Inroductional lecture of Module Digital. A collaboration between Higher School of Economics Moskou, Polytechnic Museum Moskou and Reinwardt Academy Amsterdam.
Posicionamiento diputado Juan José Álvarez Brunel DiputadosPANGto
En Guanajuato existe un Clima de Negocios orientado a la Innovación y al espíritu empresarial fértil para inversionistas que deseen instalarse o ampliar sus operaciones en nuestro estado.
Posicionamiento diputado Juan José Álvarez Brunel DiputadosPANGto
En Guanajuato existe un Clima de Negocios orientado a la Innovación y al espíritu empresarial fértil para inversionistas que deseen instalarse o ampliar sus operaciones en nuestro estado.
Certificazione delle competenze. Germana SimeoneDigital-Coach.it
Certificazione delle competenze. Germana Simeone
Master Web & Social Media Marketing
https://www.digital-coach.it/master/master-web-marketing-e-social-media/
Strategies against architecture: building a 'museum of the future' / Remix Sy...Seb Chan
Keynote presentation delivered at Remix Sydney, June 2015.
Title is derived from an article in The Atlantic, Jan 2015 - http://theatln.tc/1K0zXQs
Lustig/Fast Company quotes are from - http://bit.ly/1FoS8ZR
Longer background technical paper at http://bit.ly/1LhwSNX
Digital approaches for the arts - 2013 - Unthinkable ConsultingJustinSpooner
A set of slides from my talk for IT4Arts in February 2013. The focus of the talk was to look at a range of digital approaches that organisations and artists have used over the last few years and consider how we might apply the lessons learnt to our future activity. I have included some speaker's as part of the slides so that it makes more sense a stand-alone piece of content.
Justin Spooner - Director - Unthinkable Consulting
Closing keynote given at EuropeanaTech 2015 at the Bibliotheque Nationale de France, Paris, 13 February 2015.
The talk introduced the choices made in embedding digital experiences at the heart of both the Cooper Hewitt's online and in-museum experiences, before positing that these are now the base level for a museum. Much of these choices were made at both the API and interface levels but have impacted the way in which visitors to both the website and museum behave. It closes with a caution that even these changes aren't enough to deal with the challenges of digital-born objects that will increasingly become part of every museum's collection (and hence also pose challenges for national and transnational aggregators like Europeana.
Keynote address for the cultural heritage hackathon Coding da Vinci Schleswig-Holstein, 11 June 2021
https://codingdavinci.de/de/events/schleswig-holstein
@CdVSH21
@codingdavinci
Cover slide: still from Lucio Arese, Les Dieux Changeants, 2021 https://www.youtube.com/watch?v=rAHmAj0QrHk&t=1s
Keynote given at ELAG2016 (European Library Automation Group) EXIT conference
7 June 2016, The Royal Library, Copenhagen
http://elag2016.org/
#elag2016
Curating new media in a gaming room, Transmediale 2003Isabelle Arvers
This conference was given at Transmediale in 2003 about Playtime, the gaming room of Villette Numerique, it explains why I confrontated video and computer games from the past from the present and created by artists.
From Interaction & Exhibition Design to Service Design in MuseumsSeb Chan
Presented at UX Australia's Service Design 2016, Melbourne, March 2016 and covering work previously done for Powerhouse Museum (Sydney), Cooper Hewitt (NYC), and at ACMI (Melbourne).
The last 10 years have been tough for Russian civil society: rotation of political power was violated by the ruling regime. Opposition politicians became persecuted. Freedom of speech, freedom of expression, freedom of the media are roughly constrained by the new laws. Because of constant suppression, people are afraid to show their political opinion or to support opposition movements.
Under these complicated conditions, one of the social groups got a chance to serve a voice of liberation – digital media artists. Their hidden messages are sometimes elusive for the government so that the message eludes people in power and goes directly to the receivers. In the end, digital media artists can become a voice of freedom and unite the people for a bigger social change.
Certificazione delle competenze. Germana SimeoneDigital-Coach.it
Certificazione delle competenze. Germana Simeone
Master Web & Social Media Marketing
https://www.digital-coach.it/master/master-web-marketing-e-social-media/
Strategies against architecture: building a 'museum of the future' / Remix Sy...Seb Chan
Keynote presentation delivered at Remix Sydney, June 2015.
Title is derived from an article in The Atlantic, Jan 2015 - http://theatln.tc/1K0zXQs
Lustig/Fast Company quotes are from - http://bit.ly/1FoS8ZR
Longer background technical paper at http://bit.ly/1LhwSNX
Digital approaches for the arts - 2013 - Unthinkable ConsultingJustinSpooner
A set of slides from my talk for IT4Arts in February 2013. The focus of the talk was to look at a range of digital approaches that organisations and artists have used over the last few years and consider how we might apply the lessons learnt to our future activity. I have included some speaker's as part of the slides so that it makes more sense a stand-alone piece of content.
Justin Spooner - Director - Unthinkable Consulting
Closing keynote given at EuropeanaTech 2015 at the Bibliotheque Nationale de France, Paris, 13 February 2015.
The talk introduced the choices made in embedding digital experiences at the heart of both the Cooper Hewitt's online and in-museum experiences, before positing that these are now the base level for a museum. Much of these choices were made at both the API and interface levels but have impacted the way in which visitors to both the website and museum behave. It closes with a caution that even these changes aren't enough to deal with the challenges of digital-born objects that will increasingly become part of every museum's collection (and hence also pose challenges for national and transnational aggregators like Europeana.
Keynote address for the cultural heritage hackathon Coding da Vinci Schleswig-Holstein, 11 June 2021
https://codingdavinci.de/de/events/schleswig-holstein
@CdVSH21
@codingdavinci
Cover slide: still from Lucio Arese, Les Dieux Changeants, 2021 https://www.youtube.com/watch?v=rAHmAj0QrHk&t=1s
Keynote given at ELAG2016 (European Library Automation Group) EXIT conference
7 June 2016, The Royal Library, Copenhagen
http://elag2016.org/
#elag2016
Curating new media in a gaming room, Transmediale 2003Isabelle Arvers
This conference was given at Transmediale in 2003 about Playtime, the gaming room of Villette Numerique, it explains why I confrontated video and computer games from the past from the present and created by artists.
From Interaction & Exhibition Design to Service Design in MuseumsSeb Chan
Presented at UX Australia's Service Design 2016, Melbourne, March 2016 and covering work previously done for Powerhouse Museum (Sydney), Cooper Hewitt (NYC), and at ACMI (Melbourne).
The last 10 years have been tough for Russian civil society: rotation of political power was violated by the ruling regime. Opposition politicians became persecuted. Freedom of speech, freedom of expression, freedom of the media are roughly constrained by the new laws. Because of constant suppression, people are afraid to show their political opinion or to support opposition movements.
Under these complicated conditions, one of the social groups got a chance to serve a voice of liberation – digital media artists. Their hidden messages are sometimes elusive for the government so that the message eludes people in power and goes directly to the receivers. In the end, digital media artists can become a voice of freedom and unite the people for a bigger social change.
Similar to Msc introduction module_digital_2015 (16)
Sustainable Development Goals and Values for MuseumErfgoed 2.0
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the GIVE board (social Goals, Idea&Identity, Values, Engagement / empathy / Education, previously known as -SET-) will help you with your organisation's identity, social (responsibility) approach, communication and supporting storytelling, based on core values and sustainable development goals, by discussing why and how to build relations, attract followers / fans and make your efforts profitable. The GIVE model will be part of the Ready SET Go! handbook, which is (still) a work in progress.
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0x01 - Newton's Third Law: Static vs. Dynamic AbusersOWASP Beja
f you offer a service on the web, odds are that someone will abuse it. Be it an API, a SaaS, a PaaS, or even a static website, someone somewhere will try to figure out a way to use it to their own needs. In this talk we'll compare measures that are effective against static attackers and how to battle a dynamic attacker who adapts to your counter-measures.
About the Speaker
===============
Diogo Sousa, Engineering Manager @ Canonical
An opinionated individual with an interest in cryptography and its intersection with secure software development.
Sharpen existing tools or get a new toolbox? Contemporary cluster initiatives...Orkestra
UIIN Conference, Madrid, 27-29 May 2024
James Wilson, Orkestra and Deusto Business School
Emily Wise, Lund University
Madeline Smith, The Glasgow School of Art
This presentation by Morris Kleiner (University of Minnesota), was made during the discussion “Competition and Regulation in Professions and Occupations” held at the Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found out at oe.cd/crps.
This presentation was uploaded with the author’s consent.
22. Titel:
Brandewijnkom met op de welving van de
voet een golvende bladerrank met enkele
bloemen op zeer lange, getorste stelen
Vervaardiger: onbekend
Soort object: brandewijnskom
Vervaardigings
datum:
1780
Vervaardiging
plaats:
Sneek
Afmeting:
hoogte: 8.7 cm, breedte: 13.0 cm, lengte:
27.5 cm, gewicht: 239.0 gr, gedreven,
gegoten, gegraveerd
Materiaal: zilver
Techniek: gedreven; gegoten; gegraveerd
Identificatie: Z1946-248