This document provides a mini-directory of foundations that support entrepreneurship and entrepreneurship education. It lists several foundations, including the Burton D. Morgan Foundation, Foundation Center, and Foundation Center-Cleveland. It notes that the directory was created using the Foundation Center's Foundation Directory Online, which contains information on over 100,000 US foundations, 2.1 million grants, and 500,000 decision makers. It provides contact and background information for select foundations that support entrepreneurship initiatives in various states like California, Colorado, and Illinois.
This document discusses the Nova Ukraine project which collects donated computers and provides internet access to help displaced Ukrainians and support the transition to a digital economy. It describes how displaced persons from Crimea and eastern Ukraine lack access to computers and the internet which they need to find resources, jobs, and connect with others. The project works with volunteers to collect donations, ensure safe disposal of non-working items, and distribute computers to classrooms teaching displaced adults new skills. Donations of usable computers, equipment, funds and volunteer time are requested to expand this assistance.
The Sundance Film Festival saw strong buyer activity in 2013, with 45 films acquired, the second highest number this century. There were over 12,000 submissions for the festival, demonstrating the difficulty of being accepted. Several films were acquired at high prices, including jOBS for $10 million. Fruitvale and Blood Brother won the top jury awards. The festival continued to see a rise in the number of films directed by women. Visual effects studio Rhythm & Hues filed for bankruptcy after the Oscars. Participant Media formed a new Latin American film fund with companies in Mexico, Chile, and Colombia.
This document discusses trends in the world film market, with a focus on films from third countries in European markets. Some key points:
- Films from third countries have increased their market share in the EU from 14.7% in 2002 to 21.2% in 2006. However, their share of total admissions was lower, doubling from 1.6% to 3.3% over this period.
- Canadian, Australian, and Japanese films had the highest market shares by admissions in the EU, while Indian films performed best in the UK.
- Co-productions between European countries and third countries helped increase market access for films from Latin America, Africa, and elsewhere.
- Television broadcasts and video
UK Film at BFI London Film Festival 2014 "catalogue"wurld
this Catalogue is a resource complied by British Council Film, which acts as a link between UK films and filmmakers and new international audiences. British Council Film works with a range of programme selector teams from the world’s premiere international film festivals, to arrange preview screenings in London of the best new British films. Each catalogue is compiled as a printable PDF and is intended as a reference tool to assist Festival programmers, film buyers and sales agents, as well as other filmmakers, students, statisticians and film historians.
This document provides information about the Cannes Film Festival, including its sections and events. It discusses the Festival de Cannes, which features films in and out of competition that compete for awards. It also describes the Marché du Film, the largest film market that attracts buyers, sellers, and producers. The document provides tips for first-time attendees on getting accredited, making connections, attending screenings and readings trades to learn about business opportunities. Overall, it offers an overview of the festival and market sections, events, and advice for maximizing the experience.
Welcome to the 2014 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2013. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful.
This document provides a mini-directory of foundations that support entrepreneurship and entrepreneurship education. It lists several foundations, including the Burton D. Morgan Foundation, Foundation Center, and Foundation Center-Cleveland. It notes that the directory was created using the Foundation Center's Foundation Directory Online, which contains information on over 100,000 US foundations, 2.1 million grants, and 500,000 decision makers. It provides contact and background information for select foundations that support entrepreneurship initiatives in various states like California, Colorado, and Illinois.
This document discusses the Nova Ukraine project which collects donated computers and provides internet access to help displaced Ukrainians and support the transition to a digital economy. It describes how displaced persons from Crimea and eastern Ukraine lack access to computers and the internet which they need to find resources, jobs, and connect with others. The project works with volunteers to collect donations, ensure safe disposal of non-working items, and distribute computers to classrooms teaching displaced adults new skills. Donations of usable computers, equipment, funds and volunteer time are requested to expand this assistance.
The Sundance Film Festival saw strong buyer activity in 2013, with 45 films acquired, the second highest number this century. There were over 12,000 submissions for the festival, demonstrating the difficulty of being accepted. Several films were acquired at high prices, including jOBS for $10 million. Fruitvale and Blood Brother won the top jury awards. The festival continued to see a rise in the number of films directed by women. Visual effects studio Rhythm & Hues filed for bankruptcy after the Oscars. Participant Media formed a new Latin American film fund with companies in Mexico, Chile, and Colombia.
This document discusses trends in the world film market, with a focus on films from third countries in European markets. Some key points:
- Films from third countries have increased their market share in the EU from 14.7% in 2002 to 21.2% in 2006. However, their share of total admissions was lower, doubling from 1.6% to 3.3% over this period.
- Canadian, Australian, and Japanese films had the highest market shares by admissions in the EU, while Indian films performed best in the UK.
- Co-productions between European countries and third countries helped increase market access for films from Latin America, Africa, and elsewhere.
- Television broadcasts and video
UK Film at BFI London Film Festival 2014 "catalogue"wurld
this Catalogue is a resource complied by British Council Film, which acts as a link between UK films and filmmakers and new international audiences. British Council Film works with a range of programme selector teams from the world’s premiere international film festivals, to arrange preview screenings in London of the best new British films. Each catalogue is compiled as a printable PDF and is intended as a reference tool to assist Festival programmers, film buyers and sales agents, as well as other filmmakers, students, statisticians and film historians.
This document provides information about the Cannes Film Festival, including its sections and events. It discusses the Festival de Cannes, which features films in and out of competition that compete for awards. It also describes the Marché du Film, the largest film market that attracts buyers, sellers, and producers. The document provides tips for first-time attendees on getting accredited, making connections, attending screenings and readings trades to learn about business opportunities. Overall, it offers an overview of the festival and market sections, events, and advice for maximizing the experience.
Welcome to the 2014 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2013. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful.
Les progrès technologiques, via la numérisation des supports comme des procédés de diffusion, ont rendu les œuvres audiovisuelles de plus en plus accessibles de par le monde. Importante opportunité de croissance pour les uns. Risques accrus de piratage pour les autres. A l’instar de l’industrie phonographique, le secteur du DVD voit sa part de marché diminuer inexorablement. Mais le marché « dématérialisé » en a-t-il tiré profit ?
Ce nouveau focus tente une approche synthétique du secteur de la VOD dont la mutation concerne tous les acteurs du secteur audiovisuel : producteurs, distributeurs, agents de vente, diffuseurs...
While a large percentage of entertainment is filmed on soundstages in Culver City, Hollywood, Los Angeles and the San Fernando Valley, the images you see on movie and television screens don’t all come from studio lots. From natural landscapes to historical landmarks, from public spaces to private homes, the entertainment industry is always looking for unique locations.
LA DIFFUSION DU FILM EUROPÉEN DANS L’UNION EUROPÉENNE ET SUR LE MARCHÉ MON...wurld
LA DIFFUSION DU FILM EUROPÉEN DANS L’UNION EUROPÉENNE
ET SUR LE MARCHÉ MONDIAL
Ce rapport de Josef Wutz cherche à dresser un état des lieux de la diffusion du cinéma européen en Europe et dans le monde entre 2002 et 2014. Pour cela, il prend en compte l’ensemble des acteurs de la chaîne du film : producteurs, distributeurs, exploitants, mais aussi éditeurs de vidéo et organismes publics d’aide au cinéma et s’attache plus spécifiquement à quatre pays : l’Allemagne, l’Espagne, la France et l’Italie. Valentin Pérez formule ensuite des recommandations visant à rendre plus visible le cinéma européen.
Quatre grandes tendances actuelles auxquelles le cinéma européen est aujourd’hui confronté peuvent constituer des défis considérables : un taux record de productions européennes malgré une stagnation des parts de marché, la numérisation des salles, la conservation de la diversité et de la qualité artistiques et l’arrivée de nouveaux modes de consommation de films européens.
Ces nouvelles tendances ont un coût supporté en partie par des aides publiques, qui atteignent des niveaux nationaux disparates et concernent tous les secteurs : distribution, exploitation, vidéo, promotion, nouvelles technologies, avec une prédominance pour la production. Une amélioration de la diffusion du cinéma européen, en Europe et dans le monde entier, est possible si les marchés et les aides publiques arrivent à être correctement réajustés pour être en accord avec les besoins nouveaux.
À ce titre, le rapport formule quatre recommandations principales :
1. Rééquilibrer les aides à la production et à la distribution ;
2. Aider les exploitants en imposant, en contrepartie, une régulation de la
programmation du cinéma européen en Europe ;
3.Stimuler de nouvelles voies de distribution en tenant compte du
numérique ;
4. Prendre en compte l’apport culturel du cinéma dans l’image de l’Europe.
Established in 2006, 6 SALES is a Film Sales and Finance company with offices in Madrid and Barcelona, representing high quality English language and World Cinema theatrical films, documentaries and animated features.
To encourage international co-production opportunities and help producers develop their projects, the Festival de Cannes launched in 2004 a specific program: Producers Network.
ARTS PHILANTHROPY: TOWARDS A BETTER PRACTICE MODELwurld
The purpose of this report is to present an overview of philanthropic giving by Trusts and foundations to the arts in australia. It discusses emerging trends and opportunities in philanthropy and outlines best practice arts philanthropy models that aim to deepen understanding and broaden support for the arts in australia.
The report identifies and examines the lack of strategic alignment between the arts and philanthropy. rectifying this will require new models of engagement, with
a focus on developing collaborative grant making platforms which deliver measurable benefit to the arts and the broader community.
Current philanthropic relationships in the arts tend
to be at the more traditional end of the philanthropic spectrum of giving. This approach to grant making contributes to both philanthropists and arts organisations experiencing frustration in regard to the lack of philanthropic funds available and the allocation mechanism used to distribute these funds.
a more strategic focus is required to ensure greater alignment between philanthropic funds and the types of projects most likely to be supported. This will result in more positive outcomes for both the arts and the broader community. Specifically, the report found that:
This document contains a checklist of production forms and requirements for a film production company called Wurld in ʍotion. It includes sections listing staff and crew positions, equipment, vehicles, locations, and post-production roles. The checklist contains over 100 individual items to ensure all necessary production elements are accounted for.
Welcome to the 2013 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2012. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful.
This document appears to contain templates and forms related to cinematography work for a production company called WURLD IN MOTION. The forms include sections for lighting diagrams, pre-production planning, location information, camera reports, and shot lists. The forms provide sections for key production details like the production title, dates, locations, personnel, equipment, and technical specifications.
For over 30 years Pelican Products has built a reputation for manufacturing the toughest Protector CaseTM in the world.
As a matter of fact, we invented the category. Over these years we’ve seen our cases used for some fairly crazy activities... and important ones, too.
PelicanTM cases have been thrown out of helicopters in Iraq, floated through frigid fjords in Norway and rolled over by SUVs in Tanzania. With only a few
scratches to show on the outside, contents inside are left unscathed. These are minor details for major bragging rights. And that is really what it’s all about. Getting your gear from point A to point B in the condition it’s meant to be in: intact and functional. Because it might contain a large format camera that will shoot next month’s magazine cover or a heart defibrillator that could save a person’s life, you can’t put a price on it.
This document contains several production forms for a film shoot, including a shooting schedule, continuity log, music reference, and sound report. The shooting schedule lists the shots planned with details like scene numbers, setup times, and descriptions. The continuity log tracks takes with timecodes, descriptions, and other production details. The music reference form catalogs music cues by scene with timing, genre, and reference information. The sound report tracks audio tracks and files by scene with notes.
NexTV Entertainment is a multi-faceted entertainment company founded by Randy Becker to connect emerging artists with industry leaders. The document outlines Becker's experience transitioning from acting to producing and developing NexTV with the goals of facilitating content creation, building strategic partnerships, and acquiring projects that meet artistic, alliance-building, and revenue-generating criteria. It also provides a project evaluation checklist used by NexTV to systematically assess potential productions based on elements such as budget, characters, genre, attached talent and rights, value to the company, and exposure.
The mid-west version of my presentation for the Connecting to Collections - Raising the Bar workshops organized by Heritage Preservation. The talk focused on how museums, libraries, and archives can use social media to highlight their collections care activities.
The document provides information about two non-profit organizations - the Center for New Music and Gray Area Foundation for the Arts. It describes their missions, facilities, membership options, costs, benefits and events. The Center for New Music fosters contemporary music and gives artists resources and expertise. Gray Area applies art and technology to create social impact through education and events. Both provide co-working spaces, studios, critiques and showcase opportunities for artists.
Programming for the Annual Conference hosted by The Office of Financial Literacy. Annually the Office of Financial Literacy partner with other organizations, professionals and initiatives to expose students and the larger community to various elite and high profile influencers in the world of Finance, Business, Technology and Financial Technology that promote financial wellness and entrepreneurship.
This document summarizes the 3rd Quarter 2015 newsletter of the Suncoast Crime Prevention Association. It provides information on upcoming meetings and events, lists the association's executive board members, and promotes safety awareness campaigns occurring in summer months. Additionally, it advertises upcoming training opportunities on various law enforcement and crime prevention topics.
This document provides information about several organizations related to music and the arts:
The Center for New Music fosters contemporary music and gives artists resources and expertise. The Gray Area Foundation applies art and technology to create social impact through education and events. Both organizations provide co-working spaces, memberships, and event spaces in San Francisco.
Other organizations mentioned include BMI, Sony/ATV Music Publishing, IEEE, Audio Publishers Association, and the Recording Academy. Various membership categories, costs, and benefits are outlined for each. The document aims to inform artists and others in the music industry about support resources and opportunities for collaboration.
The Broadway International Film Festival Los Angeles (BIFFLA) is being organized by Executive Director Emilio Vega and Director Fernando Núñez. BIFFLA aims to promote culture, creativity, literacy, economics, arts, industry and sciences in the diverse Los Angeles community through a film festival to be held in downtown LA and Hollywood in autumn 2017. The festival will include film screenings, student reading and filmmaking competitions, and industry panels to bring together emerging and established filmmakers. Sponsorship packages are available to support the nonprofit festival and its community programs.
Les progrès technologiques, via la numérisation des supports comme des procédés de diffusion, ont rendu les œuvres audiovisuelles de plus en plus accessibles de par le monde. Importante opportunité de croissance pour les uns. Risques accrus de piratage pour les autres. A l’instar de l’industrie phonographique, le secteur du DVD voit sa part de marché diminuer inexorablement. Mais le marché « dématérialisé » en a-t-il tiré profit ?
Ce nouveau focus tente une approche synthétique du secteur de la VOD dont la mutation concerne tous les acteurs du secteur audiovisuel : producteurs, distributeurs, agents de vente, diffuseurs...
While a large percentage of entertainment is filmed on soundstages in Culver City, Hollywood, Los Angeles and the San Fernando Valley, the images you see on movie and television screens don’t all come from studio lots. From natural landscapes to historical landmarks, from public spaces to private homes, the entertainment industry is always looking for unique locations.
LA DIFFUSION DU FILM EUROPÉEN DANS L’UNION EUROPÉENNE ET SUR LE MARCHÉ MON...wurld
LA DIFFUSION DU FILM EUROPÉEN DANS L’UNION EUROPÉENNE
ET SUR LE MARCHÉ MONDIAL
Ce rapport de Josef Wutz cherche à dresser un état des lieux de la diffusion du cinéma européen en Europe et dans le monde entre 2002 et 2014. Pour cela, il prend en compte l’ensemble des acteurs de la chaîne du film : producteurs, distributeurs, exploitants, mais aussi éditeurs de vidéo et organismes publics d’aide au cinéma et s’attache plus spécifiquement à quatre pays : l’Allemagne, l’Espagne, la France et l’Italie. Valentin Pérez formule ensuite des recommandations visant à rendre plus visible le cinéma européen.
Quatre grandes tendances actuelles auxquelles le cinéma européen est aujourd’hui confronté peuvent constituer des défis considérables : un taux record de productions européennes malgré une stagnation des parts de marché, la numérisation des salles, la conservation de la diversité et de la qualité artistiques et l’arrivée de nouveaux modes de consommation de films européens.
Ces nouvelles tendances ont un coût supporté en partie par des aides publiques, qui atteignent des niveaux nationaux disparates et concernent tous les secteurs : distribution, exploitation, vidéo, promotion, nouvelles technologies, avec une prédominance pour la production. Une amélioration de la diffusion du cinéma européen, en Europe et dans le monde entier, est possible si les marchés et les aides publiques arrivent à être correctement réajustés pour être en accord avec les besoins nouveaux.
À ce titre, le rapport formule quatre recommandations principales :
1. Rééquilibrer les aides à la production et à la distribution ;
2. Aider les exploitants en imposant, en contrepartie, une régulation de la
programmation du cinéma européen en Europe ;
3.Stimuler de nouvelles voies de distribution en tenant compte du
numérique ;
4. Prendre en compte l’apport culturel du cinéma dans l’image de l’Europe.
Established in 2006, 6 SALES is a Film Sales and Finance company with offices in Madrid and Barcelona, representing high quality English language and World Cinema theatrical films, documentaries and animated features.
To encourage international co-production opportunities and help producers develop their projects, the Festival de Cannes launched in 2004 a specific program: Producers Network.
ARTS PHILANTHROPY: TOWARDS A BETTER PRACTICE MODELwurld
The purpose of this report is to present an overview of philanthropic giving by Trusts and foundations to the arts in australia. It discusses emerging trends and opportunities in philanthropy and outlines best practice arts philanthropy models that aim to deepen understanding and broaden support for the arts in australia.
The report identifies and examines the lack of strategic alignment between the arts and philanthropy. rectifying this will require new models of engagement, with
a focus on developing collaborative grant making platforms which deliver measurable benefit to the arts and the broader community.
Current philanthropic relationships in the arts tend
to be at the more traditional end of the philanthropic spectrum of giving. This approach to grant making contributes to both philanthropists and arts organisations experiencing frustration in regard to the lack of philanthropic funds available and the allocation mechanism used to distribute these funds.
a more strategic focus is required to ensure greater alignment between philanthropic funds and the types of projects most likely to be supported. This will result in more positive outcomes for both the arts and the broader community. Specifically, the report found that:
This document contains a checklist of production forms and requirements for a film production company called Wurld in ʍotion. It includes sections listing staff and crew positions, equipment, vehicles, locations, and post-production roles. The checklist contains over 100 individual items to ensure all necessary production elements are accounted for.
Welcome to the 2013 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2012. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful.
This document appears to contain templates and forms related to cinematography work for a production company called WURLD IN MOTION. The forms include sections for lighting diagrams, pre-production planning, location information, camera reports, and shot lists. The forms provide sections for key production details like the production title, dates, locations, personnel, equipment, and technical specifications.
For over 30 years Pelican Products has built a reputation for manufacturing the toughest Protector CaseTM in the world.
As a matter of fact, we invented the category. Over these years we’ve seen our cases used for some fairly crazy activities... and important ones, too.
PelicanTM cases have been thrown out of helicopters in Iraq, floated through frigid fjords in Norway and rolled over by SUVs in Tanzania. With only a few
scratches to show on the outside, contents inside are left unscathed. These are minor details for major bragging rights. And that is really what it’s all about. Getting your gear from point A to point B in the condition it’s meant to be in: intact and functional. Because it might contain a large format camera that will shoot next month’s magazine cover or a heart defibrillator that could save a person’s life, you can’t put a price on it.
This document contains several production forms for a film shoot, including a shooting schedule, continuity log, music reference, and sound report. The shooting schedule lists the shots planned with details like scene numbers, setup times, and descriptions. The continuity log tracks takes with timecodes, descriptions, and other production details. The music reference form catalogs music cues by scene with timing, genre, and reference information. The sound report tracks audio tracks and files by scene with notes.
NexTV Entertainment is a multi-faceted entertainment company founded by Randy Becker to connect emerging artists with industry leaders. The document outlines Becker's experience transitioning from acting to producing and developing NexTV with the goals of facilitating content creation, building strategic partnerships, and acquiring projects that meet artistic, alliance-building, and revenue-generating criteria. It also provides a project evaluation checklist used by NexTV to systematically assess potential productions based on elements such as budget, characters, genre, attached talent and rights, value to the company, and exposure.
The mid-west version of my presentation for the Connecting to Collections - Raising the Bar workshops organized by Heritage Preservation. The talk focused on how museums, libraries, and archives can use social media to highlight their collections care activities.
The document provides information about two non-profit organizations - the Center for New Music and Gray Area Foundation for the Arts. It describes their missions, facilities, membership options, costs, benefits and events. The Center for New Music fosters contemporary music and gives artists resources and expertise. Gray Area applies art and technology to create social impact through education and events. Both provide co-working spaces, studios, critiques and showcase opportunities for artists.
Programming for the Annual Conference hosted by The Office of Financial Literacy. Annually the Office of Financial Literacy partner with other organizations, professionals and initiatives to expose students and the larger community to various elite and high profile influencers in the world of Finance, Business, Technology and Financial Technology that promote financial wellness and entrepreneurship.
This document summarizes the 3rd Quarter 2015 newsletter of the Suncoast Crime Prevention Association. It provides information on upcoming meetings and events, lists the association's executive board members, and promotes safety awareness campaigns occurring in summer months. Additionally, it advertises upcoming training opportunities on various law enforcement and crime prevention topics.
This document provides information about several organizations related to music and the arts:
The Center for New Music fosters contemporary music and gives artists resources and expertise. The Gray Area Foundation applies art and technology to create social impact through education and events. Both organizations provide co-working spaces, memberships, and event spaces in San Francisco.
Other organizations mentioned include BMI, Sony/ATV Music Publishing, IEEE, Audio Publishers Association, and the Recording Academy. Various membership categories, costs, and benefits are outlined for each. The document aims to inform artists and others in the music industry about support resources and opportunities for collaboration.
The Broadway International Film Festival Los Angeles (BIFFLA) is being organized by Executive Director Emilio Vega and Director Fernando Núñez. BIFFLA aims to promote culture, creativity, literacy, economics, arts, industry and sciences in the diverse Los Angeles community through a film festival to be held in downtown LA and Hollywood in autumn 2017. The festival will include film screenings, student reading and filmmaking competitions, and industry panels to bring together emerging and established filmmakers. Sponsorship packages are available to support the nonprofit festival and its community programs.
Swamp Fox connects people with ideas to those who can provide resources, talent, expertise, and access to markets. It operates a website and hosts conferences and events to facilitate these connections within a region in the Southeastern United States that has over 23 million people, 16 research universities, and two national laboratories within a half day's drive. The goal is to create a "Web of Innovation" where entrepreneurs, investors, industry, and academia can collaborate.
Union is an events and promotions company formed in 2007 that specializes in the 16-24 year old market. They run popular student club nights across the UK that attract over 25,000 attendees monthly, featuring artists like Dizzee Rascal and Calvin Harris. Union has built a large community of over 750,000 through social media and a network of over 300 local brand ambassadors.
The City of Federal Way has identified $19 million from its own funds and external sources to construct a new $32.75 million performing arts and conference center. An additional $13.75 million funding gap will be addressed through naming rights, fundraising campaigns, grants, and state/federal funding. The City has also secured a $3 million loan and $2 million in support from other organizations. The performing arts center will be a 41,000 square foot venue hosting cultural performances, entertainment, meetings and workshops to revitalize downtown Federal Way. Construction is scheduled to be completed in fall 2016.
Repent your marketing sins: the ADDYS Awards Show descends on San JoseNick Mundy
The American Advertising Federation - Silicon Valley (AAF-SV) will hold its annual American Advertising Awards Show on March 13th in downtown San Jose, where a panel of national judges will award various prizes, including gold ADDYS, to recognize creative excellence in advertising and marketing communications by Silicon Valley entrants. Winners will advance to regional and national competitions. AAF-SV President Paul Bradshaw encourages people to attend the "The Seven Deadly Sins of Advertising" themed event to see the best work and enjoy an evening of entertainment, with tickets available online or at the door for $50 or less. Proceeds from the competition support AAF's educational and professional development programs for the marketing community.
The Thomas Jefferson Information Center (TJIC) is located within the U.S. Embassy in Manila and provides information to Filipinos about U.S. policies, practices, history, and culture. TJIC librarians assist users through reference services, maintains a collection of over 3,000 volumes and 40 periodicals, and creates products like article alerts, webliographies, and information packets on various themes related to the U.S. TJIC also partners with various universities in the Philippines by establishing American Corners that maintain American Shelves with materials about the U.S.
NOWCastSA is seeking sponsors to commit to funding the live webcast production of the 2016 International Conference on Aging in the Americas. Promote your brand and support public media.
This document provides information on several academic conferences, including details about the conference topics, dates, locations, organizers, and contact information. Specifically, it summarizes 10 upcoming conferences related to economics, data science, biomedical technologies, rehabilitation, art/virtual reality, and history. For each conference it lists the organizer, website, contact details, venue, submission deadlines, and date range. Additionally, it provides contact information for the All Conference Alert platform that is hosting the conference summaries.
Introducing the Artisan District July 2015Jack Illes
The document summarizes an area in Downtown Los Angeles called the Artisan District. It is located near the University of Southern California, Exposition Park, Staples Center, and has access to public transportation including light rail and bus lines. The area is poised for growth with major investments in surrounding neighborhoods, a growing residential population, and potential for new artisanal and creative businesses.
The US Interests Section in Cuba (USINT) covers events through its Information Resource Center (IRC) which includes two internet centers named after Eleanor Roosevelt and Abraham Lincoln. The IRC uses different outreach methods like websites, contests, information bulletins and teaching internet research/communication. It provides access to computers and a collection of books at each center. In 2007, over 500 patrons used IRC computers over 1,000 times and conducted research on various topics.
North American International Technovation Festivalguest386fdd
The North American International Technovattion Festival is a 3-Day Celebration of Cutting Edge Innovation & Technology, Showcasing Visionary Thinkers, Companies, Artists and more,
Through Expositions, Conferences and Performances in a Unique Festive Environment.
The document discusses how organizations can use Web 2.0 tools like wikis, tags, social networking, and sharing platforms to better engage with customers. It provides examples of how cultural institutions and non-profits can connect with patrons by making content interactive and collaborative through tools like photo sharing, video contests, and digital storytelling. The key takeaways are to have an integrated online and offline strategy, speak with an authentic voice that aligns with your mission, and invite feedback to build long-term relationships.
An introduction to Project Audience, a not-for-profit collaboration of arts organizations and individuals working together to connect individuals with creative experiences through tool development and research.
Case study of San Francisco: history of San Francisco, Branding effort, competitive advantages, functionality, added-values, integration, main attractions
Best practices for project execution and deliveryCLIVE MINCHIN
A select set of project management best practices to keep your project on-track, on-cost and aligned to scope. Many firms have don't have the necessary skills, diligence, methods and oversight of their projects; this leads to slippage, higher costs and longer timeframes. Often firms have a history of projects that simply failed to move the needle. These best practices will help your firm avoid these pitfalls but they require fortitude to apply.
Industrial Tech SW: Category Renewal and CreationChristian Dahlen
Every industrial revolution has created a new set of categories and a new set of players.
Multiple new technologies have emerged, but Samsara and C3.ai are only two companies which have gone public so far.
Manufacturing startups constitute the largest pipeline share of unicorns and IPO candidates in the SF Bay Area, and software startups dominate in Germany.
Part 2 Deep Dive: Navigating the 2024 Slowdownjeffkluth1
Introduction
The global retail industry has weathered numerous storms, with the financial crisis of 2008 serving as a poignant reminder of the sector's resilience and adaptability. However, as we navigate the complex landscape of 2024, retailers face a unique set of challenges that demand innovative strategies and a fundamental shift in mindset. This white paper contrasts the impact of the 2008 recession on the retail sector with the current headwinds retailers are grappling with, while offering a comprehensive roadmap for success in this new paradigm.
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How MJ Global Leads the Packaging Industry.pdfMJ Global
MJ Global's success in staying ahead of the curve in the packaging industry is a testament to its dedication to innovation, sustainability, and customer-centricity. By embracing technological advancements, leading in eco-friendly solutions, collaborating with industry leaders, and adapting to evolving consumer preferences, MJ Global continues to set new standards in the packaging sector.
Company Valuation webinar series - Tuesday, 4 June 2024FelixPerez547899
This session provided an update as to the latest valuation data in the UK and then delved into a discussion on the upcoming election and the impacts on valuation. We finished, as always with a Q&A
buy old yahoo accounts buy yahoo accountsSusan Laney
As a business owner, I understand the importance of having a strong online presence and leveraging various digital platforms to reach and engage with your target audience. One often overlooked yet highly valuable asset in this regard is the humble Yahoo account. While many may perceive Yahoo as a relic of the past, the truth is that these accounts still hold immense potential for businesses of all sizes.
Storytelling is an incredibly valuable tool to share data and information. To get the most impact from stories there are a number of key ingredients. These are based on science and human nature. Using these elements in a story you can deliver information impactfully, ensure action and drive change.
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Media Arts Fellowship
1. MEDIA ARTS FELLOWSHIPS: HOME ABOUT ARTISTS & PROJECTS NEWS & EVENTS RESOURCES LOGIN
U.S. Resources
International
Resources
Bay Area Video Coalition (BAVC)
www.bavc.org
2727 Mariposa Street, 2nd floor
San Francisco, CA 94110
Tel: 415-861-3282
Fax: 415-861-4316
Email: videonet@aol.com
BAVC provides state-of-the-art technology to independent producers, technology
professionals and students entering digital media and technology-related occupations. It
supports independent producers and media artists through access to technology, grants
and awards and fiscal sponsorship. Subsidized services include:
Advanced media training labs
Professional video production equipment
Postproduction facilities
Preservation and restoration
Finishing funds
Their web site has classified ads, job postings and announcements about funding and
festival deadlines.
Creative Capital Foundation
www.creative-capital.org
65 Bleecker Street, 7th floor
New York, NY 10012
Tel: 212-598-9900
Fax: 212-598-4934
Email: info@creative-capital.org
Creative Capital provides support for artists in the performing and visual arts, film and
video, and emerging media fields. It provides grants, advisory services and professional
development assistance along with multi-faceted financial aid and promotional support
throughout the life of each Creative Capital project.
Their web site shares information about their grantees and grantmaking process, and
offers a variety of resource links.
Film Arts Foundation (FAF)
www.filmarts.org
346 Ninth Street, 2nd floor
San Francisco, CA 94103
Tel: 415-552-8760
Fax: 415-552-0882
Email: info@filmarts.org
FAF is the largest regional organization of independent producers in the country. It
provides comprehensive training and education, low-cost equipment access, project
funding, fiscal sponsorship, exhibition opportunities, and information and consultation
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2. resources to independent filmmakers. The FAF Grants Program encourages new and
diverse works by film and video artists who have little likelihood of being supported
through traditional funding sources.
It publishes Release Print on a monthly basis for its members. Their web site offers a
variety of resources, including screenings and festival listings.
The Foundation Center
www.fdncenter.org
Tel: 800-424-9826
Email: library@fdncenter.org
The Foundation Center's mission is to foster public understanding of the foundation field. It
maintains an electronic database containing information on virtually every active
grantmaking foundation in the U.S. It publishes books ranging from basic primers on
fundraising to comprehensive reference works.
The Center operates five professionally staffed libraries located in New York, Atlanta,
Cleveland, San Francisco and Washington, D.C. Contact them for information on a
participating library in your area.
New York
79 Fifth Avenue
New York, NY 10003
Tel: 212-620-4230
San Francisco
312 Sutter Street, 3rd floor
San Francisco, CA
Tel: 415-397-0902
Atlanta
Hurt Building, Grand Lobby
50 Hurt Plaza, Suite 150
Atlanta, GA 30303-2914
Tel: 404-880-0094
Washington, D.C.
1001 Connecticut Avenue, Suite 938
Washington D.C. 20036
Tel: 202-331-1400
Cleveland
1422 Euclid Avenue, Suite 1356
Cleveland, OH 44115-2001
Tel: 216-861-1933
John Simon Guggenheim Memorial Foundation
www.gf.org
90 Park Avenue
New York, NY 10016
Tel 212-687-4470
Fax 212-697-3278
Email: fellowships@gf.org
The Guggenheim Foundation provides fellowships (for mid-career and established artists
or for artists who have already demonstrated exception creative ability) in the United
States, Canada, Latin America and the Caribbean. In 2003 the Foundation awarded 184
United States and Canadian Fellows an average grant of $36,685; there were 3,282
applicants. In the same year they awarded 37 Latin American and Caribbean Fellows an
average grant of $31,081; there were 737 applicants.
Their bilingual web site provides information about eligibility, application requirements and
deadlines.
Independent Feature Project (IFP)
www.ifp.org
IFP is a membership organization that provides resources and information to filmmakers,
industry professionals and independent film enthusiasts. A wide range of programs
including special screenings, workshops and seminars help members make connections
and stay informed about creative and commercial aspects of the industry.
Their web site features news, articles, interviews, information resources and networking
opportunities. Their monthly publication, Filmmaker, is available at newsstands as well as
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3. a membership benefit. An archive of educational and resource items makes up the
"Filmmaker's Library."
IFP has six chapters located in Chicago, Los Angeles, Miami, Minneapolis/St. Paul, New
York and Seattle. The web site links to each regional chapter's programs and events.
Chicago
33 East Congress Parkway, Room 505
Chicago, IL 60605
Tel: 312-435-1825
Fax: 312-435-1828
Email: infoifpmw@aol.com
Minneapolis
401 N. 3rd St., Ste. 450
Minneapolis, MN 55401
Tel: 612-338-0871
Fax: 612-338-4747
St. Paul
Access & Education Center
2388 University Avenue West
St. Paul, MN 55114
Tel: 651-644-1912
Fax: 651-644-5708
Email: word@ifpmsp.org
Miami
210 2nd Street
Miami, FL 33139
Tel: 305-538-8242
Email: miami@ifp.org
New York
104 West 29th Street, 12th Floor
New York, NY 10001-5310
Tel: 212-465-8200
Fax: 212-465-8525
Email: ifpny@ifp.org
Seattle
P.O. Box 20307
Seattle, WA 98102
Tel: 206-860-8490
Email: seattleinfo@ifp.org
Independent Television Service (ITVS)
www.itvs.org
501 York Street
San Francisco, CA 94110
Tel: 415-356 8383
Fax: 415-356 8391
Email: itvs@itvs.org
ITVS funds, distributes and promotes new programs made by independent producers
primarily, but not exclusively, for public television. ITVS favors proposals that present a
diverse range of subjects, viewpoints and forms that complement and challenge existing
public television offerings. Their web site provides information about producing for ITVS,
including funding applications, articles and tips.
The Daniel Langlois Foundation for Art, Science, and Technology
www.fondation-langlois.org
3530, Saint-Laurent Boulevard, Suite 402
Montréal, Québec
H2X 2V1 Canada
Tel: 514-987-7177
Fax: 514-987-7492
Email: info@fondation-langlois.org
The Foundation's mission is to further artistic and scientific knowledge by fostering the
meeting of art and science in the field of technologies through five granting programs, for
individual artists and organizations.
The Foundation operates a Centre for Research and Documentation (CR+D). The CR+D
documents the history, artworks and practices of electronic, digital media arts and makes
this information available to researchers.
Latino Public Broadcasting (LPB)
www.lpbp.org
6777 Hollywood Blvd. Suite 512
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4. Los Angeles, CA 90028
Tel: 323-466-7110
Fax: 323-466-7521
Email: info@lpbp.org
LPB supports the development, production, acquisition and distribution of non-commercial
educational and cultural television about Latino people or that addresses issues of
particular interest to Latino Americans. Programs are produced for distribution to pubic
broadcasting stations and other public telecommunication entities. Independent producers
are eligible to apply for grants for dramas, comedies, animation, documentaries and mixed
genres. LPB will consider funding projects at any stage of production.
Their web site provides resources, funding calls, broadcasts, screenings and special
events.
National Asian American Telecommunications Association (NAATA)
www.naatanet.org
145 Ninth Street, Suite 350
San Francisco, CA 94103
Tel: 415-863-0814
Fax: 415-863-7428
Email: naata@naatanet.org
NAATA funds, produces, distributes and exhibits films, videos and new media that convey
the richness and diversity of the Asian Pacific American experience to the broadest
audience possible.
Their web site provides a calendar of events, filmmaker opportunities, and resources for
families, communities and educational institutions.
National Alliance for Media Arts and Culture (NAMAC)
www.namac.org
346 9th Street
San Francisco, CA 94103
Tel: 415-431-1391
Fax: 415-431-1392
Email: namac@namac.org
NAMAC is a national association whose diverse member organizations are dedicated to
encouraging film, video, audio and online/multimedia arts, and to promoting the cultural
contributions of individual media artists. NAMAC provides services for the institutional
development of the field in the areas of networking, research and development, and
advocacy. Its regional and national members provide a wide range of support services
including media education, production, exhibition, distribution, collection building,
preservation, criticism and advocacy.
NAMAC's web site provides a member directory and information about and links to job
openings, national events and funding.
Native American Public Telecommunications (NAPT)
www.nativetelecom.org
1800 North 33rd Street
Lincoln, NE 68583
PO Box 83111
Lincoln, NE 68501
Tel: 402-472-3522
Email: native@unl.edu
NAPT encourages American Indians and Alaska Natives to create and use all forms of
educational and public telecommunications programs and services, thereby supporting
tribal sovereignty. It produces educational programs for all media including television and
public radio; distributes and promotes these programs; and provides training opportunities
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5. in media production to American Indians and Alaska Natives. NAPT builds partnerships to
develop and implement telecommunications projects with tribal nations, Indian
organizations, and native communities
Their web site provides an on-line newsletter (The Vision Maker), links to tribal web sites
and other related sites.
National Black Programming Consortium (NBPC)
www.nbpc.tv
Email: info@nbpc.tv
NBPC supports makers of African-American film and video projects and funds every
phase of the production process, including research and development, scripting,
production, and post-production. It encourages the submission of projects that offer a
realistic, historically accurate, diverse, and non-stereotypical portrayal of African
Americans and the African diaspora.
Their web site provides information about grants, screenings, broadcasts and special
events, and on-line feedback forums.
New York Office
145 East 125th Street, Suite 3R
New York, New York 10035
Tel: 212-828-7588
Fax: 212-828-7030
Pittsburgh Office c/o WQED Pittsburgh
4802 Fifth Avenue
Pittsburgh, PA 15213
Tel: 412-622-6443
Fax: 412-622-1331
NYFA Source
www.nyfa.org
email: visual@nyfa.org and performing@nyfa.org
NYFA Source is the nation's most extensive free on-line service and database of awards,
services and publications for artists of all disciplines and those who support them in any
way. Managed by the New York Foundation for the Arts (see below), the databank
includes more than 6,600 organizations and services and nearly 2,900 award programs.
Information can be accessed at www.nyfa.org. Assistance is also available toll-free at
800-232-2789, 1-5 PM EST, Monday through Friday, or by e-mail.
New York Foundation for the Arts (NYFA)
www.nyfa.org
55 Sixth Ave, 14th floor
NY, NY 10013
Tel: 212-366-6900
Fax: 212-366-1778
Email: NYFAweb@NYFA.org
NYFA serves artists, the arts community, donors, and the broader public by supporting
programs in five major areas: grants, services, information and research, public programs,
and donor services. Granting programs include individual artist fellowships and
artist/audience exchanges. Artists applying for Fellowships must be residents of New York
State. Fiscal Sponsorship is offered for artists' projects and emerging organizations
working in any discipline, including film and media arts, anywhere in the world.
Pacific Islanders in Communications (PIC)
www.piccom.org
1221 Kapi'olani Blvd. Suite 6A-4
Honolulu, Hawaii 96814
Tel: 808-591-0059
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