The group produced a film promotion package including a poster, magazine cover, and trailer for their post-apocalyptic film. They researched the post-apocalyptic genre and drew inspiration from films like I Am Legend and The Road. Their trailer uses techniques seen in these films including voice-overs, close-ups, and handheld camera work to set the scene and develop characters as they journey in a world overcome by virus outbreak. Locations around Brighton stood in for deserted settings on a low budget.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
We cooperate with the customer in order to achieve its targets
through an integrated system of values, experience and multidisciplinary skills
People, technology and instruments for innovation, improvement and control of materials, products and processes.
TEC Eurolab: Technical skills when you need, where you need them
" We cooperate with the customer in order to achieve its targets through an integrated system of values, experience and multidisciplinary skills.
People, technology and instruments for innovation, improvement and control of materials, products and processes."
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
Follow us on: Pinterest
Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Reimagining Classics - What Makes a Remake a Success
Media A2 Evaluation Questions
1.
2. As a group we have produced a film promotion package containing a
film poster, film magazine cover and a film trailer. Each of these
promotional tools serves its own function for advertising our film. When
we first got together in groups we quickly decided what genre we
wanted to film our trailer in. This was post-apocalyptic. We decided on
this idea because we were all fond of other post-apocalyptic films and
the culture that surrounded the genre. We also decided to pursue this
genre because it has a very niche target audience and as a group we
are all very different, all bringing a different skill to the table. With all of us
being young we really wanted to put together a film promotion
package that is aimed towards a young audience. Our ideal target
audience is between 15-24, both male and female genders. Taking this
into consideration we also had to research film classification. After
reviewing the BBFC website we believe our film would fall under the “15”
rating. This is because we to achieve the target audience we are after
we would need to include some violence and perhaps strong language
because our actors are teenagers. However we believe that our film isn't
your typical “15” because we want our film to be based around the
characters and their journey rather than being blood and gore from
beginning to finish. After we decided what we wanted to do we had to
figure out how we were going to do it.
3. In order for us to create a post-apocalyptic trailer we needed to research post-
apocalyptic as a genre. We used websites such as www.wikipedia.com and
www.post-apocalypse.com. After viewing these websites we soon learnt that
Post-apocalypse is a sub genre of science fiction and sometimes other genres
such as horror and thriller. Post-apocalypse put simply means the world after (post)
disaster (apocalypse) so the genre as a whole focuses on very dark and
sometimes depressing subjects such as isolation, starvation and death. However
the genre is not to be confused with horror, although similar conventions are
presented in both genres post apocalypse is more about the characters that
have survived and their journey as they continue to battle against the elements.
Popular disasters used in PA films include zombie invasion, alien invasion,and the
up rise of technology. Disasters like World war 3 and virus breakouts tend to fall
into the genre 'modern post-apocalyptic' films. One of our initial ideas was to
make a zombie invasion film but after reading http://www.post-
apocalypse.co.uk/marshall.html we decided to change our idea, one because it
would have been more hard to film (extra actors, make-up etc.) and we wanted
to try and be original as we can. After some deep thought we decided to base
our film on an outbreak of a virus in a college environment, this way we can
include same or similar aged actors and appeal to a younger audience.
Although our film is based around the idea of a virus outbreak we didn't want to
showcase this too much in our trailer, we however wanted to try and build
character depth. We achieved this by shooting many scenes with all our actors
together to try and build the idea that they were close friends and that they were
on a journey together.
4. Another convention we had to review was the characters within
PA films. For example many PA films have a 'western' type of
character, a lone ranger as it were walking off into the sunset.
This idea is presented really well in the film 'The Book of Eli' where
one of the main locations they use is a run down town with a
'saloon'. Other films try to highlight a partnership between
characters, a connection that bonds them together on their
journey. For example in 'I am Legend' the two main characters
we are introduced to is a man and his dog. Because the dog is
presented throughout the journey to the audience they begin to
make emotional connections to that character and in the scene
where the dog dies the audience is forced to feel sympathy for
the man and sadness for the dog. Often in PA films characters
begin to lose their identity, for example in 'Logan's run' each
character is refereed to as a number and they wear uniforms to
determine their power and status within a group.
5. Voice-overs are typically used in films to explain narrative and sometimes genre.
We thought it was imperative to add a voice-over to our film. Not only would this
allow us to explain the narrative better but it could also give us more character
depth. Our voice-over is our main character speaking over the trailer, almost as if
he was keeping a diary on his journey. The way in which Jack recorded the voice-
over in the editing suite gives the audience the idea that the characters are in a
bad way. The script we recorded was very brief. We recorded Jack performing
the script as an audio file and then after we uploaded this to Adobe Première we
cut the script into short snippets which we then placed into our piece according
to footage and soundtrack. The tone of his voice is very sad reflecting the
narrative as the trailer builds. We also used other audio in our piece that we
obtained from www.incomputech.com and one piece of audio that we
captured in the home room and edited. We had the idea of people talking in the
background in our piece to try and create the effect of 'before and after'. We set
up the camera in the home room and filmed fellow students speaking for five
minutes or so then captured the footage in the editing suite. After deleting the
visual we slowed down the speed of the audio in the speed/duration tool to 80%
rather than 100%. After this we reversed the audio (reversed speed) to create an
eerie sound that builds up and then dies out to reflect the visuals on the screen.
6. When filming our piece the initial footage we tried to use as many camera shots that
are typically used in PA films as we physically could. One idea we had was to mimic the
famous shot of The statue of Liberty in 'The planet of the apes' by shooting our
characters on Brighton beach on a quiet day. This shot is known as an establishing shot,
by showing an iconic setting the audience begin to understand where the film is set and
in which period it is set. One of the shots we had that didn't make the cut to our final
trailer was our characters walking along the beach and in the background the west pier
could be seen. The west pier was perfect for the effect we were trying to achieve,
being an already burnt down pier and looking very grungy to begin with. Unfortunately
the shot was badly filmed by myself and on review in the editing suite we decided to
scrap it. Another idea we had was to use ECU (extreme close up) shots in our piece.
Many PA films feature ECU's because their focus is on the character and by using this
shot the emotions of the character can be portrayed much better than shooting them
from a wide shot. We used our ECU's in a montage towards the end of our trailer to
imprint the idea of character development into the audiences mind. Just as the tension
is building with the soundtrack the audience are shown quick ECU's of our characters
looking very sad/depressed. This suggests to the audience that our film really is a PA film
because when the action is building they are reminded that the film is actually all about
the characters, their emotions and their journey. One idea we also had was to use
handheld cameras from the characters POV (point of view). We experimented with this
idea, at one point letting jack film himself as if he were doing a diary. We also used this
technique in a running scene with our characters. The idea behind this was so that the
audience almost feel like they are running with our characters really putting the
audience into the film. The inspiration for this idea is mainly taken from horror films such
as 'The Blair witch project' and 'Cloverfield'.
7. In our pre-production planning we began looking at other trailers to PA films to see how
they were filmed and how the trailer allows the audience to identify the genre by just
watching two minutes of footage. Some of our biggest inspirations that were spurred
from watching their trailers include 'I am legend', 'The road', and personally 'Attack the
block'. A lot of post-apocalyptic films are produced in Hollywood with very big budgets.
A big budget allows filming to take place in an empty New York City (I am Legend) and
creates stunning visuals but as mentioned above we don't quite have the funds to rent
out Brighton for the day which is a shame but life goes on (post-apocalyptic joke).
However after seeing the trailer's to 'I am Legend' and 'The road' we quickly realised that
we wouldn't be able to shoot the same scenes that they have used. This allowed us to
re-evaluate what we were going to film quickly and help us realise that to create the
genre we were after we would have to be clever about it. This meant early mornings
and desolate locations. We decided on a few locations and times that we knew would
work around the problem of having too many people about whilst filming. Some of
these locations includes Shoreham harbour and local parks in Brighton. By focusing on a
trailer like 'Attack the block', an independent film produced in Britain with a very low
budget compared to it's Hollywood rivals we were able to extract ideas about locations
that we could film in and the way in which we could film our scenes to create an ideas
of desolation and destruction. 'Attack the block' was also a big inspiration to us because
it's main characters in the film are young adults or teenagers. When deciding on actors
to feature in our trailer we decided to use actors of a same or similar age to us.
8. Our promotional package had to reflect conventions that would attract our target
audience. As mentioned above our target audience is both genders but mostly male
between the age of 15-24. After looking at readership figures we soon discovered that
Post-Apocalyptic films are viewed more by a male audience rather than a female. To
achieve our goal we had to take certain things into consideration throughout the
production and distribution of our film promotional package. We all thought it would be
a good idea to include young actors in our trailer because it was easier to organise
within a short time period but more importantly by using a young cast our target
audience could relate to the characters on the screen. One initial idea we had to build
on this idea was the use of our characters costume. Some ideas thrown up was to dress
our characters in „trackies‟ and „hoodies‟ but we decided against this after looking into
other PA films and noticing how they dressed their characters. We decided to stick to
the script with costumes, dressing our characters in survival coats and bags to convey
the idea they are carrying all their possessions with them on their journey. Although we
decided against the costume idea to portray youth we decided to play about with the
characters personas instead. Rather like „The Breakfast Club‟ we decided that our
characters could be a mix of personalities and styles. For example Steph represents the
„Goth‟ of the group, Seb the „Army cadette‟ and Jack the „group leader‟. In certain
scenes we see Jack take the lead and the others tend to follow after him. Although this
idea is very subtly suggested in our trailer it allows the narrative to grow even further. Our
target audience is also a very niche audience so by using certain stereotypes such as
„the Goth‟ it encourages similar people of that culture or lifestyle to see the film,
therefore broadening our target audience.
9. To accompany our trailer we also constructed a film poster and researched magazines
to see which one would best to advertise our film on their front cover. We all
constructed our own film posters after researching other PA film posters. We all noticed
that a majority of PA film posters focused on the idea of characters as their USP (unique
selling point). For example in 'The Book Of Eli' the audience is presented with Mila Kunis,
an actress in the film, on a white background with the title of the film. This is a clever
technique used by the production company, almost name-dropping the actors they
have into conversation to persuade audiences to go and see the film due to that
actor/actress's performance in previous films. Other PA posters include setting or scenery
to convey genre, for example in 'Attack the block''s poster they use a council estate
building in the background, letting the audience know that the film is set in a council
estate. The poster also uses costume to convey character depth, for example rather
than dressing their characters in survival wear, typical of PA films (bag, coat etc.) they
have dressed them in very youth related clothing suggesting to the audience that the
film is based around young people. For our film poster we decided to use a different
image to our magazine cover so that we would seem more diverse. In our poster we
used our characters but tried to convey setting to add to the narrative like 'Attack the
block' by using an image of our characters walking towards an abandoned, grungy
looking building.
10. My job was to research 'Little white lies' magazine and after some pulling
on the other two's leg I managed to convince Jack and Emma that LWL
was the best magazine for us to promote our film with. We discussed
many points before deciding however with Emma mentioning that most
PA films have big budgets therefore are advertised on big brand
magazines (Total Film, Empire etc.). After some in depth conversation I
told the group about how LWL was a much more independent
magazine and is targeted towards to a similar age group as our film is
than it's big branded rivals. Also we researched other PA films that have
been featured on the cover of LWL and we soon found that 'The road'
and more importantly 'Attack the block' had made LWL's cover. Looking
at the covers of LWL the reader can identify that the magazine is very
artistic and very in the know, taking an image of the film it features and
adapting it into an art form. This interested me because post-
apocalypse as a genre has inspired great works of art and visions. I
decided to use a mid shot of jack as our brand image because it's a
common technique used in PA film posters but also the copies of LWL
featuring 'The road' and 'Attack the block' have used the same idea,
taking an image of the main character and transforming it.
11. When asked how we would promote our product we all sat down as a group and
discussed different ways in which our trailer could be advertised. As well as producing a
trailer we also produced a magazine cover and a film poster. Taking all of this into
consideration we believed that the best way to advertise and promote our film was
through the use of social networking sites. The impact of Web 2.0 has made the lives of
film distributors a lot easier, allowing sites the power to integrate technologies. If we take
www.facebook.com for example, this site allows you to upload, share and like content
between you and your friends. Every time you interact with a text on Facebook this is
documented so all your friends can see what you‟ve „liked‟ and they can check it out
for themselves. This allows texts to be quickly shared between like minded people
quicker than ever. We decided that it would be a good idea to upload our trailer to
www.youtube.com. This site allows its audience to view a wide archive of videos in a
matter of seconds. Web 2.O and sites like Youtube allow anybody to upload their
footage and receive feedback from people they may be interested in what they have
produced. Youtube also allows „tags‟ to be placed on videos, this means that when you
type something into the search bar any video that has the same tag as what you have
typed will be found and sent to you. When we uploaded our trailer to Youtube we used
tags such as „Post-apocalyptic‟ „media students‟ and so on so that people who would
be interested in our chosen genre or students could access our video. We also used
Facebook and Youtube to receive audience feedback on our rough cut. After
uploading our rough cut to both sites we took away any comments that people had left
and analyzed them. Some of the comments from our rough cut included „the narrative
is hard to follow‟ and „perhaps you could work on the costumes of the characters‟. After
seeing these comments we where then able to re-film and with these comments fresh in
our mind we were able to improve on both factors when producing our final trailer.
12. Even though we believed that social
networking sites were the best way to promote
our film we realised that there were other ways
to try and reach our target audience. This is the
reason we produced a film poster. Film posters
are an imperative tool to advertising a film
because they can be used in many different
places like bus stops and billboards for
instance. The film poster can be seen as a
visual aid, if someone has seen our trailer and
then they see our poster it refresh‟s some of the
emotions of thoughts that they might of had
when first viewing our trailer.
13. We gathered most of our feedback
from social networking sites such as
Facebook and Youtube. All of us
uploaded our rough cut to our
Facebook wall‟s so that we could
receive feedback from a vast
amount of people. Emma had the
best responses on her post with her
friends leaving more helpful and
constructive comments. Some of
these comments are as followed:
“I like the effect of the people fading
away”
“The music is slightly repetitive,
perhaps you could work on that”
“I like the handheld camera running
scene, very unusual but nice”
14. After receiving feedback on our piece we
were able to go away and improve on
certain areas of our trailer. In our initial
feedback we were glad that most of our
viewers could identify the genre although
some said they thought our trailer was a
thriller or horror. We believe we‟ve used
some conventions of both of these genres
within our piece as PA is a sub genre it-self
so we saw this as more of a positive than a
negative.
15. One issue we had to work on was
narrative. In our rough cut our
narrative was very faded and hard
to follow. Our audience feedback
agreed with this. After collecting our
audience feedback we hit the
editing suite to try and improve on
what we already had. This included
re-filming and shifting clips around as
well as using our soundtrack in a way
which complimented the visuals on
screen. In general we were very
happy with the feedback we
received and happy that we could
change our rough cut to improve on
certain points that we had missed
out first time around.
16. We couldn‟t of attempted to even begin
this course if it wasn‟t for new media
technologies. One of the most simple yet
imperative tools we used was the internet.
Through the use of the internet we were
able to gather all of the data and research
we needed. We were able to use Youtube
and web 2.0 to view other PA trailers and
see what they had created and view
comments on certain videos to see what
people liked the most about the trailers. This
helped us loads in the construction of our
trailer and treatment.
17. As well as this we were able to view sites that were
strictly all about post-apocalyptic films. www.post-
apocalypse.com was a good example of this sort of
site, allowing us to identify other PA films, hear news
about when the next PA films were coming out and
also to share thoughts about the conventions of PA
films with other members in the site in their forum
section.
When completing my timeline in my initial research
PowerPoint I enlisted the help of www.wikipedia.com.
Wikipedia is a site that allows its readers to input their
own knowledge onto the site and is a community of
people sharing and growing as one. Wikipedia is a
perfect example of web 2.0.
18. As a group we also had our blog that we
used to express our ideas that we had in our
group meetings, upload pre-production
work such as the treatment and storyboard
and also to show reel our initial research
into post-apocalypse as a genre. I liked
working on the blogs because it feels much
more creative than writing everything down
and also allows us to simply re-produce
work if it is lost.
19. When it came to filming the use of new media technologies that
our group used was of course the handheld camera and kit.
Having a handheld camera was ideal for our group because it
allowed us to move from location to location quickly and
proficiently. By using a handheld camera we were also able to
create effects in our trailer that normally we wouldn‟t of been
able to produce or that would of been harder to produce. For
example the POV running scene in our piece ended up being
the best clip we had to separate the ending of our trailer into a
montage. Without this shot our montage would look very basic.
Handheld cameras are also very simple and easy to use. This
allows everyone in the group to have a go at directing and
calling the shots so no-one is left out. When filming we did take
with us the sound equipment and microphone but on most days
we were filming the weather was to bad to use them and we
were normally outside making things harder to record. We
instead recorded our voiceover in the editing suite and then
laced this over our visuals.
20. When we were in the editing suite we used a programme
called „Adobe Premier Pro‟. This programme allowed us to
turn rough cut footage into some of the ideas we had
when first meeting together on day one. In Adobe Premier
Pro we were able to capture the footage we had, cut
end edit the clips we wanted/didn‟t want and add titles
and music to are visuals.
Adobe Photoshop was used in the construction of our film
poster and magazine cover. With our magazine cover we
were given a template for Little white lies magazine. We
added our own image and played around with the layers,
adding filters and experimenting with ideas until we
thought we had the perfect magazine cover. The way in
which we made our film poster is very similar to our
magazine covers.
21. As mentioned above when receiving
feedback from our rough cut we used
social networking sites to achieve this
information. Websites such as Facebook
and Youtube are examples of new media
technologies and without them we would
be lost in the distribution of our trailer. Now
that our trailer is complete we can go back
to these sites with the finished trailer and re-
upload them and try and create a buzz.