FutureEverything - The City as Living Lab or Play SpaceDrew Hemment
My keynote presentation at Metropolis Lab in Copenhagen on 28 June on the FutureEverything festival as a living lab, an approach developed in collaboration with ImaginationLancaster.
FutureEverything - The City as Living Lab or Play SpaceDrew Hemment
My keynote presentation at Metropolis Lab in Copenhagen on 28 June on the FutureEverything festival as a living lab, an approach developed in collaboration with ImaginationLancaster.
International Image Interoperability Framework - New Possibilities for ArchivesWim van Dongen
An introduction to the International Image Interoperability Framework (IIIF), which could be used by archival institutions to better facilitate their online audience. Presentation held at the ICARUS conference in Pula/Croatia - 27/03/2019
2014 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2014.minervaisrael.org.il
http://www.digital-heritage.org.il
Twenty years of Science Festival
2022 is a special year: that of the 20th edition. A turning point and a great responsibility, for one of the international leading
events for the dissemination of scientific culture that has become, over the years, a reference point for the public and
participants.
A festival that celebrates the wonder of science and, in the meantime, makes people discover the beauty of Genoa. Scientists,
researchers, popularizers, artists, authors, as well as institutions, associations and companies, meet the public to make science
touch, see and understand without boundaries, in an open comparison free from academic approaches.
For the past 20 years, each edition of the Festival has been characterized by a keyword: a common theme that allows visitors to
orient themselves, observe and have a clear and intriguing perspective on the more than 300 events on the schedule.
"Let's marathon!" Why to motivate the reuse of audiovisual archivesMariana Salgado
This article presents the argument that archivists and media scholars need to take on new practices, such as organizing hackathons or marathons, to facilitate the creative re-use of archival material. With these practices they could support the outreach of local communities and understand the nuances of reusing archival content to contextualize their records. In order to sustain this claim, I present one case study in which a group of international writers and video makers join forces to re-use audiovisual archive material in Helsinki, Finland. I unfold the limitations and opportunities that a one-day event presented to artists, archivists and media scholars, while collaborating and creatively re-using audiovisual archival material. The discussion uncovers issues pertaining to the facilitation of creative re-use as means for integration, the multicultural representation of the archives, the development of media literacy in collaborative processes and the challenges in the practice of legally reusing archival material.
Polytech.Science.Art program launched with the start of the creative workshops project in 2014. It also contributed a video program to the Polytechnic Museum’s International Contemporary Science Film Festival 360° and organized a series of public talks by the prominent artists and art critics.
The program culminated with the year-end Polytech.Science.Art Week featuring lectures, workshops, panel discussions and the exhibition celebrating the results of the workshop program’s first year.
This report is a product of Arup Foresight + Research + Innovation. The Arup F+R+I Team identifies and monitors the trends and issues likely to have a significant impact upon the built environment and society at large. We research and raise awareness about the major challenges affecting the built environment and their implications. We help clients think more creatively about the long-term future, and manage risk and uncertainty more effectively.
Social Innovation Labs at Universities: the Case of Medialab UGREsteban Romero Frías
Presentación realizada en el Encuentro Internacional “The Age of Digital Technologies: Documents, Archives and Society”, celebrado en la Facultad de Geografía e Historia de la Universidad Complutense el 24 de octubre de 2017.
Más información en: http://estebanromero.com/2017/10/presentacion-de-medialab-ugr-en-el-encuentro-the-age-of-technology-madrid-2017/
Esteban R. Frías
Social Innovation Labs at Universities: The Case of Medialab UGR – a Research Laboratory for Digital Culture and Society
ICARUS-Meeting #20 | The Age of Digital Technology: Documents, Archives and Society
23–25 October 2017, Complutense University Madrid, Calle del Prof. Aranguren, 28040 Madrid, Spain
Boston Civic Media Projects from Consortium AffiliatesBecky Michelson
These are some of the projects created by faculty from the Boston Civic Media Consortium and Network. The mission of the Boston CMC+N is to build relationships, share knowledge and develop innovative curriculum in civic media. This is a faculty-led initiative that links ten higher education institutions and numerous community partner organizations across the Greater Boston region. This initiative is organized by the Emerson Engagement Lab and funded by the Teagle Foundation.
The broader Boston Civic Media Network includes practitioners, students, nonprofits and government leaders. We want to work towards building a strong, collaborative network of engaged research and teaching across the Boston area.
International Image Interoperability Framework - New Possibilities for ArchivesWim van Dongen
An introduction to the International Image Interoperability Framework (IIIF), which could be used by archival institutions to better facilitate their online audience. Presentation held at the ICARUS conference in Pula/Croatia - 27/03/2019
2014 EVA/Minerva Jerusalem International Conference on Digitisation of Cultural Heritage
http://2014.minervaisrael.org.il
http://www.digital-heritage.org.il
Twenty years of Science Festival
2022 is a special year: that of the 20th edition. A turning point and a great responsibility, for one of the international leading
events for the dissemination of scientific culture that has become, over the years, a reference point for the public and
participants.
A festival that celebrates the wonder of science and, in the meantime, makes people discover the beauty of Genoa. Scientists,
researchers, popularizers, artists, authors, as well as institutions, associations and companies, meet the public to make science
touch, see and understand without boundaries, in an open comparison free from academic approaches.
For the past 20 years, each edition of the Festival has been characterized by a keyword: a common theme that allows visitors to
orient themselves, observe and have a clear and intriguing perspective on the more than 300 events on the schedule.
"Let's marathon!" Why to motivate the reuse of audiovisual archivesMariana Salgado
This article presents the argument that archivists and media scholars need to take on new practices, such as organizing hackathons or marathons, to facilitate the creative re-use of archival material. With these practices they could support the outreach of local communities and understand the nuances of reusing archival content to contextualize their records. In order to sustain this claim, I present one case study in which a group of international writers and video makers join forces to re-use audiovisual archive material in Helsinki, Finland. I unfold the limitations and opportunities that a one-day event presented to artists, archivists and media scholars, while collaborating and creatively re-using audiovisual archival material. The discussion uncovers issues pertaining to the facilitation of creative re-use as means for integration, the multicultural representation of the archives, the development of media literacy in collaborative processes and the challenges in the practice of legally reusing archival material.
Polytech.Science.Art program launched with the start of the creative workshops project in 2014. It also contributed a video program to the Polytechnic Museum’s International Contemporary Science Film Festival 360° and organized a series of public talks by the prominent artists and art critics.
The program culminated with the year-end Polytech.Science.Art Week featuring lectures, workshops, panel discussions and the exhibition celebrating the results of the workshop program’s first year.
This report is a product of Arup Foresight + Research + Innovation. The Arup F+R+I Team identifies and monitors the trends and issues likely to have a significant impact upon the built environment and society at large. We research and raise awareness about the major challenges affecting the built environment and their implications. We help clients think more creatively about the long-term future, and manage risk and uncertainty more effectively.
Social Innovation Labs at Universities: the Case of Medialab UGREsteban Romero Frías
Presentación realizada en el Encuentro Internacional “The Age of Digital Technologies: Documents, Archives and Society”, celebrado en la Facultad de Geografía e Historia de la Universidad Complutense el 24 de octubre de 2017.
Más información en: http://estebanromero.com/2017/10/presentacion-de-medialab-ugr-en-el-encuentro-the-age-of-technology-madrid-2017/
Esteban R. Frías
Social Innovation Labs at Universities: The Case of Medialab UGR – a Research Laboratory for Digital Culture and Society
ICARUS-Meeting #20 | The Age of Digital Technology: Documents, Archives and Society
23–25 October 2017, Complutense University Madrid, Calle del Prof. Aranguren, 28040 Madrid, Spain
Boston Civic Media Projects from Consortium AffiliatesBecky Michelson
These are some of the projects created by faculty from the Boston Civic Media Consortium and Network. The mission of the Boston CMC+N is to build relationships, share knowledge and develop innovative curriculum in civic media. This is a faculty-led initiative that links ten higher education institutions and numerous community partner organizations across the Greater Boston region. This initiative is organized by the Emerson Engagement Lab and funded by the Teagle Foundation.
The broader Boston Civic Media Network includes practitioners, students, nonprofits and government leaders. We want to work towards building a strong, collaborative network of engaged research and teaching across the Boston area.
2. ART JAMEEL, EDGE OF ARABIA and THE MIT PROGRAM IN ART, CULTURE AND
TECHNOLOGY (ACT) PRESENT
MIT Media Lab Exterior, copyright Andy Ryan
CULTURUNNERS WORKSHOPS, MAJLIS SYMPOSIUM AND PUBLIC LECTURE
OCTOBER 1 – 6, 2014
MASSACHUSETTS INSTITUTE OF TECHNOLOGY
ARTISTS AND SCIENTISTS COME TOGETHER TO CREATE AND SHARE
TECHNOLOGIES AND APPLICATIONS FOR CULTURAL COLLABORATION
BETWEEN THE UNITED STATES AND THE MIDDLE EAST
Cambridge, MA (August 26, 2014) – CULTURUNNERS week of workshops and public
events at MIT (October 1
st
to 6
th
, 2014) is a multidisciplinary gathering of artists, designers,
filmmakers, scientists, curators, and scholars whose practices inspire novel approaches towards
cross-cultural exchanges specific to the United States and the Middle East. Together, they will
collaboratively share, develop, and test creative communication technologies and narrative
techniques.
CULTURUNNERS is a core component of the Edge of Arabia’s US tour – in partnership with Art
Jameel - and ACT's Culture Fabric research on cultural empathy. Over the course of three years,
an evolving group of artists, scientists, and thinkers will cross the country in the hope of
investigating and experiencing commonalities interconnecting the narratives, economies,
3. politics, cultures and landscapes between the United States and the Middle East.
CULTURUNNERS will use custom-built artistic technologies to map, archive, and broadcast the
experiences of the travelers over the course of their tour.
The CULTURUNNERS week of workshops and public events at MIT include three days of
hands-on workshops, a daylong Majlis Symposium, and a presentation as part of the
ACT’s Monday Night Lecture Series. This programming represents the beginning of an on-
going collaboration between Azra Akšamija, Class of 1922 Career Development Professor and
Assistant Professor at Massachusetts Institute of Technology and curators & artists of Edge of
Arabia. Through a series of curated expeditions and exchanges, CULTURUNNERS allows for
grassroots encounters, linking individuals and communities across physical and psychological
borders.
Technologies developed during the Workshops at MIT from October 1
st
to 3
rd,
will assist the
CULTURUNNERS travelers in recording and broadcasting their experiences during the Edge of
Arabia tour. These technologies include a roaming broadcast vehicle or ‘mobile studio’, wearable
technologies, and an online storytelling and archiving platform, which will be used for real-time
reporting and dynamic archival of multi-media content. These collected narratives—which will
take the form of video and audio reports, media coverage, images, diaries, and contextual
material—will be digitally and physically archived, and subsequently made available as a free
resource for international audiences through a series of presentations and a dedicated website
and online TV channel: www.culturunners.com
The daylong Public Symposium on Sunday, October 5 features a series of talks, screenings,
performances, and readings inspired by the ‘Majlis’—an Arabic term denoting a welcoming
environment that embraces diverse types of social gatherings. During this multidisciplinary
symposium, participants from diverse backgrounds will share storytelling methods with the
intention of developing a more sophisticated understanding of the relationships between cross-
cultural interactions and burgeoning forms of technology. On Monday, October 6,
CULTURUNNERS will present its findings as part of ACT’s prestigious Monday Night Lecture
Series. Both these events will be free and open to the public.
Following the week of events at MIT, the CULTURUNNERS project will travel New York and
Washington DC in 2015, before heading across the United States to the West Coast in 2016.
CULTURUNNERS Week at MIT includes:
October 1 – 3, 10am – 6pm | APPLIED WORKSHOPS
October 5, 12pm – 6pm | PUBLIC SYMPOSIUM
October 6, 7 – 9 pm | CULTURUNNERS @ MIT MONDAY NIGHT LECTURE SERIES
A full schedule of speakers and events is available here.
To join as an audience member in the free Public Symposium, please RSVP here.
Applied Workshop participation is by invitation only.
Connect with Edge of Arabia on Facebook | Twitter | Instagram for all the latest news, updates,
photos and more. Join the conversation by mentioning @EdgeOfArabia and using the #EOAUSA
#CULTURUNNERS hashtags.
4. OUTLINE OF THE CULTURUNNERS PROGRAM
CULTURUNNERS workshops and symposium are chaired by Azra Akšamija, Class of 1922
Career Development Professor and Assistant Professor in the Program in Art, Culture, and
Technology at MIT, and Stephen Stapleton, artist and Edge of Arabia co-founder.
OCTOBER 1 – 3: APPLIED WORKSHOPS
Timing: Daily 10am – 6pm
Location: Program in Art, Culture and Technology, Media Lab Complex, MIT.
During three days of intensive workshops and discussions, invited artists, designers, and
scientists will gather in MIT’s Program for Art, Culture and Technology to be immersed in the
development and practical application of ideas for individual or group projects in two categories
which are in close communication with one another and with interconnected results:
MOBILE & WEARABLE TECHNOLOGIES
Workshop Leader: Azra Akšamija, artist and architectural historian, Assistant Professor at MIT.
A second-hand RV will be reimagined as a mobile studio. Participants will collectively implement
or specially-make devices and gadgets to transform the vehicle into a highly-designed portable
workspace. This modified vehicle will have multiple functions to facilitate cultural exchange, and
to help the travelers comfortably immerse themselves during their trip across the U.S. The
devices will serve such diverse purposes as observation, investigation, communication,
production, recording, broadcasting, mapping, archiving, and emotional comfort. The group will
also develop wearable technologies to be worn by the travelers to enable them to maximize their
encounters with grassroots communities.
Participants include: Daanish Masoud, co-founder of The Machine to Be Another; Peter
Schmitt, German artist and MIT MediaLab alumni roboticist; Rashad Salim, London based Iraqi
artist; Wafaa Bilal, New York based Iraqi-American artist and scholar; Ava Ansari, New York
based Iranian artist, and EOA US Tour Manager and Associate curator; and Regina Maria Möller,
German artist and Professor at the Trondheim Academy of Fine Art in Norway.
ONLINE COMMUNICATIONS and ARCHIVAL PLATFORMS
Workshop Leader: Stephen Stapleton and Ahmed Mater, artists and Edge of Arabia co-founders
As part of the Edge of Arabia tour, a free website (located at www.CULTURUNNERS.com) will be
created and launched to act as a digital platform for the broadcasting and archiving of materials
generated over the course of the tour. The materials selected for this website will be drawn from
the creative and critical practices of the artists and thinkers involved in the tour, and so will
appear in multiple medias and contexts (including video and audio reports, media coverage,
images, personal narratives, and real-time encounters), drawn from diverse times and locations
to exist together interconnectedly on the CULTURUNNER digital platform. This online platform
will locate the U.S. Tour within the ongoing trips undertaken by the Edge of Arabia’s community,
dating from its emergence in 2002.
Using this website as a jumping-off point, the Online Communications and Archival Platforms
workshop will serve as a forum in which participants can discuss and analyze different methods
of digital curation, archiving, and publicizing. Materials such as the travelers’ real-time reporting,
legendary artists’ diaries, and artistic responses to encountered communities will be used as a
lens through which to examine the opportunities (and difficulties) intrinsic to these online
platforms.
5. Participants include: Carol Huh, Curator of Contemporary Art at the Freer Gallery of Art and
Arthur M. Sackler Gallery, Smithsonian Institution; Husam Al Sayed, Palestinian filmmaker and
member of Saudi based Telfaz 11 collective; Ziad Al-Sayed, Jeddah based art director and
producer; Henry Hemming, author of Misadventures in the Middle East and Edge of Arabia
SUNDAY OCTOBER 5TH: MAJLIS SYMPOSIUM
Timing: 12pm – 6pm
Location: Program in Art, Culture and Technology, Media Lab Complex, MIT.
Wiesner Bldg, Lower Level, 20 Ames Street, Cambridge, MA
MIT will host a daylong multi-disciplinary ‘Majlis’ in the lower level space, curated by Azra
Akšamija and Ava Ansari. During this program, research, artworks, case studies, and
technologies related to the theme of acculturation will be communicated through objects and
stories presented by the participants and related to their practice. These interactive presentations
will serve as springboards for a series of conversations regarding experiences of mutual
understanding between individuals or communities from the United States and the Middle East.
They will be documented as cultural markers or artifacts of intercultural connectivity, and will
become part of the first phase of CULTURUNNERS’ online archive. The Public Majlis will take
place on Sunday, October 5th, and will continue from the afternoon through the evening.
Audience members will have the opportunity to move between different curated environments to
interact with the presenters, during which they can examine and test the wearable, mobile, and
online technologies developed during the workshops. The modified mobile studio will also be
present, acting as an anchor for a series of roving programs.
Confirmed presenters include: Ahmed Mater, Daanish Masoud, Regina Maria Möller, Rashad
Salim, Stephen Stapleton: Marriam Mossali & Husam Al Sayed from Telfaz 11.
MONDAY OCTOBER 6TH: CULTURUNNERS @ MIT EVENING LECTURE
Timing: 7pm – 9 pm
Location: Bartos Theatre, MIT Program in Art, Culture and Technology, Wiesner Building, Lower
Level, 20 Ames Street, Cambridge, MA
During CULTURUNNERS@MIT evening lecture, panels made up of selected artists, scientists
and curators will present and discuss their findings from the previous week’s workshops
dedicated to developing technologies for travelling artists. Findings will be presented in two
categories, MOBILE & WEARABLE TECHNOLOGIES and ONLINE COMMUNICATIONS and
ARCHIVAL PLATFORMS, and act as a coda for the weeklong collaboration between
CULTURUNNERS, Edge of Arabia and MIT's Program in Art, Culture and Technology. The
lecture will be followed by a Q&A moderated by Ava Ansari and Azra Akšamija.
Further information, including bios of workshop leaders and speakers, is available here.
---
6. ABOUT THE PARTNERS
Art Jameel
Art Jameel – Abdul Latif Jameel Community Initiatives (ALJCI) arts and culture initiative – aims to
foster and promote a thriving arts scene within the Middle East, North Africa and Turkey (MENAT)
region and to support the development of creative enterprises. In partnership with art
organizations worldwide, Art Jameel develops cultural exchange programs to encourage
networking and knowledge sharing.
Art Jameel is the founding partner of Edge of Arabia, The Crossway Foundation, Arabian Wings,
Jeddah Art Week and The Archive. In partnership with the Victoria & Albert Museum in London it
provides the biannual Jameel Prize for contemporary art inspired by Islamic traditions. Additional
projects include: Jeddah Sculptures Museum, a public park established in collaboration with
Jeddah Municipality; the Art Jameel Photography Award; and the Art Jameel Art Olympics in
collaboration with the Ministry of Education in Saudi Arabia.
ALJCI was established in 2003 to promote positive social change through the establishment of
long-term partnerships with international institutions, and the creation of initiatives in the fields of
Job Creation, Global Poverty Alleviation, Arts and Culture, Education and Training, Health and
Social. More information on ALJCI’s considerable set of initiatives can be found online at
www.aljci.org.
Edge of Arabia
Edge of Arabia is an independent non-profit arts and education enterprise dedicated to
connecting Middle Eastern and international artists and audiences. The initiative is the brainchild
of two artists, Ahmed Mater (Saudi Arabia) and Stephen Stapleton (UK/Norway) who met in the
mountains of South-West Saudi Arabia in 2003 and shared a common desire "to create a real
artistic movement that connected people across borders." With its exhibitions, educational
programs, and publications, it seeks to foster new audiences and inspire young artists to develop
independent and authentic practices and to collaborate across borders.
Based between London and Jeddah, Saudi Arabia, Edge of Arabia maintains creative
independence and has, to date, welcomed over 250,000 visitors to its exhibitions and distributed
over 50,000 publications worldwide. International exhibitions include: Rhizoma, 55 Venice
Biennale (2013); #COMETOGETHER, East London (2012); We Need to Talk, Jeddah (2012);
The Future of a Promise, 54
th
Venice Biennale (2011); Terminal, Dubai (2011); Transition,
Istanbul: European Capital of Culture (2010); Grey Borders/Grey Frontiers, Berlin (2010); Edge of
Arabia, Riyadh (2010); Edge of Arabia, 53
rd
Venice Biennale (2009); and Edge of Arabia,
University of London (2008)
ABOUT THE HOST
MIT Program in Art, Culture, Technology
The Program in Art, Culture and Technology (ACT) is an academic department and research
center which facilitates artist-thinkers’ exploration of art’s broad, complex, global history and
conjunction with culture, science, technology, and design via rigorous critical artistic practice and
practice driven theory.
This exploration occurs in the program’s academic offerings and the research of faculty, fellows,
and guests in individual and collaborative forms and media including cinema, video, sound,
7. performance, photography, experimental media and new genres, conceptual, sculptural, and
spatial experiments, writings and publications. Critical thinking, knowledge mining, and creative
engagement, along with explorations of changing public and private spheres, are of particular
relevance. Extracurricular activities include a cross-disciplinary lecture series, field trips,
workshops, studio visits, and public presentations.
ACT is one of the five discipline groups in the Department of Architecture within the School of
Architecture + Planning at MIT. ACT offers a highly selective two-year graduate degree — Master
of Science in Art, Culture and Technology (SMACT) — and graduate courses for students in
other disciplines. On the undergraduate level, ACT offers a Humanities, Arts, and Social Sciences
(HASS) concentration and minor. Throughout the academic year, ACT hosts numerous public
programs, including the well-regarded Monday Night Lecture Series.
For more information about the event, please contact:
FITZ & CO, Katrina Weber Ashour, Assistant Director
Tel. +1 212 627 1455 ext. 1653, katrina@fitzandco.com