types in narratives, structural elements like codes that readers use to make sense of a story, and underlying symbolic oppositions. More recently, narratives have become more complex, incorporating modified chronologies, alternative versions, loose collections of stories, and other nonlinear techniques.
Casting details
The document casts the roles of Eryn, Eryn's Mum, Robber #1, and Robber #2. Sophie Rowley aged 15 is cast as Eryn because she is the right age and mature enough to understand the plot. Christine Waddington aged 49 is cast as Eryn's Mum as she has the correct look and availability. Ellen Waddington aged 15 is cast as Robber #1 due to her petite size and past reliability. Holly Waddington also aged 15 is cast as Robber #2 due to her enthusiasm, similar appearance to Ellen as twins, and shared availability.
Evaluation
The document provides an analysis of a short film created for a competition. It summarizes that the film successfully blends the thriller and comedy genres to engage audiences with suspense and humor over a short yet developed plot. While some aspects like dialogue could be improved, overall the film effectively uses techniques like varied shots, smooth transitions between scenes, and sound effects to create quality and flow. The creator believes the film meets the brief of the competition well and would stand out from other submissions.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added titles and adjustment layers, experimented with transitions, edited audio levels, cropped frames, and ultimately exported the finished film. Techniques used included setting clip sorting, adding effects like fades and tones, trimming clips, pasting duplicated audio, and using track keyframes to balance sound levels.
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Eryn Miller, 15, has been experiencing vivid dreams of burglars breaking into her home at night. On the night before her 16th birthday, she dreams of two burglars entering her room and stealing a ring from her windowsill. When she wakes up on her birthday, her mother brings her breakfast in bed with presents. Eryn remains confused about the dream, until she opens one of the presents to find the same ring from her dream inside the box. This suggests that Eryn's vivid dreams may have been more than just dreams.
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Evidence pp
The document describes photos from the filming of a project. The first photo shows setting up camera equipment correctly using a shooting script. The second photo shows using pre-production materials like a script and shot list to ensure coherence. The third photo depicts safely cleaning up a water spill on set to prevent slips and follow the risk assessment. The fourth photo shows communicating with an actor on set to achieve the best shot before moving to the next scene.
Recce
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Recce
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Conscious script draft 2
Eryn is a 16-year-old girl who struggles with vivid dreams and insomnia. In her latest dream, she witnesses robbers breaking into her house and stealing a ring. When she wakes up on her birthday, her mother gives her a present containing the same ring she saw in her dream. Unsure if it was just a dream or something more, the story leaves Eryn perplexed about what is real and what is a product of her dreams.
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Risk assessment
This document identifies potential hazards for a film shoot and outlines steps to address them. It notes trip, spill, and temperature hazards that could injure cast and crew. To mitigate risks, areas will be well-lit with no cables left out, walkways kept clear, and cast and crew wearing sensible shoes. All liquids will be bottled, food and drink restricted to the kitchen, and reminders given. Heating will be checked and warm clothing required for outdoor shoots scheduled during best weather.
Risk assessment
This document outlines three potential hazards - trip hazards, spill hazards, and temperature hazards - that could affect the cast and crew of a production. For each hazard, it identifies who may be harmed and how, what is already being done to control the risk, and any additional actions needed by deadlines. Trip hazards will be addressed by ensuring good lighting, clear walkways, and proper footwear. Spill hazards will be controlled by using bottles for liquids and restricting food and drink. Temperature hazards will be managed by advising crew to dress warmly, checking heating, and scheduling outdoor scenes for best weather.
Date of lesson
This document contains a production schedule for filming and editing a short film. It includes details of filming locations, cast and crew needed, props and costumes required, and equipment needed for each day of production and post-production. Filming will take place from February 18th to 22nd at a house in Ringwood. Post-production such as uploading footage, adding sound effects and music, and editing the four scenes will occur from February 26th to March 22nd. The filmmaker will be working alone as director and editor.
Casting details
The document provides casting details for a short film, assigning roles to four actresses. Sophie Rowley, age 15, will play Eryn due to being the right age and local. Christine Waddington, age 49, will play Eryn's mother as she has the right look and teaching schedule. Ellen Waddington, age 15, will play Robber #1 due to her petite size and past reliable work. Holly Waddington, Ellen's twin sister, will play Robber #2 for her enthusiasm, similar appearance, and ability to interact well with Ellen due to being twins.
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Casting details
The document casts the roles of Eryn, Eryn's Mum, Robber #1, and Robber #2. Sophie Rowley aged 15 is cast as Eryn because she is the right age and mature enough to understand the plot. Christine Waddington aged 49 is cast as Eryn's Mum as she has the correct look and availability. Ellen Waddington aged 15 is cast as Robber #1 due to her petite size and past reliability. Holly Waddington also aged 15 is cast as Robber #2 due to her enthusiasm, similar appearance to Ellen as twins, and shared availability.
Evaluation
The document provides an analysis of a short film created for a competition. It summarizes that the film successfully blends the thriller and comedy genres to engage audiences with suspense and humor over a short yet developed plot. While some aspects like dialogue could be improved, overall the film effectively uses techniques like varied shots, smooth transitions between scenes, and sound effects to create quality and flow. The creator believes the film meets the brief of the competition well and would stand out from other submissions.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added titles and adjustment layers, experimented with transitions, edited audio levels, cropped frames, and ultimately exported the finished film. Techniques used included setting clip sorting, adding effects like fades and tones, trimming clips, pasting duplicated audio, and using track keyframes to balance sound levels.
Josie (2)
Yes, youths in the UK are part of today's consumer culture. With social media, businesses can target and encourage youths to buy into products and lifestyles through digital advertising to fit in with peers. There is a link between how youths express identity and modern consumerism, as prominent figures like Kylie Jenner and musicians promote consumer products that youths then copy and use to express themselves. However, consumer culture has not fully disintegrated class hostility and segregation, as class privilege still advantages some. While consumerism allows for more freedom in expressing gender identity, some youths may adopt trends without belief, risking confusion. Representation of ethnicities has improved but not reached full equality, as political
Legal report guide
The document discusses copyright and permissions for various elements of a film project. It notes that the filmmaker will copyright their own filmed footage so anyone wishing to use it in the future must ask permission. All actors have given permission to be in the film and parents have signed consent forms for those under 18. The filmmaker's studio title logo does not need copyright since it is their own work. Additional video footage found on Pexels can be used freely as the website is copyright free. Sound effects from Freesfx can also be used without permission as they are copyright free. Sound effects and musical scores from Freesfx.co.uk and Bensound.com can be used freely as long as Bensound is credited
Conscious script draft 1
Eryn Miller, 15, has been experiencing vivid dreams of burglars breaking into her home at night. On the night before her 16th birthday, she dreams of two burglars entering her room and stealing a ring from her windowsill. When she wakes up on her birthday, her mother brings her breakfast in bed with presents. Eryn remains confused about the dream, until she opens one of the presents to find the same ring from her dream inside the box. This suggests that Eryn's vivid dreams may have been more than just dreams.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added title screens and adjustment layers to manipulate lighting and tone. Transitions like dissolves and dips to black were experimented with, and sound effects, music and credits were layered in using keyframes to control volume. The final steps were tightening shots, balancing audio, and adding end credits before export.
04. rushes log
The document is a rushes log created by editor Josie Waddington for the production "Conscious". It lists 58 video files shot for the production, providing the file name, duration of each shot, and notes on any editing needed such as cutting, darkening, or speeding up clips. It also lists where each video file is stored on the editor's computer.
Evidence pp
The document describes photos from the filming of a project. The first photo shows setting up camera equipment correctly using a shooting script. The second photo shows using pre-production materials like a script and shot list to ensure coherence. The third photo depicts safely cleaning up a water spill on set to prevent slips and follow the risk assessment. The fourth photo shows communicating with an actor on set to achieve the best shot before moving to the next scene.
Recce
This document provides safety information for filming scenes in different areas of a house, including keeping walkways clear and floors free of clutter in the bedroom, ensuring the hallway remains unblocked and advising crew to wear slip-resistant shoes due to a slippery wooden floor, and notifying crew about weather conditions and appropriate clothing for outdoor scenes in the front garden and driveway.
Recce
This document provides safety information for filming scenes in different areas of a house. It notes that the bedroom will have a clear floor and safe walkways, the hallway must remain clear and crew should wear sturdy shoes due to slippery wooden floors, and outdoor scenes may require weather-appropriate clothing as crews could be outside for long periods. Crew are advised to avoid doorways and stairs inside and be aware of weather conditions.
Conscious script draft 2
Eryn is a 16-year-old girl who struggles with vivid dreams and insomnia. In her latest dream, she witnesses robbers breaking into her house and stealing a ring. When she wakes up on her birthday, her mother gives her a present containing the same ring she saw in her dream. Unsure if it was just a dream or something more, the story leaves Eryn perplexed about what is real and what is a product of her dreams.
Max payne
This document provides an analysis of the style, narrative structure, genre, and target audience of the video game script "Max Payne". The script uses descriptive language to fully immerse gamers in the plot. It employs a typical story structure to keep gamers engaged in the narrative as they play. The genre is action and police drama, featuring stereotypical police characters and settings. The target audience is likely male gamers who identify with or wish to emulate the masculine characters and themes of crime-solving and violence.
Risk assessment
This document identifies potential hazards for a film shoot and outlines steps to address them. It notes trip, spill, and temperature hazards that could injure cast and crew. To mitigate risks, areas will be well-lit with no cables left out, walkways kept clear, and cast and crew wearing sensible shoes. All liquids will be bottled, food and drink restricted to the kitchen, and reminders given. Heating will be checked and warm clothing required for outdoor shoots scheduled during best weather.
Risk assessment
This document outlines three potential hazards - trip hazards, spill hazards, and temperature hazards - that could affect the cast and crew of a production. For each hazard, it identifies who may be harmed and how, what is already being done to control the risk, and any additional actions needed by deadlines. Trip hazards will be addressed by ensuring good lighting, clear walkways, and proper footwear. Spill hazards will be controlled by using bottles for liquids and restricting food and drink. Temperature hazards will be managed by advising crew to dress warmly, checking heating, and scheduling outdoor scenes for best weather.
Date of lesson
This document contains a production schedule for filming and editing a short film. It includes details of filming locations, cast and crew needed, props and costumes required, and equipment needed for each day of production and post-production. Filming will take place from February 18th to 22nd at a house in Ringwood. Post-production such as uploading footage, adding sound effects and music, and editing the four scenes will occur from February 26th to March 22nd. The filmmaker will be working alone as director and editor.
Casting details
The document provides casting details for a short film, assigning roles to four actresses. Sophie Rowley, age 15, will play Eryn due to being the right age and local. Christine Waddington, age 49, will play Eryn's mother as she has the right look and teaching schedule. Ellen Waddington, age 15, will play Robber #1 due to her petite size and past reliable work. Holly Waddington, Ellen's twin sister, will play Robber #2 for her enthusiasm, similar appearance, and ability to interact well with Ellen due to being twins.
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Narrative theory
- 1. Narrative Theory Brannigan โ Everystory/narrative willembodyajudgementthroughabeginning,middle andanend. Propp โ There are a limitednumberof charactertypesthatshare a function,8keycharacters: 1. The villain 2. The hero,or character whoseekssomething 3. The donor,whoprovidesanobjectwithsome magicproperty. 4. The helper,whoaidsthe hero. 5. The princess,rewardforthe hero,andobjectof the villainโsschemes(canbe male) 6. Her father,whorewardsthe hero. 7. The dispatcher,whosendsthe heroonhisway. 8. The false hero,the characterwhoalso laysclaimto the princessbutisunsuitable andcauses complications. Todorov โ Came up withstorytimeline. Barthes โ There are 5 codesto see ineverynarrative: ๏ท Actioncode whichreferstothe eventstakingplace throughactione.g.a fightor a chase ๏ท Referential code whichreferstothe informationandexplanation ๏ท Semanticcode whichreferstothe characters andcharacterisation ๏ท Enigmacode whichis a narrative device thatteasesthe audience bypresentingapuzzle or riddle tobe solved.Workstodelaythe storyโsendingpleasurably. ๏ท Symboliccode whichreferstothe connotationsof signs Levis-Straussโ Alwaysbinaryoppositesinnarrative.
- 2. Cameron โ Modern narrative conventions: Anachronic: Modifiedflashbacks/flashforwards No cleardominance betweennarrativethreads Forking-Path Alternativeversionsof the story Outcomesthatmightresultfromslightchanges Episodic Collectionof storiesjoinedbyacommontheme SplitScreen Spatial ratherthan temporal lines