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ANDREW GOODWIN
Goodwin suggests that there are 4 key
elements which help to form his
theory.
 Thought through beat
 Link between song and visuals
 Narrative and performance
 Star image
Thought through the beat
1. Analysing and processing the structure of the
song (chorus and verse).
2. Main voice of the song.
3.Story which the artist is trying to tell within their
song.
Eg: Beyoncé – ‘if I were a boy’
LINK BETWEEN SONG AND VISUALS
Three sub-divisions:
 Illustrate- Music video include certain images and shots to
explain the meaning of a lyric within their song or to link to the
genre.
 Disjuncture- the meaning of the song is completely ignored in
the music video
 Amplify- (repeated) when the images and camera shot are
manipulated throughout the music video, drumming into our
vision.
ILLUSTRATE
‘Girl with
money’ Ellie
Goulding is
pictured riding
on horse in
Vegas. Vegas is
usually a place
where you go
to spend
money
gambling in
Casinos.
DISJUNCTION
The song is called hideaway but none of the dance moves or
camera shots link to the lyrics within the song.
AMPLIFY Repeated
images
throughout
the song to
help drum
the
messages
in to our
minds.
NARRATIVE AND PERFORMANCE OF
THE SONG
Goodwin believed ' it was important for an artist to be in their
music video acting as the main character or the singer'
 This is because it helps to make the video look more realistic
Adele- Hello stars as the main
character within her music
video.
STAR IMAGE (PROTAGONIST)
 Vital aspect of the music video because it contributes to the success of a
music video. Making it looks more appealing and unique.
 The star image is always presented as being unique in term of the way they are
dressed (costume), hair, makeup, dance moves and overall appearance and
mannerisms.
 Helping to provide them with an overall reputation, increasing or decreasing
their popularity.
Rihanna’s controversial video
helped to make her video unique
but also increased her popularity
as people began to talk about it.
Moreover,
Drakes
hotline bling
video also
helped to
increase his
popularity as
people began
to talk about
his dance
moves.
DEBORAH HOLDSTEIN
Messages and Structures about music videos
She believed that videos were divided in to two categories
1. Explicit political themed videos
2. Videos which rival the traditional U.S Musical theme
In addition she believed that fantasy film was based entirely
on performance , which pus the singer or performer in a
mythical, medieval, exotic location and creating unique
images.
Moreover music videos makes the artist more accessible to
the fans, helping the fans to feel more connected and closer.
HOLDSTEIN EXAMPLE
Holdstein analysed the Michael Jackson track ‘beat it’.
Her question was ‘ is Jackson being portrayed as a political
commentator, mediator of social conflict.
It could be said that this example does address Racism and
social class because of the lyrics used within the video.
It could be said however that Macklemore ‘Same love’ is an
explicit political themed video because the views expressed
in the video are talking about Gay rights which is a left wing
and very liberal viewpoint/mind-set.
HOLDSTEIN CONT.
She believed there were 3 qualities of a star in a music video
The star was a :
• Fantasy or prophet
• Political commentator or narrator
• Mediator or point for resolution
Deborah took interest
in Michael Jackson
music videos
because he was a big
advocate for the last
two bullet points
Example Lady Gaga Bad
Romnce – star as a point of
reolution for the social issue
of sex trafficking in Russia
SVEN CARLSON
His theory;
• Binary opposition drives the music video
forward helping to captivate those who watch
the music video.
Music videos fall in to two categories
• Conceptual- single idea or concept
• Performance – showing footage of an artist in
casual loactions
CARLSON CONT.
He believes:
• The performer is often made into a commercial
exhibitionist ( materialised almost ); made into a product
and nothing more.
• Televised bard – a singing story teller who uses a range of
shots as opposed to personalised images
• Electronic shaman, they are invisible but there voice
anchors the visuals.
CARLSON EXAMPLE
SIA Chandelier
SIA doesn’t actually
feature in them music
video but her voice
anchors the visuals

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Media Music Video Conventions

  • 1.
  • 2. ANDREW GOODWIN Goodwin suggests that there are 4 key elements which help to form his theory.  Thought through beat  Link between song and visuals  Narrative and performance  Star image
  • 3. Thought through the beat 1. Analysing and processing the structure of the song (chorus and verse). 2. Main voice of the song. 3.Story which the artist is trying to tell within their song. Eg: Beyoncé – ‘if I were a boy’
  • 4. LINK BETWEEN SONG AND VISUALS Three sub-divisions:  Illustrate- Music video include certain images and shots to explain the meaning of a lyric within their song or to link to the genre.  Disjuncture- the meaning of the song is completely ignored in the music video  Amplify- (repeated) when the images and camera shot are manipulated throughout the music video, drumming into our vision.
  • 5. ILLUSTRATE ‘Girl with money’ Ellie Goulding is pictured riding on horse in Vegas. Vegas is usually a place where you go to spend money gambling in Casinos.
  • 6. DISJUNCTION The song is called hideaway but none of the dance moves or camera shots link to the lyrics within the song.
  • 7. AMPLIFY Repeated images throughout the song to help drum the messages in to our minds.
  • 8. NARRATIVE AND PERFORMANCE OF THE SONG Goodwin believed ' it was important for an artist to be in their music video acting as the main character or the singer'  This is because it helps to make the video look more realistic Adele- Hello stars as the main character within her music video.
  • 9. STAR IMAGE (PROTAGONIST)  Vital aspect of the music video because it contributes to the success of a music video. Making it looks more appealing and unique.  The star image is always presented as being unique in term of the way they are dressed (costume), hair, makeup, dance moves and overall appearance and mannerisms.  Helping to provide them with an overall reputation, increasing or decreasing their popularity. Rihanna’s controversial video helped to make her video unique but also increased her popularity as people began to talk about it. Moreover, Drakes hotline bling video also helped to increase his popularity as people began to talk about his dance moves.
  • 10. DEBORAH HOLDSTEIN Messages and Structures about music videos She believed that videos were divided in to two categories 1. Explicit political themed videos 2. Videos which rival the traditional U.S Musical theme In addition she believed that fantasy film was based entirely on performance , which pus the singer or performer in a mythical, medieval, exotic location and creating unique images. Moreover music videos makes the artist more accessible to the fans, helping the fans to feel more connected and closer.
  • 11. HOLDSTEIN EXAMPLE Holdstein analysed the Michael Jackson track ‘beat it’. Her question was ‘ is Jackson being portrayed as a political commentator, mediator of social conflict. It could be said that this example does address Racism and social class because of the lyrics used within the video. It could be said however that Macklemore ‘Same love’ is an explicit political themed video because the views expressed in the video are talking about Gay rights which is a left wing and very liberal viewpoint/mind-set.
  • 12. HOLDSTEIN CONT. She believed there were 3 qualities of a star in a music video The star was a : • Fantasy or prophet • Political commentator or narrator • Mediator or point for resolution Deborah took interest in Michael Jackson music videos because he was a big advocate for the last two bullet points Example Lady Gaga Bad Romnce – star as a point of reolution for the social issue of sex trafficking in Russia
  • 13. SVEN CARLSON His theory; • Binary opposition drives the music video forward helping to captivate those who watch the music video. Music videos fall in to two categories • Conceptual- single idea or concept • Performance – showing footage of an artist in casual loactions
  • 14. CARLSON CONT. He believes: • The performer is often made into a commercial exhibitionist ( materialised almost ); made into a product and nothing more. • Televised bard – a singing story teller who uses a range of shots as opposed to personalised images • Electronic shaman, they are invisible but there voice anchors the visuals.
  • 15. CARLSON EXAMPLE SIA Chandelier SIA doesn’t actually feature in them music video but her voice anchors the visuals