Music Video Powerpoint
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The document discusses ideas for a music video for local musician Jenna Wild. It considers shooting the video at fountains in Worcester, showing the story of a couple breaking up through shots of the singer in the background. Another idea is to show the good times of a relationship through flashes while the music slows during the break up. The target audience is identified as young adults interested in acoustic music. Research on the video for City and Colour's "Comin' Home" is provided, which tells a story through close-up shots and uses slow editing between shots.
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Media mvideo pitch
The document proposes three music video ideas:
1) For the song "Beach Bummer" by No Vacation, it would feature a boy and girl in a white studio as nature-themed projections play. They would pretend to be at the beach/flowers to fit the song's lyrics.
2) For Russ' "Psycho P2", it would show an empty birthday party and dancing scenes in blue lighting to depict loneliness and rejection.
3) For BROCKHAMPTON's "COTTON HOLLOW", it includes a cage with a dancer and a room with emotion-themed walls to represent the song's exploration of different feelings towards a person.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Planning portfolio
This document provides information about the music video for the song "IN2 Remix" by WSTRN ft. Wretch 32, Chip & Geko. It includes the track cover art, which has a pop art style to attract audiences. The beginning of the video shows an establishing shot of west London to excite viewers. Subsequent shots show the artists from an angled bird's eye view as they get ready to rap their verses, with the camera getting closer with each drop beat. Quick close-up shots are also included of two of the main artists from WSTRN so viewers will recognize them from the original non-remix version of the song.
Genre conventions (1)
The document summarizes key traits seen in generic rock, pop, and rap music videos:
Rock music videos often feature the band performing with instruments like guitars and drums. They commonly tell a story that relates to the song's message.
Pop videos aim to feel happy and positive. Dancers of a different gender than the artist are usually included. Stories are less common than in rock since pop songs have fewer underlying messages.
Rap videos vary between calm scenes of substance usage and angry scenes of confronting the viewer. Artists are usually in urban settings without much story, as rap songs don't often have hidden meanings.
Analysis – fine china
This document provides an analysis of Chris Brown's 2013 music video for "Fine China". It summarizes the song and video, noting that it tells a love story narrative through visuals. It also analyzes characteristics of the R&B genre and how the song fits and diverges from conventions. While including some R&B elements like tattoos and drums, it has a more upbeat, disco influence than typical R&B and Brown is dressed more formally than usual in the genre. The video uses its intro to set up the star-crossed lovers story before the song begins during a key visual moment.
Kendrick
The music video for Kendrick Lamar's song "Alright" is analyzed. The video is shot in San Francisco and Los Angeles to connect with viewers. It features dancing scenes to keep the hip-hop feel while conveying a deeper message. Images in the video relate to the lyrics, depicting themes of religion, violence, happiness, and sudden death. The video structure mirrors the song's beat. It presents Kendrick Lamar as a role model and possible messianic figure. There are few voyeuristic elements and references are made to the Bible and works by Tupac Shakur.
Treatment sheet
The music video will portray a typical teenage night of drinking through flashbacks as the protagonist wakes up with a hangover trying to remember the previous night's events. Scenes will show empty bottles around the house and friends asleep in random locations, triggering flashbacks of drinking games, dancing, and partying from the night before. The video will also include shots of the band playing live. It will portray the rebellious lifestyle of partying against the protagonist's parents' wishes and facing the aftermath of constant partying.
Gallows 'I dread The Night' Music Video Analysis
1) The video contains enhanced live performance shots of the band Gallows playing in a punk rock bar/club, along with narrative elements showing the punk lifestyle of drinking, smoking, and dirty venues.
2) Scenes depict a rough bar with heavily tattooed patrons in dark lighting, playing poker and drinking, capturing the punk style. Strippers are also shown dancing, giving it a sleazy rocker feel.
3) The climax comes when the band's fans swarm the bar, causing chaos until police in pig masks arrive to violently drag people out, symbolizing punk beliefs about police brutality.
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Media mvideo pitch
The document proposes three music video ideas:
1) For the song "Beach Bummer" by No Vacation, it would feature a boy and girl in a white studio as nature-themed projections play. They would pretend to be at the beach/flowers to fit the song's lyrics.
2) For Russ' "Psycho P2", it would show an empty birthday party and dancing scenes in blue lighting to depict loneliness and rejection.
3) For BROCKHAMPTON's "COTTON HOLLOW", it includes a cage with a dancer and a room with emotion-themed walls to represent the song's exploration of different feelings towards a person.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Planning portfolio
This document provides information about the music video for the song "IN2 Remix" by WSTRN ft. Wretch 32, Chip & Geko. It includes the track cover art, which has a pop art style to attract audiences. The beginning of the video shows an establishing shot of west London to excite viewers. Subsequent shots show the artists from an angled bird's eye view as they get ready to rap their verses, with the camera getting closer with each drop beat. Quick close-up shots are also included of two of the main artists from WSTRN so viewers will recognize them from the original non-remix version of the song.
Genre conventions (1)
The document summarizes key traits seen in generic rock, pop, and rap music videos:
Rock music videos often feature the band performing with instruments like guitars and drums. They commonly tell a story that relates to the song's message.
Pop videos aim to feel happy and positive. Dancers of a different gender than the artist are usually included. Stories are less common than in rock since pop songs have fewer underlying messages.
Rap videos vary between calm scenes of substance usage and angry scenes of confronting the viewer. Artists are usually in urban settings without much story, as rap songs don't often have hidden meanings.
Analysis – fine china
This document provides an analysis of Chris Brown's 2013 music video for "Fine China". It summarizes the song and video, noting that it tells a love story narrative through visuals. It also analyzes characteristics of the R&B genre and how the song fits and diverges from conventions. While including some R&B elements like tattoos and drums, it has a more upbeat, disco influence than typical R&B and Brown is dressed more formally than usual in the genre. The video uses its intro to set up the star-crossed lovers story before the song begins during a key visual moment.
Kendrick
The music video for Kendrick Lamar's song "Alright" is analyzed. The video is shot in San Francisco and Los Angeles to connect with viewers. It features dancing scenes to keep the hip-hop feel while conveying a deeper message. Images in the video relate to the lyrics, depicting themes of religion, violence, happiness, and sudden death. The video structure mirrors the song's beat. It presents Kendrick Lamar as a role model and possible messianic figure. There are few voyeuristic elements and references are made to the Bible and works by Tupac Shakur.
Treatment sheet
The music video will portray a typical teenage night of drinking through flashbacks as the protagonist wakes up with a hangover trying to remember the previous night's events. Scenes will show empty bottles around the house and friends asleep in random locations, triggering flashbacks of drinking games, dancing, and partying from the night before. The video will also include shots of the band playing live. It will portray the rebellious lifestyle of partying against the protagonist's parents' wishes and facing the aftermath of constant partying.
Gallows 'I dread The Night' Music Video Analysis
1) The video contains enhanced live performance shots of the band Gallows playing in a punk rock bar/club, along with narrative elements showing the punk lifestyle of drinking, smoking, and dirty venues.
2) Scenes depict a rough bar with heavily tattooed patrons in dark lighting, playing poker and drinking, capturing the punk style. Strippers are also shown dancing, giving it a sleazy rocker feel.
3) The climax comes when the band's fans swarm the bar, causing chaos until police in pig masks arrive to violently drag people out, symbolizing punk beliefs about police brutality.
Unit 29 - Music Video - Task 2 Powerpoint
The document provides information about different types of music videos and narrative techniques. It discusses in concert and as live footage, explaining that in concert footage captures real concert dynamics while as live aims to recreate a live performance. It also discusses using narrative, surreal elements, and interpretative techniques in music videos. Finally, it analyzes the Taylor Swift "Love Story" music video and how it uses shots to establish characters and locations and tell a Romeo and Juliet narrative through choreography.
Media Studies
The artist is in the foreground of the image, suggesting it is about him and his upcoming solo career without a piano. There is a hint of red near his shoulder, representing the blood and death of his relationship with the piano that will always be with him. The piano is blowing up in the background, representing the end of his relationship with that instrument as he pursues a career dependent on just his voice. His serious facial expression and dark suit suggest gloom and death as he moves forward without his companion, the piano.
Conventions of genres
The document summarizes conventions for different music genres in music videos. It describes that rap artists are typically black males wearing stereotypical "gangsta" clothing like baggy jeans and gold chains, from tough cities in the US, and perform aggressively. Rock artists are typically white males wearing ripped jeans and leather jackets with long hair, performing aggressively with their band on stage. Reggae artists are typically black males with dreadlocks and beards who perform relaxed and individually on the streets of Jamaica without instruments.
Genre Analysis
This document analyzes and summarizes conventions used in three heavy metal music videos: "End of Time" by Lacuna Coil, "Call Me When You're Sober" by Evanescence, and "Tears Don't Fall" by Bullet for My Valentine. Some common conventions discussed include Gothic or dark costumes, dark settings, stage performances showing the band playing their instruments, close-ups of instruments, and tattoos and piercings on band members. The document also notes how two of the videos analyzed conform closely to heavy metal conventions while one subverts some expectations of the genre. Insights from analyzing the videos will influence the conventions and style used in the author's own planned heavy metal music video.
Acai bowl dominic fike
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The video proposal is for Fike's song "Acai Bowl" and would feature shifting scenes of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. Different singers would be featured at different parts of the song to represent different themes.
Acai bowl presentation
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The proposed music video would feature simple, changing shots of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. It would use props like breaking glasses and spilled cranberry juice to symbolize parts of the song without a clear narrative or performance.
Music video analysis
The document discusses several techniques used in a music video to create authenticity and realism. It describes long takes that follow a character without cuts to mimic reality. Realistic lighting from an ambulance is also used. Shots of band members playing are intercut with close-ups of their instruments to relate the visuals and sounds. Audience reaction shots of smiling and dancing fans promote the band's live energy. Throughout, low lighting adds believability by recreating the atmosphere of an underground gig. Intercut shots also portray drug use as a social convention implicitly condoned by the band to appeal to fans and increase popularity.
Documentaries Research (Demi Lovato: Stay Strong)
Demi Lovato: Stay Strong is an interactive documentary that follows pop star Demi Lovato as she recovers from personal struggles. It shows scenes from Lovato's life both on and off stage, including after concerts and at home. The documentary uses Lovato answering fan questions, close-ups of supportive fans, voiceovers, and ambient music to engage viewers and convey Lovato's emotions. It features locations like backstage at concerts, on stage, and Lovato's home to provide insight into her life both in her career and privately.
Codes and Conventions
The document discusses different styles of music videos, including impressionist, surrealist, voyeuristic, allusion, inter-textual, and interpretive styles.
For impressionist style, Katy Perry's "Firework" and "Wide Awake" videos are cited as examples that create a fantasy world through soft lighting and colors. Surrealist videos like LSD's "No New Friends" depict dream-like worlds. Voyeuristic videos like Katy Perry's "Bon Appetite" and Badshah's "Tareefan" feature the objectification of women. Videos with allusion styles like Train's "50 Ways to Say Goodbye" include unexpected twists. Ariana
Andrew Goodwin's Theory Research
Goodwin's theory proposes 8 key parts that can be applied to analyzing music videos: 1) links between lyrics and visuals, 2) links between music and visuals, 3) genre characteristics, 4) intertextual references, 5) notions of looking or eye candy, 6) voyeurism of looking into an artist's life, 7) demands of the record label, and 8) performance, narrative or concept-based styles. The document provides examples of how music videos by The Script, Pixie Lott, Demi Lovato, Eminem, Foo Fighters and Green Day demonstrate these different elements of Goodwin's theory.
Music video pitch
The document outlines plans for a music video combining elements of pop and indie genres. It will tell a narrative story of a breakup while also featuring a live performance element. Locations will include a stage, woods, graveyard, and house. Costumes will be classy but not everyday wear, with a red dress as the signature outfit. The video aims to stand out by focusing directly on the actress's singing rather than including dancers.
Michael jackson ‘beat it’
The music video for Michael Jackson's "Beat It" features both a narrative storyline and performance elements. The narrative shows a gang war breaking out in a diner that is prevented by Jackson's singing and dancing. Through its dark lighting, costumes, and use of long shots, the video draws on elements of the rock genre, but also includes singing, dancing, and a problem-solving narrative common to pop videos. The visuals correspond to but do not directly depict the lyrics, and the editing matches the increasing pace of the music.
Conventions Of A Pop Video
The document discusses several conventions commonly found in pop music videos. It notes that there is usually a link between the lyrics and visuals to help viewers remember the song. Videos often edit shots to match the beat of the music. The actors are generally young to appeal to the target youth audience. Narratives in videos commonly involve themes of love and romance. Close-ups of the artists are also frequent to keep their faces relevant. Synchronized dancing, costumes, and motifs are used to portray the artists as performers and make them recognizable.
Analysis of Nero-Guilt
This document provides an analysis of the music video for the song "Guilt" by Nero. It summarizes the narrative of the music video, which depicts a stripper attempting to seduce businessmen at a strip club. Key moments in the video visually relate to the song's lyrics. The video uses special effects during the dancer's "special show." It complies with Joe Gow's genre of the "special effects extravaganza." The video has been intentionally portrayed as explicit to shock viewers and encourage sharing online.
First music video analysis
The video analysis discusses the unconventional elements and mixing of conventions in the music video for Paul & The Broken Bones' song "Half The City". It notes their use of unusual instruments and filming locations, as well as shots that emphasize performing to an audience rather than just the performer. However, it also points out moments where they follow mainstream conventions like close-ups on the singer or performing on what seems like a stage. Overall, the summary examines how the band combines being indie and doing their own thing with also conforming to some traditional music video styles.
Andrew goodwin
1. Music videos relate their genre through visual elements like a stage performance in a rock metal video.
2. There is a relationship between the lyrics and visuals as seen in Pink Floyd's "Brick in the Wall" which shows bricks being put into a wall.
3. The music and visuals in a video also relate as seen in Queen's "Bohemian Rhapsody" where the lighting changes with the music.
The verve bitter sweet symphony
The document provides information about the song "Bitter Sweet Symphony" by the band The Verve. It discusses that the song was released as a single from their 1997 album, reaching number two on the UK charts. The music video featured Richard Ashcroft walking down a busy London street oblivious to his surroundings. The song was nominated for several awards in 1998. Audience comments discuss intertextual references between the song and the film Cruel Intentions. Analysis of scenes from the music video suggest it depicts the singer as emotionally unstable and having faced difficulties in life.
Representation of Genre in Music Videos
This document provides descriptions of different music genres and how they are typically represented in music videos. It discusses common elements of rock, pop, indie, techno, pop rock, hip hop, R&B, house, disco, punk rock, jazz, country and rap music videos such as narrative/performance focus, lighting, costumes, instrumentation and more. Each genre section includes an example music video.
Acai bowl dominic fike
The document proposes a music video concept for Dominic Fike's song "Acai Bowl". It describes setting up camera shots in a black studio with changing lighting. There would be four sets - beginning with a guitarist, then dancers behind a screen, followed by a band, and returning to the guitarist. Throughout, the singer would move between sets as the camera captures different elements like slow motion wine spilling and glass breaking. Costumes, props, and an online portfolio site are also outlined, providing details to bring the conceptual narrative to life through visuals and movement.
Music video analysis
The document analyzes three music videos:
1) Foo Fighters' "Walk" uses intertextuality from the film "Falling Down" and depicts a man going on a rampage after feeling stuck in his ordinary life. It shows rock conventions like rule-breaking and messy hair.
2) Foo Fighters' "The One" directly incorporates scenes from the film "Orange County" and shows different school cultures alongside the rock band playing.
3) Black Keys' "Gold on the Ceiling" is shot like a documentary, showing the band's live performances and daily lives to give fans a personal look at the band and promote their album and tour.
Textual analysis
This document analyzes and summarizes three music videos. For the first video, "Itch" by Nothing But Thieves, the summary notes that the video has a narrative style with random moments from the protagonist's day and maintains interest through unpredictable elements. It targets a niche audience. The second video, "PARKING LOT" by VANT, is performance-based, showing a rowdy crowd at the band's show. It cuts very quickly between shots. The third video, "Hook, Line & Sinker" by Royal Blood, is a live performance with no narrative. It focuses on illustrating the instruments and changing camera techniques and lighting to match the energy of the song.
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Unit 29 - Music Video - Task 2 Powerpoint
The document provides information about different types of music videos and narrative techniques. It discusses in concert and as live footage, explaining that in concert footage captures real concert dynamics while as live aims to recreate a live performance. It also discusses using narrative, surreal elements, and interpretative techniques in music videos. Finally, it analyzes the Taylor Swift "Love Story" music video and how it uses shots to establish characters and locations and tell a Romeo and Juliet narrative through choreography.
Media Studies
The artist is in the foreground of the image, suggesting it is about him and his upcoming solo career without a piano. There is a hint of red near his shoulder, representing the blood and death of his relationship with the piano that will always be with him. The piano is blowing up in the background, representing the end of his relationship with that instrument as he pursues a career dependent on just his voice. His serious facial expression and dark suit suggest gloom and death as he moves forward without his companion, the piano.
Conventions of genres
The document summarizes conventions for different music genres in music videos. It describes that rap artists are typically black males wearing stereotypical "gangsta" clothing like baggy jeans and gold chains, from tough cities in the US, and perform aggressively. Rock artists are typically white males wearing ripped jeans and leather jackets with long hair, performing aggressively with their band on stage. Reggae artists are typically black males with dreadlocks and beards who perform relaxed and individually on the streets of Jamaica without instruments.
Genre Analysis
This document analyzes and summarizes conventions used in three heavy metal music videos: "End of Time" by Lacuna Coil, "Call Me When You're Sober" by Evanescence, and "Tears Don't Fall" by Bullet for My Valentine. Some common conventions discussed include Gothic or dark costumes, dark settings, stage performances showing the band playing their instruments, close-ups of instruments, and tattoos and piercings on band members. The document also notes how two of the videos analyzed conform closely to heavy metal conventions while one subverts some expectations of the genre. Insights from analyzing the videos will influence the conventions and style used in the author's own planned heavy metal music video.
Acai bowl dominic fike
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The video proposal is for Fike's song "Acai Bowl" and would feature shifting scenes of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. Different singers would be featured at different parts of the song to represent different themes.
Acai bowl presentation
Dominic Fike is an up-and-coming artist from Naples, Florida known for his edgy style and face tattoos. His music blends genres like rap, alternative hip hop, and indie pop. The proposed music video would feature simple, changing shots of a guitarist, dancers behind a screen, and a full band playing in a black studio with changing lighting. It would use props like breaking glasses and spilled cranberry juice to symbolize parts of the song without a clear narrative or performance.
Music video analysis
The document discusses several techniques used in a music video to create authenticity and realism. It describes long takes that follow a character without cuts to mimic reality. Realistic lighting from an ambulance is also used. Shots of band members playing are intercut with close-ups of their instruments to relate the visuals and sounds. Audience reaction shots of smiling and dancing fans promote the band's live energy. Throughout, low lighting adds believability by recreating the atmosphere of an underground gig. Intercut shots also portray drug use as a social convention implicitly condoned by the band to appeal to fans and increase popularity.
Documentaries Research (Demi Lovato: Stay Strong)
Demi Lovato: Stay Strong is an interactive documentary that follows pop star Demi Lovato as she recovers from personal struggles. It shows scenes from Lovato's life both on and off stage, including after concerts and at home. The documentary uses Lovato answering fan questions, close-ups of supportive fans, voiceovers, and ambient music to engage viewers and convey Lovato's emotions. It features locations like backstage at concerts, on stage, and Lovato's home to provide insight into her life both in her career and privately.
Codes and Conventions
The document discusses different styles of music videos, including impressionist, surrealist, voyeuristic, allusion, inter-textual, and interpretive styles.
For impressionist style, Katy Perry's "Firework" and "Wide Awake" videos are cited as examples that create a fantasy world through soft lighting and colors. Surrealist videos like LSD's "No New Friends" depict dream-like worlds. Voyeuristic videos like Katy Perry's "Bon Appetite" and Badshah's "Tareefan" feature the objectification of women. Videos with allusion styles like Train's "50 Ways to Say Goodbye" include unexpected twists. Ariana
Andrew Goodwin's Theory Research
Goodwin's theory proposes 8 key parts that can be applied to analyzing music videos: 1) links between lyrics and visuals, 2) links between music and visuals, 3) genre characteristics, 4) intertextual references, 5) notions of looking or eye candy, 6) voyeurism of looking into an artist's life, 7) demands of the record label, and 8) performance, narrative or concept-based styles. The document provides examples of how music videos by The Script, Pixie Lott, Demi Lovato, Eminem, Foo Fighters and Green Day demonstrate these different elements of Goodwin's theory.
Music video pitch
The document outlines plans for a music video combining elements of pop and indie genres. It will tell a narrative story of a breakup while also featuring a live performance element. Locations will include a stage, woods, graveyard, and house. Costumes will be classy but not everyday wear, with a red dress as the signature outfit. The video aims to stand out by focusing directly on the actress's singing rather than including dancers.
Michael jackson ‘beat it’
The music video for Michael Jackson's "Beat It" features both a narrative storyline and performance elements. The narrative shows a gang war breaking out in a diner that is prevented by Jackson's singing and dancing. Through its dark lighting, costumes, and use of long shots, the video draws on elements of the rock genre, but also includes singing, dancing, and a problem-solving narrative common to pop videos. The visuals correspond to but do not directly depict the lyrics, and the editing matches the increasing pace of the music.
Conventions Of A Pop Video
The document discusses several conventions commonly found in pop music videos. It notes that there is usually a link between the lyrics and visuals to help viewers remember the song. Videos often edit shots to match the beat of the music. The actors are generally young to appeal to the target youth audience. Narratives in videos commonly involve themes of love and romance. Close-ups of the artists are also frequent to keep their faces relevant. Synchronized dancing, costumes, and motifs are used to portray the artists as performers and make them recognizable.
Analysis of Nero-Guilt
This document provides an analysis of the music video for the song "Guilt" by Nero. It summarizes the narrative of the music video, which depicts a stripper attempting to seduce businessmen at a strip club. Key moments in the video visually relate to the song's lyrics. The video uses special effects during the dancer's "special show." It complies with Joe Gow's genre of the "special effects extravaganza." The video has been intentionally portrayed as explicit to shock viewers and encourage sharing online.
First music video analysis
The video analysis discusses the unconventional elements and mixing of conventions in the music video for Paul & The Broken Bones' song "Half The City". It notes their use of unusual instruments and filming locations, as well as shots that emphasize performing to an audience rather than just the performer. However, it also points out moments where they follow mainstream conventions like close-ups on the singer or performing on what seems like a stage. Overall, the summary examines how the band combines being indie and doing their own thing with also conforming to some traditional music video styles.
Andrew goodwin
1. Music videos relate their genre through visual elements like a stage performance in a rock metal video.
2. There is a relationship between the lyrics and visuals as seen in Pink Floyd's "Brick in the Wall" which shows bricks being put into a wall.
3. The music and visuals in a video also relate as seen in Queen's "Bohemian Rhapsody" where the lighting changes with the music.
The verve bitter sweet symphony
The document provides information about the song "Bitter Sweet Symphony" by the band The Verve. It discusses that the song was released as a single from their 1997 album, reaching number two on the UK charts. The music video featured Richard Ashcroft walking down a busy London street oblivious to his surroundings. The song was nominated for several awards in 1998. Audience comments discuss intertextual references between the song and the film Cruel Intentions. Analysis of scenes from the music video suggest it depicts the singer as emotionally unstable and having faced difficulties in life.
Representation of Genre in Music Videos
This document provides descriptions of different music genres and how they are typically represented in music videos. It discusses common elements of rock, pop, indie, techno, pop rock, hip hop, R&B, house, disco, punk rock, jazz, country and rap music videos such as narrative/performance focus, lighting, costumes, instrumentation and more. Each genre section includes an example music video.
Acai bowl dominic fike
The document proposes a music video concept for Dominic Fike's song "Acai Bowl". It describes setting up camera shots in a black studio with changing lighting. There would be four sets - beginning with a guitarist, then dancers behind a screen, followed by a band, and returning to the guitarist. Throughout, the singer would move between sets as the camera captures different elements like slow motion wine spilling and glass breaking. Costumes, props, and an online portfolio site are also outlined, providing details to bring the conceptual narrative to life through visuals and movement.
What's hot (20)
Similar to Music Video Powerpoint
Music video analysis
The document analyzes three music videos:
1) Foo Fighters' "Walk" uses intertextuality from the film "Falling Down" and depicts a man going on a rampage after feeling stuck in his ordinary life. It shows rock conventions like rule-breaking and messy hair.
2) Foo Fighters' "The One" directly incorporates scenes from the film "Orange County" and shows different school cultures alongside the rock band playing.
3) Black Keys' "Gold on the Ceiling" is shot like a documentary, showing the band's live performances and daily lives to give fans a personal look at the band and promote their album and tour.
Textual analysis
This document analyzes and summarizes three music videos. For the first video, "Itch" by Nothing But Thieves, the summary notes that the video has a narrative style with random moments from the protagonist's day and maintains interest through unpredictable elements. It targets a niche audience. The second video, "PARKING LOT" by VANT, is performance-based, showing a rowdy crowd at the band's show. It cuts very quickly between shots. The third video, "Hook, Line & Sinker" by Royal Blood, is a live performance with no narrative. It focuses on illustrating the instruments and changing camera techniques and lighting to match the energy of the song.
Blur country house
The music video for Blur's "Country House" contrasts city and country life. In the city, represented by a flat and the board game "Escape From The Rat Race," the band members are trapped and stressed. In the country, symbolized by a large house, life is depicted as relaxed and peaceful. The video uses techniques like fast and slow motion, jump cuts, and close-ups of the lead singer to match the tone and pace of the song and keep the audience engaged. It also references Queen's "Bohemian Rhapsody" video in its portrayal of sadness.
Music video analysis
The document summarizes and analyzes three music videos:
1) Jamie T's "If You Got The Money" takes place in a club with dark backgrounds and red lighting on the singer. It uses shots of unhappy girls and a singing man to tell a storyline.
2) Kings of Leon's "Use Somebody" switches between scenes of a city and a concert, using dark colors and fast editing between long shots and close ups. It focuses mainly on men and sexualizes the few women shown.
3) The Fray's "How To Save A Life" shows close ups of faces and objects in a white room setting. Using words and neutral colors, it depicts different peoples' pain through continuity editing at
Example ft skream
This document provides a summary and analysis of the music video for the song "Shot Yourself in the Foot Again" by Example ft Skream. It notes that the opening establishes the scenario through a montage. Interior and exterior shots are cut together on beat with the music. As the lyrics imply the man is walking home, he is actually shown entering a pub. Rapid editing is used to match the lively music as the man and his friends are shown having a wild night out. Scenes in the club employ rapid cuts of stereotypical club imagery as the second drop plays, showing people dancing and drinking in sync with the music. The conventions of partying and drinking are illustrated, but the relationship depicted is dysfunctional rather than following
Example ft skream
This document provides a summary and analysis of the music video for the song "Shot Yourself in the Foot Again" by Example ft Skream. It notes that the opening establishes the scenario through a montage. Interior and exterior shots are edited together on beat with the music. As the lyrics imply the man is walking home, he is actually shown entering a pub. Rapid editing is used to match the lively music as the man and his friends are shown having a wild night out. Scenes in the club employ rapid cuts of stereotypical club imagery as the second drop plays, showing people dancing and drinking in sync with the music. The conventions of partying and drinking are illustrated, along with a more realistic depiction of a
Analysing music videos
This music video tells a narrative story of an elephant escaping from the zoo to find "paradise." It features no performance from Coldplay apart from at the very end, as part of the storyline. Using a narrative structure allows Coldplay, as a famous band, to create a video that will encourage discussion and re-watching to follow the story. The video feels like a movie with its opening titles, showing Coldplay's commercial success and large-scale productions.
Analysis of existing music videos
The document provides an analysis of several music videos including:
- Mumford and Sons' "Little Lion Man" which uses close-ups and over-the-shoulder shots to connect the visuals and music and make the audience feel like they are on stage.
- Jamie T's "If You Got the Money" uses a narrative in slow motion to emphasize characters' embarrassment while also showing Jamie T's live performance.
- McFly's "Love is on the Radio" shows the band humorously trying different talents of other people to connect with audiences and show their fun personality.
A2 summer term_homework
The video summarizes and analyzes 4 music videos of different genres:
1) "Dreamers" by Savoir Adore is an electropop video with mystical, dreamlike elements like masks and slow camerawork. It portrays the female singer as powerful rather than sexualized.
2) "Elastic Heart" by Sia features Maddie Ziegler and Shia LaBeouf in nude-colored costumes, with close-ups showing emotion and power dynamics between them.
3) "Pieces" by Robin Stjernberg uses a narrative format and slow motion to enhance the emotional intensity as the singer crashes through glass after an argument.
4) "Ride" by Twenty
Can we dance
The video depicts the members of the boy band The Vamps throwing a house party while their parents are away. It shows them drinking, having fun with friends, and playing music. They receive a text that the parents will return home soon, so they frantically clean up the trashed house. Just as they finish, the lead singer kisses a girl, but their parents arrive and catch them by watching a video of the party online. The video portrays the band members as normal teenage boys to relate to their target audience.
Lips of an angel
This document analyzes and summarizes conventions used in music videos. It discusses how flashbacks are used to establish narratives, the inclusion of performances to show the band, and close-ups of instruments in rock videos. While rock videos focus on musicians actually playing, pop videos conform to the convention of not showing instruments being played.
Task 4a
The music video for The Scientist by Coldplay tells a story in reverse. It begins with the artist alone in a room packing up. As the video progresses backwards, it shows him experiencing different events - playing the piano, spending time with a woman, and arriving at a train station. The visuals match the lyrics of the song, which describe longing for a past relationship. Through its unconventional reverse narrative structure, the video provides context and interpretation for the meaningful lyrics of the melancholy love song.
Analysis of lady gaga just dance2
Lady Gaga stormed onto the pop music scene in 2008 with her debut album The Fame. Her music and music videos are known for her mysterious personality and wild fashion statements. The music video for "Just Dance" uses a variety of editing techniques to cut between shots of Lady Gaga and scenes from a party. It establishes Lady Gaga as a powerful figure through shots that emphasize her strong movements, expensive clothing, and ability to control the party. The video continues intercutting between the scenes to build the narrative that Lady Gaga's arrival at the party livens it up through her music.
Task 1
This document discusses conventions used in country music videos and how the student incorporated these conventions into their own music video project. It provides examples of how close-ups, two shots, tracking shots, editing, lighting, props, outdoor settings, and album artwork are typically used in country music videos. The student explains how they applied these conventions, such as using natural lighting, outdoor locations, and retro instruments to emulate a country style for their video and project.
A2 pre production media coursework
This document contains summaries of 3 music album covers and 3 music videos. For the album covers, it analyzes the imagery, colors, and intended audiences. For the music videos, it discusses the narrative, settings, camera techniques, and messages conveyed. Key details are highlighted about the artists Akon, Leona Lewis, Foo Fighters, Jay-Z, and Kings of Leon to analyze the imagery and storytelling of the album covers and music videos.
new a2 video analysis
Courtney Barnett is an Australian singer-songwriter known for her witty lyrics. Her debut EP and album received critical acclaim and she has been nominated for several major music awards. The music video for her song demonstrates several genre conventions including establishing shots of the band, narrative elements that relate to the lyrics, and styling and lighting that match the tone of the music.
Music video analysis
The song "We Are Never Ever Getting Back Together" by Taylor Swift depicts her frustration at an ex-lover who wants to rekindle their relationship. The narrative structure is that Taylor used to always break up and get back together with her ex-boyfriend but now she has had enough and says they can be friends but she will never get back together with him. The music video was shot like a pop-up book in a continuous take using different locations including her house, a nightclub, and a park to depict the story without any editing between scenes.
STYLES AND TECHNIQUES IN MUSIC VIDEOS
The document discusses different styles and techniques used in music videos. It provides examples for different genres of music including pop, hip hop, rock, and live concert footage. It also analyzes animation, narrative, pastiche, parody, surrealist, and cutting to the beat as techniques. Key techniques discussed are miming/lip syncing and multi-image editing to tell stories or promote lifestyles through vivid visuals that match the songs.
A2
Courtney Barnett is an Australian singer-songwriter known for her witty lyrics. Her debut EP and album received critical acclaim and she has been nominated for several major music awards. The music video for her song demonstrates characteristics common to the genre through its narrative storyline involving a protagonist working as an elevator operator who encounters unusual passengers, as well as stylistic elements like lighting and editing.
Shinies is an indie pop band from Manchester, England. Their music video depicts the kidnapping and killing of their childhood icon and uses aspects like lighting, editing and styling to match the tone of the song and represent its lyrics through visuals.
Hot Flash Heat Wave is an indie pop band from California. Their retro
Textual Analysis 3
The document provides an analysis of genre characteristics, lyrics and visuals, and music and visuals in the music videos for "The Man Who Can't Be Moved" by The Script and "Juliet" by Lawson. Some key points made:
- Both videos include conventions of live performance but incorporate elements of both pop and rock genres.
- Visuals in both videos closely connect to and illustrate the lyrics being sung.
- Lighting, costumes, and close-ups of instruments follow conventions more of the rock genre.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Music Video Powerpoint
- 1. Music Video Sophie and Gemma
- 2. The Artist Jenna Wild. A local musician signed to PJ records. Plays local gigs and festivals like Snodsfest. Acoustic artist.
- 3. Idea number 1 Shots of singer with acoustic guitar down at the fountains in Worcester Shots of a couple, with singer in background. Then shots of the couple as they break up. This shows how the artist relates to the song as throughout the song she’ll be in the background singing. Narrative story.
- 4. Idea Number 2 Flashes back to the good times of their relationship. When gets to the bridge, as the music slows down changes to the break up. Playing in the hall to a crowd of people and then gradually throughout the video people leave. In the end just one guy left with the spot light on him and he walks out. (Same guy from the flash backs)
- 5. Location ideas for Idea Number 2
- 6. Idea number 3 Live gig Problems: She has to have a live gig availble for us to shoot.
- 7. Target Audience Young Adults to Adults, 16-25 years old. Decision pending. Single or as a couple lifestyle. Which means they can relate to the video. Before they buy a house. Special interest group as they have to be into the Acoustic genre of music.
- 8. Research City and Colour- Comin' Home39 shots in 3:54. It is shot in close up throughout the video. However the video tells a story, the man loves the woman, but can't be there all the time, she waits for him but when he gets home she's gone as she's fed up of waiting. The editing is very slow, where the shots switch between a man and a woman it has a fade, and at the end several shots are overlaid. http://www.youtube.com/watch?v=btjhdHX8pMo
- 9. Common Conventions There are several common conventions within an acoustic music video, they often have slow paced editing and camera movements, this helps the viewer connect with the voice of the artist so that your not detracted from it by fast paced movement.There also tends to be shots of the music instrument they are playing, such as guitar or keyboard, this is brilliantly shown in City and Colour's The Girl.Often tends to be one person singing on their own, and not really that many other people in the video.The mis en scene often has similar conventions as the lighting is often dull, The videos are often shot in run down and isolated locations.