Modernism, Pt. IV: Shattered Utopia
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The first world war shatters the idea that technology would lead to human progress and the end of history. Art becomes disillusioned and strives to reconcile this new world environment.
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Joan Miro, Harlequin's Carnival, 1924/5
André Masson, Battle of Fishes, 1926
Meret Oppenheim, The Fur-Lined Teacup Object, 1936
Joseph Cornell, Hotel de l'Océan, 1959/60
Alberto Giacometti, The Palace at 4 A.M., 1932/33
Man Ray, Kiki, Violon d'Ingres, 1924
ART 315 LECTURE 2
Claude Monet, Impression: Sunrise, 1872
Claude Monet, Haystacks, 1880 - 81
Edgar Degas, Dance Studio of the Opera, 1872
Edgar Degas, Place de La Concorde, 1875
Pierre-Auguste Renoir, Le Moulin de la Galette, 1876
Eadweard Muybridge, Horse in Motion, 1872
Auguste Rodin, Monument to Balzac, 1897
Auguste Rodin, Walking Man, 1877 - 78
Paul Gauguin, The Birth of Christ, 1896
Paul Gauguin, Yellow Christ, 1889
Vincent Van Gogh, Starry Night, 1889
Paul Cézanne, Still Life with Apples, 1890 - 94
Paul Cézanne, Portrait of Mme Cézanne
with a Fan, 1881
Paul Cézanne, Three Bathers, 1879 - 82
Claude Monet, Water Lilies, 1919
...
René Magritte
This document provides information on a 2011 exhibition at the Tate Liverpool titled "René Magritte: The Pleasure Principle". It includes a list of over 40 of Magritte's paintings from 1923 to 1966 that were featured in the exhibition, showing the breadth of his surrealist works over his career that are known for incorporating familiar objects in unusual contexts and unconventional use of words and images to create a sense of mystery.
Art100F12Module4.1
This document provides an overview of key developments in photography and visual art from the late 19th century through the 1920s. It includes reproductions and descriptions of influential works from this period by artists such as Picasso, Duchamp, Heartfield, Höch, and others who helped establish new directions in art through their experimentation with techniques like collage and abstraction. The text also discusses the role of photography in challenging traditional approaches to painting and artistic conventions through its ability to mechanically reproduce reality.
Lecture 6
Today's lecture discussed Russian artist Kasimir Malevich and his pioneering Suprematist works from 1913-1932 which reduced forms to basic geometric shapes and explored non-objective abstraction. It also covered several other early 20th century European artists who experimented with abstraction, minimalism, and new aesthetic philosophies including Piet Mondrian, El Lissitzky, Theo van Doesburg, Vladimir Tatlin, Naum Gabo, and German artists Otto Dix and George Grosz.
Modern Art
The document provides an overview of major artistic movements in early 20th century modern art, including Fauvism, Expressionism, Cubism, Futurism, Dada, Suprematism, De Stijl, and Surrealism. It summarizes the goals and characteristics of each movement, and provides examples of influential artists and their works such as Matisse, Kandinsky, Picasso, Duchamp, Mondrian, Dali, and others. The document also discusses the impact of events like World War I and the development of abstraction on the rejection of traditional styles of art during this period.
Moma New York
This document lists the titles, artists, and dates of various paintings and sculptures housed at the Museum of Modern Art in New York City. It includes works from major artists such as Cézanne, Seurat, van Gogh, Gauguin, Rodin, Picasso, Klimt, Matisse, Rousseau, Delaunay, Boccioni, Miró, Dalí, Kahlo, Mondrian, Pollock, Duchamp, Rauschenberg, Warhol, Bourgeois, Whiteread, and Serra spanning from 1885 to 1998.
Dada
The document discusses the Dada art movement that emerged in the early 20th century in reaction to World War I. Dadaists used absurd and nonsensical performances, artworks, and writings to ridicule contemporary culture and traditional artistic norms. Notable Dada artists included Marcel Duchamp, who created "readymades" by exhibiting everyday objects as art, Francis Picabia, whose works featured mechanical forms and sexual themes, and Kurt Schwitters, who assembled art from debris in his "Merz" works. Dada began in Zurich in 1916 and spread to other cities, before declining by the late 1920s.
Art & Culture of the Weimar Republic
The document summarizes art and culture of the Weimar Republic from 1919-1933. It discusses the social and economic challenges of the time period including hyperinflation and unemployment. Major art movements included German Expressionism, Neue Sachlichkeit, Dada, and Bauhaus. Important artists named include Otto Dix, George Grosz, Hannah Hoch, and Kurt Schwitters. Architecture was influenced by Expressionism, with Walter Gropius and Mies van der Rohe as leading figures. Influential films from the era were The Cabinet of Dr. Caligari and Metropolis.
AHTR Art and Political Commitment
A slideshow connected to a lecture on Art and Political Commitment available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Karen Koehler.
Modernism 2
The document discusses several modern art movements between 1900-1915 including Fauvism, Expressionism, Cubism, and Futurism. It provides key terms, concepts, and examples of important artworks within each movement. Fauvism featured bright, unnatural colors as seen in works by Matisse and Derain. Expressionism was characterized by distorted forms expressing emotion, like works by Kirchner and Marc. Cubism involved analyzing and synthesizing forms, with Picasso's Les Demoiselles d'Avignon being a seminal analytic Cubism work and Braque creating synthetic Cubism collages. Futurism sought to capture dynamism and movement in modern life through works like Boccioni's Unique Form
2 the faces of power
This document contains images and descriptions of artworks from the early 20th century created during periods of political and social upheaval in Europe. The artworks depicted include paintings, collages, sculptures, posters and architectural designs from avant-garde movements like Dadaism, Suprematism, Constructivism and Fascism. Many of the artworks were directly inspired by or commented on the political events and ideologies of their time including World War 1, the Russian Revolution, the rise of Fascism in Italy and Germany in the 1930s.
Weimar And Expressionism
German Expressionism developed in Germany during the Weimar period of 1919-1933 following World War 1. Artists responded to the social conditions including the aftermath of war, with men returning physically and psychologically damaged, and economic hardships including hyperinflation. Expressionist art portrayed inner psychic states rather than outer appearances, using distorted forms and colors to represent emotions. Major Expressionist groups included Die Brucke and Blaue Reiter, and the style influenced influential German films of the era seeking to depict internal experiences, such as The Cabinet of Dr. Caligari and Nosferatu.
Surrealismo intro
The document discusses the origins and key aspects of Dada and Surrealism. Dada emerged in the 1910s as an anti-art movement in response to World War I that used absurdity and shock to protest social norms. Surrealism developed from Dada in the 1920s with a focus on tapping the unconscious mind through techniques like automatic writing. The movement was founded by André Breton and aimed to generate new forms of imagery through liberating unconscious thought. Major Surrealist artists included Magritte, Dalí, Ernst, and Tanguy who incorporated dream imagery and psychological themes.
Magritte
This document provides a biography and timeline of events in the life and career of Belgian surrealist artist René Magritte. It notes that he was born in 1898 in Lessines, Belgium and became interested in surrealism after seeing Giorgio de Chirico's work "Song of Love" in 1922. Key events include his first surrealist painting in 1926, exhibitions in Brussels and Paris in the late 1920s, and a retrospective of his work at the Museum of Modern Art in New York in 1965 before his death in 1967. The document also includes images of some of Magritte's most famous paintings created throughout his career.
20th Century and Modern Art
This document provides an overview of the genesis of 20th century design through key figures and movements that influenced modern art and design. It discusses notable designers like Frank Lloyd Wright, the Vienna Secession group, and the Dusseldorf School of Arts and Crafts. It also summarizes several influential art movements in the early 20th century like Cubism, Futurism, Dada, Surrealism, and Expressionism that impacted graphic design through painters such as Picasso, Duchamp, Kandinsky, and more. The document also highlights the role of photography in the modern movement through the works of photographers including Man Ray, Coburn, and others.
Mod sculp 5
This document provides information on various artists and architects from the early 20th century including their names, dates, key works, and artistic movements. It mentions Piet Mondrian's Tableau, II from 1922, works by De Stijl artists like Gerrit Rietvelt and his Schroder House from 1923. It also lists sculptures by Vladimir Tatlin, Naum Gabo, Antoine Pevsner and references their works from 1915 to the 1970s spanning abstraction, constructivism and kinetic art. Major architecture pieces are also noted such as Eero Saarinen's TWA Terminal from 1956-62 and Jorn Utzon's Sydney Opera House from the 1950s.
Chagall
This document provides an overview of Marc Chagall's artistic career and influences. It discusses his early life and education in Vitebsk, Russia. It then examines some of Chagall's major works from 1911 to the 1950s, including "I and the Village" from 1911, and how his style drew from and related to artistic movements like Fauvism, Cubism, and Expressionism. The document also reviews how Chagall's works incorporated Jewish themes and how he later became involved with the Russian avant-garde movement in Vitebsk.
Chapter14, 20 century art 4- 2019
This document provides an overview of major artistic movements and developments throughout the 20th century. It begins with early modernist movements like Expressionism, Cubism, and Fauvism that rejected realism and embraced abstraction. It then covers Futurism, Dada, Surrealism, De Stijl, the Bauhaus, and other avant-garde styles that emerged after World War I. The document concludes with a brief discussion of major postwar developments like Abstract Expressionism and highlights influential artists throughout the century.
Fall15Module4.1
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Final Exam Review
The document summarizes key events and developments in Western art history from the Protestant Reformation through World War I. It discusses how the Catholic Counter-Reformation influenced the development of Baroque art in Italy. It then covers the Enlightenment, Neoclassicism, Romanticism, Impressionism, Cubism, Futurism, Dadaism, and how WWI impacted culture and the arts. Major artists mentioned include Caravaggio, Jacques-Louis David, and Pablo Picasso.
Final review
This document provides an overview of several key periods and movements in art history:
1) The Protestant Reformation began in 1517 with Martin Luther posting his 95 Theses challenging the Catholic Church. The Baroque style that emerged in response aimed to use emotionally powerful religious art to fight Protestantism.
2) The Enlightenment encouraged the use of reason and science to question traditions. The French Revolution led neoclassicist artists like David to use art to support republican ideals.
3) Romanticism saw nature as a source of spiritual awakening. The invention of photography allowed artists more individualized perceptions.
4) Impressionism depicted light and movement. Cubism and Futurism embraced new
A Contemporary Approach, 1945-Now
This document features images and descriptions of influential artworks from 1945 to the present day. It highlights groundbreaking pieces from Jackson Pollock that established abstract expressionism, works by pop artists like Andy Warhol and Roy Lichtenstein that incorporated popular culture themes, minimalist and conceptual works from artists such as Donald Judd, Robert Smithson, and Allan Kaprow, and politically charged contemporary works from Christo, Olafur Eliasson, and Banksy. The document provides a survey of modern and postmodern art movements from after World War II to the present.
New York in the 1940s
New York proves to be the perfect incubator of the art movements born before, during, and after WWII.
The Rise of Modernism, Part III: The Fracture of Space and Time
Artists continue their experiments in visual perception, using the picture plane as their laboratory. The advance of technology offers a promise of a progressive utopia but it will soon become clear that there is also a dark side to the beauty of the machine.
The Rise of Modernism, Part II: A New Way of Seeing
The second half of the 19th Century sees an explosion in technological progress. As science devises ways to capture the world, artists begin to examine their own perceptions. 'Art for Art's Sake' becomes the rallying cry for artists who were now free to experiment as they saw fit.
The Enlightenment: Week 9 - Lecture 1
We look at the waning influence of the church and the aristocracy in Europe and the way that the decadence of the old order gives way to reason and democracy throughout the 18th Century.
The Baroque
We look at the Church's response to the Protestant Reformation, the Counter-Reformation. Art and culture were employed to arouse the faithful in a physical, visceral way. The addition of drama and tension affected both Catholic and Protestant art.
Mid-Term Review
This document provides an overview of art from prehistory through the ancient and medieval periods. It discusses the earliest known representational imagery from 35,000 BCE. During the Neolithic Revolution beginning around 11,500 BCE, art became bigger and pottery was used to store food. Ancient cultures like Mesopotamia, Egypt, and Greece developed distinctive artistic styles in architecture, sculpture, and painting. In the Middle Ages, the capital of the Roman Empire moved to Constantinople and Christianity became the official religion, influencing art with illuminated manuscripts and mosaics. Carolingian art revived classical styles during Charlemagne's rule, while Ottonian art featured dedication portraits in manuscripts.
The High Renaissance
This document lists major artworks created during the High Renaissance period in Italy, including Leonardo da Vinci's The Last Supper and Mona Lisa, Michelangelo's David and his frescoes on the ceiling of the Sistine Chapel including The Creation of Adam, as well as sculptures by Michelangelo such as Moses and the Pieta and works by other Renaissance masters like Andrea del Verrocchio's Baptism of Christ.
The Northern Renaissance
The Northern Renaissance document features several early Renaissance artworks from Northern Europe including portraits, altarpieces, and religious works created between 1425-1434 by artists such as Robert Campin, the van Eyck Brothers, and Rogier van der Weyden. Key works highlighted include Campin's Merode Altarpiece, the van Eyck's Ghent Altarpiece and Arnolfini Wedding Portrait, and van der Weyden's Deposition.
The Renaissance in Italy
Between the years 1400-1500, the Italian Renaissance kicks into high gear. Brunelleschi's genius sets the stage for architectural wonders and artistic realism and artists thrive under the patronage of wealthy merchants.
The Early Renaissance
Following the first inklings of a re-birth of classical style in the Proto-Renaissance, the movement begins to pick up speed in the 14th and 15th centuries. Artists centered in the powerful city of Florence begin to radically change the course of Western art and set the stage for the later developments of Michelangelo, Leonardo, and Raphael.
The Proto-Renaissance Part 1
This document lists important artworks and artists from the Proto-Renaissance period in Italy, including Cimabue's Santa Trinita Madonna from 1280-90, several pieces by Giotto di Bondone from around 1280 to 1305 demonstrating a shift towards realism, Duccio's Maestà altarpiece from 1308-11, Simone Martini's Annunciation from 1333, and Ambrogio Lorenzetti's Presentation of Jesus in the Temple from 1342, signaling a move towards more naturalistic styles that foreshadowed the Renaissance.
The Late Medieval
The document provides images and descriptions of important works of art, architecture, and manuscripts from the Late Middle Ages in Europe between the 8th-12th centuries. Key examples include illuminated gospel books commissioned by Charlemagne in the early 9th century, bronze doors from a German abbey church from 1015 depicting biblical scenes, and the growing popularity of pilgrimages to sites like Santiago de Compostela evidenced by its grand cathedral built in the 12th century.
The Early Medieval
A look at the art and culture of the early medieval period, including the fall of the Roman Empire, the rise of the Byzantine, and the controversy of iconoclasm.
Ancient Cultures
A look at the cultures of Egypt, Greece, and the Roman Empire. *Note! Some of these images were not covered in class!*
Prehistory
The beginnings of art history, from neolithic cave paintings to the advent of civilization and writing.
How to Look at Art
Form refers to the elements and principles of art used in a work, like line, color, and balance. Content is the meaning or message conveyed, including what the artist intended to portray and what was actually depicted. The document provides examples of famous artworks like Goya's The Executions of the Third of May, 1808, Van Eyck's The Arnolfini Wedding Portrait, and Van Gogh's The Starry Night to illustrate form and content in visual art.
Street Art
We trace the development of street art, from the first tags of Taki 183 to the socio-political hijinks of Banksy.
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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- 1. The Rise of Modernism, Part IV: ShatTered Utopia 1913-1939
- 2. Fernand Leger, The Cardplayers, 1917
- 3. Otto Dix, Light Signals, 1917
- 4. Gino Severini, Plastic Synthesis of the Idea War, 1915
- 5. Max Beckmann, The Night, 1918-19
- 6. George Grosz, Fit for Service, 1918
- 7. Otto Dix, The Skat Players, 1920
- 8. Otto Dix, Portrait of the Dancer, Anita Berber , 1925
- 9. George Grosz, Metropolis, 1917
- 10. First International Dada Exhibition, Berlin, 1920
- 11. Hannah Höch, The Beautiful Girl, 1919-20
- 12. Francis Picabia, Love Parade, 1918
- 13. Salvador Dali, The Lugubrious Game, 1929
- 14. Salvador Dali, The Persistence of Memory, 1931
- 15. Rene Magritte, The Treason of Images, 1929
- 16. Rene Magritte, The Therapist, 1937
- 17. Pablo Picasso, Seated Bather, 1930
- 18. Alberto Giacometti, Women with her Throat Cut, 1932
- 19. Meret Oppenheim, Object, 1936