The document describes how a student group designed a magazine cover and movie poster for their film project that drew upon conventions of real media. They based the magazine cover on Total Film magazine's design for John Wick 2, changing some colors and fonts while keeping a similar layout. They also included common magazine elements like a masthead, cover lines, and pug. Their movie poster drew from designs of American Assassin and Welcome to the Punch, modifying colors and images to suit their film. Their teaser trailer followed a three-part structure to introduce characters and action.
The document discusses the creation of a film poster for a psychological thriller film project. It begins by explaining the inspiration taken from existing thriller posters that feature a central character image. The document then shows examples of posters for Black Swan and Shutter Island that influenced the design. Details are provided about photographing imagery and editing the main poster image. Text is added for the title and tagline using different fonts than in the trailer for variety. Production information is included at the bottom in a smaller font for continuity with the trailer.
This document discusses different techniques used in film posters to represent genre and establish independent vs major motion pictures. It provides examples of posters for the films "George Lucas in Love", "I'm Here" and "Across the Hall" to illustrate its points. The George Lucas poster uses illustration and references to Star Wars to represent its parody genre. The "I'm Here" independent poster features a landscape shot and tagline to convey its romantic genre. The techniques used in the independent and later major motion versions of the "Across the Hall" posters emphasize different elements like characters/actors to advertise the thriller genre.
The document discusses conventions used in film trailers and posters to promote media productions. It describes how the author's trailer and promotional materials for a film follow conventions like using key plot moments out of order, including release date and production company at the end of the trailer, and using titles to introduce clips. The poster features the main character and production details against a backdrop relating to the plot. Challenges to conventions include combining genres of action, thriller and sci-fi and portraying the main character as potentially a "false protagonist".
The poster uses a colour scheme of deep blues and steels to convey strength for the action genre, with bright reds and oranges clashing to represent the action and destruction portrayed. Iconic elements like the Marvel logo and characters build on their strong brand identities. The central image of the characters fighting in various poses directly above the movie title is designed to attract attention as an action film. Institutional details are efficiently placed underneath the title in bold font.
The document discusses the influences and comparisons between the poster and trailer created for a film project and other existing posters and trailers. It notes similarities in themes, use of characters, placement of title/credits, and techniques like using character extracts and stopping music to build tension. While it aims to follow conventions, it also challenges some, like not including awards on the short film poster or critic reviews in the trailer, to better fit the film's mood and intrigue the audience.
The document discusses the film poster created for a psychological horror film produced for a class assignment. The film poster was designed to match the film's genre, themes, and mise-en-scene. Several drafts were created before settling on a final poster that featured the lead actor in the same military uniform worn in the film, against a backdrop incorporating fiery imagery to represent a scene from the film involving a flashback to the protagonist's time in war. Colors, lighting, costumes, and props were kept consistent between the film and poster to clearly link the two pieces and immerse viewers in the film's themes of PTSD and danger.
Inspiration & example ideas for the posterasyia98
The document provides guidance on key elements that should be included in a professional film poster, as well as examples for inspiration. It recommends that a poster include: a heading and tagline to hint at the narrative or genre, clear images of the main character(s) with good lighting and editing, credits for actors and creators, and clips or events from the film. It also discusses the poster for the film "Shutter Island", noting how the use of light and darkness on the main character's face reflects the film's themes of good and evil sides. Finally, it highlights how the "Shutter Island" poster was influential because it used different fonts, image layout, space, and colors in an uncommon but thoughtful design.
Posters are produced to promote films and can be displayed in public spaces. They aim to catch viewers' attention and hint at the film's plot to generate interest. Effective horror movie posters use conventions like bold imagery that stands out, a large readable title, and dull colors that create suspense. They also typically include elements like the film title in a sinister font, quotes to entice viewers, and release information so audiences know when it will be in cinemas.
The document discusses the creation of a film poster for a psychological thriller film project. It begins by explaining the inspiration taken from existing thriller posters that feature a central character image. The document then shows examples of posters for Black Swan and Shutter Island that influenced the design. Details are provided about photographing imagery and editing the main poster image. Text is added for the title and tagline using different fonts than in the trailer for variety. Production information is included at the bottom in a smaller font for continuity with the trailer.
This document discusses different techniques used in film posters to represent genre and establish independent vs major motion pictures. It provides examples of posters for the films "George Lucas in Love", "I'm Here" and "Across the Hall" to illustrate its points. The George Lucas poster uses illustration and references to Star Wars to represent its parody genre. The "I'm Here" independent poster features a landscape shot and tagline to convey its romantic genre. The techniques used in the independent and later major motion versions of the "Across the Hall" posters emphasize different elements like characters/actors to advertise the thriller genre.
The document discusses conventions used in film trailers and posters to promote media productions. It describes how the author's trailer and promotional materials for a film follow conventions like using key plot moments out of order, including release date and production company at the end of the trailer, and using titles to introduce clips. The poster features the main character and production details against a backdrop relating to the plot. Challenges to conventions include combining genres of action, thriller and sci-fi and portraying the main character as potentially a "false protagonist".
The poster uses a colour scheme of deep blues and steels to convey strength for the action genre, with bright reds and oranges clashing to represent the action and destruction portrayed. Iconic elements like the Marvel logo and characters build on their strong brand identities. The central image of the characters fighting in various poses directly above the movie title is designed to attract attention as an action film. Institutional details are efficiently placed underneath the title in bold font.
The document discusses the influences and comparisons between the poster and trailer created for a film project and other existing posters and trailers. It notes similarities in themes, use of characters, placement of title/credits, and techniques like using character extracts and stopping music to build tension. While it aims to follow conventions, it also challenges some, like not including awards on the short film poster or critic reviews in the trailer, to better fit the film's mood and intrigue the audience.
The document discusses the film poster created for a psychological horror film produced for a class assignment. The film poster was designed to match the film's genre, themes, and mise-en-scene. Several drafts were created before settling on a final poster that featured the lead actor in the same military uniform worn in the film, against a backdrop incorporating fiery imagery to represent a scene from the film involving a flashback to the protagonist's time in war. Colors, lighting, costumes, and props were kept consistent between the film and poster to clearly link the two pieces and immerse viewers in the film's themes of PTSD and danger.
Inspiration & example ideas for the posterasyia98
The document provides guidance on key elements that should be included in a professional film poster, as well as examples for inspiration. It recommends that a poster include: a heading and tagline to hint at the narrative or genre, clear images of the main character(s) with good lighting and editing, credits for actors and creators, and clips or events from the film. It also discusses the poster for the film "Shutter Island", noting how the use of light and darkness on the main character's face reflects the film's themes of good and evil sides. Finally, it highlights how the "Shutter Island" poster was influential because it used different fonts, image layout, space, and colors in an uncommon but thoughtful design.
Posters are produced to promote films and can be displayed in public spaces. They aim to catch viewers' attention and hint at the film's plot to generate interest. Effective horror movie posters use conventions like bold imagery that stands out, a large readable title, and dull colors that create suspense. They also typically include elements like the film title in a sinister font, quotes to entice viewers, and release information so audiences know when it will be in cinemas.
The combination of the main product (film "The Passage") and ancillary texts (poster, teaser trailer, magazine cover) was effective because key elements were consistently featured across all materials. This included similar titles/fonts, taglines, characters, settings, costumes/mise-en-scene, and color schemes. While some individual elements differed slightly between materials due to being produced by different companies, the overall marketing package clearly conveyed that all pieces were advertising the same film. Featuring these consistent elements helped link the materials and ensured the audience would recognize they were all part of the same promotional campaign for "The Passage".
This is my powerpoint for Film Poster Codes and Conventions that I am using for my research and planning in my Media Studies A2 Course at Sixth Form Year 13.
The document analyzes how the trailer for the film "Wannabes" uses conventions of real media to develop the comedy genre. It compares elements of the "Wannabes" trailer to the trailer for "Kick Ass" including introducing the main characters, establishing the setting, incorporating title designs, camerawork and editing techniques, and suggesting the genre through the opening scenes. The analysis finds the "Wannabes" trailer effectively utilizes standard conventions for comedy trailers while not requiring complex special effects like the action film "Kick Ass".
The document analyzes posters for four horror films: Paranormal Activity, The Exorcist, Sinister, and Insidious. For each poster, the document examines elements like direct address, main images, text, lighting, color schemes, and layouts. It provides details on how each element contributes to effectively conveying the films' horror genres.
Film posters are a form of promotion that catch people's eyes in various public places. They usually contain the film's main image, title, director/producers, and main actors to attract audiences. Other common elements are taglines, quotes, awards/nominations, and indications of genre. Effective posters match these elements to the film's themes through images, fonts, colors and other design features. This document discusses these poster elements and provides examples to illustrate how they promote films.
The magazine cover features Robert Downey Jr. as Sherlock Holmes in the center surrounded by plugs advertising other articles. The capitalized title engages attention. The elements like price and barcode are unobtrusively placed. The cover uses conventions like prominent central imagery and plugs to attract readers.
The document discusses the film poster created for a psychological horror film produced for a class assignment. The poster was designed to match the film's genre and themes. Several drafts were made using dark colors to emphasize the protagonist's PTSD. Images from the film, like the leading actor in a military uniform, were included in the poster to link it to the film. Key aspects that connect the film and poster are the settings, costumes, colors, and portrayal of the main character.
The document analyzes and summarizes various movie posters for superhero films. It notes common design elements across the posters like the superhero looking downwards, bold film titles, and inclusion of release dates. Specific poster elements are described, like Batman's silhouette and Spiderman's reflection. The target audience is identified as mostly male ages 15-24. The document concludes by outlining a planned poster design that incorporates common elements seen across the analyzed posters.
This document analyzes and summarizes the visual graphics, color palettes, and text choices used in the movie posters for The Girl on the Train, Gone Girl, and South Paw. For each poster, the analysis discusses how the visuals focus on the main character, incorporate elements from the film's narrative, and use colors that match the film's mood. It also examines how the text is designed to draw attention to the visuals rather than stand out. The posters are praised for subtly connecting the advertising to the films through their visual and stylistic choices.
In this document, the student discusses how they used new media technologies in creating a teaser trailer for their film project called "Enigma". They discuss how their teaser trailer follows conventions for duration, editing style, use of sound, text/graphics, and narrative information. They also discuss how their poster and magazine cover adhere to typical formatting conventions. Finally, they analyze how their film incorporates genre conventions for characters, settings, iconography, and camerawork commonly seen in thriller films, using the film "Shutter Island" as a key point of inspiration.
The combination of the short film and ancillary tasks was effective due to relevant research and careful planning. To demonstrate effectiveness, the short film and ancillary tasks will need to be compared to identify similarities and differences. Research into existing film posters informed the creation of the poster, focusing on simple fonts, inclusion of main characters, and conveying genre. Iconic images and moments from the film were featured in both the poster and review to summarize the film. Credits, logos, and film rating were consistent across tasks to enhance realism.
The document discusses how the author's media products used conventions of real media such as teaser trailers, film posters, and magazines through elements like music, mise-en-scene, camera shots/angles, and continuity. Feedback from test audiences helped improve the products by focusing more on the central character and genre. A variety of media technologies were used at different stages of production like research, planning, filming, and post-production.
In what ways does your media products develop forms and conventions of real l...afeeramedia
The document discusses how the media product develops conventions of real media through its use of camera work and editing techniques. It analyzes shots and angles used in the teaser trailer for the film "In Fear" as inspiration. Low and medium shots are used to convey danger and confusion, mirroring "In Fear". Flashbacks are implemented through cutting between past and present. Titles at the end mirror real trailers by including the film name and release information. Overall, the document shows how the media product studies real trailers to inform its own conventions and techniques.
In what ways does your media products develop forms and conventions of real l...afeeramedia
The document discusses how the media product develops forms and conventions of real media through its use of camera work, editing, and titles in the teaser trailer. It analyzes scenes from the teaser trailer for the film "In Fear" and applies similar techniques to its own teaser trailer, such as using low angle shots to connote danger and medium shots to show a character's body language. Editing techniques like fades and flashbacks are also used. Titles are included at the end for the film name and to indicate it is "Coming Soon" following conventions of other teaser trailers.
The document discusses how the student's short film follows conventions of real media products such as the film Phone Booth. It discusses using quick cuts, close-ups, suspenseful themes and camera angles to mimic Phone Booth's fast-paced style. No dialogue was used to keep the main character focused. Common props and realistic student locations were chosen. Voiceovers were done for messages rather than reading aloud. The film was meant to have a cliffhanger ending to set up a potential sequel.
The document discusses how the media product used conventions from real movie posters, trailers, and magazines to develop its own marketing materials. It summarizes how elements like titles, taglines, characters' costumes, settings, structures, and magazine covers were adapted from movies like "Room" and "Everything, Everything." For example, titles were placed at specific times in the teaser trailer to mirror conventions. The poster included a tagline, titles, and release date positioned similarly to "Room." Colors and drawings on the magazine cover also followed conventions while putting an independent film spin. Overall, the media product challenged conventions by adapting and combining elements from real examples.
The document discusses how the student's media products for a horror film challenge conventions through their use of genre tropes and inspiration from other horror works. Research was conducted on films with similar themes of split personalities. Inspiration was taken from films like Jekyll and Hyde for the narrative, camera techniques from Horns, and sound design from Oculus. Conventions of trailers, posters and magazines were also considered to make the media products as realistic as possible.
In what way does your media project use final evaluation question 1Tazmyn96
The document discusses how the media product uses, develops, and challenges conventions of teen drama films. It follows many conventions through camerawork, editing, settings, characters, and sound. However, it also challenges some conventions by using unique camera shots, locations, characters, and limiting dialogue. The goal was to create a gritty, realistic British teen drama rather than an Americanized version. Conventions were both obeyed and broken to develop new representations and explore atypical themes for the genre.
Empire magazine covers: set of analysis'keziahmiller
This document analyzes the layout and visual elements of magazine covers for Empire Magazine promoting films. It discusses two covers - one for Suicide Squad featuring the Joker, and one for Superman. For the Suicide Squad cover, it notes the use of lighting and tattoos to emphasize the Joker's character. For Superman, it describes how the image emphasizes his costume and posture to invoke power and nostalgia. Both covers use eye contact and minimal backgrounds to engage readers.
1) The document discusses how a student's media products for an A2 coursework assignment used and developed conventions of real media. They created a film trailer, magazine cover, and poster for their crime/thriller genre film "Voices".
2) For the magazine cover, poster, and trailer, they took inspiration from existing examples of these media types to incorporate typical conventions. For the magazine, they modeled it after Empire magazine. For the poster, they used conventions from "Harry Potter" and "Act of Valour" posters. Their trailer was influenced by the style of the "Murder by Numbers" trailer.
3) Across their three media products, they strove to develop the crime/thr
The document discusses how a media product develops or challenges conventions of real media through its teaser trailer, magazine cover, and poster for a thriller film called "Deception".
It analyzed the titles, setting, costumes, and genre of its teaser trailer compared to the film "House at the End of the Street" to follow conventions. Though the teaser trailer title design changed from the initial inspiration, it kept the same color scheme.
The magazine cover was designed to look like Empire Magazine covers by following its color schemes, fonts and images.
The poster combined elements from two "House at the End of the Street" posters, including font, an image of the main character, and an image of the
The combination of the main product (film "The Passage") and ancillary texts (poster, teaser trailer, magazine cover) was effective because key elements were consistently featured across all materials. This included similar titles/fonts, taglines, characters, settings, costumes/mise-en-scene, and color schemes. While some individual elements differed slightly between materials due to being produced by different companies, the overall marketing package clearly conveyed that all pieces were advertising the same film. Featuring these consistent elements helped link the materials and ensured the audience would recognize they were all part of the same promotional campaign for "The Passage".
This is my powerpoint for Film Poster Codes and Conventions that I am using for my research and planning in my Media Studies A2 Course at Sixth Form Year 13.
The document analyzes how the trailer for the film "Wannabes" uses conventions of real media to develop the comedy genre. It compares elements of the "Wannabes" trailer to the trailer for "Kick Ass" including introducing the main characters, establishing the setting, incorporating title designs, camerawork and editing techniques, and suggesting the genre through the opening scenes. The analysis finds the "Wannabes" trailer effectively utilizes standard conventions for comedy trailers while not requiring complex special effects like the action film "Kick Ass".
The document analyzes posters for four horror films: Paranormal Activity, The Exorcist, Sinister, and Insidious. For each poster, the document examines elements like direct address, main images, text, lighting, color schemes, and layouts. It provides details on how each element contributes to effectively conveying the films' horror genres.
Film posters are a form of promotion that catch people's eyes in various public places. They usually contain the film's main image, title, director/producers, and main actors to attract audiences. Other common elements are taglines, quotes, awards/nominations, and indications of genre. Effective posters match these elements to the film's themes through images, fonts, colors and other design features. This document discusses these poster elements and provides examples to illustrate how they promote films.
The magazine cover features Robert Downey Jr. as Sherlock Holmes in the center surrounded by plugs advertising other articles. The capitalized title engages attention. The elements like price and barcode are unobtrusively placed. The cover uses conventions like prominent central imagery and plugs to attract readers.
The document discusses the film poster created for a psychological horror film produced for a class assignment. The poster was designed to match the film's genre and themes. Several drafts were made using dark colors to emphasize the protagonist's PTSD. Images from the film, like the leading actor in a military uniform, were included in the poster to link it to the film. Key aspects that connect the film and poster are the settings, costumes, colors, and portrayal of the main character.
The document analyzes and summarizes various movie posters for superhero films. It notes common design elements across the posters like the superhero looking downwards, bold film titles, and inclusion of release dates. Specific poster elements are described, like Batman's silhouette and Spiderman's reflection. The target audience is identified as mostly male ages 15-24. The document concludes by outlining a planned poster design that incorporates common elements seen across the analyzed posters.
This document analyzes and summarizes the visual graphics, color palettes, and text choices used in the movie posters for The Girl on the Train, Gone Girl, and South Paw. For each poster, the analysis discusses how the visuals focus on the main character, incorporate elements from the film's narrative, and use colors that match the film's mood. It also examines how the text is designed to draw attention to the visuals rather than stand out. The posters are praised for subtly connecting the advertising to the films through their visual and stylistic choices.
In this document, the student discusses how they used new media technologies in creating a teaser trailer for their film project called "Enigma". They discuss how their teaser trailer follows conventions for duration, editing style, use of sound, text/graphics, and narrative information. They also discuss how their poster and magazine cover adhere to typical formatting conventions. Finally, they analyze how their film incorporates genre conventions for characters, settings, iconography, and camerawork commonly seen in thriller films, using the film "Shutter Island" as a key point of inspiration.
The combination of the short film and ancillary tasks was effective due to relevant research and careful planning. To demonstrate effectiveness, the short film and ancillary tasks will need to be compared to identify similarities and differences. Research into existing film posters informed the creation of the poster, focusing on simple fonts, inclusion of main characters, and conveying genre. Iconic images and moments from the film were featured in both the poster and review to summarize the film. Credits, logos, and film rating were consistent across tasks to enhance realism.
The document discusses how the author's media products used conventions of real media such as teaser trailers, film posters, and magazines through elements like music, mise-en-scene, camera shots/angles, and continuity. Feedback from test audiences helped improve the products by focusing more on the central character and genre. A variety of media technologies were used at different stages of production like research, planning, filming, and post-production.
In what ways does your media products develop forms and conventions of real l...afeeramedia
The document discusses how the media product develops conventions of real media through its use of camera work and editing techniques. It analyzes shots and angles used in the teaser trailer for the film "In Fear" as inspiration. Low and medium shots are used to convey danger and confusion, mirroring "In Fear". Flashbacks are implemented through cutting between past and present. Titles at the end mirror real trailers by including the film name and release information. Overall, the document shows how the media product studies real trailers to inform its own conventions and techniques.
In what ways does your media products develop forms and conventions of real l...afeeramedia
The document discusses how the media product develops forms and conventions of real media through its use of camera work, editing, and titles in the teaser trailer. It analyzes scenes from the teaser trailer for the film "In Fear" and applies similar techniques to its own teaser trailer, such as using low angle shots to connote danger and medium shots to show a character's body language. Editing techniques like fades and flashbacks are also used. Titles are included at the end for the film name and to indicate it is "Coming Soon" following conventions of other teaser trailers.
The document discusses how the student's short film follows conventions of real media products such as the film Phone Booth. It discusses using quick cuts, close-ups, suspenseful themes and camera angles to mimic Phone Booth's fast-paced style. No dialogue was used to keep the main character focused. Common props and realistic student locations were chosen. Voiceovers were done for messages rather than reading aloud. The film was meant to have a cliffhanger ending to set up a potential sequel.
The document discusses how the media product used conventions from real movie posters, trailers, and magazines to develop its own marketing materials. It summarizes how elements like titles, taglines, characters' costumes, settings, structures, and magazine covers were adapted from movies like "Room" and "Everything, Everything." For example, titles were placed at specific times in the teaser trailer to mirror conventions. The poster included a tagline, titles, and release date positioned similarly to "Room." Colors and drawings on the magazine cover also followed conventions while putting an independent film spin. Overall, the media product challenged conventions by adapting and combining elements from real examples.
The document discusses how the student's media products for a horror film challenge conventions through their use of genre tropes and inspiration from other horror works. Research was conducted on films with similar themes of split personalities. Inspiration was taken from films like Jekyll and Hyde for the narrative, camera techniques from Horns, and sound design from Oculus. Conventions of trailers, posters and magazines were also considered to make the media products as realistic as possible.
In what way does your media project use final evaluation question 1Tazmyn96
The document discusses how the media product uses, develops, and challenges conventions of teen drama films. It follows many conventions through camerawork, editing, settings, characters, and sound. However, it also challenges some conventions by using unique camera shots, locations, characters, and limiting dialogue. The goal was to create a gritty, realistic British teen drama rather than an Americanized version. Conventions were both obeyed and broken to develop new representations and explore atypical themes for the genre.
Empire magazine covers: set of analysis'keziahmiller
This document analyzes the layout and visual elements of magazine covers for Empire Magazine promoting films. It discusses two covers - one for Suicide Squad featuring the Joker, and one for Superman. For the Suicide Squad cover, it notes the use of lighting and tattoos to emphasize the Joker's character. For Superman, it describes how the image emphasizes his costume and posture to invoke power and nostalgia. Both covers use eye contact and minimal backgrounds to engage readers.
1) The document discusses how a student's media products for an A2 coursework assignment used and developed conventions of real media. They created a film trailer, magazine cover, and poster for their crime/thriller genre film "Voices".
2) For the magazine cover, poster, and trailer, they took inspiration from existing examples of these media types to incorporate typical conventions. For the magazine, they modeled it after Empire magazine. For the poster, they used conventions from "Harry Potter" and "Act of Valour" posters. Their trailer was influenced by the style of the "Murder by Numbers" trailer.
3) Across their three media products, they strove to develop the crime/thr
The document discusses how a media product develops or challenges conventions of real media through its teaser trailer, magazine cover, and poster for a thriller film called "Deception".
It analyzed the titles, setting, costumes, and genre of its teaser trailer compared to the film "House at the End of the Street" to follow conventions. Though the teaser trailer title design changed from the initial inspiration, it kept the same color scheme.
The magazine cover was designed to look like Empire Magazine covers by following its color schemes, fonts and images.
The poster combined elements from two "House at the End of the Street" posters, including font, an image of the main character, and an image of the
The document discusses the design choices for a film magazine cover, poster, and trailer for a thriller film called "Retribution". For the magazine cover, they chose a traditional layout with the title, barcode, and date in typical positions. The black and white image of the main character Jamie conveys mystery. For the poster, they used the film title in red text over a blurred background and an image of Jamie holding a gun. The trailer incorporates typical thriller elements like chases and violence but challenges conventions by having a female villain and casual male protagonist. It builds tension through changing shot pacing and ends on a cliffhanger. Consistent red, white, and black colors and the main character link the three promotional materials.
This document summarizes how the media product "Misconception" uses, develops, and challenges conventions of real media. It discusses how the teaser trailer, title, setting, costumes, camera work, fonts, poster, and magazine cover both follow and challenge conventions in different ways. For example, the teaser trailer takes inspiration from "The Black Swan" by showing the title at the end, while the dance studio setting provides a unique location not typically seen in thrillers. Overall, the document analyzes the different elements of the media product through the lens of film conventions.
How effective is the combination of your mainJoeUsher123
The combination of the film and ancillary texts is effective overall. The poster, radio trailer, and viral marketing website all utilize similar themes of mystery, tension, and the camera's narrative device to synergize with the film and each other. Research was conducted on film poster and radio trailer influences to guide the design. Testing found the poster and radio trailer successfully conveyed the intended thrilling and mysterious tones. The ancillary texts reference elements from the film to promote it while maintaining a consistent style and identity.
How effective is the combination of your mainJoeUsher123
The document discusses the effectiveness of combining a film product with ancillary marketing texts. It describes the film's narrative involving a camera that makes objects disappear. It also discusses the influences for the film's style. The project aim was to create mystery and tension through a mysterious narrative structure and camera device. Ancillary texts like a poster, radio spot, and viral website were created to synergize with the film's themes of entrapment, cameras, and mystery. Research was done on effective marketing techniques. Overall feedback found the combination of the film and ancillary texts effectively captured the intended mysterious and thrilling tones.
The document discusses how the media product uses and develops conventions from real marketing campaigns, specifically analyzing the campaigns for the films Maleficent and Submarine. Some key points:
- The teaser trailer for Maleficent informed conventions used in the ident, title design, and final character shot.
- Elements from Submarine's trailer like textual hints at the storyline and reviews were also incorporated.
- Some conventions were challenged, like displaying multiple reviews on one frame in a non-traditional layout.
- Shots and elements were developed to better fit the genre and target audience of the media product.
How effective is the combination of your mainJoeUsher123
The combination of the film and ancillary texts is effective overall. The poster, radio trailer, and viral marketing campaign all utilize similar themes of mystery and tension seen in the film to promote synergy across the materials. Research was conducted into effective promotional strategies, and tests with audiences found the poster and radio trailer successfully conveyed the intended thrilling and mysterious tones of the film. Minor tweaks to the radio trailer were suggested, but overall the combination of materials cohesively promoted the film's key themes and narrative elements.
The document discusses how a media product followed conventions of real trailers, posters, and magazines while also challenging some conventions. It summarizes the key conventions used in a teaser trailer like scenes inspiring interest, transitions, voiceover, and music. It also discusses conventions used in the magazine cover and poster like large photos, fonts, reviews. Some conventions were challenged, like the timing of the production company ident in the trailer and elements on the poster and magazine cover. Overall the document analyzes how the media product balanced following real conventions with some original challenges to those conventions.
The document discusses the design of a magazine cover, teaser poster, and trailer for a thriller film called "My Name Is Jon". For the magazine cover, conventions were followed such as placing the main image off-center and including a headline. The teaser poster features an ominous image and minimal text as is typical. Shots in the trailer were chosen to create an unsettling atmosphere about the mysterious main character without revealing details, breaking from conventions of typical trailer structures.
Our teaser trailer used conventions of real teaser trailers by having a length between 1 to 2 minutes, using montage editing in the second half to contrast a slower introduction, and including voiceovers and soundtrack to portray the genre and narrative. Similarly, our ident, titles, and graphics used in the trailer followed conventions seen in other teaser trailers like "BrOTHERHOOD", which we took inspiration from. Our poster and magazine cover also employed standard design elements typical of those media but tailored them to promote our independent British crime drama film.
The document discusses the opening title sequence of a student horror film called "Tracks of Damnation". It summarizes the key decisions made regarding various technical and stylistic elements of the opening, including: choosing a font and title design that evokes horror films; including typical opening credits about the director, actors, etc.; having the antagonist wear a mask and black clothes to conceal their identity; using different shots and editing techniques to build suspense and tension; and employing a voiceover of a radio report to set up the narrative without dialogue. The purpose was to develop and challenge conventions of real horror film openings through creative choices informed by research.
The document discusses the media production of a teaser trailer, titled "Shutterbug", created by the author's group. It examines the research and development of the teaser trailer, including choosing film influences like "The Zodiac" for its genre and style. It also details the camerawork, editing, sound design, and poster/magazine design of "Shutterbug", explaining how they drew from conventions of real media and adapted them for their project.
The document discusses the effectiveness of advertisements for a short film called "Unforgettable". It analyzes a poster and 30-second radio trailer created to promote the film. Research was conducted on successful film advertisements. The poster features the two main characters prominently and conveys a sense of their relationship without spoiling the film's twist. The radio trailer uses sounds and a quote to hint at the story and intrigue audiences. Overall, the advertisements are deemed effective at teasing the plot and genre while maintaining secrecy around the twist ending.
The document discusses how the opening of a student film uses conventions of the thriller genre. It establishes the setting as a city café through an establishing shot with the title. Costumes of suits and formal wear were chosen to portray the professionalism expected of spy thriller characters. Shots like low angles were used to highlight a character's authority. Music, hidden identities, and an exchange of information between characters aim to generate suspense and questions in the audience as is typical in thrillers. The opening aims to set up intrigue around the microchip being exchanged.
This document summarizes the influences and conventions used in creating an original film trailer, poster, magazine, and other marketing materials for a student media project. It discusses influences drawn from real film posters like Submarine and 500 Days of Summer, including use of focal images, consistent fonts, and reviews. Film trailer conventions like character introductions, relationship shots, and end credits are also analyzed. The document examines influences from real film marketing companies and magazines like Total Film to guide design of an original company logo and magazine cover. Overall, the document shows how the student media project draws upon and develops conventions of real film marketing while creating original work.
This document summarizes the influences and conventions used in creating an original film trailer, poster, magazine, and other marketing materials for a student media project. It discusses influences drawn from real film posters like Submarine and 500 Days of Summer, including use of focal images, consistent fonts, and reviews. Film trailer conventions like character introductions, relationship shots, and end credits are also examined. The document outlines the ident, magazine cover design, and color palette used, citing influences from actual film companies and magazines like Total Film. Overall, the document shows how the student media project draws from established conventions while developing its own distinct visual identity and style.
This document discusses how the media product uses and challenges conventions of real film posters and trailers. It analyzes several film posters for quirky dramas that use similar color schemes and compositional elements. The created poster focuses on the main characters in the center and uses the same colors and fonts for branding consistency. The teaser trailer takes influences from 500 Days of Summer and Nowhere Boy in using title sequences and company identifiers. Shots of characters are implemented to show emotion and quirkiness through body language. The magazine cover is influenced by Total Film in layout, with the title, main character images and consistency of style.
The document evaluates the effectiveness of combining a main product with ancillary texts. It discusses how the film poster, magazine cover, and film trailer for a horror film all link together by showing the killer's face to establish the horror genre. It also discusses how the title design is used in the poster and trailer but not the magazine. Additionally, it notes that the axe, as the killer's weapon, is featured prominently in both the trailer and poster to highlight its significance. In summary, the combination of the products is deemed effective as they complement each other in various ways and clearly establish the overall horror genre theme.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
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opportunities. At present, Huzhou tourism has become one of the most characteristic tourist cities on the East
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KEYWORDS:Huzhou; Travel; Development
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3. We decided to design a Total film cover for our magazine. After me and my group did some
research on some magazine covers and magazines all together we found out that Total Film is the
most suitable to promote our film. We based our cover on The John Wick 2 because after
analysing our project we came to a realisation that as an action film with shooting scenes it would
have been perfect to replicate the “ The John Wick 2”
Choosing the Total film poster allows us to use a bigger variety of colour , themes and different
schemes and because this was a unique magazine poster only 3 colours are actually presented in
the magazine of “ The John Wick2 2” and we also followed that structure and used it in our
magazine work
MAGAZINE COVER
5. RULE OF THIRDS
The rule of thirds is used when a magazine
cover is designed and that allows to make the
cover more clearer to read and understand.
When designing a magazine , the rule of thirds
6. MASTHEAD
In the John Wick magazine the Masthead was in a red colour
but we decided to change that part and change it to white but
the fonts and background stayed the exact same.
We kept the same font however we changed the background
texture of the text to the white wall texture we used in our trailer
and throughout our campaign
7. MAIN COVER
The Main cover line was placed in the exact same place as it was
in the JohnWicks cover.
However the font was changed and we used the same font as we
used in the film poster. The name of the protagonist had to
change so we used our own protagonist which was Ronaldas.
The title layout was also adjusted to suit our own Film and
campaign
8. PUG
A pug is placed on magazine covers to make them stand out. Normally
there's text inside a specific shape.
Pugs are used as stickers in every single magazine that is made and the
reason for it its to promote content that are inside the magazine
The pug that we used has an orange colour instead of the red that is used
on the John Wicks magazine.
We used a black shell to make it stand out a bit more
9. COVER LINE
Cover lines are usually placed in Total Film magazines
so we also used it on our magazine cover .
We changed the font size and also placed the main
names of films and also film characters.
The colours of black ad orange are used because as
mentioned we used the same colours across the whole
campaign
10. MAIN IMAGE
The main image that was chosen was the hitman Image (Ernest).
After reviewing every characters pictures and came to an
agreement that this picture is the most suitable one.
11. BANNER
A banner was also added to our magazine. Total
film applies banners to get the audiences attention
straight away and it does that through adding
pictures and small titles in the banners so people
recognize the movie that is reviewed inside the
magazine.
Colours used white orange to match the rest of the
magazine cover
13. FIRST POSTER DRAFT
The first posters convention was based on the
American Assasins poster., this because the genre of
our film is the exact same one as the american assasin.
We first used these colours as it relates to our genre
and it emphasises danger as why the red smoke was
used
14. SECOND POSTER
The second poster was based on the “Welcome to the
punch” poster . We looked carefully and realised that we
could change the blue colour on the top right corner
well we chose orange and it stayed like that because it
actually looked quite sharp and it also suited the main
image with the two main characters
15. FINAL POSTER
After presenting our pitch and obtaining feedback from it
and reviewing our work this was the final outcome of our
poster.
We added some changes for example the background, we
added the wall texture that we used ion our trailer instead
of a plane colour
17. Because we wanted to insert the characters in our poster and magazine we had
to have a photoshoot done the same day we started recording.
We took a bunch of good pictures and the ones that had the best quality were
the ones chosen
PHOTOSHOOT
18. FILM TITLE
The title for our film is actually not complicated to understand
at all.
The word “job” is in a bigger size because that is the highlight
of the film trailer if either the main character gets his job done
or not.
The colour orange was used on the words the last just like they
was used throughout the entire campaign
19. The tag line was used in the same place as the poster we based on
and we used the same font as the one for our own title
Of course we knew that we couldn’t use the same line as this poster
so we added our own slogan of “never let your guard down” which
relates to the film
20. BILLING BLOCK
Our own billing consists of the groups name and the
characters names too. We based our block on another
block of another film.
We had to change the size of the words so it didn’t
look exactly equivalent as the block we based our work
on.
21. We also after the research we done on other
blocks we saw that companies include their
logos so there you can see we included the
“Ernest aidoo prudoctions”
We also included the BBFC age rating
23. The trailer is 1 minute and 31 seconds long and this is allowed in the range of
time that a teaser trailer is meant to last for. We made sure that only the best
and most important scenes to get the audiences attention.
We couldn’t include everything in the trailer because if everything was
included the audience would know about everything and wouldn’t think of
coming back to watch the full film
24. The trailer follows a three part structure so the audience can understand our
content with no issues.
The film started when we introduced the protagonist and the combat talent
that he has and also included the mission that he is about to take part in
Reason why we did it in the order its so the audience are introduced to the
main character early on in the film.
Second of all we evoke the audience the shots when the action starts to kick
in when the bodyguard is trying to kill the rich guy. These shots were edited as
fast paced so it looks realistic and dramatic
The third part we decided to increase the speed of the shots because there
was a lot of action too and also added gun shots to the soundtrack
THREE PART STRUCTURE
25. CHARACTERS AND SECONDARY
CHARACTERS
These two characters that are robbing he
car are secondary characters, these
characters were used to introduce the
audience the bodyguards (main character)
combat skills
These are stereotypical action thriller
genre characters as their character does
not develop throughout the film as they
are not as rtelevanty as the the main
characters.
However to suit the genre costumes were
carefully chosen with dark clothes and
hoodies to hide identity
26. MAIN CHARACTER
Ronaldas the bodyguard is the first character that the audience
was introduced to. He was established as a high skilled
character that can fight . Throughout the trailer we learn that
he is also very good with handling guns and has good
shooting accuracy.
This character is stereotypically evoked with his clothes and
the dialogue he has, he does not talk much he does the work
more.
27. This character that was introduced is the rich guy he is the
main character , the whole film is based around him and his
character as a whole. Peter (The rich guy) was introduced
behind the bodyguard portraying that he is a weak character
and needs to be protected from danger for example CSI
agents.
This character has a very mysterious identity and no one
knows why the bodyguard is willing to take his life away
from him.
28. CHARACTER 3
Character 3 is the antagonist of this trailer, He is
meant to get hold of the rich guy and take him down.
We emphasised this character with guns and blazers.
He is portrayed as a violent character because of the
way he is shooting the rich guy with no emotion on
his face.
He is also evoked as a powerful character because of
the powerful shots in the end of the trailer
29. PROPS
The props that are used in films are very crucial to
connote the genre.
For the guns to look realistic we had to them jet black
We also had to be careful with the authority when
shooting our scenes because of the use of guns we could
look suspicious
30. LOCATION
The location and setting where you recordyour film
is just as important as the props, Settings always
have to fit in the genre that your film integrated in
and where it sets the mood of the film
Stereotypically crime films are mostly located in car
parks so we decided to include those places in our
film
We filmed in
Parking
Parking Stairs
Streets
House Stairs
Elevators
And inside buildings
31. COLOUR CORRECTION
To make the visuals better than they was with simple lighting
we decided to change it into a blueish lighting
And so the colours would coordinate we also changed a bit of
the red tint because of the car lighting
32. VOICE EDITING
We had to edit the voice quite a lot in our film.
As we did not want to be as basic we used voice overs in our
shots especially the first one when we hear the voice of the
leader of the body guard ordering his next deed
We also used these voiceovers when the two thief's in the car
are scrambling the objects to steal
33. CLOSE UPS
Close ups are used to evoke the audience the detail that they
mostly have to focus on in that exact scene, this creates
suspense as the audience tries to figure out why they have to
look at those details as they may relate to it later on the film
For example when the gun close up appears the question
that the audience will ask is if these characters are about to
have a violent scene between the antagonist and the main
characters
34. So our shots are more realistic we decided to use handheld camera shots
inside the car when the thieves were robbing the car.
So the shot was more realistic the camera shook a little bit and a tripod was
not used during this shot
HANDHELD CAMERA SHOTS
35. Low angle shots are made so the audience can see and observe what is going
on from above , these are made by basically placing the camera below the knee
and facing it upwards these can emphasise that the character that is in the
scene right now looks dominant as the shot starts when he is in the air
jumping down the stairs
LOW ANGLES
36. High angle shots were used to connote the drama that was going on during
these shots and a great example of it its when there is a shooting coming from
downstairs aiming upwards
This could evoke that the shot is coming from down so therefore it is not
affecting the person that is being aimed at
HIGH ANLGE
37. In our trail;er we used this type of shot to explain to the audience what the
character is able to see in that specific moment and this will help the audience
know how the character behaves after that shot and an example of this is
when the bodyguard is walking towards his car getting robbed
OVER THE SHOULDER SHOT