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Music of Mindoro
Mindoro 
is the seventh-largest island in 
the Philippines. It is located off 
the coast of Luzon, and 
northeast of Palawan. The 
southern coast of Mindoro forms 
the northeastern extremum of the 
Sulu Sea.
In past times, it has been 
called Mai or Mait by Chinese 
traders and, by Spaniards, as 
Mina de Oro (meaning “mine 
of gold") from where the island 
got its current name.
Mindoro is also home to the 
Tamaraw or Mindoro dwarf 
buffalo (Bubalus mindorensis), 
which is endemic to the island. 
The Tamaraw is a bovine related 
to the water buffalo and is an 
endangered species.
The principal language in 
Mindoro is Tagalog, although 
in some parts it has been 
greatly influenced by the 
native Visayan and Mangyan 
languages.
Hanunó'o language is a 
language spoken by 
Mangyans in the province 
of Mindoro in the 
Philippines
Division 
The island was once a single province 
from 1920 to 1950. 
On June 13, 1950, by virtue of Republic 
Act no. 505, Mindoro was divided into 
Oriental Mindoro and Occidental 
Mindoro.
Occidental Mindoro 
"Home of the 
Indigenous 
Mangyans". 
Its capital is 
Mamburao and 
occupies the 
western half of the 
island of Mindoro
Oriental Mindoro 
• Calapan City- the 
only city in the island 
and the provincial 
capital. 
• Rice Granary and 
Fruit Basket of 
Southern Tagalog 
• Banana King and 
Calamansi King of 
the region.
CULTURAL PRESERVATION AND 
MARGINALIZATION OF CULTURE
Mangyan culture 
Mangyan cultural practices are in danger of 
vanishing because of the influence of modern 
lowland culture. The literature and traditions 
of the different Mangyan groups are short of 
documentation; thus, mainstream society 
lacks awareness of the beauty of Mangyan 
culture and its relevance to Filipino culture as 
a whole.
Terminologies 
Damuong- the non-Mangyan groups 
Hanunuo- they considered themselves 
as real, true or genuine Mangyan. 
Urukoy- words of wisdom chanted on 
festive occasion by elders of the 
tribe. 
Luka- bamboo tube wherein the 
ambahan is carved out.
Tau-buid 
Mangyan 
traditional 
house
The 
Mangyan 
People
Mangyan groups 
There are around 300 million indigenous peoples in the world. In the 
Philippines, of the projected population of 94 million in 2010, about 15% 
belong to indigenous groups. [AusAID] 
Mangyan is the collective name for the eight indigenous groups living in 
Mindoro, each with its own name, language, and set of customs: 
Iraya 
Alangan 
Tadyawan 
Tau-buid 
Bangon 
Buhid 
Hanunuo 
Ratagnon
Mangyan Syllabic Script or 
Surat Mangyan 
The Mangyans of SOuthern Mindoro, Philippines, (also referred 
to as Hanunuo Mangyans),are still practising a pre-Spanish syllabic 
writing system that was in general use all over the Philippines at the 
arrival of the Spaniards in the 16th century. 
The Mangyan script, together with the Northern-Buhid in 
Mindoro and the Palawan scripts,have been declared by the National 
Museum as National Cultural Treasures on December 9, 1997.
The Ambahan
The ambahan is the 
traditional poetry of the 
Hanunuo Mangyans of 
Oriental Mindoro. It is 
usually written on bamboo 
in the Surat Mangyan, a 
centuries-old pre-Spanish 
script. The syllabic script 
and the ambahan poetry 
have complemented each 
other, contributing to their 
continued existence today.
Characteristics of Ambahan 
 It is a rhythmic poetic expression with a meter of seven 
syllable lines 
 Each line rhymed at the end. 
 It is most often presented as a chant without a 
determined musical pitch or accompaniment by musical 
instruments. 
 An expression in a riddle-like form or in allegorical 
manner. 
 Varied in length and complexity. 
For children it is short and simple 
For adult, it is lengthier and complicated 
 Preserved by way of inscribing them on bamboo tubes. 
 Song content were wide range based on daily life events
The ambahan is a chanted verse, but it is 
changed plainly or almost recited. The 
rendering of the ambahan with musical 
pitch might differ from person to person. 
Some might intone the words like in 
common conversation; others might use it 
a monotone recitation; or still others 
might sing it with a distinct melody.
Hanunuo-Mangyan English Filipino 
My dear baby, do not cry 
'cause the wild cat might 
hear us! 
The big one from over 
there, 
with his awful long-stretched 
howl! 
Helpless are we if he 
comes. 
Our spear is broken still 
and our bolo bent and 
blunt! 
Huwag ka ngang umiyak 
Hala ka at mapukaw 
Pusang-ligaw sa gubat 
Ngumiyaw, maghihiyaw 
Wala kitang pambugaw 
Sibat nati'y nawasak 
Gulok nati'y nabingaw!
Conversational 
language 
Ambahan 
language 
English 
amang bansay father 
inang suyong mother 
danom kagnan water 
balay labag house 
niyog bu-anay coconut 
bagaw duyan talk 
mata pamidkan eye
Vocal Music 
Iyaya- lullabye 
Ayung or Ngayung – ritual chant 
Igway- Mangyan province music 
Marayaw- spirit song 
Pamuybuyen- (legend)- it means fear of 
water
Instrumental Music
Bangsi 
-is an external duct 
flute, which has chip 
glued on to the tube of 
the flute
Gitgit 
– a three-stringed 
indigenous violin with 
human hair for strings.
Lantoy 
- is a nose flute
Batiwtiw = a bamboo 
instrument from Mindoro 
about 40 cm long, played by 
striking the split end of a 
bamboo against the left 
palm
Kinaban or Subing 
- a bamboo jaw’s harp or jew’s 
harp.The jaw harp is a slim 
bamboo instrument 
approximately of ball-pen size, 
of different shapes and lengths 
varying from 10 cm. to 40 cm.
kudlong or kutiyapi - is a 
two-stringed lute shaped 
like a boat. It has wooden 
tightening rods and frets 
made of beeswax.
kudlung- a parallel two-stringed 
bamboo tube zither 
where the bamboo strings 
were stretched out of the 
tube itself.
Musical Ensemble
Buray-Dipay 
-a bean-pod rattle 
used with the 
kalutang instrument.
Kalutang 
-consists of two pieces 
of wood, graduated in 
sizes, to produce 
different note ranges.
Agung 
- ensemble consisting of 
two light gongs played by 
two men squatting on the 
floor. One plays the gong’s 
rim with padded sticks.
ag 
Agung
Musical Context
Marayaw is a genre of Iraya- 
Mangyan songs used to 
communicate with spirits in 
rituals for healing the sick or 
protecting the community.
The "marayaw" was once seen 
by the Iraya as a symbol of 
power - or one's ability to cope 
with hazards of everyday life as 
well as a way where one gains 
control over events for his own 
advantage.
Music for the Hanunuo is a part of celebrating 
ordinary and festive occasions. Accompnying 
themselveswith their instruments as they 
recite their love poems.During the wedding 
rituals, song are sung,musical instruments 
are played, food is eaten and wine is drunk. 
The songs of Mangyan are lullabies, 
recollection of war explouits in distant past, 
lamentations, lovelyrics and stories based on 
persona.
Mindoromusic 131111083814-phpapp02

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Mindoromusic 131111083814-phpapp02

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  • 4. Mindoro is the seventh-largest island in the Philippines. It is located off the coast of Luzon, and northeast of Palawan. The southern coast of Mindoro forms the northeastern extremum of the Sulu Sea.
  • 5. In past times, it has been called Mai or Mait by Chinese traders and, by Spaniards, as Mina de Oro (meaning “mine of gold") from where the island got its current name.
  • 6. Mindoro is also home to the Tamaraw or Mindoro dwarf buffalo (Bubalus mindorensis), which is endemic to the island. The Tamaraw is a bovine related to the water buffalo and is an endangered species.
  • 7. The principal language in Mindoro is Tagalog, although in some parts it has been greatly influenced by the native Visayan and Mangyan languages.
  • 8. Hanunó'o language is a language spoken by Mangyans in the province of Mindoro in the Philippines
  • 9. Division The island was once a single province from 1920 to 1950. On June 13, 1950, by virtue of Republic Act no. 505, Mindoro was divided into Oriental Mindoro and Occidental Mindoro.
  • 10. Occidental Mindoro "Home of the Indigenous Mangyans". Its capital is Mamburao and occupies the western half of the island of Mindoro
  • 11. Oriental Mindoro • Calapan City- the only city in the island and the provincial capital. • Rice Granary and Fruit Basket of Southern Tagalog • Banana King and Calamansi King of the region.
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  • 13. CULTURAL PRESERVATION AND MARGINALIZATION OF CULTURE
  • 14. Mangyan culture Mangyan cultural practices are in danger of vanishing because of the influence of modern lowland culture. The literature and traditions of the different Mangyan groups are short of documentation; thus, mainstream society lacks awareness of the beauty of Mangyan culture and its relevance to Filipino culture as a whole.
  • 15. Terminologies Damuong- the non-Mangyan groups Hanunuo- they considered themselves as real, true or genuine Mangyan. Urukoy- words of wisdom chanted on festive occasion by elders of the tribe. Luka- bamboo tube wherein the ambahan is carved out.
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  • 19. Mangyan groups There are around 300 million indigenous peoples in the world. In the Philippines, of the projected population of 94 million in 2010, about 15% belong to indigenous groups. [AusAID] Mangyan is the collective name for the eight indigenous groups living in Mindoro, each with its own name, language, and set of customs: Iraya Alangan Tadyawan Tau-buid Bangon Buhid Hanunuo Ratagnon
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  • 21. Mangyan Syllabic Script or Surat Mangyan The Mangyans of SOuthern Mindoro, Philippines, (also referred to as Hanunuo Mangyans),are still practising a pre-Spanish syllabic writing system that was in general use all over the Philippines at the arrival of the Spaniards in the 16th century. The Mangyan script, together with the Northern-Buhid in Mindoro and the Palawan scripts,have been declared by the National Museum as National Cultural Treasures on December 9, 1997.
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  • 26. The ambahan is the traditional poetry of the Hanunuo Mangyans of Oriental Mindoro. It is usually written on bamboo in the Surat Mangyan, a centuries-old pre-Spanish script. The syllabic script and the ambahan poetry have complemented each other, contributing to their continued existence today.
  • 27. Characteristics of Ambahan  It is a rhythmic poetic expression with a meter of seven syllable lines  Each line rhymed at the end.  It is most often presented as a chant without a determined musical pitch or accompaniment by musical instruments.  An expression in a riddle-like form or in allegorical manner.  Varied in length and complexity. For children it is short and simple For adult, it is lengthier and complicated  Preserved by way of inscribing them on bamboo tubes.  Song content were wide range based on daily life events
  • 28. The ambahan is a chanted verse, but it is changed plainly or almost recited. The rendering of the ambahan with musical pitch might differ from person to person. Some might intone the words like in common conversation; others might use it a monotone recitation; or still others might sing it with a distinct melody.
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  • 30. Hanunuo-Mangyan English Filipino My dear baby, do not cry 'cause the wild cat might hear us! The big one from over there, with his awful long-stretched howl! Helpless are we if he comes. Our spear is broken still and our bolo bent and blunt! Huwag ka ngang umiyak Hala ka at mapukaw Pusang-ligaw sa gubat Ngumiyaw, maghihiyaw Wala kitang pambugaw Sibat nati'y nawasak Gulok nati'y nabingaw!
  • 31. Conversational language Ambahan language English amang bansay father inang suyong mother danom kagnan water balay labag house niyog bu-anay coconut bagaw duyan talk mata pamidkan eye
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  • 33. Vocal Music Iyaya- lullabye Ayung or Ngayung – ritual chant Igway- Mangyan province music Marayaw- spirit song Pamuybuyen- (legend)- it means fear of water
  • 35. Bangsi -is an external duct flute, which has chip glued on to the tube of the flute
  • 36. Gitgit – a three-stringed indigenous violin with human hair for strings.
  • 37. Lantoy - is a nose flute
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  • 39. Batiwtiw = a bamboo instrument from Mindoro about 40 cm long, played by striking the split end of a bamboo against the left palm
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  • 41. Kinaban or Subing - a bamboo jaw’s harp or jew’s harp.The jaw harp is a slim bamboo instrument approximately of ball-pen size, of different shapes and lengths varying from 10 cm. to 40 cm.
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  • 43. kudlong or kutiyapi - is a two-stringed lute shaped like a boat. It has wooden tightening rods and frets made of beeswax.
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  • 45. kudlung- a parallel two-stringed bamboo tube zither where the bamboo strings were stretched out of the tube itself.
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  • 48. Buray-Dipay -a bean-pod rattle used with the kalutang instrument.
  • 49. Kalutang -consists of two pieces of wood, graduated in sizes, to produce different note ranges.
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  • 51. Agung - ensemble consisting of two light gongs played by two men squatting on the floor. One plays the gong’s rim with padded sticks.
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  • 56. Marayaw is a genre of Iraya- Mangyan songs used to communicate with spirits in rituals for healing the sick or protecting the community.
  • 57. The "marayaw" was once seen by the Iraya as a symbol of power - or one's ability to cope with hazards of everyday life as well as a way where one gains control over events for his own advantage.
  • 58. Music for the Hanunuo is a part of celebrating ordinary and festive occasions. Accompnying themselveswith their instruments as they recite their love poems.During the wedding rituals, song are sung,musical instruments are played, food is eaten and wine is drunk. The songs of Mangyan are lullabies, recollection of war explouits in distant past, lamentations, lovelyrics and stories based on persona.