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Presentation on Textual Analysis
            By Thomas Noakes
Camera Work
   From Pulp fiction, in terms of camera work I learned how close up shots of the main characters display
    emotion of the characters in the scene. It also showed me how medium shots, include the immediate setting
    around the characters to give the viewer as to where they are. The match on action shots also augment the
    scene, by adding in authentic details of the environment such as the waitress pouring the coffee.

   In Goodfellas the camera work is very slow, and the shot movement deliberately lacks pace. This is to build
    tension and suspense with the audience as we wait to find out what is in the boot, and what is going to
    happen to it. Also the shot of Tommy stabbing the man in the back of the car, is shown to dehumanize the
    character being killed, trying to get the audience to see the killing from the perspective of the gangsters.

   In Harry Brown’s opening scene we see the camera techniques used to reflect the environment that the
    characters are in. Almost all the footage is filmed as if it was on a mobile phone, making the viewer feel as if
    they one of the gang members looking in on the initiation, or at the shooting in the park. This adds to the
    audiences feeling of revulsion a what they are seeing, and automatically makes them further empathize with
    the Harry Brown’s situation before we even meet him.
Editing

   Terms of editing, I learnt (through Pulp Fiction) about the effectiveness of the shot reverse shot
    technique. This is prevalent throughout the scene to show the emotions and reactions of the
    characters, whilst in mid conversation. This also adds a slightly comedic element to the scene as
    the subject matter of the suggestions the man comes up with, are met with a completely
    different response from what the audience would expect from an apparently normal everyday
    citizen.

   In contrast to Pulp Fiction, in Goodfellas, I learned how the use of slow cuts between shots can
    add a menacing nature to the scene. In creating this suspicious atmosphere the characters are
    filled with trepidation as to what they are about to do. The creeping sensation these slow cuts
    add, is integral to the spooky atmosphere of the scene.

   In the opening of Harry Brown, there is a distinct lack of editing in the opening scene, to leave
    the shots rough and unprofessional, as the shots are meant to be filmed of a phone by one of
    the street thugs involved. In this instance I learned how editing can be used to convey
    authencticity.
Sound
   The use of diegetic and non-diegetic sound is crucial throughout all the opening sequences I
    have studied doing my textual analysis. In pulp fiction, the sound in the scene is used to create
    authenticity. The calm nature of this presumably diegetic sound from the traffic noise and the
    restaurant music, also promotes a relaxed atmosphere In the diner, which is contrary to the
    macabre subject matter of the conversation the couple are having.

   In Goodfellas, there is distinct lack of sound, apart from the diegetic noise of the cars passing by
    on the road. This lack of sound emphasizes the emptiness and loneliness of the place that the
    three men are in. The fact that nothing or no-one seems to be nearby, means that they can do
    anything.

   In Harry Brown, the sound is also all diegetic. The youths in the first scene create loud
    intimidating noise as the boy is forced to inhale hard drugs. In the second scene the loud angry
    noise of the moped, is used to shock the viewer, and recreate the madness that of the things
    the boys are taking part in.
Mis en Scene
   The mis en scene in pulp fiction, Goodfellas and Harry Brown are all used in
    the same way to bring about the authenticity of the piece. The costume
    such as the casual fashion of Pulp Fiction, the sharp suits in Goodfellas and
    the inexpensive tracksuits and hoodies seen in Harry Brown, are the clothes
    that are stereotypically worn by those characters and instantly make them
    more believable. I also learned that the props used, have to be consistent
    with the characters place in society and their purpose in the scene, for
    example the weapons used in Goodfellas, are authentically brutal to be seen
    as a primitive contrast to the smooth mafia image.

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Media blog presentation finished

  • 1. Presentation on Textual Analysis By Thomas Noakes
  • 2. Camera Work  From Pulp fiction, in terms of camera work I learned how close up shots of the main characters display emotion of the characters in the scene. It also showed me how medium shots, include the immediate setting around the characters to give the viewer as to where they are. The match on action shots also augment the scene, by adding in authentic details of the environment such as the waitress pouring the coffee.  In Goodfellas the camera work is very slow, and the shot movement deliberately lacks pace. This is to build tension and suspense with the audience as we wait to find out what is in the boot, and what is going to happen to it. Also the shot of Tommy stabbing the man in the back of the car, is shown to dehumanize the character being killed, trying to get the audience to see the killing from the perspective of the gangsters.  In Harry Brown’s opening scene we see the camera techniques used to reflect the environment that the characters are in. Almost all the footage is filmed as if it was on a mobile phone, making the viewer feel as if they one of the gang members looking in on the initiation, or at the shooting in the park. This adds to the audiences feeling of revulsion a what they are seeing, and automatically makes them further empathize with the Harry Brown’s situation before we even meet him.
  • 3. Editing  Terms of editing, I learnt (through Pulp Fiction) about the effectiveness of the shot reverse shot technique. This is prevalent throughout the scene to show the emotions and reactions of the characters, whilst in mid conversation. This also adds a slightly comedic element to the scene as the subject matter of the suggestions the man comes up with, are met with a completely different response from what the audience would expect from an apparently normal everyday citizen.  In contrast to Pulp Fiction, in Goodfellas, I learned how the use of slow cuts between shots can add a menacing nature to the scene. In creating this suspicious atmosphere the characters are filled with trepidation as to what they are about to do. The creeping sensation these slow cuts add, is integral to the spooky atmosphere of the scene.  In the opening of Harry Brown, there is a distinct lack of editing in the opening scene, to leave the shots rough and unprofessional, as the shots are meant to be filmed of a phone by one of the street thugs involved. In this instance I learned how editing can be used to convey authencticity.
  • 4. Sound  The use of diegetic and non-diegetic sound is crucial throughout all the opening sequences I have studied doing my textual analysis. In pulp fiction, the sound in the scene is used to create authenticity. The calm nature of this presumably diegetic sound from the traffic noise and the restaurant music, also promotes a relaxed atmosphere In the diner, which is contrary to the macabre subject matter of the conversation the couple are having.  In Goodfellas, there is distinct lack of sound, apart from the diegetic noise of the cars passing by on the road. This lack of sound emphasizes the emptiness and loneliness of the place that the three men are in. The fact that nothing or no-one seems to be nearby, means that they can do anything.  In Harry Brown, the sound is also all diegetic. The youths in the first scene create loud intimidating noise as the boy is forced to inhale hard drugs. In the second scene the loud angry noise of the moped, is used to shock the viewer, and recreate the madness that of the things the boys are taking part in.
  • 5. Mis en Scene  The mis en scene in pulp fiction, Goodfellas and Harry Brown are all used in the same way to bring about the authenticity of the piece. The costume such as the casual fashion of Pulp Fiction, the sharp suits in Goodfellas and the inexpensive tracksuits and hoodies seen in Harry Brown, are the clothes that are stereotypically worn by those characters and instantly make them more believable. I also learned that the props used, have to be consistent with the characters place in society and their purpose in the scene, for example the weapons used in Goodfellas, are authentically brutal to be seen as a primitive contrast to the smooth mafia image.