The document discusses multifaceted classification and visualization techniques for exploratory experiences on information-intensive websites. It introduces faceted search, which allows users to filter search results by selecting values from different metadata facets. Facets can be single-valued or multi-valued. The document also discusses visualizing facet values, search results, and the relationships between facets using techniques like tag clouds and interactive maps. Advanced topics covered include fuzzy facets and semantic browsing.
Outlook of the Investment Climate for Mining in ZambiaMining On Top
Outlook of the Investment Climate for Mining in Zambia
A PRESENTATION FOR THE ZAMBIA MINING ROUNDTABLE WORKSHOP
26th June 2013
Hosted by Hon Richard Musukwa, MP, Deputy Minister of Mines, Energy and Water Development, Zambia
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
Investor Presentation: Wesizwe Platinum LimitedMining On Top
Investor Presentation
Hamlet Morule, Executive - Corporate Affairs and Investor Relations, Wesizwe Platinum
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
Boliden is a European base metals company that produces zinc, copper, gold, silver, and lead through mining and smelting operations. It has mines in Sweden, Finland, and Ireland and smelters located in Sweden, Finland, and Norway. The company is also a global leader in e-recycling. Boliden's presentation discusses the long-term outlook for base metals demand, trends in mining costs and cash costs, benchmarks and performance of its own mines, and provides updates on expansion projects at its Aitik, Garpenberg, and Kokkola facilities.
Getting the most out of your mine: Special steels as the smart choice for sus...Mining On Top
Getting the most out of your mine: Special steels as the smart choice for sustainability - Toni Hemminki, Chief Strategy Officer, Rautaruukki Corporation
Mining On Top: Helsinki
16-17 September 2013 | Helsinki
What sustainability means in mining today or what mining means to sustainabil...Mining On Top
The document discusses the role and contributions of mining to sustainability and the global economy. It makes the following key points:
1) Mining contributes around 10% directly and up to 45% indirectly to the global economy through supporting industries and downstream uses of minerals.
2) Mining disturbs less than 1% of the Earth's surface but provides over 45% of global economic activity and is essential for clean water, clean air, and other environmental needs.
3) For mining to be sustainable, it must contribute to human well-being, ecosystem well-being, and economic viability at the local, national and international levels through its operations and post-closure plans.
Investment outlook: what investors are looking for - Dr Peter Ruxton, Managin...Mining On Top
Investment outlook: what investors are looking for
Speaker: Dr Peter Ruxton, Managing Director, Spartacus Capital
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
Outlook of the Investment Climate for Mining in ZambiaMining On Top
Outlook of the Investment Climate for Mining in Zambia
A PRESENTATION FOR THE ZAMBIA MINING ROUNDTABLE WORKSHOP
26th June 2013
Hosted by Hon Richard Musukwa, MP, Deputy Minister of Mines, Energy and Water Development, Zambia
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
Investor Presentation: Wesizwe Platinum LimitedMining On Top
Investor Presentation
Hamlet Morule, Executive - Corporate Affairs and Investor Relations, Wesizwe Platinum
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
Boliden is a European base metals company that produces zinc, copper, gold, silver, and lead through mining and smelting operations. It has mines in Sweden, Finland, and Ireland and smelters located in Sweden, Finland, and Norway. The company is also a global leader in e-recycling. Boliden's presentation discusses the long-term outlook for base metals demand, trends in mining costs and cash costs, benchmarks and performance of its own mines, and provides updates on expansion projects at its Aitik, Garpenberg, and Kokkola facilities.
Getting the most out of your mine: Special steels as the smart choice for sus...Mining On Top
Getting the most out of your mine: Special steels as the smart choice for sustainability - Toni Hemminki, Chief Strategy Officer, Rautaruukki Corporation
Mining On Top: Helsinki
16-17 September 2013 | Helsinki
What sustainability means in mining today or what mining means to sustainabil...Mining On Top
The document discusses the role and contributions of mining to sustainability and the global economy. It makes the following key points:
1) Mining contributes around 10% directly and up to 45% indirectly to the global economy through supporting industries and downstream uses of minerals.
2) Mining disturbs less than 1% of the Earth's surface but provides over 45% of global economic activity and is essential for clean water, clean air, and other environmental needs.
3) For mining to be sustainable, it must contribute to human well-being, ecosystem well-being, and economic viability at the local, national and international levels through its operations and post-closure plans.
Investment outlook: what investors are looking for - Dr Peter Ruxton, Managin...Mining On Top
Investment outlook: what investors are looking for
Speaker: Dr Peter Ruxton, Managing Director, Spartacus Capital
Mining On Top: Africa - London Summit
25-26 Jun 2013 | London
The role of similarity in the re-unification, re-assembly and re-association ...Gravitate Project
Special Session Proposal
Thematic area: The workshop fits primarily in the Analysis and Interpretation area and also in the Digital Heritage Projects and Applications.
Down the rabbit hole: Lessons learned curating, presenting and submits a digi...ePortfolios Australia
My digital thesis as A/R/T (artit-researcher-teacher) Portflio is a curated space where I mapped, explored and archived
my PhD journey. My journey in, and to W(w)wonderland explores how learning in and through a personalised portflio as
both process and product, affcts creatiity and identiy through learning to see and notie the common threads in practie over tie. All of my writig, edited videos, artworks and narraties have been archived, curated as a personalised
digital portflio space, and designed as a digital site to contiue aftr submission, to create relatinal openings in my fild
of art educatin for creatiity, self-discovery and identiy. As a curated and purposeful collectin of digital identiy a/r/
tefacts it was designed as a storied curriculum for art educatin, and as an authenti artefact of the inquiry. As a portflio
of created artifacts, it is an archival site of a performed and interventionist pedagogical story as thesis.
The document discusses how museums construct narratives about culture through the curation and display of objects. It notes that while museums aim to educate the public, the process of classifying and selecting objects to exhibit is not objective and conveys certain cultural messages. For example, some cultures are presented as "civilized" while others are seen as "primitive". It also discusses current trends, such as new museums focusing on cultural identity and the use of new technologies in museum experiences.
The document discusses how museums construct narratives about culture through the curation and display of objects. It notes that while museums aim to educate the public, the process of classifying and presenting objects is culturally specific and can convey implicit messages about what cultures are seen as "civilized" versus "primitive." It also describes current trends in museums toward incorporating multiple cultural perspectives and using new technologies to improve intercultural communication and engagement with visitors.
This document discusses the need for a unified, systemic approach to digital humanities (DH) projects. It provides examples of several current DH projects that demonstrate this approach. The projects are interdisciplinary, combining skills from various fields. They also embrace openness and are "born digital." The document argues that DH projects function best as "digital crafts" or "Renaissance workshops," bringing together students, scholars, technicians and others with diverse skills to achieve a shared vision. It concludes that a systemic, holistic view of DH helps address the excessive specialization that has separated the humanities and sciences.
site, cite, sight - Dr Kathryn Coleman, University of MelbourneePortfolios Australia
My doctoral study (Coleman, 2017) explored how through digital encounters in ePortfolios we can discover aspects of the self through creation, curation and community. I explored the concepts of practice in digital sites, cites and sights to see how connections are made between the multiple identities we are playing in each space we inhabit. This short presentation will walk you through the notion of selves that I found in ePortfolios as digital sites, cites and sights.
MW2010: H. Wechsler: Museums, Libraries, and 21st Century Skills, an IMLS Reportmuseums and the web
A presentation from Museums and the Web 2010.
This session will introduce and discuss a recent IMLS report, "Museums, Libraries, and 21st Century Skills,". This report includes a self-assessment tool that enables museums and libraries to position themselves on a 21st century skills/community engagement continuum. Of course, the use of digital technologies and media play a big role in the report and the recommendations. IMLS took this on because the current 21st century skills national/international conversations tend to focus on the workforce, higher education, or K-12. The potential of museums and libraries to contribute to proficiency in many of these skills - in the out-of-school environment and in partnership with formal education or business-has been absent from these conversations.
We had a distinguished task force of museum and library leaders who helped guide our work, and we vetted various drafts with different museum and library groups. We see the project as a beginning - and will be offering grants in all of our programs that enable museums and libraries to explore their roles as 21st century learning institutions.
Report available from: http://www.imls.gov/pdf/21stCenturySkills.pdf
Briefing: 21st Century Skills: An IMLS Report [organizations]
see http://www.archimuse.com/mw2010/abstracts/prg_335002358.html
This document summarizes a workshop on writing text for digital media in museums. The workshop covered:
1. The challenges of writing for different digital platforms which require different skills and technical knowledge.
2. An exercise where participants wrote tweets summarizing precious museum objects in 140 characters to practice concise writing.
3. A discussion of how to write for social media by showing interest, asking questions, and focusing on engagement over information.
The workshop emphasized writing in a conversational rather than static way, focusing on the audience experience, and involving other museum staff and visitors in the writing process.
Accompanying text (English) at the keynote for the ICOM-CECA Conference in Yerevan, Armenia, october 2012, a plea for the personal and eccentric museum...
Critical Thinking Faculty Development Workshop (feb 2014)mandmeister
This document summarizes a faculty development workshop on teaching critical thinking courses. The workshop covered various topics to help faculty design their CT courses, including: introducing conceptual frameworks to students; using concept maps; modeling thinking processes; integrating discipline-specific practices; and aligning course objectives with general education outcomes. Faculty participated in activities like analyzing sample course materials and designing course architectures. The goal was to help situate critical thinking within disciplines and use early immersion to develop students' thinking skills through active learning experiences.
This document announces an expert meeting on alternative and creative tourism in cities to be held June 13-14, 2013 in Barcelona. It calls for abstract submissions related to the development and marketing of alternative and creative forms of tourism in cities. The goal is to bring together international scholars to consider issues around alternative and creative tourism development in cities and how it may develop in the future. Selected papers will be published in an edited volume. The deadline to submit abstracts of up to 300 words is December 17, 2012.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
This document discusses digital ethnography and virtual worlds. It provides context on traditional ethnography and how it involves living among a culture to study and understand them. Digital ethnography applies this process using new technologies. The document then discusses an Afghan Virtual Museum created in Second Life. It explores the artwork in the museum, interviews the creator, and analyzes the benefits of creating art in virtual worlds compared to the real world. The creator enjoys the opportunities for international collaboration, creative forms of expression, and using art to raise awareness for causes. Virtual worlds allow immersive experiences and more creative possibilities than physical art.
This document announces an expert meeting on alternative and creative tourism in cities to be held June 13-14, 2013 in Barcelona. It calls for abstract submissions related to the development and marketing of alternative and creative forms of tourism in cities. The goal is to bring together international scholars to consider issues around alternative and creative tourism development in cities and how it may develop in the future. Selected papers will be published in an edited volume. The deadline for 300-word abstract submissions is December 10, 2012.
The document discusses how visual elements produce meaning in multimedia and multimodal texts. It covers various ways visuals operate, including through artists' work, websites, images in newspapers, and more. It explores concepts like visual critique, semiotics, and how elements like color, fonts and layouts carry meaning. In conclusion, it discusses how visual design is about more than decoration - it can create and manipulate meanings and virtual experiences.
Exploratory computing: designing discovery-driven user experiencesLuigi Spagnolo
The document proposes a framework called FELIS for facilitating exploratory user experiences over large information spaces through iterative querying and visualization of faceted metadata. It describes a knowledge representation and query language called FelisQL and measures for estimating the relevance and correlation of features to provide feedback during explorations. The framework is demonstrated through an example interface for exploring artworks.
Call for abstracts - Aternative Tourism
ATLAS City and National Capital Tourism Special Interest Group
ATLAS Cultural Tourism Special Interest Group
Creative Tourism Network
Expert Meeting on Alternative and Creative tourism in cities
June 13th - 14th, 2013, Barcelona
Display, presentation, interpretation and communication of objects in on site...Dr. Ashwani Asthana
This document discusses the display, presentation, interpretation and communication of objects in on-site and off-site museums. It explains that museums utilize their surroundings through exhibition to educate people. Artifacts can be displayed in cases, on platforms, walls or in dioramas depending on the type. Displays must tell a story and guide visitors through exhibits in a clear flow. Interpretation bridges visitors' understanding by connecting them to museum content and ideas through storytelling. Effective communication in museums involves creating a comfortable atmosphere, active listening, being concise, and allowing two-way discussion.
VIII Encuentros de Centros de Documentación de Arte Contemporáneo en Artium -...Artium Vitoria
"Crossing the boundaries of Arts and Sciences: Can Linked Data help Refactoring Natural Sciences?" by Gildas Illien, Chief Librarian, Muséum national d’histoire naturelle (National Natural History Museum Library), Paris.
"Atravesar las fronteras entre las artes y las ciencias: ¿pueden los datos enlazados reestructurar las ciencias naturales?" por Gildas Illien, bibliotecario jefe del Museo Nacional de Historia Natural (Biblioteca), París.
The role of similarity in the re-unification, re-assembly and re-association ...Gravitate Project
Special Session Proposal
Thematic area: The workshop fits primarily in the Analysis and Interpretation area and also in the Digital Heritage Projects and Applications.
Down the rabbit hole: Lessons learned curating, presenting and submits a digi...ePortfolios Australia
My digital thesis as A/R/T (artit-researcher-teacher) Portflio is a curated space where I mapped, explored and archived
my PhD journey. My journey in, and to W(w)wonderland explores how learning in and through a personalised portflio as
both process and product, affcts creatiity and identiy through learning to see and notie the common threads in practie over tie. All of my writig, edited videos, artworks and narraties have been archived, curated as a personalised
digital portflio space, and designed as a digital site to contiue aftr submission, to create relatinal openings in my fild
of art educatin for creatiity, self-discovery and identiy. As a curated and purposeful collectin of digital identiy a/r/
tefacts it was designed as a storied curriculum for art educatin, and as an authenti artefact of the inquiry. As a portflio
of created artifacts, it is an archival site of a performed and interventionist pedagogical story as thesis.
The document discusses how museums construct narratives about culture through the curation and display of objects. It notes that while museums aim to educate the public, the process of classifying and selecting objects to exhibit is not objective and conveys certain cultural messages. For example, some cultures are presented as "civilized" while others are seen as "primitive". It also discusses current trends, such as new museums focusing on cultural identity and the use of new technologies in museum experiences.
The document discusses how museums construct narratives about culture through the curation and display of objects. It notes that while museums aim to educate the public, the process of classifying and presenting objects is culturally specific and can convey implicit messages about what cultures are seen as "civilized" versus "primitive." It also describes current trends in museums toward incorporating multiple cultural perspectives and using new technologies to improve intercultural communication and engagement with visitors.
This document discusses the need for a unified, systemic approach to digital humanities (DH) projects. It provides examples of several current DH projects that demonstrate this approach. The projects are interdisciplinary, combining skills from various fields. They also embrace openness and are "born digital." The document argues that DH projects function best as "digital crafts" or "Renaissance workshops," bringing together students, scholars, technicians and others with diverse skills to achieve a shared vision. It concludes that a systemic, holistic view of DH helps address the excessive specialization that has separated the humanities and sciences.
site, cite, sight - Dr Kathryn Coleman, University of MelbourneePortfolios Australia
My doctoral study (Coleman, 2017) explored how through digital encounters in ePortfolios we can discover aspects of the self through creation, curation and community. I explored the concepts of practice in digital sites, cites and sights to see how connections are made between the multiple identities we are playing in each space we inhabit. This short presentation will walk you through the notion of selves that I found in ePortfolios as digital sites, cites and sights.
MW2010: H. Wechsler: Museums, Libraries, and 21st Century Skills, an IMLS Reportmuseums and the web
A presentation from Museums and the Web 2010.
This session will introduce and discuss a recent IMLS report, "Museums, Libraries, and 21st Century Skills,". This report includes a self-assessment tool that enables museums and libraries to position themselves on a 21st century skills/community engagement continuum. Of course, the use of digital technologies and media play a big role in the report and the recommendations. IMLS took this on because the current 21st century skills national/international conversations tend to focus on the workforce, higher education, or K-12. The potential of museums and libraries to contribute to proficiency in many of these skills - in the out-of-school environment and in partnership with formal education or business-has been absent from these conversations.
We had a distinguished task force of museum and library leaders who helped guide our work, and we vetted various drafts with different museum and library groups. We see the project as a beginning - and will be offering grants in all of our programs that enable museums and libraries to explore their roles as 21st century learning institutions.
Report available from: http://www.imls.gov/pdf/21stCenturySkills.pdf
Briefing: 21st Century Skills: An IMLS Report [organizations]
see http://www.archimuse.com/mw2010/abstracts/prg_335002358.html
This document summarizes a workshop on writing text for digital media in museums. The workshop covered:
1. The challenges of writing for different digital platforms which require different skills and technical knowledge.
2. An exercise where participants wrote tweets summarizing precious museum objects in 140 characters to practice concise writing.
3. A discussion of how to write for social media by showing interest, asking questions, and focusing on engagement over information.
The workshop emphasized writing in a conversational rather than static way, focusing on the audience experience, and involving other museum staff and visitors in the writing process.
Accompanying text (English) at the keynote for the ICOM-CECA Conference in Yerevan, Armenia, october 2012, a plea for the personal and eccentric museum...
Critical Thinking Faculty Development Workshop (feb 2014)mandmeister
This document summarizes a faculty development workshop on teaching critical thinking courses. The workshop covered various topics to help faculty design their CT courses, including: introducing conceptual frameworks to students; using concept maps; modeling thinking processes; integrating discipline-specific practices; and aligning course objectives with general education outcomes. Faculty participated in activities like analyzing sample course materials and designing course architectures. The goal was to help situate critical thinking within disciplines and use early immersion to develop students' thinking skills through active learning experiences.
This document announces an expert meeting on alternative and creative tourism in cities to be held June 13-14, 2013 in Barcelona. It calls for abstract submissions related to the development and marketing of alternative and creative forms of tourism in cities. The goal is to bring together international scholars to consider issues around alternative and creative tourism development in cities and how it may develop in the future. Selected papers will be published in an edited volume. The deadline to submit abstracts of up to 300 words is December 17, 2012.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
This document discusses digital ethnography and virtual worlds. It provides context on traditional ethnography and how it involves living among a culture to study and understand them. Digital ethnography applies this process using new technologies. The document then discusses an Afghan Virtual Museum created in Second Life. It explores the artwork in the museum, interviews the creator, and analyzes the benefits of creating art in virtual worlds compared to the real world. The creator enjoys the opportunities for international collaboration, creative forms of expression, and using art to raise awareness for causes. Virtual worlds allow immersive experiences and more creative possibilities than physical art.
This document announces an expert meeting on alternative and creative tourism in cities to be held June 13-14, 2013 in Barcelona. It calls for abstract submissions related to the development and marketing of alternative and creative forms of tourism in cities. The goal is to bring together international scholars to consider issues around alternative and creative tourism development in cities and how it may develop in the future. Selected papers will be published in an edited volume. The deadline for 300-word abstract submissions is December 10, 2012.
The document discusses how visual elements produce meaning in multimedia and multimodal texts. It covers various ways visuals operate, including through artists' work, websites, images in newspapers, and more. It explores concepts like visual critique, semiotics, and how elements like color, fonts and layouts carry meaning. In conclusion, it discusses how visual design is about more than decoration - it can create and manipulate meanings and virtual experiences.
Exploratory computing: designing discovery-driven user experiencesLuigi Spagnolo
The document proposes a framework called FELIS for facilitating exploratory user experiences over large information spaces through iterative querying and visualization of faceted metadata. It describes a knowledge representation and query language called FelisQL and measures for estimating the relevance and correlation of features to provide feedback during explorations. The framework is demonstrated through an example interface for exploring artworks.
Call for abstracts - Aternative Tourism
ATLAS City and National Capital Tourism Special Interest Group
ATLAS Cultural Tourism Special Interest Group
Creative Tourism Network
Expert Meeting on Alternative and Creative tourism in cities
June 13th - 14th, 2013, Barcelona
Display, presentation, interpretation and communication of objects in on site...Dr. Ashwani Asthana
This document discusses the display, presentation, interpretation and communication of objects in on-site and off-site museums. It explains that museums utilize their surroundings through exhibition to educate people. Artifacts can be displayed in cases, on platforms, walls or in dioramas depending on the type. Displays must tell a story and guide visitors through exhibits in a clear flow. Interpretation bridges visitors' understanding by connecting them to museum content and ideas through storytelling. Effective communication in museums involves creating a comfortable atmosphere, active listening, being concise, and allowing two-way discussion.
VIII Encuentros de Centros de Documentación de Arte Contemporáneo en Artium -...Artium Vitoria
"Crossing the boundaries of Arts and Sciences: Can Linked Data help Refactoring Natural Sciences?" by Gildas Illien, Chief Librarian, Muséum national d’histoire naturelle (National Natural History Museum Library), Paris.
"Atravesar las fronteras entre las artes y las ciencias: ¿pueden los datos enlazados reestructurar las ciencias naturales?" por Gildas Illien, bibliotecario jefe del Museo Nacional de Historia Natural (Biblioteca), París.
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This document discusses different types of visualizations that can be used for information exploration interfaces. It describes tag clouds, bar charts, histograms, pie charts and scatter plots for visualizing facets. It also covers lists, grids and icons for representing items and matrix charts for showing aggregate views and correlations between features. The roles of proportional, logarithmic and class-based scaling techniques are explained.
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Multifaceted classifications and interactive visualization for exploratory experiences
1. Multifaceted classification and visualization for exploratory experiences Luigi Spagnolo luigi.spagnolo@polimi.it 1 Information and CommunicationQuality
2. Index Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 2 Loooong and boring lecture! :-) Part I: classifications and faceted search Break Part II: Advanced visualization of contents Break Part III: Introduction to Simile Exhibit
3. 3 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences Part 1 | Classifications and facetedsearch (Amazon’s Diamondsearchwasone of the first e-commerce applications of facetedsearch)
4. Let’s start with a scenario Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 4 1-2 volunteersplease! Imagine to work as journalists for the Horse Illustrated magazine You have to write an essay about horses in art (and in particular in painting) among the centuries. Find interesting information on the website of the Louvre Museum http://www.louvre.fr/llv/commun/home.jsp?bmLocale=en
5. Problemswith the Louvre Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 5 Artworks are separated by department (internal “bureaucratic” classification) and by provenience. It is not possible to search them together (regardless of their age and country of origin) by subject. There is no introductory content on the subject that can guide the student in her search.
6. Content-intensive websites Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 6 Also know as: Information-intensive Often Infosuasive= informative + persuasive Like ancient rhetoric: inform and persuade Mainly intended for: Learning, understanding, discovering, comparing information Leisure and entertainment
7. Contents Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 7 Text, multimedia (audio, video, images) Hypermedia = multimedia + hyperlinks Information involvessubjectivejudgment Depends on the author and on the user Objective: “10km far from Como”, “the paintingwasmade in 1886” Subjective: “Near Como”, “the paintingisimpressionist”
8. Userexperiencesrequirements | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 8 From the users’ point of view: Usability: usage is effective, efficient and satisfactory Findability: users can locate what they are looking for “At a glance” understandabity: users understand the website coverage and can make sense of information Enticing explorability: users are compelled to “stay and play” and discover interesting connections among topics
9. Userexperiencesrequirements | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 9 From the stakeholders’ point of view: Planned serendipity: promoting most important contents so that users can stumble in them E.g. “Readers that purchased this book also bought…” Communication strengh and branding: the website conveys the intended “message” and “brand” of the institution behind it E.g. “we have the lowest prices”, “we are very authorithative”, etc.
10. Information architecture Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 10 Purpose: conceptually organizing information Providing access to contents Index navigation (a) Guided navigation (b) Providing the possibility of moving from a content to related ones Contextual navigation (c): cross-reference links, semantic relationships
11. “Traditional” structure Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 11 Taxonomy: hierarchy of categories and subcategories Sections and group of contents are the branches of the tree Contents are the leaves Cross-reference links between nodes
12. An example Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 12 Sitemap: Art gallery website Artworks of the month Paintings Top 10 masterpieces By artist By artistic movement By subject Sculptures ... By material Photographs ...
13. Problems/1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 13 Whatif I wanttobrowseallartworks (regardlesstheirtype) byartist? Classifications are “nested” in a fixedorder Designersshouldchoosewhichclassificationshouldprevail (e.g. bytype) Whatif I wanttofind “impressionistspaintingsportrainganimals”? I cannot combine multiple “sibling”classifications (e.g. by style and bysubject)
14. Problems/2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 14 As long as the website issmall a goodtaxonomy can satisfyuserrequirements Forlarge websites (hundreds or thousand of pages) Indexed/guidednavigationdoesn’t scale Users can’t easilyfindwhattheywant Users can’t makesense of allsuch information
15. Solutions? Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 15 What do users do whennavigationdoesn’t work? Theyusesearch! Searcharrangescontentsdynamically and automatically (in a way notpredefinedbydesigners) Butkeyword-basedsearchisnotoptimal No hintsforusersthathave no clear idea of whatto look Weneed a betterparadigm: Exploratorysearch
16. Exploratorysearch Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 16 The model “query results” is too simple Usually search is like “berry picking” (Bates) We analyze search results and... We refine query (again and again) to get better results We need hints (filters) for refinements Fromfinding to understanding (Marchionini)
17.
18. The user selects a combination of metadata values belonging to several facets
19. Each facet correspond to a particular orthogonal dimension that describes the content objects made available for search, e.g. for an artwork:
25. How the interactionworks Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 19 When the user chooses a filter, the application selects: The results: items that have been “tagged” with the filter and the other metadata previously chosen The remaining filters: metadata that combined with the previous choices can produce results The users can continue narrowing results until they options are available
26. Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 20 Howvalues are (usually) combined Filtersbelongingtodifferentfacetsare combined in conjunction E.g. “technique:oil” AND “style:impressionism” Filtersbelongingto the samefacetare: Combined in conjunctionif the facetadmits more values at the sametimeforeachobject E.g. “subject:people” AND “subject:animals” (both people and animals in the samepicture) Combined in disjunctionif the facetadimitsonlyonevalue E.g. “location:Milan” OR “location:Como” (anobjectwhichis Como or in Milan)
27. Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 21 Type of facets Single-valued vs. multi-valued Flat vs. hierarchical organization of values E.g. hierarchical: nation/region/province Subjective/arbitrary (properly named facets) vs. objective (attributes) A date, a location, a price are examples of objectivedata “Topic”, “Audience”, “Artistic movement”, “importance” are examples of subjective information Assigning/using a value involves some kind of judgment and interpretation and is influenced by cultural and personal backgrounds
28. Type of facetvalues Sortable and comparable? We can say that value1<=value2<=…<=valueN? E.g. Dates, magnitudes, scales of judgment, quantitative data e.g. “sufficient”<“excellent”, 10€<100€, “Monday”<“Friday” Ranges [value1, value2] E.g. User is allowed to search for events from 01/06 to 31/08 Classes of values e.g. for price: 0-10€, 11-20€, 21-50€, 51-100€, … The way we define classes is arbitrary and depend on domain Terms (strings of text) Taxonomies, controlled vocabularies User-defined tags (folksonomies) From data-mining Numerical values and dates Boolean values (yes/no) E.g. “Available for buying?”, “original?”, “still living?” Even shades of color, shapes, etc... 22 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo
29. Benefits of facetedsearch Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 23 Easy and naturalalmostlike “traditional” browsing Withrespecttokeyword-basedsearchusershavehints recognitionraterthanrecall Users can freely combine multiple classificationsaccordingtotheywishes Users can more easilymakesense of information (ifsupportedbygoodinterfaces) Frustrating “no resultsfound” searchesavoided
30. Limitations of facetedsearch | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 24 Too more facets and facetsvaluesmay generate information overloadtoo! Possiblesolution: Display only the mostrelevantfacets (and facetvalues) for the userprofile or the givencontext The relevance of an item with respect to a facet value can assumes only two states: Relevant (1): the item is tagged with a certain facet value Not relevant (0): The item is not tagged with that facet value Too poor model in some cases
31. Limitations of facetedsearch | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 25 No oneexplainuswhat a certainfacetvaluesmeans Possibile solutions: images and tooltips (wewilldiscusslater) We can filteritems, butwe can’t filterfacetvalues! E.g. paintingsfilteredbyartists We can’t filter the Artistsfacetvaluesbynationality, gender, age, etc. We can’t sortautomaticallyitemsbyrelevance (like “traditional” information retrievaldoes)
32. Research: beyondfacetedsearch | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 26 Semanticbrowsing Exploringcontents at level of setsusingsemanticrelationships, e.g. The museumsthathave bronze Greekstatues “Women portrayedby women”: paintingswithsubject:woman and artist:gender:female Schoolsattendedby the daughters of U.S. democraticpresidents (http://www.freebase.com/labs/parallax/) Challenges: effectivemodels and usable interface
33. Research: beyondfacetedsearch | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 27 Fuzzyfacets Multiple fuzzylevels of relevance/importancefor a facetvalue E.g. a church built among the centuries may be at a 70% Romanic and at a 30% gothic as style E.g. two monuments may be both Roman, but one can be more artistically important (for Roman civilization) than the other. Multiple degrees of relevance could allow to calculate the ranking of results by relevance to the contexts.
34. Fuzzyfacets Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 28 Some concepts…
35. References Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 29 Hearst, M. A. (2009). Search User Interfaces. Cambridge: Cambridge University Press. http://searchuserinterfaces.com/book/sui_ch8_navigation_and_search.htmlAvailablefor free! Marchionini, G. (2006). Exploratory search: from finding to understanding. Communications of the ACM, 49, 41 – 46. Tunkelang, D. (2009). Faceted Search, in Marchionini, G. (ed.), Synthesis Lectures on Information Concepts, Retrieval, and Services. San Rafael, CA: Morgan & Claypool Publishers. Yee, K. P., Swearingen, K., Li, K., & Hearst, M. (2003). Faceted metadata for image search and browsing. CHI '03: Proceedings of the SIGCHI conference on Human factors in computing systems, 401–408. Morville, P. and Callender, J. (2010). Search patterns. Sebastopol, CA: O'Reilly.
36. Part 2 | Advancedvisualization of contents 30 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences
37. Whyvisualization? Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 31 Facets are conceptuallyorthogonal, but… In reality manyphenomenon are correlated E.g. antiquitiesbelongingtoCelticcivilization are foundonly in Northern Italy Learningisinvestigating and findingconnectionsbetweendifferentaspects Weneed (intuitive) visualrepresentationsto compare information and put on evidencecorrelations A goodmodelisimportant, butaneffectivevisualizationreallymakes the difference
38. Visualizingwhat? Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 32 Facets and facetsvalues: Tagclouds, hierarchicalvisualizations, etc. Contentitems (exploratorysearchresults) Interactivelists (allowingdinamicgrouping/sorting) Thematicmaps: forgeographically-relatedfeatures Statisticalgraphics Turningexploratorysearchinto (intuitive) exploratory data analysis
39. Let’s seeanexample Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 33 An interactivemapof archaeologicalvenuesin Italy: From the new website of the Directorate-GeneralforAntiquities(ItalianMinistry of Culture) Prototypemadebyus at the HOC-Lab http://hoc5.elet.polimi.it/archeo/index.php/eng/Mappa-archeologica/Mappa-interattiva
40. Tagclouds Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 34 Originallyconceivedfor folksonomies The size of the link shows the frequency (importance) of the facetvalue inside the collection of items : number of itemstaggedwithfacetvalue
41. Proportional vs. Linear scaling Powerlaw: fewterms are usedtotag the highestmajority of items Proportionalscaling Tagsizes are directlyproportionaltotheirfrequency fewwords are very big, many are veryverysmall Linear scaling Tagsizes are based on the logarithm of theirfrequency The difference of sizeissmoother 35 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo
42. Calculating a tagcloud Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 36 Highest and lowestfrequencyfound Largest and smallestsizedesired Highestdifference in size Wewanttodetermine the size of eachfacetvalue link Proportionalscaling Linear scaling
43. Visualizinghierarchicalfacets 37 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo Tree-basedvisualization Tooltips
44. Conveying the meaningof facetvalues 38 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo Using icons Usingtooltips (concept)
45. Conjuntive vs. disjunctive facets 39 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo Conjunctive (usuallyplainlinks) Disjunctive (checkboxes)
46. Geographical information Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 40 Thematicmapsvisuallyrepresentone or more featureson a geographical area Digital, interactivethematicmaps Users can zoom and/or adjustvisualization in some way Users can filteritems More features at once: multivariate thematicmap Differentsigns (shapes, colors, icons) can beusedforshowing more characteristics on the samemap Avoid mixing shapes, colors and iconstogether: the resultmaybeverymessy!
47. Dot map Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 41 Simplestthematicmap One placemark = one item at itsexact location (like in Google Maps), or Onesign = k items in that area Differentsigns (shapes, colors, icons) can beusedforshowing more characteristics on the samemap May bemessyifmanyitems are concentrated in a small area Expecially at low levels of zoom Expecially multivariate dot maps
48. Graduatedsymbolmap | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 42 AlsocalledProportionalsymbolmap The mapisdividedintoareas (e.g. administrativeareas) Onesignforeach area (single feature) Onesignforeach of N features in each area (multivariate) The size of the signchangesaccordingto the number of itemswithfeature X on area Y Proportial, linear, classscalings Multivariate versiontendstobemessyifyou display toomuchvalues at one
49. Graduatedsymbolmap | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 43 Advantages Statisticaldistribution on a certain area clearlyshowed (Withrespectto dot map) overlapping of signsavoided Disadvantages Multivariate versiontendstobemessyifyou display toomuchvalues at once (e.g. facetswithmanydistinctvalues) The scalingshouldbecarefullychosentoavoidtoohuge or toosmallsigns
50. Pie chart map | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 44 Similarto multivariate graduate symbolmap The mapisdividedintoareas (e.g. administrativeareas) Onecircle (pie) foreach area Each part is cut intoslices The size of the sliceisproportionalto the number of itemswithfeature X on area Y
51.
52. Choroplethmap | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 46 Using colors, shades or patterns The map is still divided into areas Each area is colored/patterned/shaded according to the feature to show High communicative strengh, but…
53. Choroplethmap | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 47 A single area maybecolored/shaded/patternedaccording on mutuallyescusivevalues E.g. Regionsthat are governedbyleft vs. rightparties Single-valuedfacetsonly
54. Choroplethmap | 3 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 48 The gradient of shade/color maybeproportialto the frequency of a single feature E.g. number of earthquakes, population To show more features at onesyoushouldoverlapcolors or patterns: toomessy Youneed a mapforeachfacet vale
55. Non-geographical information Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 49 Statisticalgraphics Scatter plot charts Network diagrams Conceptualmaps Matrix charts Histograms and bar charts Representationsshouldbe intuitive ifthey are conceivedfor websites We can’t expectthatuserslearnhowto “read” them! Itdepends on the type of users
56. Scatter plot Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 50 Classicalstatisticaldiagram Showscorrelationsbetween a feature on the x axis and a feature on the y axis For quantitative data Good impact onlyfor “expert” user
57. Matrix chart Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 51 Showscorrelationsbetweenvaluesbelongingtotwofacets in row and columns Valuesanalyzed in pairs The size of the circleshowshowmanyitems are taggedwith the coupleof values E.g. Classesparticipatingto Politecnico di Milano programsbyyear and type of schools Can beread in twoways Howparticipationchangedamongyearsforschool X (rows) Howparticipationisdistributedamongschools in year X (columns)
58. Rich interface required Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 52 AJAX (javaScript) Adobe Flash (Actionscript) Higherresponsiveness: Users don’t needtowaituntil the wholepageisrefreshed Only the changedelements are updated (by the script)
59. References Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 53 Andrienko G. and Andrienko N. (1999). interactive maps for visual data exploration. Journal of Geographical Information Science, Vo. 10, 4, 335-374. http://geoanalytics.net/and/papers/ijgis99.pdf https://www.e-education.psu.edu/geog486/l5_p1.html http://thematicmapping.org/playground/ http://manyeyes.alphaworks.ibm.com/manyeyes/page/Visualization_Options.html Hearst, M. A. (2009). Search User Interfaces. Cambridge: Cambridge University Press. http://searchuserinterfaces.com/book/sui_ch11_text_analysis_visualization.htmlAvailablefor free! Smith, G. (2008). Tagging: people powered metadata for the Social web. New Riders. Tunkelang, D. (2009). Faceted Search, in Marchionini, G. (ed.), Synthesis Lectures on Information Concepts, Retrieval, and Services. San Rafael, CA: Morgan & Claypool Publishers. Morville, P. and Callender, J. (2010). Search patterns. Sebastopol, CA: O'Reilly.
60. Part 3 | Introductionto Simile Exhibit 54 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences
61. Simile Exhibit Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 55 Lightweightframeworkforweb data publishing Web of data and advancedvisualizationforeverybody! :-) Part of the project Simile Semantic Interoperability of Metadata and Information in unLike Environments Created by David Huynh et al. at the CSAIL lab of the MIT Completely client-side (Javascript) Doesnotrequiretowrite server-side code
62. Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 56 Simile Exhibit
63. JSON A way forencoding and exchanging data Nice alternative to XML for AJAX applications JSON objects are easilymanaged in JavaScript and main server-side scriptinglanguages (PHP, Java, .Net, Ruby…) 57 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo
64. Whatauthorsneedto do { properties: { "co-winner" : { valueType: "item" } }, "items" : [ { type : "Nobelist", label : "Burton Richter", discipline : "Physics", shared : "yes", ... }, <divex:role="view" ex:viewClass="Timeline" ex:start=".nobel-year" ex:colorKey=".discipline"> </div> ... <divex:role="facet" ex:expression=".discipline" ex:facetLabel="Discipline"> </div> 58 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo Create/import JSON Write/generate HTML code
65. Exhibit data model Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 59 Contents/objects are calleditems Eachitem has some properties Special properties: id, label, type Properties also specify semantic relationships between items
66. Exhibitexpressions Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 60 Pathsusedto “navigate” items and properties Evaluating .author.labelon “Da Vinci code” returns "Dan Brown” Evaluating !author.labelon "Dan Brown” returns the titles of his book Evaluating .attends!teaches.ageon the student of a course returns the age of the teacher Paths can also start with a predefined variable: value: current item or vakue index: the index of the current item or value in a sequence of items or values value.author.nationalityequals to .author.nationality
67. Facets Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 61 Properties of items can beusedtofilter/searchthem E.g. <divex:role="facet" ex:facetClass="Cloud" ex:expression=".subject"> </div> List facet Tag cloud Hierarchical facet Slider (numerical ranges) Calendar (range of dates) Image facet Keyword-based search The values of the same facet are combined disjuctively
68. Views Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 62 Differentwaysfordisplaying the collection of items E.g. <divex:role="view" ex:viewClass="Map" ex:latlng=".latlng" > </div> List Thumbnails Table Timeline (displaying according to time) Scatterplot, matrix table, etc.
69. Multivariate graduatedsymbolmaps Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 63 Multivariate graduatedsymbolmapsneed some tricks: Associate itemswith a certainpropertyvalue in a given area to a certainplaceholder {label: "Musei Lombardy“, type: "RegSet", region: "Lombardy“, lat: "45.7791", lng: "9.84524"} Use the placeholdercoordinatesto display all the associateditems in the samepoint Exhibit code ismodifiedtochange the size of the markedaccordingto the number of items
70. Getgeographical data from Google Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 64 Google GeoCoding web service http://maps.google.com/maps/api/geocode/json?address=your+location&sensor=false Examples http://maps.google.com/maps/api/geocode/json?address=friuli+venezia+giulia&sensor=false Centroid of the region (or exact location): "location": { "lat": 45.7388878, "lng": 7.4261866 } Boundingrectangle: "bounds": {"southwest": {"lat": 45.4671101, "lng": 6.8008598 }, "northeast": {"lat": 45.9878767, "lng": 7.9399057 } }
71. Calculatingplaceholderscoordinates | 1 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 65 Regionswith centroid at coordinates (long) and (lat) Number of facetvalues: Rotation: Radius (constant)
72. Calculatingplaceholderscoordinates | 2 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 66 Foreachregion Foreachfacetvalue in Set coordinates of the placeholder: Longitude Latitude
73. Lenses Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 67 Differentwaysfordisplaying the single item preview <divclass="search_collectionItem" ex:role="lens" style="display:none;"> <h3><a ex:href-content=“.url"><span ex:content=".label"></span></a></h3> <divclass=“item-content“><img ex:src-content=".imageURL" /> Civilizations and Periods: <span ex:content=".topic""></span> Location: <span ex:content=".inside.province""></span>, <span ex:content=".inside.superset.region""></span></div> <p ex:if-exists=".abstract"><span ex:content=".abstract"></span></p> </div>
74. References Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 68 http://www.simile-widgets.org/exhibit/ http://simile.mit.edu/wiki/Exhibit/For_AuthorsMandatory! Huynh, D. F., Karger, D. R. & Miller R. C. (2007). Exhibit: Lightweight structured data publishing. Proceedings of the 16th International WWW Conference, 737–746.
75. Your project Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo 69 Identify a smallcollection of itemsconnectedto the topic of your narrative E.g. tourism in yourcountry mostimportantplaces Approximately 20 itemsforeachcomponent of the group Don’t focus on the content of the single item (you can retrieveitfrom the web), but… Focus on multifacetedclassufication: chooseinterestingfacets Decide visualization At least 2 interestingviews More viewsforlargergroups UseExhibit (contact me forsupport)
76. Interested in MS Theses? Contactus! :-) Advisors: Prof. Di Blas, Prof. Paolini Boththeoretical and development Fuzzyfacets Semanticbrowsing Advancedvisualizations … Yourownideas! :-) 70 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences
77. Are youstillalive/awake? Thankyouforyourattention! Anyfinalquestions? 71 Information and Communication Quality | Multifaceted Classification and Visualization for Exploratory Experiences | L. Spagnolo