Short Story Critical Paper Assignment Page count 3-4.docxAASTHA76
Short Story Critical Paper Assignment
Page count
: 3-4 pages
Format:
MLA, double-spaced, 12-point font
Required sources
: The short stories we’ve read to date
Now that we have nearly completed the short fiction unit of this course, it’s time to get to work on your critical papers.
The goal of a “lens analysis” essay or critical paper is
not
to simply compare and contrast two or three works of literature, but to put them in conversation with one another. We aren’t necessarily interested in how two or three particular stories contrast (because
every
story is different in a myriad of ways). We’re interested in looking at the ways the stories and their writers illuminate one another, how elements of craft and author intention are evident across multiple works of literature, and we’re interested in seeing how these elements of craft work to create different effects and create meaning in many works of literature.
Start your paper by formulating a two or three-sentence thesis statement or
argument
. You must then pull no less than
two quotes
from each story or text, passages of the story that serve as evidence to your thesis/argument.
You may choose one of the following essay topics (or another idea altogether) to address in your paper:
Character:
Choose protagonists (main characters) from two or three of the stories we’ve read. What does the protagonist most want? Make an argument. Who or what is in his/her way (antagonist)? Why is this a source of conflict or tension for him/her? What is the crisis? How does the climax or ending give you more insight into the meaning of the character’s desires and the overall theme(s) of the story? How do those desires change throughout the story?
Detail & Description and Imagery:
What sensory details make the world of the characters in these stories come alive? How is description working to affect meaning? What does the imagery add to the sensory in terms of emotional associations it brings to the text? Does the image recur (i.e. “the things they carried”)? If so, how does this repetition work to create meaning or enhance theme? Do you notice any
objective correlatives, metaphors
or examples of
personification
that enhance or affect meaning? Pick two different passages in each story you choose, and discuss how the writer’s choice of details and imagery helps characterize a place or a person, suggesting something that goes unstated (subtext) in the themes.
Subtext:
What goes unsaid in the dialogue and how does the writer give us hints to this subtext? Choose
at least
two passages of description of action or dialogue from two different stories and “read between the lines.” How are character gestures, imagery and/or metaphor working to help you “read between the lines” or uncover the subtext and Hemingway’s
Iceberg Theory.
What do you think is the purpose of subtext? What effect does subtext have on the reader?
Point of View and Voice:
How does the author’s use of sty.
Short Story Critical Paper Assignment Page count 3-4.docxAASTHA76
Short Story Critical Paper Assignment
Page count
: 3-4 pages
Format:
MLA, double-spaced, 12-point font
Required sources
: The short stories we’ve read to date
Now that we have nearly completed the short fiction unit of this course, it’s time to get to work on your critical papers.
The goal of a “lens analysis” essay or critical paper is
not
to simply compare and contrast two or three works of literature, but to put them in conversation with one another. We aren’t necessarily interested in how two or three particular stories contrast (because
every
story is different in a myriad of ways). We’re interested in looking at the ways the stories and their writers illuminate one another, how elements of craft and author intention are evident across multiple works of literature, and we’re interested in seeing how these elements of craft work to create different effects and create meaning in many works of literature.
Start your paper by formulating a two or three-sentence thesis statement or
argument
. You must then pull no less than
two quotes
from each story or text, passages of the story that serve as evidence to your thesis/argument.
You may choose one of the following essay topics (or another idea altogether) to address in your paper:
Character:
Choose protagonists (main characters) from two or three of the stories we’ve read. What does the protagonist most want? Make an argument. Who or what is in his/her way (antagonist)? Why is this a source of conflict or tension for him/her? What is the crisis? How does the climax or ending give you more insight into the meaning of the character’s desires and the overall theme(s) of the story? How do those desires change throughout the story?
Detail & Description and Imagery:
What sensory details make the world of the characters in these stories come alive? How is description working to affect meaning? What does the imagery add to the sensory in terms of emotional associations it brings to the text? Does the image recur (i.e. “the things they carried”)? If so, how does this repetition work to create meaning or enhance theme? Do you notice any
objective correlatives, metaphors
or examples of
personification
that enhance or affect meaning? Pick two different passages in each story you choose, and discuss how the writer’s choice of details and imagery helps characterize a place or a person, suggesting something that goes unstated (subtext) in the themes.
Subtext:
What goes unsaid in the dialogue and how does the writer give us hints to this subtext? Choose
at least
two passages of description of action or dialogue from two different stories and “read between the lines.” How are character gestures, imagery and/or metaphor working to help you “read between the lines” or uncover the subtext and Hemingway’s
Iceberg Theory.
What do you think is the purpose of subtext? What effect does subtext have on the reader?
Point of View and Voice:
How does the author’s use of sty.
Term Definition Allegory an extended symbol that lasts for.docxbradburgess22840
Term Definition
Allegory an extended symbol that lasts for the duration of the entire narrative
Alliteration
repetition of consonant sounds; (try to trick ten tiny teens) or Peter Piper picked a pack of
pickeled peppers.
Allusion a reference to something else
Archetypes symbolic elements that recur in different cultures
Assonance repetition of vowel sounds; (Owls owe our only ounce)
Author The person who wrote the text.
Diction Word Choice, determines tone
Dynamic character changes over time
First-person singular narrator
Internal; narrator uses the first person pronoun “I”
(first-person plural- “we”, less common)
Flat Character Behaves in an expected manner
Foil a character held up consistently as a contrast to another character.
Foreshadowing clues as to what is to come ahead
Illusion like a mirage or a ghost, a vision that is not real
In media res in the middle of things
Irony
when the intended meaning is the opposite to what is written or said.
(It says one thing but means the reverse)
Limited narrator external; access to thoughts and feelings of one character.
Metaphor More explicit comparison (she is the sun)
Narrative a story, whether true or fictional, that is told by a narrator
Narrator The person in the text who tells the story.
Omniscient narrator external; has access to thoughts and feelings of all characters.
Onomatopoeia words that sound like what they mean (splish splash)
Oxymoron a combination of contradictory ideas (wise fool)
Personification An inanimate object displays human behavior. (The rock talks)
Round Character Has a psychological complexity
Second person narrator
could be internal or external. Addresses “you”. Less common.
Turns reader into character in story.
Simile comparison using like or as; She is like the sun.
Static Character remains the same over time
Stock character represent a "type," often like a cliché
Symbol something that stands for something else
Syntax Sentence structure
Third-person narrator
External; refers to all characters through pronouns he, she, they.
Narrator is not a character in the action.
Tone writer's attitude toward
Unreliable narrator
often a 1
st
person narrator is unreliable.
Unknowingly reveals character flaws.
RHET 1302
Essay #1: Rhetorical Analysis
Submit: Upload online through the TurnItIn assignment button
The submission button will not be visible until the week before the assignment is due
You will also upload your draft this way
Length: 3-4 FULL pages with Works Cited (Works Cited does not count towards page total)
Sources: One speech
Points: Final (100 points), Full Draft (20 points)
Purpose: Rhetoric is the art of effective communication, or as Aristotle stated, “the ability to see or
identify in any given circumstance the available means of persuasion.” In Rhetoric, we focus on “how”
people are communicating rather than simply what they are saying. This.
or your third Individual Project, you will be writing an essay of .docxMARRY7
or your third Individual Project, you will be writing
an essay of 1,000 words or more about two additional poems from the assigned reading list
. Please select two works from the list of fifteen—excluding the one you already reflected on in Part A of the Phase 3 DB assignment—and answer the questions below. Again, be sure to begin your paper with an engaging introduction and clear thesis statement, develop each point in the body of your paper using examples and quotes from the poems, and conclude your paper with a restatement of your thesis and closing remarks. Also, make sure you maintain your credibility by including in-text citations and a reference list correctly formatted in APA style.
Imagery: What visual images can you identify in both poems? Comment on the details you notice about objects, places, people, colors, textures and so forth. Which of your other senses are stimulated by the poets’ descriptions?
Figures of Speech: List the specific metaphors, similes, puns and other figures of speech each poet uses and how they contribute to the poem’s overall meaning. (Remember, figurative language is not literal but rather suggestive of something else. For example, the metaphor, “Jack is a pig,” is not a reference to an actual animal with hooves but rather someone named Jack who has pig-like qualities or mannerisms.)
Symbolism: Identify the symbols you notice in each poem. What abstract concepts (e.g., love, death, truth) might the concrete objects (e.g., persons, places, things) suggest?
Language and Word Choice: Every word in a poem has been included (or left out) after much deliberation, as poets choose their words very carefully. Remark on the following in each poem: Does the poet use informal or formal language? Does he or she write in an older dialect or contemporary English? Provide examples.
Tone: What tone does each poet take (e.g., sad, humorous, sarcastic, loving, etc.) toward his or her subject matter?
Themes: What are the main messages of both poems? Give reasons for your answers.
Sound: Read both poems aloud. What do you notice about their rhythms, rhyme schemes and musicality? How does listening to the sound of a poem differ from merely reading it as words on a page?
Final Thoughts: Poetry can enlighten and/or evoke deep emotion in readers. Express the impact each of the two poems you have analyzed for this assignment had on you. What insights did you gain about life or human nature, and what feelings did each piece stir in you? Has your view of poetry changed in any way since reading and analyzing the Phase 3 poems? Explain your answer
Be able to describe the key elements of form, character, voice, symbolism, language, etc., that enable the writer to deliver a key message
Can articulate the (sometimes various) main meaning or key message in a story or poem as the writer intended it, as well as describe the writer’s unique point of view
Can reflect upon how a piece of literature illuminates or enriches one’ own experience
Un.
[Note: This is a partial preview. To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
Sustainability has become an increasingly critical topic as the world recognizes the need to protect our planet and its resources for future generations. Sustainability means meeting our current needs without compromising the ability of future generations to meet theirs. It involves long-term planning and consideration of the consequences of our actions. The goal is to create strategies that ensure the long-term viability of People, Planet, and Profit.
Leading companies such as Nike, Toyota, and Siemens are prioritizing sustainable innovation in their business models, setting an example for others to follow. In this Sustainability training presentation, you will learn key concepts, principles, and practices of sustainability applicable across industries. This training aims to create awareness and educate employees, senior executives, consultants, and other key stakeholders, including investors, policymakers, and supply chain partners, on the importance and implementation of sustainability.
LEARNING OBJECTIVES
1. Develop a comprehensive understanding of the fundamental principles and concepts that form the foundation of sustainability within corporate environments.
2. Explore the sustainability implementation model, focusing on effective measures and reporting strategies to track and communicate sustainability efforts.
3. Identify and define best practices and critical success factors essential for achieving sustainability goals within organizations.
CONTENTS
1. Introduction and Key Concepts of Sustainability
2. Principles and Practices of Sustainability
3. Measures and Reporting in Sustainability
4. Sustainability Implementation & Best Practices
To download the complete presentation, visit: https://www.oeconsulting.com.sg/training-presentations
Term Definition Allegory an extended symbol that lasts for.docxbradburgess22840
Term Definition
Allegory an extended symbol that lasts for the duration of the entire narrative
Alliteration
repetition of consonant sounds; (try to trick ten tiny teens) or Peter Piper picked a pack of
pickeled peppers.
Allusion a reference to something else
Archetypes symbolic elements that recur in different cultures
Assonance repetition of vowel sounds; (Owls owe our only ounce)
Author The person who wrote the text.
Diction Word Choice, determines tone
Dynamic character changes over time
First-person singular narrator
Internal; narrator uses the first person pronoun “I”
(first-person plural- “we”, less common)
Flat Character Behaves in an expected manner
Foil a character held up consistently as a contrast to another character.
Foreshadowing clues as to what is to come ahead
Illusion like a mirage or a ghost, a vision that is not real
In media res in the middle of things
Irony
when the intended meaning is the opposite to what is written or said.
(It says one thing but means the reverse)
Limited narrator external; access to thoughts and feelings of one character.
Metaphor More explicit comparison (she is the sun)
Narrative a story, whether true or fictional, that is told by a narrator
Narrator The person in the text who tells the story.
Omniscient narrator external; has access to thoughts and feelings of all characters.
Onomatopoeia words that sound like what they mean (splish splash)
Oxymoron a combination of contradictory ideas (wise fool)
Personification An inanimate object displays human behavior. (The rock talks)
Round Character Has a psychological complexity
Second person narrator
could be internal or external. Addresses “you”. Less common.
Turns reader into character in story.
Simile comparison using like or as; She is like the sun.
Static Character remains the same over time
Stock character represent a "type," often like a cliché
Symbol something that stands for something else
Syntax Sentence structure
Third-person narrator
External; refers to all characters through pronouns he, she, they.
Narrator is not a character in the action.
Tone writer's attitude toward
Unreliable narrator
often a 1
st
person narrator is unreliable.
Unknowingly reveals character flaws.
RHET 1302
Essay #1: Rhetorical Analysis
Submit: Upload online through the TurnItIn assignment button
The submission button will not be visible until the week before the assignment is due
You will also upload your draft this way
Length: 3-4 FULL pages with Works Cited (Works Cited does not count towards page total)
Sources: One speech
Points: Final (100 points), Full Draft (20 points)
Purpose: Rhetoric is the art of effective communication, or as Aristotle stated, “the ability to see or
identify in any given circumstance the available means of persuasion.” In Rhetoric, we focus on “how”
people are communicating rather than simply what they are saying. This.
or your third Individual Project, you will be writing an essay of .docxMARRY7
or your third Individual Project, you will be writing
an essay of 1,000 words or more about two additional poems from the assigned reading list
. Please select two works from the list of fifteen—excluding the one you already reflected on in Part A of the Phase 3 DB assignment—and answer the questions below. Again, be sure to begin your paper with an engaging introduction and clear thesis statement, develop each point in the body of your paper using examples and quotes from the poems, and conclude your paper with a restatement of your thesis and closing remarks. Also, make sure you maintain your credibility by including in-text citations and a reference list correctly formatted in APA style.
Imagery: What visual images can you identify in both poems? Comment on the details you notice about objects, places, people, colors, textures and so forth. Which of your other senses are stimulated by the poets’ descriptions?
Figures of Speech: List the specific metaphors, similes, puns and other figures of speech each poet uses and how they contribute to the poem’s overall meaning. (Remember, figurative language is not literal but rather suggestive of something else. For example, the metaphor, “Jack is a pig,” is not a reference to an actual animal with hooves but rather someone named Jack who has pig-like qualities or mannerisms.)
Symbolism: Identify the symbols you notice in each poem. What abstract concepts (e.g., love, death, truth) might the concrete objects (e.g., persons, places, things) suggest?
Language and Word Choice: Every word in a poem has been included (or left out) after much deliberation, as poets choose their words very carefully. Remark on the following in each poem: Does the poet use informal or formal language? Does he or she write in an older dialect or contemporary English? Provide examples.
Tone: What tone does each poet take (e.g., sad, humorous, sarcastic, loving, etc.) toward his or her subject matter?
Themes: What are the main messages of both poems? Give reasons for your answers.
Sound: Read both poems aloud. What do you notice about their rhythms, rhyme schemes and musicality? How does listening to the sound of a poem differ from merely reading it as words on a page?
Final Thoughts: Poetry can enlighten and/or evoke deep emotion in readers. Express the impact each of the two poems you have analyzed for this assignment had on you. What insights did you gain about life or human nature, and what feelings did each piece stir in you? Has your view of poetry changed in any way since reading and analyzing the Phase 3 poems? Explain your answer
Be able to describe the key elements of form, character, voice, symbolism, language, etc., that enable the writer to deliver a key message
Can articulate the (sometimes various) main meaning or key message in a story or poem as the writer intended it, as well as describe the writer’s unique point of view
Can reflect upon how a piece of literature illuminates or enriches one’ own experience
Un.
[Note: This is a partial preview. To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
Sustainability has become an increasingly critical topic as the world recognizes the need to protect our planet and its resources for future generations. Sustainability means meeting our current needs without compromising the ability of future generations to meet theirs. It involves long-term planning and consideration of the consequences of our actions. The goal is to create strategies that ensure the long-term viability of People, Planet, and Profit.
Leading companies such as Nike, Toyota, and Siemens are prioritizing sustainable innovation in their business models, setting an example for others to follow. In this Sustainability training presentation, you will learn key concepts, principles, and practices of sustainability applicable across industries. This training aims to create awareness and educate employees, senior executives, consultants, and other key stakeholders, including investors, policymakers, and supply chain partners, on the importance and implementation of sustainability.
LEARNING OBJECTIVES
1. Develop a comprehensive understanding of the fundamental principles and concepts that form the foundation of sustainability within corporate environments.
2. Explore the sustainability implementation model, focusing on effective measures and reporting strategies to track and communicate sustainability efforts.
3. Identify and define best practices and critical success factors essential for achieving sustainability goals within organizations.
CONTENTS
1. Introduction and Key Concepts of Sustainability
2. Principles and Practices of Sustainability
3. Measures and Reporting in Sustainability
4. Sustainability Implementation & Best Practices
To download the complete presentation, visit: https://www.oeconsulting.com.sg/training-presentations
An introduction to the cryptocurrency investment platform Binance Savings.Any kyc Account
Learn how to use Binance Savings to expand your bitcoin holdings. Discover how to maximize your earnings on one of the most reliable cryptocurrency exchange platforms, as well as how to earn interest on your cryptocurrency holdings and the various savings choices available.
In the Adani-Hindenburg case, what is SEBI investigating.pptxAdani case
Adani SEBI investigation revealed that the latter had sought information from five foreign jurisdictions concerning the holdings of the firm’s foreign portfolio investors (FPIs) in relation to the alleged violations of the MPS Regulations. Nevertheless, the economic interest of the twelve FPIs based in tax haven jurisdictions still needs to be determined. The Adani Group firms classed these FPIs as public shareholders. According to Hindenburg, FPIs were used to get around regulatory standards.
LA HUG - Video Testimonials with Chynna Morgan - June 2024Lital Barkan
Have you ever heard that user-generated content or video testimonials can take your brand to the next level? We will explore how you can effectively use video testimonials to leverage and boost your sales, content strategy, and increase your CRM data.🤯
We will dig deeper into:
1. How to capture video testimonials that convert from your audience 🎥
2. How to leverage your testimonials to boost your sales 💲
3. How you can capture more CRM data to understand your audience better through video testimonials. 📊
Putting the SPARK into Virtual Training.pptxCynthia Clay
This 60-minute webinar, sponsored by Adobe, was delivered for the Training Mag Network. It explored the five elements of SPARK: Storytelling, Purpose, Action, Relationships, and Kudos. Knowing how to tell a well-structured story is key to building long-term memory. Stating a clear purpose that doesn't take away from the discovery learning process is critical. Ensuring that people move from theory to practical application is imperative. Creating strong social learning is the key to commitment and engagement. Validating and affirming participants' comments is the way to create a positive learning environment.
Personal Brand Statement:
As an Army veteran dedicated to lifelong learning, I bring a disciplined, strategic mindset to my pursuits. I am constantly expanding my knowledge to innovate and lead effectively. My journey is driven by a commitment to excellence, and to make a meaningful impact in the world.
Premium MEAN Stack Development Solutions for Modern BusinessesSynapseIndia
Stay ahead of the curve with our premium MEAN Stack Development Solutions. Our expert developers utilize MongoDB, Express.js, AngularJS, and Node.js to create modern and responsive web applications. Trust us for cutting-edge solutions that drive your business growth and success.
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Building Your Employer Brand with Social MediaLuanWise
Presented at The Global HR Summit, 6th June 2024
In this keynote, Luan Wise will provide invaluable insights to elevate your employer brand on social media platforms including LinkedIn, Facebook, Instagram, X (formerly Twitter) and TikTok. You'll learn how compelling content can authentically showcase your company culture, values, and employee experiences to support your talent acquisition and retention objectives. Additionally, you'll understand the power of employee advocacy to amplify reach and engagement – helping to position your organization as an employer of choice in today's competitive talent landscape.
Set off and carry forward of losses and assessment of individuals.pptx
motivation
1. 9th
Midterm Exam Review Guide:
The midterm breaks down as follows:
Part I: Grammar (20 multiple choice questions, 1 point each)-
Commas/Colons/Semicolons
Part II: Literary Terms and Skills (10 multiple choice questions, 1 point each)
Part III: Poetry (15 multiple choice questions, 1 point each-similar to Poetry Quiz)
Part IV: Close Reading-Tuesdays with Morrie (10 multiple choice questions, 1 point
each)
Part V: Short Story Elements and Poetry-Short Answer
Part VI: Persuasive Essay-Romeo and Juliet (1 question, 30 points total)
Part One: Grammar and Usage
Comma Rules:
L (list) Commas are used between items in a series, including coordinate adjectives modifying the same noun.
I (introductory elements) Commas follow such introductory elements as adverb clauses, long phrases, mild
interjections, or transitional expressions:
(adverb clause) Because his work was poor, he took the course again.
(long phrase) Exhausted from the race, the runner collapsed.
(interjection) Yes, life is hard.
(trans. exp.) Furthermore, we must strive to overcome the obstacles.
E (extra information) Commas are used to set off interrupters/extra information such as nonrestrictive words,
clauses, and phrases. Restrictive words, clauses, and phrases are not set off.
(restrictive) The boy who came to class early was an excellent student.
(nonrestrictive) Tom, who came to class early, was an excellent student.
S (sentences with coordinating conjunction) Commas are used between main clauses joined by a coordinating
conjunction (FANBOYS): sentence, conjunction sentence.
2. Semi-Colon Rules:
…is placed between the main clauses of a compound sentence if no conjunction is used
Jim is ready; Mike is not.
…is used between main clauses joined by conjunctive adverbs or by phrases like for example, in fact, for instance
Mary is small; nevertheless, she is strong.
…is used between main clauses joined by a conjunction if the clause before the conjunction contains commas
We ate hot dogs, hamburgers, and salad; but we were still hungry.
…is used between a series of phrases if they contain commas.
We visited London, England; Paris, France; and Rome, Italy.
Colon Rules:
…is used to introduce a list of items, but never follows a verb.
We toured the following states: Utah, Arizona, New Mexico, and Texas.
…is used to introduce a formal quotation.
He began by saying: “We are gathered here to make a hard decision.”
…is used between two sentences when the second explains the first.
The players were elated: they had won the homecoming game.
***Do not capitalize the second sentence unless more than one sentence follows.
Part Two: Terms
Metaphor
Simile
3. Personification
Irony
Setting
Allusion
Paradox
1st
and 3rd
Point of View
Rhyme Scheme
Stanza
Shift
Iambic Pentameter
Symbolism
Theme
Tone
Mood
Imagery
1. Plot
Exposition = the opening of a story, when characters, settings, and conflicts are introduced
Rising Action = the part of the plot when suspense builds and conflicts intensify
Climax = the “height” of the action; the “turning point” of the story
Falling Action = the part of the story after the climax when the action calms and conflicts start to become
resolved
Denouement/Resolution = “denouement” = “untying” or “unraveling;” the end of the story (may or may not
have resolution)
2. Character
Protagonist = the central character in a story
Antagonist = a character or force that opposes the protagonist in a story
Foils = characters who contrast each other in some major way; set up to emphasize a particular trait
Static/flat characters = characters who do not change over the course of a story
Dynamic/round characters = characters who change, grow, or develop over the course of a story
Archetypes = universal character types that occur throughout literature)
Direct characterization = the writer makes clear and direct statement about a character’s personality
Indirect characterization = the writer reveals information about a character through thoughts, actions, other
characters’ opinions, etc. (we must infer what the character is like)
External conflict = a struggle between a character and an outside force (man vs. man, nature, society, the
supernatural, and technology)
Internal conflict = a struggle that takes place within a character’s mind (man vs. himself)
3. Language
Motif = a recurring word, phrase, image, action, theme, etc. in a work of literature
Diction = word choice
Syntax = the pattern of how an author arranges words into phrases and broader structures
Denotation = the dictionary definition of a word
Connotation = the idea or feeling associated with a word, beyond its literal definition
4. SOAPSTone
4. Who is the Speaker?
The voice that tells the story. Why is this voice important? What are their experiences.
What is the Occasion?
The time and the place of the piece; the context that prompted the writing. Why did someone feel
they needed to tell this story?
Who is the Audience?
The group of readers to whom this piece is directed.
What is the Purpose?
The reason behind the text-inform/entertain/persuade/evaluate
What is the Subject?
Should be able to state the subject in a few words or phrases.
What is the Tone?
The attitude of the author. Look for one word responses here.
5. DIDLS
Details-important information that is included as well as important information that is left out
Imagery-The images and descriptions that are created
Diction-Word Choice
Language-How all of the words and sentences work together to help to create meaning
Syntax-The way the words are arranged in the sentences
6.Rhetorical Triangle
Ethos-Credibility of author
Pathos-Appealing to the audience through emotion
Logos-The actual message being presented through logic/reason/personal stories/etc.
Part Three: Poetry-Review your poetry quiz and poetry terms above
Part Four:Close Reading-Tuesdays With Morrie-Have a general understanding of the story-Review your
Quizzes
Part Five:Review Terms above
Part Six:
Persuasive Writing Format Outline-We will discuss this in more depth before the midterm
Intro:
*Hook: 1 Sentence
*Narrow Down/
Introduce Topic-2 sentences
5. *Specific Thesis including three main
points-1sentence
Body Paragraphs(3):
Body Paragraph One:
#1 (Topic Sentence- Mention first topic that appeared in your thesis)
_____________________________________________________________________________________________
___________________________________________________________________________
#2 ( Concrete Detail/Example Number One in support of your opinion-One Quote Example from text)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
___________________________________________________________________________
# 3(Analysis about Example-One Sentence )
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
____________________________________________________________
#4(Concrete Detail/Example Number Two in support of your opinion-One Quote from text)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
___________________________________________________________________________
#5 ( Analysis about Example-One Sentence)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
___________________________________________________________________________
# 6(The Turn Against/Counter-Argument-One Sentence-Don’t forget a transition)
6. _____________________________________________________________________________________________
_____________________________________________________________________________________________
_______________________________________________________________________________________
#7(The Turn Back-One last additional thought to prove your opinion-One Sentence-does not need to be a
quote)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_______________________________________________________________________________________
#8 (Closing Sentence/Tie back to the overall point/topic-One Sentence)
_____________________________________________________________________________________________
__________________________________________________________________________
Body Paragraph Two:
#1 (Topic Sentence- Mention second topic that appeared in your thesis)
_____________________________________________________________________________________________
___________________________________________________________________________
#2 ( Concrete Detail/Example Number One in support of your opinion-One Quote Example from text)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
___________________________________________________________________________
# 3(Analysis about Example-One Sentence )
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
____________________________________________________________
#4(Concrete Detail/Example Number Two in support of your opinion-One Quote from text)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
7. _____________________________________________________________________________________________
___________________________________________________________________________
#5 ( Analysis about Example-One Sentence)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_____________________________________________________________________________________________
___________________________________________________________________________
# 6(The Turn Against/Counter-Argument-One Sentence-Don’t forget a transition)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_______________________________________________________________________________________
#7(The Turn Back-One last additional thought to prove your opinion-One Sentence-does not need to be a
quote)
_____________________________________________________________________________________________
_____________________________________________________________________________________________
_______________________________________________________________________________________
#8 (Closing Sentence/Tie back to the overall point/topic-One Sentence)
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Body Paragraph Three:
#1 (Topic Sentence- Mention third topic that appeared in your thesis)
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#2 ( Concrete Detail/Example Number One in support of your opinion-One Quote Example from text)
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# 3(Analysis about Example-One Sentence )
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8. _____________________________________________________________________________________________
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#4(Concrete Detail/Example Number Two in support of your opinion-One Quote from text)
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#5 ( Analysis about Example-One Sentence)
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# 6(The Turn Against/Counter-Argument-One Sentence-Don’t forget a transition)
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#7(The Turn Back-One last additional thought to prove your opinion-One Sentence-does not need to be a
quote)
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#8 (Closing Sentence/Tie back to the overall point/topic-One Sentence)
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Conclusion Paragraph:
*Re-state Thesis-One Sentence
*Summarize points-One Sentence
*End with closing thought-One