The document discusses the creation of a trailer, magazine cover, and film poster for a psychological thriller. It notes that while the trailer followed many genre conventions, it broke some by including a character voiceover instead of dialogue. The magazine cover was largely conventional in layout but the film poster took an unconventional approach with an ambiguous close-up image. Feedback was generally positive and led to improvements. A variety of media technologies were used for research, documentation, and construction of the projects.
The document summarizes the key elements of a trailer the author created called "The Watcher". It begins with an overview of the narrative which follows a man seeking revenge for his dead relatives with the help of the titular Watcher. It then details the various shot types, editing techniques, soundtrack, visual style, and representation in the trailer. The goal is to intrigue viewers about the plot while leaving many details ambiguous as is common for teaser trailers.
The document summarizes a magazine front cover design featuring a man with long black hair looking slightly past the viewer against a black background with a red bold title and smaller colored cover lines. Key details include the inspiration from an Empire magazine cover, use of colors and layout to grab attention, and inclusion of typical magazine elements like the issue number and barcode.
Cercle des jeunes philanthrope du Musée des Beaux-Arts de MontréalFolklore
Première présentation au Cercle des jeunes philanthrope du Musée des Beaux-Arts de Montréal. Le projet consiste à former une communauté restrictive qui favorise le rayonnement et le financement du Musée des Beaux-Arts de Montréal.
The document discusses the creation of a trailer, magazine cover, and film poster for a psychological thriller. It notes that while the trailer followed many genre conventions, it broke some by including a character voiceover instead of dialogue. The magazine cover was largely conventional in layout but the film poster took an unconventional approach with an ambiguous close-up image. Feedback was generally positive and led to improvements. A variety of media technologies were used for research, documentation, and construction of the projects.
The document summarizes the key elements of a trailer the author created called "The Watcher". It begins with an overview of the narrative which follows a man seeking revenge for his dead relatives with the help of the titular Watcher. It then details the various shot types, editing techniques, soundtrack, visual style, and representation in the trailer. The goal is to intrigue viewers about the plot while leaving many details ambiguous as is common for teaser trailers.
The document summarizes a magazine front cover design featuring a man with long black hair looking slightly past the viewer against a black background with a red bold title and smaller colored cover lines. Key details include the inspiration from an Empire magazine cover, use of colors and layout to grab attention, and inclusion of typical magazine elements like the issue number and barcode.
Cercle des jeunes philanthrope du Musée des Beaux-Arts de MontréalFolklore
Première présentation au Cercle des jeunes philanthrope du Musée des Beaux-Arts de Montréal. Le projet consiste à former une communauté restrictive qui favorise le rayonnement et le financement du Musée des Beaux-Arts de Montréal.
The document discusses the development of a psychological thriller plot involving themes of death, the mind, and revenge. The plot involves a man whose loved ones were murdered seeking revenge with the help of an imaginary "guardian angel" known as The Watcher. Following a typical three-act narrative structure, the plot setup introduces the characters and situation, the conflict involves clashes as the man and The Watcher confront the criminals, and the resolution reveals that The Watcher was imagined and the man has become insane and is arrested after achieving his revenge. For a movie trailer, only scenes from the setup and conflict would be shown to attract viewers without revealing the plot twist resolution.
The document discusses the various media technologies used to carry out and document a research project. These included Microsoft PowerPoint, Word, Excel, YouTube, Vimeo, Google Search, Photoshop, iMovie, and GarageBand. PowerPoint was used to document work. Excel and Word were used to construct graphs of questionnaire results. YouTube and Vimeo were used to view examples. Google Search allowed for quick research. Photoshop was used for planning and construction. iMovie and GarageBand were used to construct video and audio elements. PowerPoint was also used to evaluate the work.
The document discusses casting choices for a psychological thriller film. It selects Simon Pepper, a 23-year-old pale male with long dark hair, to play the mysterious main character called The Man. Stephen Claxton, a 26-year-old male who provides a visual contrast, is chosen to play the sinister Watcher character. Minor criminal roles are chosen to be played by Ashley Quinton and Jamie Read, while family members will be portrayed by the document author's own family and friends.
A storyboard is a visual planning tool used by filmmakers to previsualize scenes and shots in a project. The document discusses how storyboards can range in detail and provides an example of a storyboard the author created for their trailer, with the goal of having a visual blueprint to reference while filming.
The document summarizes feedback from test audiences on two teaser trailers created by the author - one with just music and one with dialogue, music, and captions. The audiences found the trailer with additional elements to be more clear and engaging. They provided positive feedback on the music, effects, transitions, pace, and captions in the stronger trailer. Areas for improvement in the first trailer included slow pacing and lack of context without dialogue.
The document summarizes the research done on costuming in psychological thriller films. It discusses how costumes in films like Dead Man's Shoes and Funny Games were casual, except for the antagonists in Funny Games who dressed like characters from A Clockwork Orange. Jacob's Ladder used makeup and prosthetics to make visions appear terrifying. Sketches were made of planned costumes for concepts like "The Man" and "The Watcher" to reference while shopping, though ideas may change, taking into account understated styles used in other thrillers.
The poster depicts a white woman with blonde hair and blue eyes crying against a black background. Her picture stands out through deep shadows and bright eyes. The unusual text layout and white text against her skin tone sacrifices efficiency for an artistic style. The title is in bold but smaller than typical posters. The tagline "You bought this on yourself" leaves the viewer wondering what was bought and why the woman is upset, encouraging them to watch the movie for answers.
Long-métrage de science-fiction réalisé par Félix Brassier avec la collaboration des collectifs URTICAES, Art.35mm et l'association L'Écran & Son Double.
I received feedback from questionnaires, peers, and teachers on my work, which prompted me to make changes to appeal to a wider audience rather than just myself. The anonymous questionnaire feedback was more brutally honest than feedback from peers. The audience feedback led to significant changes being made to the work, especially print pieces, showing the importance of receiving input from others.
The poster uses a dark black background with red and white text and images to convey a sense of darkness, death, and the unknown. A close-up of a man's warped and blurred face with light skin contrasting against the black background references a special effect in the film. The red title and tagline are eye-catching while the white text and credits are easy to read against the dark background.
1) The document discusses the creation of an ident, or logo, for a film studio called Fenris Studios.
2) Key aspects of other film company idents like Universal and Dreamworks were analyzed for conventions.
3) The ident created features a silhouette of a wolf howling on a rock with the words "fenris STUDIOS" below in different case letters, inspired by Momentum Pictures.
4) The ident was designed in Photoshop and uses a free clipart wolf image to reflect the dark nature of films the studio will produce.
The document discusses three promotional products - a trailer, poster, and magazine cover - for a film. It notes that all three products feature the main character, a beach setting, and dark imagery. Specific continuity elements that link the products together include the main character wearing the same costume, using the same section of beach as a background, and similar color schemes. The document concludes that the trailer, poster, and magazine work well together to promote the film.
Forms and conventions are important for defining products and genres. The document discusses how the film trailer and promotional materials for a psychological thriller film both follow and break common conventions. The trailer follows conventions such as a clear protagonist, dramatic conflict, and appropriate shots, music, and captions. However, it breaks conventions by using a character voiceover instead of dialogue and omitting company logos. The magazine cover closely adheres to conventions, while the film poster uses an ambiguous, colorful design that differs from typical thriller posters to add mystery.
ASFA - Organisation et Méthodologie du projet COLSAFrédéric Sagez
Suite au nouveau schéma directeur pour 2016 du comité de direction, l’Association Nationale pour la Formation Automobile (OPCA basée à Sèvres qui organisme et finance les formations pour les entreprises situées dans le secteur automobile) a demandé à son service support, l’ASFA de veiller à la mise en œuvre et à la cohérence du SI pour les prochaines opérations de collecte de taxe d’apprentissage et de formation continue.
J’interviens dans le cadre de la mise en place du projet de refonte des applicatifs du SI en y apportant de la méthodologie, de l’organisation avec comme première mission d’unifier le Back Office avec les différentes entités. (ASFA, ANFA et le GNFA)
Cette présentation à pour but de décrire la futur organisation pour le développement de nouvelles applications dans le SI tout en privilégiant le Métier.
This shooting schedule aims to organize props, locations, and actors to make filming easier. It will be distributed to all actors so they know which days to attend the shoot. The creator based the format on the schedule for "Mad Max" which they found straightforward and easy to understand for distribution amongst the crew.
The document discusses the plot development and narrative structure of a story. The plot involves a man seeking revenge against criminals who murdered his loved ones. He encounters a strange man called The Watcher who promises to help with his vengeance. The narrative structure is outlined as having three acts: setup introducing characters and problem, conflict being the main story events, and resolution solving the problem. The plot is analyzed in terms of this structure with setup, conflict, and resolution phases described. For a trailer, only the setup and conflict would be shown to attract viewers without revealing the resolution twist.
The document appears to be a log entry from a security system, recording an event that occurred on January 12, 2011 at 8:45 PM. No other context or details are provided about the location, people involved, or nature of the event.
The document discusses the development of a psychological thriller plot involving themes of death, the mind, and revenge. The plot involves a man whose loved ones were murdered seeking revenge with the help of an imaginary "guardian angel" known as The Watcher. Following a typical three-act narrative structure, the plot setup introduces the characters and situation, the conflict involves clashes as the man and The Watcher confront the criminals, and the resolution reveals that The Watcher was imagined and the man has become insane and is arrested after achieving his revenge. For a movie trailer, only scenes from the setup and conflict would be shown to attract viewers without revealing the plot twist resolution.
The document discusses the various media technologies used to carry out and document a research project. These included Microsoft PowerPoint, Word, Excel, YouTube, Vimeo, Google Search, Photoshop, iMovie, and GarageBand. PowerPoint was used to document work. Excel and Word were used to construct graphs of questionnaire results. YouTube and Vimeo were used to view examples. Google Search allowed for quick research. Photoshop was used for planning and construction. iMovie and GarageBand were used to construct video and audio elements. PowerPoint was also used to evaluate the work.
The document discusses casting choices for a psychological thriller film. It selects Simon Pepper, a 23-year-old pale male with long dark hair, to play the mysterious main character called The Man. Stephen Claxton, a 26-year-old male who provides a visual contrast, is chosen to play the sinister Watcher character. Minor criminal roles are chosen to be played by Ashley Quinton and Jamie Read, while family members will be portrayed by the document author's own family and friends.
A storyboard is a visual planning tool used by filmmakers to previsualize scenes and shots in a project. The document discusses how storyboards can range in detail and provides an example of a storyboard the author created for their trailer, with the goal of having a visual blueprint to reference while filming.
The document summarizes feedback from test audiences on two teaser trailers created by the author - one with just music and one with dialogue, music, and captions. The audiences found the trailer with additional elements to be more clear and engaging. They provided positive feedback on the music, effects, transitions, pace, and captions in the stronger trailer. Areas for improvement in the first trailer included slow pacing and lack of context without dialogue.
The document summarizes the research done on costuming in psychological thriller films. It discusses how costumes in films like Dead Man's Shoes and Funny Games were casual, except for the antagonists in Funny Games who dressed like characters from A Clockwork Orange. Jacob's Ladder used makeup and prosthetics to make visions appear terrifying. Sketches were made of planned costumes for concepts like "The Man" and "The Watcher" to reference while shopping, though ideas may change, taking into account understated styles used in other thrillers.
The poster depicts a white woman with blonde hair and blue eyes crying against a black background. Her picture stands out through deep shadows and bright eyes. The unusual text layout and white text against her skin tone sacrifices efficiency for an artistic style. The title is in bold but smaller than typical posters. The tagline "You bought this on yourself" leaves the viewer wondering what was bought and why the woman is upset, encouraging them to watch the movie for answers.
Long-métrage de science-fiction réalisé par Félix Brassier avec la collaboration des collectifs URTICAES, Art.35mm et l'association L'Écran & Son Double.
I received feedback from questionnaires, peers, and teachers on my work, which prompted me to make changes to appeal to a wider audience rather than just myself. The anonymous questionnaire feedback was more brutally honest than feedback from peers. The audience feedback led to significant changes being made to the work, especially print pieces, showing the importance of receiving input from others.
The poster uses a dark black background with red and white text and images to convey a sense of darkness, death, and the unknown. A close-up of a man's warped and blurred face with light skin contrasting against the black background references a special effect in the film. The red title and tagline are eye-catching while the white text and credits are easy to read against the dark background.
1) The document discusses the creation of an ident, or logo, for a film studio called Fenris Studios.
2) Key aspects of other film company idents like Universal and Dreamworks were analyzed for conventions.
3) The ident created features a silhouette of a wolf howling on a rock with the words "fenris STUDIOS" below in different case letters, inspired by Momentum Pictures.
4) The ident was designed in Photoshop and uses a free clipart wolf image to reflect the dark nature of films the studio will produce.
The document discusses three promotional products - a trailer, poster, and magazine cover - for a film. It notes that all three products feature the main character, a beach setting, and dark imagery. Specific continuity elements that link the products together include the main character wearing the same costume, using the same section of beach as a background, and similar color schemes. The document concludes that the trailer, poster, and magazine work well together to promote the film.
Forms and conventions are important for defining products and genres. The document discusses how the film trailer and promotional materials for a psychological thriller film both follow and break common conventions. The trailer follows conventions such as a clear protagonist, dramatic conflict, and appropriate shots, music, and captions. However, it breaks conventions by using a character voiceover instead of dialogue and omitting company logos. The magazine cover closely adheres to conventions, while the film poster uses an ambiguous, colorful design that differs from typical thriller posters to add mystery.
ASFA - Organisation et Méthodologie du projet COLSAFrédéric Sagez
Suite au nouveau schéma directeur pour 2016 du comité de direction, l’Association Nationale pour la Formation Automobile (OPCA basée à Sèvres qui organisme et finance les formations pour les entreprises situées dans le secteur automobile) a demandé à son service support, l’ASFA de veiller à la mise en œuvre et à la cohérence du SI pour les prochaines opérations de collecte de taxe d’apprentissage et de formation continue.
J’interviens dans le cadre de la mise en place du projet de refonte des applicatifs du SI en y apportant de la méthodologie, de l’organisation avec comme première mission d’unifier le Back Office avec les différentes entités. (ASFA, ANFA et le GNFA)
Cette présentation à pour but de décrire la futur organisation pour le développement de nouvelles applications dans le SI tout en privilégiant le Métier.
This shooting schedule aims to organize props, locations, and actors to make filming easier. It will be distributed to all actors so they know which days to attend the shoot. The creator based the format on the schedule for "Mad Max" which they found straightforward and easy to understand for distribution amongst the crew.
The document discusses the plot development and narrative structure of a story. The plot involves a man seeking revenge against criminals who murdered his loved ones. He encounters a strange man called The Watcher who promises to help with his vengeance. The narrative structure is outlined as having three acts: setup introducing characters and problem, conflict being the main story events, and resolution solving the problem. The plot is analyzed in terms of this structure with setup, conflict, and resolution phases described. For a trailer, only the setup and conflict would be shown to attract viewers without revealing the resolution twist.
The document appears to be a log entry from a security system, recording an event that occurred on January 12, 2011 at 8:45 PM. No other context or details are provided about the location, people involved, or nature of the event.
The document summarizes a media product created by the author - a music magazine covering the extreme metal genre called "Carnage". The magazine's front cover, contents page, and a double page article spread were designed to adhere to conventions of similar existing metal magazines while also incorporating some unconventional elements. The magazine is meant to represent the social group of "metalheads" - mainly white, educated males in their teens and twenties who are fans of heavy metal music. Images used on the cover and article feature a female metal musician in corpse paint to attract attention yet also represent women within the male-dominated genre.
The document discusses the use of new media technologies in creating and documenting a media project. It summarizes using blogs, Vimeo, SlideShare, Google, Microsoft PowerPoint, Word, Excel, YouTube, Photoshop, iMovie, GarageBand, and InDesign to conduct research, construct questionnaires, storyboards, a movie poster, magazine cover, and movie trailer, and evaluate the work.
The document summarizes the results of a questionnaire conducted at a cinema to identify the target audience for a psychological thriller film. The questionnaire found that males were more likely than females to enjoy psychological thrillers, and that young adult men between ages 16-25 were the most likely viewers. An analysis of existing thriller trailers revealed they primarily featured white male protagonists with few or no female or minority characters. Based on this research, the identified target audience for the new film is white males aged 16-25.
The document summarizes the key elements of a trailer the author created called "The Watcher". It describes the narrative which follows a man on a beach contemplating revenge, and his meeting with the titular character "The Watcher" who offers to help. It then analyzes the technical aspects of the trailer such as shot types, editing, soundtrack, and representation.
The document discusses the conventions used and broken in a psychological thriller trailer, magazine cover, and film poster created by the author. For the trailer and magazine cover, the author largely followed genre conventions, such as including a clear protagonist and building tension in the trailer. However, the trailer broke conventions by using a character voiceover instead of dialogue. The film poster took a more ambiguous and unconventional approach compared to typical thriller posters by using a close-up shot with an ambiguous expression and stormy backdrop.
Party Photo Booth Prop Trends to Unleash Your Inner StyleBirthday Galore
Are you planning an unforgettable event and looking for the best photo booth props to make it a memorable night? Party photo booth props have become essential to any celebration, allowing guests to capture priceless memories and express their personalities. Here, we'll explore the hottest party photo booth prop trends that will unleash your inner style and create a buzz-worthy experience with Birthday Galore!
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How OTT Players Are Transforming Our TV Viewing Experience.pdfGenny Knight
The advent of Over-The-Top (OTT) players has brought a seismic shift in the television industry, transforming how we consume media. These digital platforms, which deliver content directly over the internet, have outpaced traditional cable and satellite television, offering unparalleled convenience, variety, and personalization. Here’s an in-depth look at how OTT players are revolutionizing the TV viewing experience.
The Midnight Sculptor.pdf writer by Ali alsiadali345alghlay
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
Sara Saffari: Turning Underweight into Fitness Success at 23get joys
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
HD Video Player All Format - 4k & live streamHD Video Player
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
You know you're an adult when every check-up gets you down. View What Going to the Doctor is Like as an Adult and more funny posts on salty vixen stories & more-saltyvixenstories.com
3. Overview
My poster’s foreground denotes a close up of a
white man with long, black hair looking at the
viewer.
My poster’s background denotes a stormy looking
beach.
There is a large headline, accompanied by a
tagline and a date of release. There is a small
ident for Fenris Studios beneath the release date
and a website name in each of the bottom
corners. At the top of the poster, there are three,
evenly spaced actor names.
4. Stormy
Analysis background is
dramatic and
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long black hair. attention as the
Black has grey-blue sky
connotations of evil and orange-
and contrasts with brown sand are
the actor’s pale colour
skin, which makes compliments.
the picture stiking. The
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mysterious, uncertainty and
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happenings in the
film.
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poster fit move it, again hinting
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date – this is a
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