This document provides an analysis of Wes Anderson's cinematographic style in three of his films: Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), and The Royal Tenenbaums (2001). It examines Anderson's use of symmetry, color palettes, shot types like the planimetric shot, and how he was influenced by directors like Jean-Luc Godard. The goal is to better understand Anderson's signature visual style and how it can inform the document author's own film project. Research methods will include interviews, articles, and the book "The Wes Anderson Collection."