The Visayas region is divided into three administrative regions and is home to several languages. Panay Island is composed of several provinces and is known for its weaving traditions, particularly of piña and patadyong textiles. Several other islands and areas such as Negros, Bohol, Basey and Kalibo are also known for their distinctive weaving and basketry traditions using indigenous materials. Major festivals celebrated in the Visayas include the colorful Ati-Atihan festival in Kalibo and the Masskara festival in Bacolod.
The document discusses the arts and crafts of various ethnolinguistic groups in Mindanao, Philippines, focusing on their textiles, attire, and weaving traditions. It describes the clothing, materials, and designs of five groups: the B'laan people known for beadwork and brass ornaments; the Bagobos who make t'nalak textiles; the T'boli renowned for dream-inspired beadwork; the Maranaos and their versatile malong skirts; and the Yakans skilled in hand-loomed geometric patterns. These groups have developed unique artistic traditions that blend indigenous beliefs with influences from Muslim and other traders.
The folk songs of the Luzon lowlands in the Philippines were traditionally passed down orally and accompanied daily activities. They were performed in native languages like Ilocano, Pangasinense, and Tagalog. Characteristics include being passed down orally, learned through repetition, sung in dialect, having simple melodies and lyrics based on nature or work. Examples of folk songs mentioned are "Pamulinawen" and "Magtanim ay 'Di Biro." Religious music was also influenced by Spanish colonization, incorporating indigenous forms into Christian rituals like Salubong and Flores de Mayo. Secular music includes harana serenades, kumintang love songs, and pandanggo court
This document contains 15 multiple choice questions about Philippine culture, traditions, and health topics. The questions cover various forms of Philippine theater such as sarswela, komedya, and moro-moro. They also ask about different festivals celebrated around the country including Ati-Atihan, Dinagyang, Pahiyas, and Sinulog. Finally, there are questions that test knowledge of communicable versus non-communicable diseases, and specific diseases like asthma, diabetes, cancer, pneumonia, rabies, and allergies.
The document summarizes Filipino culture and values. It describes Filipino culture as being formed from indigenous influences as well as foreign influences over centuries from countries like India, Spain, and the United States. Some key aspects of Filipino culture discussed include belief systems centered around religion, hospitality, and viewing success as blessings. Core cultural values discussed include utang na loob (debt of gratitude), pakikisama (belongingness and loyalty), hiya (shame), and bahala na (fatalism).
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSONakosi Ma'am
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSON
2ND QUARTER LESSON 1 MAPEH 7 LESSON IN ART
DISCLAIMER: NO COPYRIGHT INFRINGEMENT.
#JHSMAPEHTeacherandArt teacher
The document lists and describes 10 traditional musical instruments used by the Kalinga people of the Philippines, including bamboo stamping tubes, buzzers, panpipes, polychordal bamboo tube zithers, flat gongs, jaw's harps, quill-shaped tubes, leg xylophones, nose flutes, and lip-valley flutes.
Philippine Festivals, Religious Category
Different types of Philippine Religious Festivals.
1. Higantes Festival
2. Obando Fertility Rites Festival
3. Moriones Festival
4. Ati-atihan Festival
5. Sinulog Festival
6. Dinagyang Festival
7. Sinulog Festival
The Visayas region is divided into three administrative regions and is home to several languages. Panay Island is composed of several provinces and is known for its weaving traditions, particularly of piña and patadyong textiles. Several other islands and areas such as Negros, Bohol, Basey and Kalibo are also known for their distinctive weaving and basketry traditions using indigenous materials. Major festivals celebrated in the Visayas include the colorful Ati-Atihan festival in Kalibo and the Masskara festival in Bacolod.
The document discusses the arts and crafts of various ethnolinguistic groups in Mindanao, Philippines, focusing on their textiles, attire, and weaving traditions. It describes the clothing, materials, and designs of five groups: the B'laan people known for beadwork and brass ornaments; the Bagobos who make t'nalak textiles; the T'boli renowned for dream-inspired beadwork; the Maranaos and their versatile malong skirts; and the Yakans skilled in hand-loomed geometric patterns. These groups have developed unique artistic traditions that blend indigenous beliefs with influences from Muslim and other traders.
The folk songs of the Luzon lowlands in the Philippines were traditionally passed down orally and accompanied daily activities. They were performed in native languages like Ilocano, Pangasinense, and Tagalog. Characteristics include being passed down orally, learned through repetition, sung in dialect, having simple melodies and lyrics based on nature or work. Examples of folk songs mentioned are "Pamulinawen" and "Magtanim ay 'Di Biro." Religious music was also influenced by Spanish colonization, incorporating indigenous forms into Christian rituals like Salubong and Flores de Mayo. Secular music includes harana serenades, kumintang love songs, and pandanggo court
This document contains 15 multiple choice questions about Philippine culture, traditions, and health topics. The questions cover various forms of Philippine theater such as sarswela, komedya, and moro-moro. They also ask about different festivals celebrated around the country including Ati-Atihan, Dinagyang, Pahiyas, and Sinulog. Finally, there are questions that test knowledge of communicable versus non-communicable diseases, and specific diseases like asthma, diabetes, cancer, pneumonia, rabies, and allergies.
The document summarizes Filipino culture and values. It describes Filipino culture as being formed from indigenous influences as well as foreign influences over centuries from countries like India, Spain, and the United States. Some key aspects of Filipino culture discussed include belief systems centered around religion, hospitality, and viewing success as blessings. Core cultural values discussed include utang na loob (debt of gratitude), pakikisama (belongingness and loyalty), hiya (shame), and bahala na (fatalism).
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSONakosi Ma'am
ARTS AND CRAFTS OF MIMAROPA MAPEH 7 ART LESSON
2ND QUARTER LESSON 1 MAPEH 7 LESSON IN ART
DISCLAIMER: NO COPYRIGHT INFRINGEMENT.
#JHSMAPEHTeacherandArt teacher
The document lists and describes 10 traditional musical instruments used by the Kalinga people of the Philippines, including bamboo stamping tubes, buzzers, panpipes, polychordal bamboo tube zithers, flat gongs, jaw's harps, quill-shaped tubes, leg xylophones, nose flutes, and lip-valley flutes.
Philippine Festivals, Religious Category
Different types of Philippine Religious Festivals.
1. Higantes Festival
2. Obando Fertility Rites Festival
3. Moriones Festival
4. Ati-atihan Festival
5. Sinulog Festival
6. Dinagyang Festival
7. Sinulog Festival
The document discusses several gold death masks that were discovered in various locations in the Philippines. It provides details on a gold death mask found in Oton, Iloilo from the late 14th to early 15th century, the first of its kind found in the Philippines. It would have served as an amulet placed on the dead. A similar mask was discovered in Cebu in 2008, described in a 1600 publication. Gold face masks were used as a sign of status and wealth in life and death, and were crafted by cutting designs from thin gold sheets. The document also briefly describes a decorative mask found in Butuan, Mindanao.
This document discusses religious and non-religious festivals in the Philippines. It provides examples of three non-religious festivals: Panagbenga flower festival in Baguio City, MassKara festival in Bacolod City which started due to an economic crisis, and Parul festival in San Fernando which began as a lantern competition. Religious festivals are occasions of feasting and celebration to honor God, while non-religious festivals celebrate tradition, culture or give thanks without religious affiliation. The document aims to teach students the difference between and examples of religious and non-religious festivals celebrated in the Philippines.
The document summarizes the arts and crafts of various regions in the Philippines, including Luzon and the Cordillera Administrative Region. In Ilocos, notable arts include calle crisologo architecture with large roofs and adobe construction. Inabel weaving and burnay pottery are also described. The Cordillera region is known for Kalinga textiles like the kain skirt, basketry like the labba bowl, and Wang-Od as the last traditional Kalinga tattoo artist. Ifugao arts feature bul'ul rice spirits and lingling-o amulets. Central Luzon areas are noted for parol lanterns, singkaban bamboo designs, and architectural
The document provides information on various indigenous cultural groups in Western Mindanao, Philippines. It discusses the Bajaus, Yakans, Subanens, Tausugs, Samals, and Zamboanguenos. For each group, it describes their origins, livelihoods, traditions, religious practices, and social structures like marriage customs. It also gives brief overviews of their arts, crafts, music/dances, languages, foods and clothing styles.
ARTS 1ST QUARTER Lesson 1 folk arts of ilocos and carElaine Maspinas
The document summarizes some of the arts and crafts of the Ilocos Region and Cordillera Administrative Region of the Philippines. It describes Vigan's Spanish colonial architecture, Inabel weaving from Ilocos, and Burnay earthen jars. From Pangasinan, it mentions Bolinao mats made from buri leaves. Textiles from Kalinga feature red, white, yellow and black patterns. The Cordillera region is known for Labba rattan baskets, Apo Whang-Od as the last traditional Kalinga tattoo artist, Bul-ul rice granary sculptures from Ifugao, and their Lingling-o amulets. Mountain Province is known for
This document provides an overview of the traditional arts and crafts of various regions in Luzon, Philippines. It describes the textiles, architecture, pottery, basketry, woodcarving, metalworking and other crafts of areas like Ilocos, Cordillera, Cagayan Valley, Central Luzon, Calabarzon and Bicol. Specific examples highlighted include the Vigan architecture in Ilocos, Kalinga textiles, Ifugao sculptures, Abra textiles, Bulacan pastillas wrappers and Laguna woodcarving. The document aims to teach students about the diverse cultural expressions and traditions found across Luzon.
This document discusses the Filipino value of bayanihan and how it can be used to sustain and improve organizational performance. It defines bayanihan as voluntary, communal work and traces its roots in different Filipino languages. The document then discusses how bayanihan embodies mutual assistance and can be developed as an organizational culture through communicating it, role modeling it, engaging employees, aligning systems and structures, training, and evaluating efforts. It notes both the challenges and learnings of building a bayanihan culture.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
This document discusses the music of the Cordillera region in the Philippines. It covers three main types of music: vocal music, instrumental music, and vocal ensembles accompanied by instruments. Vocal genres include Ibaloi Badiw songs, lullabies, and Hudhud chants. Instrumental music features metal gangsa gongs and various bamboo instruments like bilbil buzzers and tongali nose flutes. Vocal ensembles sometimes include stringed instruments like the kuglong lute during courtship songs or debates. The music is closely tied to rituals, life events, and agricultural cycles in Cordillera culture.
Arts and crafts of calabarzon and bicol region art grade 7 lesson akosi Ma'am
ARTS AND CRAFTS OF CALABARZON AND BICOL REGION ART GRADE 7 LESSON QUARTER 1
DISCLAIMER: ALL CONTENT AND IMAGES ARE SUBJECT TO COPYRIGHT.
#JHSMAPEHteacherand ARTteacher
The document summarizes some of the traditional arts and crafts of the Ilocos Region, Cordillera Administrative Region (CAR), and surrounding areas of Luzon in the Philippines. In the Ilocos Region, important arts include the Spanish colonial architecture in Vigan, Inabel weaving techniques using traditional looms, and Burnay pottery jars. The Kalinga are known for their textiles featuring various cultural patterns, basket weaving, wood carving, and tattooing traditions. The Ifugao are renowned for their bul'ul rice granary sculptures and lingling-o amulets. Mountain Province is known for burial cloths and various indigenous textile traditions among different ethnic groups.
Subli is a folkdance in the Philippines which is considered to be a favorite of the people of the barrios of the municipality of Bauan, Batangas. It is a ceremonial worship dance performed in homage to the Holy Cross referred to in the vernacular as Mahal Na Poong Santa Cruz.
1. The document discusses different philosophical concepts of the self from thinkers like Plato, Aristotle, Descartes, Locke, Hume, Freud, Kant, Ryle, and Merleau-Ponty.
2. Plato viewed the human soul as having three parts - rational, spirited, and appetitive - while Aristotle saw the soul as the essence of a person's being through intellect.
3. Descartes argued "I think therefore I am" and separated mind and body, while Hume believed there is no fixed self and it is simply a collection of perceptions.
Pre spanish-colonial-art-in-the-philippinesSa Puso Mo :">
The earliest inhabitants of the Philippines arrived over 22,000 years ago, as evidenced by the discovery of the oldest human fossil found in the country. Pre-Spanish Philippine society consisted of diverse ethnic groups like the Negritos, Indonesians, and Malays, who introduced various cultural traditions over subsequent centuries. The ancient Filipinos exhibited rich artistic traditions in areas like music, dance, architecture, sculpture, pottery, weaving, tattooing, and literature that were integral parts of their daily lives and cultural practices.
MUSIC 7 1ST QUARTER Lesson 5 instrumental musicElaine Maspinas
The document discusses the traditional music of the lowlands of Luzon in the Philippines. It describes several types of traditional Filipino instruments and ensembles. Specifically, it mentions the Las Piñas bamboo organ, a national treasure found in a church in Las Piñas City. It also discusses musiko bumbong, a Filipino marching band that uses bamboo woodwind instruments, and pangkat kawayan, a traditional bamboo orchestra. It provides examples of instruments used in pangkat kawayan like angklung, bumbong, kalatok, and others.
The document discusses several gold death masks that were discovered in various locations in the Philippines. It provides details on a gold death mask found in Oton, Iloilo from the late 14th to early 15th century, the first of its kind found in the Philippines. It would have served as an amulet placed on the dead. A similar mask was discovered in Cebu in 2008, described in a 1600 publication. Gold face masks were used as a sign of status and wealth in life and death, and were crafted by cutting designs from thin gold sheets. The document also briefly describes a decorative mask found in Butuan, Mindanao.
This document discusses religious and non-religious festivals in the Philippines. It provides examples of three non-religious festivals: Panagbenga flower festival in Baguio City, MassKara festival in Bacolod City which started due to an economic crisis, and Parul festival in San Fernando which began as a lantern competition. Religious festivals are occasions of feasting and celebration to honor God, while non-religious festivals celebrate tradition, culture or give thanks without religious affiliation. The document aims to teach students the difference between and examples of religious and non-religious festivals celebrated in the Philippines.
The document summarizes the arts and crafts of various regions in the Philippines, including Luzon and the Cordillera Administrative Region. In Ilocos, notable arts include calle crisologo architecture with large roofs and adobe construction. Inabel weaving and burnay pottery are also described. The Cordillera region is known for Kalinga textiles like the kain skirt, basketry like the labba bowl, and Wang-Od as the last traditional Kalinga tattoo artist. Ifugao arts feature bul'ul rice spirits and lingling-o amulets. Central Luzon areas are noted for parol lanterns, singkaban bamboo designs, and architectural
The document provides information on various indigenous cultural groups in Western Mindanao, Philippines. It discusses the Bajaus, Yakans, Subanens, Tausugs, Samals, and Zamboanguenos. For each group, it describes their origins, livelihoods, traditions, religious practices, and social structures like marriage customs. It also gives brief overviews of their arts, crafts, music/dances, languages, foods and clothing styles.
ARTS 1ST QUARTER Lesson 1 folk arts of ilocos and carElaine Maspinas
The document summarizes some of the arts and crafts of the Ilocos Region and Cordillera Administrative Region of the Philippines. It describes Vigan's Spanish colonial architecture, Inabel weaving from Ilocos, and Burnay earthen jars. From Pangasinan, it mentions Bolinao mats made from buri leaves. Textiles from Kalinga feature red, white, yellow and black patterns. The Cordillera region is known for Labba rattan baskets, Apo Whang-Od as the last traditional Kalinga tattoo artist, Bul-ul rice granary sculptures from Ifugao, and their Lingling-o amulets. Mountain Province is known for
This document provides an overview of the traditional arts and crafts of various regions in Luzon, Philippines. It describes the textiles, architecture, pottery, basketry, woodcarving, metalworking and other crafts of areas like Ilocos, Cordillera, Cagayan Valley, Central Luzon, Calabarzon and Bicol. Specific examples highlighted include the Vigan architecture in Ilocos, Kalinga textiles, Ifugao sculptures, Abra textiles, Bulacan pastillas wrappers and Laguna woodcarving. The document aims to teach students about the diverse cultural expressions and traditions found across Luzon.
This document discusses the Filipino value of bayanihan and how it can be used to sustain and improve organizational performance. It defines bayanihan as voluntary, communal work and traces its roots in different Filipino languages. The document then discusses how bayanihan embodies mutual assistance and can be developed as an organizational culture through communicating it, role modeling it, engaging employees, aligning systems and structures, training, and evaluating efforts. It notes both the challenges and learnings of building a bayanihan culture.
Folk Arts and Crafts of Southern Tagalog and Bicol RegionJaneAira1
This document discusses several Philippine provinces and cities known for their crafts and traditions, including Paete, Laguna known as the Wood Carving Capital for taka sculptures used in paper mache molds, Binan, Laguna known as the "Embroidery Capital" for hand-embroidered fabrics, Lucban, Quezon known as the origin of kiping wafers made during the Pahiyas Festival, and Marikina known for its footwear industry and as the Sandals Capital. It also mentions Nueva Ecija as the Arts Capital for its large papier-mache figures called higantes displayed during festivals.
This document discusses the music of the Cordillera region in the Philippines. It covers three main types of music: vocal music, instrumental music, and vocal ensembles accompanied by instruments. Vocal genres include Ibaloi Badiw songs, lullabies, and Hudhud chants. Instrumental music features metal gangsa gongs and various bamboo instruments like bilbil buzzers and tongali nose flutes. Vocal ensembles sometimes include stringed instruments like the kuglong lute during courtship songs or debates. The music is closely tied to rituals, life events, and agricultural cycles in Cordillera culture.
Arts and crafts of calabarzon and bicol region art grade 7 lesson akosi Ma'am
ARTS AND CRAFTS OF CALABARZON AND BICOL REGION ART GRADE 7 LESSON QUARTER 1
DISCLAIMER: ALL CONTENT AND IMAGES ARE SUBJECT TO COPYRIGHT.
#JHSMAPEHteacherand ARTteacher
The document summarizes some of the traditional arts and crafts of the Ilocos Region, Cordillera Administrative Region (CAR), and surrounding areas of Luzon in the Philippines. In the Ilocos Region, important arts include the Spanish colonial architecture in Vigan, Inabel weaving techniques using traditional looms, and Burnay pottery jars. The Kalinga are known for their textiles featuring various cultural patterns, basket weaving, wood carving, and tattooing traditions. The Ifugao are renowned for their bul'ul rice granary sculptures and lingling-o amulets. Mountain Province is known for burial cloths and various indigenous textile traditions among different ethnic groups.
Subli is a folkdance in the Philippines which is considered to be a favorite of the people of the barrios of the municipality of Bauan, Batangas. It is a ceremonial worship dance performed in homage to the Holy Cross referred to in the vernacular as Mahal Na Poong Santa Cruz.
1. The document discusses different philosophical concepts of the self from thinkers like Plato, Aristotle, Descartes, Locke, Hume, Freud, Kant, Ryle, and Merleau-Ponty.
2. Plato viewed the human soul as having three parts - rational, spirited, and appetitive - while Aristotle saw the soul as the essence of a person's being through intellect.
3. Descartes argued "I think therefore I am" and separated mind and body, while Hume believed there is no fixed self and it is simply a collection of perceptions.
Pre spanish-colonial-art-in-the-philippinesSa Puso Mo :">
The earliest inhabitants of the Philippines arrived over 22,000 years ago, as evidenced by the discovery of the oldest human fossil found in the country. Pre-Spanish Philippine society consisted of diverse ethnic groups like the Negritos, Indonesians, and Malays, who introduced various cultural traditions over subsequent centuries. The ancient Filipinos exhibited rich artistic traditions in areas like music, dance, architecture, sculpture, pottery, weaving, tattooing, and literature that were integral parts of their daily lives and cultural practices.
MUSIC 7 1ST QUARTER Lesson 5 instrumental musicElaine Maspinas
The document discusses the traditional music of the lowlands of Luzon in the Philippines. It describes several types of traditional Filipino instruments and ensembles. Specifically, it mentions the Las Piñas bamboo organ, a national treasure found in a church in Las Piñas City. It also discusses musiko bumbong, a Filipino marching band that uses bamboo woodwind instruments, and pangkat kawayan, a traditional bamboo orchestra. It provides examples of instruments used in pangkat kawayan like angklung, bumbong, kalatok, and others.
Metro Manila is the capital region of the Philippines located on the island of Luzon. It does not have provinces and is composed of 16 cities and 1 municipality. Manila is the capital city while Metro Manila serves as the seat of government. The region is a center for culture, economy, and history. It faces issues of overpopulation and poverty. The document also provides details on specific cities and municipalities within Metro Manila such as Caloocan, Las Piñas, Makati, Mandaluyong, Marikina, Navotas, Parañaque, Pasay, Pasig, Quezon City, and others.
3. Bakit nga ba ito binabalikan?
Alam naman natin na ang sapatos na gawang
Marikina ay hindi lang maganda ito rin ay
matibay, mura at masarap sa pakiramdam.
Ito rin ay binabalik-balikan dahil naging
tanyag na ito sa kanilang pinakamalaking
sapatos sa mundo at pagiging Shoe Capital of
the Philippines.
5. Matatagpuan ang mga produktong ito sa buong
Marikina hindi naman sila magiging Shoe
Capital of the Philippines kung hindi dahil
dito.
6. Saan ba itong mga produkto ginawa
at bakit dapat ito ipagmalaki?
Ito ay ginawa sa mismong Marikina . Dapat ito
ipagmalaki dahil syempre eto nga ay sariling
atin at Pilipino ang mga gumawa nito. Hindi
lang dahil dito meron din silang religious
designs na nagpapatunay na hindi nila
kinalimutan ang sariling relihiyon at bansa
sa pagawa ng mga sapatos na ito.