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The document provides ideas for filming locations for a short horror movie, including an abandoned, dark, dirty, empty building for most of the scary scenes. In contrast, flashback scenes set when the building was an active school will be filmed in a modern, bright, clean, and lively standing school building to show the history and what happened there years ago. The abandoned school location will be empty and dark while the flashback school will be its opposite.
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Mood board
The document provides ideas for filming locations - an abandoned, dark, empty old building for the main scary scenes, and a brighter, cleaner former school for flashback scenes showing the building's history. The old empty building that was formerly a school will be the main filming location for a short scary movie, with flashbacks shot at the former school to reveal what happened there years ago.
Locations
The document considers three potential locations for taking photos for a magazine: Gadebridge Park, the Old Town, and Camden in London. Gadebridge Park has varied areas and lighting options but natural light could be impacted by weather. The Old Town has different backgrounds close to Gadebridge Park but also relies on natural light. Camden offers diverse backgrounds but would be difficult to access and is always busy, potentially interfering with photos.
Location recce
The document discusses potential filming locations for a student film project, including Emily's shed, bathrooms, dining room, kitchen, front door, and Mel's front garden. It provides details on the location, optimal filming dates and times, lighting conditions, access, hazards, and suitability of each location. The shed, bathrooms, dining room and kitchen are located at Emily's house and would provide convenient access, while the front door and Mel's garden are also possibilities but may require more planning around traffic and permission.
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Mood board
The document provides ideas for filming locations - an abandoned, dark, empty old building for the main scary scenes, and a brighter, cleaner former school for flashback scenes showing the building's history. The old empty building that was formerly a school will be the main filming location for a short scary movie, with flashbacks shot at the former school to reveal what happened there years ago.
Locations
The document considers three potential locations for taking photos for a magazine: Gadebridge Park, the Old Town, and Camden in London. Gadebridge Park has varied areas and lighting options but natural light could be impacted by weather. The Old Town has different backgrounds close to Gadebridge Park but also relies on natural light. Camden offers diverse backgrounds but would be difficult to access and is always busy, potentially interfering with photos.
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The document discusses potential filming locations for a student film project, including Emily's shed, bathrooms, dining room, kitchen, front door, and Mel's front garden. It provides details on the location, optimal filming dates and times, lighting conditions, access, hazards, and suitability of each location. The shed, bathrooms, dining room and kitchen are located at Emily's house and would provide convenient access, while the front door and Mel's garden are also possibilities but may require more planning around traffic and permission.
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This document summarizes a teacher's lesson plan for teaching 4th grade students about the role of carbon dioxide in photosynthesis. The teacher aims for students to be able to identify the purpose of carbon dioxide in photosynthesis by the end of the first day, with an accuracy rate of 65%. To achieve this, the lesson will break down photosynthesis and focus specifically on carbon dioxide, using a video clip and reading to introduce its role. As an activity, students will discuss carbon dioxide on social media pages and debate its function in photosynthesis. The teacher plans to evaluate their own understanding of the lesson topic before teaching to ensure it is clear and will make sense to students.
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Question 2 AS Media
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Product and Real Media Text Comparison 2
The document compares the opening sequence of the film "Insidious" to the opening of the author's own product. It analyzes differences in elements like sound, camerawork, editing, and mise-en-scene. For sound, "Insidious" uses a fuller musical score and no dialogue, while the author's uses varying music and introduces dialogue. Camerawork in "Insidious" uses more close-ups and filters, while the author's uses wider shots to show more scenery. Both use opening credits but only "Insidious" adds visual effects. Both also establish their main settings, but differ in time of day and costumes used.
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As Media Film Comparison 1
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G324 evaluation question 4
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Location Recce - Florist
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Location Recce - Care Home
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Initial A2 Media Ideas
Lewis will play the lead male character in the narrative portion of the video, visiting his dying grandmother, as well as singing and playing guitar in the live performance sections. Emma will take on the role of Lewis' loving but depressed grandmother. Harlan, Josh, and Matt will play guitar, drums, and bass respectively in the live band performances only. The video aims to illustrate the dark lyrics of a song about a man thinking of a woman he cares for, through scenes with Lewis and adding an emotional element by having Lewis visit his grandmother.
Location Recce - Bedroom
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Call Sheet Street 1
The call sheet is for a music video shoot for the hard-core rock band Basement Covet. The 3 minute and 48 second video will be directed by Doug Macaskill and produced by Thomas Curtis and Alex Hester. It will take place on Grantham Avenue in Hartlepool on October 30th, 2014 and feature a protagonist walking to a florist. Doug Macaskill, Thomas Curtis, and Alex Hester will be on set from 15:00-15:30 in casual clothing, and actor Lewis Kendall is called for 15:00-15:30 and should be in band wear costume. The equipment includes an HD Panasonic handheld camera and tripod.
Call Sheet House
The call sheet is for a music video shoot on October 30th featuring the band Basement Covet. The video will be directed by Doug Macaskill and produced by Thomas Curtis and Alex Hester. It will take place at 22 Grantham Avenue in Hartlepool and involve the protagonist leaving a house. Crew members including the director, producers, and actor Lewis Kendall are called at 14:30 and should dress casually. The equipment includes an HD Panasonic camera and tripod, and no props are needed.
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Question 2 AS Media
The document discusses targeting a film product toward 18 to 25 year olds. Research was conducted through questionnaires that found this age group preferred horror genre films. Horror films often use teen characters as vulnerable subjects, directly appealing to teen audiences. Elements of the discussed film include a school uniform to link to younger viewers, inclusion of technology like cameras that younger audiences can relate to, and graffiti references and young actor ages of 18-19 that suit the target demographic. The intense music was chosen to match professional horror films and appeal to younger audiences who tend to prefer louder music and horror genres.
G324 Evaluation Question 2
The document discusses how the band Mascot effectively combined their main music video product with ancillary texts like posters and album artwork. It analyzes how they used consistent dark themes, locations, and imagery across all products to clearly link them together and create a strong brand identity. Specific design elements like cartoon drawings, contrasts of black and white, changing font sizes, and inclusion of band members helped tie the different media together and appeal to their target genre audience. The document concludes the band successfully created a cohesive product line that would be easily recognizable to fans.
Product and Real Media Text Comparison 2
The document compares the opening sequence of the film "Insidious" to the opening of the author's own product. It analyzes differences in elements like sound, camerawork, editing, and mise-en-scene. For sound, "Insidious" uses a fuller musical score and no dialogue, while the author's uses varying music and introduces dialogue. Camerawork in "Insidious" uses more close-ups and filters, while the author's uses wider shots to show more scenery. Both use opening credits but only "Insidious" adds visual effects. Both also establish their main settings, but differ in time of day and costumes used.
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This casting document lists four characters for the opening sequence of the film "The Pyre". Chloe Leighton will play the main antagonist Adena, a paranormal figure with little dialogue who wears an old tattered school uniform and dark makeup with fake blood. The other three characters - to be played by Ben Ervine, Doug Macaskill, and Mark Lancaster - are minor characters who are teenagers investigating a local rumor. Ben's character bullies one of the others while Doug's is naive and Mark's is nervous.
As Media Film Comparison 1
This is the film comparison between the opening of our product and a real media text- The Woman in Black.
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The BBFC is an independent non-governmental organization that has rated films in the UK since 1912. It classifies films based on their content using age ratings. To determine a rating, the BBFC examines factors like discrimination, drugs, imitable behavior, language, nudity, sex, threat, and violence that may be present in a film. For the film "The Pyre," research was conducted on the target audience and other horror films to aim for a 15+ rating, which would result in the largest potential audience and more money made. Following the BBFC's published guidelines for a 15+ rating will help the film obtain this classification.
G324 evaluation question 4
Throughout their coursework, the group used a variety of technologies to research, plan, create, and evaluate their work. They used blogs, YouTube, and other sites to gather information, develop skills, and present their progress. Photoshop and Final Cut Pro were used to edit photos, create ancillaries, and edit their music video. Feedback was gathered through surveys and used to improve their video. Overall, the technologies allowed the group to complete a range of tasks, from researching conventions to sharing their final products online.
Development of New Logo
Triple Skull Productions developed a new horror-themed logo featuring three skulls. They began by selecting the font "Black Asylum" to convey themes of death and mortality for a horror production company. Images of two skulls were found on Tumblr and permission was obtained to use them. The skulls were imported into Photoshop and resized to fit alongside the text. A third central skull image was added and resized to be larger than the others, placing it in the foreground. This completed the symmetrical three-skull logo design for Triple Skull Productions.
Location Recce - Florist
The flower shop is suitable for filming because it is part of the narrative. Cast and crew will use public transport or walk to access the location. There are potential trip hazards from wires or items on the floor that can be prevented by careful cable management and warnings. Electrical equipment must be protected from liquids, and cast and crew should take care around staircases to prevent falls.
Location Recce - Care Home
The document provides location details for filming at Seaton Hall Residential Home in Greatham, Hartlepool. The home was chosen as the final destination for the protagonist in the narrative. Cast and crew will access the location primarily by foot or car. Precautions will be taken to minimize disruption to residents, including using battery saving modes. The crew will film behind cameras while one cast member acts in the bed and another enters through the door. Key risks include trip hazards, electrical issues, and staircase injuries, which will be prevented through careful wiring, banning liquids near equipment, and warnings.
Initial A2 Media Ideas
Lewis will play the lead male character in the narrative portion of the video, visiting his dying grandmother, as well as singing and playing guitar in the live performance sections. Emma will take on the role of Lewis' loving but depressed grandmother. Harlan, Josh, and Matt will play guitar, drums, and bass respectively in the live band performances only. The video aims to illustrate the dark lyrics of a song about a man thinking of a woman he cares for, through scenes with Lewis and adding an emotional element by having Lewis visit his grandmother.
Location Recce - Bedroom
This bedroom located at 2 Greystone Cottage, Queensberry Avenue, Hartlepool TS26 9FW is suitable for filming the music video project. The bedroom setting matches the narrative and features good lighting near the window. Props like a guitar and CDs in the bedroom also align with the target audience. The crew and cast can access the location by bus, car, or walking. Refreshments will be provided in the kitchen and there are two bathrooms on site. Risks include trip hazards from wires that will be minimized by cable management and warnings. No liquids will be allowed in the recording room to prevent electrical issues.
Call Sheet Street 1
The call sheet is for a music video shoot for the hard-core rock band Basement Covet. The 3 minute and 48 second video will be directed by Doug Macaskill and produced by Thomas Curtis and Alex Hester. It will take place on Grantham Avenue in Hartlepool on October 30th, 2014 and feature a protagonist walking to a florist. Doug Macaskill, Thomas Curtis, and Alex Hester will be on set from 15:00-15:30 in casual clothing, and actor Lewis Kendall is called for 15:00-15:30 and should be in band wear costume. The equipment includes an HD Panasonic handheld camera and tripod.
Call Sheet House
The call sheet is for a music video shoot on October 30th featuring the band Basement Covet. The video will be directed by Doug Macaskill and produced by Thomas Curtis and Alex Hester. It will take place at 22 Grantham Avenue in Hartlepool and involve the protagonist leaving a house. Crew members including the director, producers, and actor Lewis Kendall are called at 14:30 and should dress casually. The equipment includes an HD Panasonic camera and tripod, and no props are needed.
Call Sheet TV Studio
This is the call sheet for our TV studio location that will be used in our A2 Media Product for band performance.
Call Sheet - Bedroom
The call sheet is for the music video shoot of the song "Covet" by the band Basement. The shoot will take place on October 30th, 2014 at a bedroom location in Hartlepool, England. Doug Macaskill will direct, and Thomas Curtis and Alex Hester will produce. The shoot is scheduled from 1-2pm and will feature actor Lewis Kendall waking up in the bedroom. Required equipment includes cameras, a tripod, crane, and props like a guitar, wallet, photograph, and skateboard.
Props List
This props list for a music video project includes musical instruments like a black Les Paul guitar, a white Flea bass, amplifiers, and a drum kit that will be used by the band. It also includes other props like flowers, a wallet with money, a framed photograph, a skateboard, a microphone stand, and a microphone that will be used by actors in the video.
Audience Research Analysis
The survey results showed that most respondents were 17-21 year old males interested in rock music, matching the target audience. However, the sample size was small and only included males, so the results may not apply to the entire target audience. When asked about music video preferences, respondents indicated they prefer narratives or a mix of narrative and performance. The survey also provided useful information about preferred camera focus, locations, and expectations for a rock music video.
Horror Analysis
This document discusses several aspects of horror films, including common age ratings, popular subgenres, highest-grossing films, and most-searched titles. Horror age ratings usually depend on violent or sexual content, with slashers rarely rated lower than 15. Popular subgenres include period, slasher, supernatural, water-based, and torture horrors. Commercially, I Am Legend was the most successful, while 2007 and 1997-1999 were particularly strong years. The Exorcist, Psycho, and Saw are the most frequently searched horror films online.
Lyrics Breakdown - Basement - Covet
This document provides a lyrical analysis of the song "Basement" by Covet. It summarizes the lyrics, which describe a blonde woman with a hopeful smile and kind nature, though the singer states "when I'm with you, I don't want to be with you." He desires a "pleasant surprise" or "fatal disease" from her, representing a want for drastic change. The analysis discusses whether this refers to literal illness or a desire for her to change personalities. It concludes the song shows some care for the woman but primarily frustration with the current situation.
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Belgium coach Domenico Tedesco will wait for several key players to recover from injury. Even if it means they miss the opening Euro Cup Germany stages of the European Championship in Germany this month. Veteran defender Jan Vertonghen, midfielder Youri Tielemans and defender Arthur. Theate are being given time to play in the tournament because they are considered vital to Belgium’s cause, Tedesco said on Tuesday.
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"Of course, you prefer to take players who are fully fit, but that's okay. We want to wait and be patient for some players even if they cannot play in those first matches," he told a press conference. The 37-year-old Vertonghen, Belgium’s Euro Cup 2024 most-capped international with 154 appearances, is struggling to shake off a groin injury.
"He will be there normally. This also applies to Youri Tielemans and Arthur Theate. The latter's position is very sensitive. We don't have many choices at left back. "It will only change if it turns out that they will only be available when, say, the final of the Euro 2024 Championship comes around. That's too long to wait. "However, I am confident that the injured boys are on track for the Euros.
Belgium vs Romania: Radu Dragusin Prepares for Crucial Role in Euro Cup Germany
Some of them have taken not one but two steps forward in their rehabilitation," he said. None of the injured players will feature in this week’s warm-up friendlies against Montenegro and Luxembourg. Romania centre-back Radu Dragusin found chances limited at Tottenham Hotspur in the second half of the 2023-24 season.
But is crucial to his country's cause at UEFA Euro 2024 where his aerial ability, physicality and hard graft make him a standout player. The 22-year-old moved to North London from Italian side Genoa in January but was kept on the sidelines by the form of another new arrival for the season, Mickey van de Ven, something Romania coach Edward Iordanescu admitted was a concern.
It will mean limited game-time going into the finals, but Dragusin, who cites Netherlands defender Virgil van Dijk as a role model, started every Euro Cup Germany qualifier as Romania went through the campaign unbeaten in their 10 games. He will be among their most important players in their first game in Germany against Ukraine in Munich on June 17, taking the right centre-back role in what is likely to be a back four.
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Netherlands vs Austria Netherlands Face Familiar Foes in Euro Cup Germany Gro...
The Netherlands are in Group D in Euro Cup Germany - and, unpaid to this, they will be coming up against familiar foes. Remarkably, they have played France, who have fashioned some of the greatest players of all time, 30 times throughout history. Despite France being more effective in major competitions, including captivating the World Cup in 2018, Holland have the greater head-to-head record.
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However, in 2023, they played one another twice, with France endearing both matches 4-0 and 2-1 individually. Against Poland and Austria, the Netherlands also have a stout record, winning just under half the matches. They faced Austria at Euro 2020, engaging 2-0, and they haven't lost to Poland since 1979.
The lettering is on the wall for Holland to qualify for the knockouts, but nothing is failsafe. The Netherlands kickstart their Euros campaign against Poland on Sunday, June 16th. In Hamburg, they will have to go up against one of the best strikers in the world, Robert Lewandowski.
Netherlands vs Austria: Tough Challenges Await the Netherlands in Euro Cup Germany
Five days later, they travel south to face France in Leipzig, a side led by Kylian Mbappe - one of the finest players in the world currently and one of the most impressive players in his nation's history. To conclude, they face Austria in Berlin, knowing it could be the end of the road if they don't perform.
Ronald Koeman is widely considered one of the more successful Dutch managers in Premier League history, considering the nation has a reputation for struggling to replicate their talents in England. The former Everton manager went against that script and shone — and now he is back managing his nation.
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Netherlands vs Austria: Ronald Koeman's Tactical Approach For UEFA Euro 2024
As well as being the highest-scoring defender in history, Koeman is a man with immense tactical knowledge. He returned to manage Holland at the start of 2023 after it was announced Louis van Gaal would retire. His life back in the dugout with the team wasn't easy, as he lost his first match 4-0 to France after going 3-0 down within 21 minutes.
However, he eventually helped them qualify for Euro Cup Germany. The 61-year-old likes to organize his team with a defensive mindset. Some might call it pragmatic as he defends with minimal space between the lines, but that's often needed for international football.
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20 Teams, One Trophy: What to Expect from the ICC Men's T20 World Cup 2024
The ICC Men's T20 World Cup 2024 is set to be an exciting event, co-hosted by the West Indies and the USA from June 1 to June 29, 2024. This edition of the tournament will feature a record 20 teams divided into four groups, competing across 55 matches for the prestigious title.
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Psaroudakis: Family and Football – The Psaroudakis Success Story
Psaroudakis, a name that resonates with football fans around the globe, is a testament to the powerful synergy between familial support and individual passion. Born on March 10, 1992, in the historic city of Heraklion, Crete, Psaroudakis’ journey to international football stardom is a compelling narrative of dedication, perseverance, and unwavering family support. His story not only highlights his athletic prowess but also underscores the crucial role his family played in shaping his career and character.
Psaroudakis’ early life in Heraklion was deeply influenced by a supportive and nurturing family environment. His father, a former semi-professional footballer, recognized Psaroudakis’ potential from an early age. Acting as his first coach, his father’s guidance was instrumental in igniting Psaroudakis’ passion for football. This paternal influence instilled in him a strong work ethic and fundamental skills that would become the foundation of his future success. His mother, a dedicated homemaker, provided a stable and nurturing environment, ensuring that Psaroudakis could pursue his dreams without any hindrances.
From a young age, Psaroudakis showed an innate talent for football. Growing up in Heraklion, he spent countless hours playing football in local parks and streets with friends and family. His natural ability was evident even in these informal settings, and his enthusiasm for the game was infectious. By the age of five, Psaroudakis had joined a local youth football club, where his skills began to flourish. His father’s role as his first coach during these formative years was crucial, as he emphasized not only technical skills but also the importance of discipline and teamwork.
The transition from playing in local parks to joining a structured football environment marked a significant step in Psaroudakis’ journey. At the age of ten, he joined the youth academy of OFI Crete, one of Greece’s most esteemed football clubs. This move marked the beginning of a more rigorous and professional approach to his training. The academy environment was demanding, focusing on honing technical abilities and instilling values of sportsmanship and dedication. Psaroudakis’ dedication to his craft was evident as he quickly rose through the ranks, becoming a standout player in the youth teams.
The support of Psaroudakis’ family was unwavering during this critical period. His father continued to be a source of guidance and mentorship, while his mother ensured that he had everything he needed to succeed. Their collective efforts created a balanced environment where Psaroudakis could focus entirely on his development as a footballer. This familial support was not just about providing the basics; it was about creating an environment where Psaroudakis felt encouraged and motivated to pursue his dreams relentlessly.
As Psaroudakis transitioned from the youth academy to professional football, the challenges became more significant.
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Mood board
- 2. Ideas for main scene building Dark Abandoned Vast area Quite Spooky Dirty Old Empty Ideas for flash back school Modern for that time Bright Lively Open and inviting Clean Active Fully watertight and secure Grounds well kept and maintained
- 3. The old empty building will be the main place of the film. Most of the spooky and scary bits of the short movie will be filmed in the old abandoned house. There will be flash backs to when the building was a school. These scenes will be filmed in Brinkburn. Which shows the history of the place and what happened years ago.The abandoned school will be empty, dark and boarded up, while the school in the flashback will be the opposite.