This document provides information about standard camera lenses, camera shots, camera angles, and the typical order of credits in movies. It discusses different types of lenses like zoom lenses and prime lenses. It also defines various camera shots like wide shots, medium shots, and close-ups. Additionally, it covers camera angles such as eye-level, low angles, and Dutch tilts. Finally, it outlines the conventional order that credits appear at the beginning and end of films, typically starting with the production company and ending with the distribution company.
This document provides information about different types of camera lenses, camera angles, camera shots, and the standard order of credits in movies. It discusses zoom lenses, prime lenses, telephoto lenses, wide-angle lenses, and different f-stop numbers and their effect on depth of field. It also covers various camera angles like eye-level, high angle, low angle, Dutch tilt, and point-of-view shots. Various camera shots like extreme wide shot, wide shot, medium shot, close-up, and over-the-shoulder are defined. Finally, it lists the typical order of credits as opening credits, company or production company, director, cast, and end credits.
This document provides information about standard practices for ordering credits at the beginning and end of films. It discusses the common elements included in opening credits such as the production company name, producers, director, and main cast. Closing credits typically include additional crew members and are ordered from most prominent to least prominent roles. Maintaining a consistent order of credits establishes the film's aesthetic and professional look.
The short film uses effective cinematography and editing techniques to tell a science fiction story. Medium shots are used throughout to show both the protagonist and the environment as she explores the room she finds herself in. Close-ups express her emotions. Long shots establish a sense of isolation. A tracking shot at the end reveals her attempted escape was an illusion. The dark color scheme and advanced technology portrayed are conventions of the science fiction genre. The narrative follows a linear three-act structure as the protagonist first discovers her locked room, then attempts escape, only to find it was not possible.
The film "The Gatekeeper" is a comedy short that follows teenager Aaron who dies and wakes up in Heaven, where he is interviewed by a gatekeeper about whether he deserves to enter heaven. Through medium shots at eye level and deep focus, the film focuses on the dialogue between Aaron and the gatekeeper. There is little other mise-en-scene to distract from their conversation. Editing uses flashes and swirls in transitions and flashbacks to Aaron's "sinful obsession with yogurt" to progress the narrative in a non-linear way and add comedy. Lighting keeps Aaron in darkness to suggest nothing is behind him in heaven, and a bright light greets him when he is allowed into heaven. The performances of
Research into specific features - Editing By Nicole McClellandnicole2095
The document discusses various types of video editing transitions such as cuts, dissolves, fades, and wipes that can be used to transition between shots, as well as different camera shots including mid shots, close-ups, and two-shots that frame subjects in different ways. It also covers basic camera techniques like panning, tilting, zooming, and trucking/dollying to smoothly move the camera and change perspectives.
This document provides a summary of shots from the beginning of a horror movie trailer. It includes 33 shots ranging from 1 to 5 seconds in length. The shots establish the main characters, set up the central storyline of an exorcism, and build tension and fear in the audience. They do this through the use of close ups showing facial expressions, wide shots of isolated or worrying settings, and shaky handheld camerawork to add realism. Together, the shots introduce the characters, hint at the plot, and engage the audience in the horror genre conventions of fear, danger, isolation and suspense.
This document provides a summary of shots from the beginning of a horror movie trailer. It includes 33 shots ranging from 1 to 5 seconds in length. The shots establish the main characters, set up the central storyline of an exorcism, and build tension and fear in the audience. They do this through close ups showing facial expressions of worry, isolation of characters through plain surroundings, and shots implying danger and violence through cuts on the main character's body. The shots are presented with descriptions of how they advance the plot and horror elements like mystery, fear and suspense.
This document provides an overview of various photography concepts and equipment. It discusses single-lens reflex cameras, apertures and how they control light entering the camera through an adjustable opening called the aperture. It also covers shutter speed, ISO, and the relationship between these factors in achieving proper exposure. Additional topics include the rule of thirds composition technique, different poses, lighting equipment like stands, soft boxes and umbrellas, and techniques like white balance and obtaining a custom white balance.
This document provides information about different types of camera lenses, camera angles, camera shots, and the standard order of credits in movies. It discusses zoom lenses, prime lenses, telephoto lenses, wide-angle lenses, and different f-stop numbers and their effect on depth of field. It also covers various camera angles like eye-level, high angle, low angle, Dutch tilt, and point-of-view shots. Various camera shots like extreme wide shot, wide shot, medium shot, close-up, and over-the-shoulder are defined. Finally, it lists the typical order of credits as opening credits, company or production company, director, cast, and end credits.
This document provides information about standard practices for ordering credits at the beginning and end of films. It discusses the common elements included in opening credits such as the production company name, producers, director, and main cast. Closing credits typically include additional crew members and are ordered from most prominent to least prominent roles. Maintaining a consistent order of credits establishes the film's aesthetic and professional look.
The short film uses effective cinematography and editing techniques to tell a science fiction story. Medium shots are used throughout to show both the protagonist and the environment as she explores the room she finds herself in. Close-ups express her emotions. Long shots establish a sense of isolation. A tracking shot at the end reveals her attempted escape was an illusion. The dark color scheme and advanced technology portrayed are conventions of the science fiction genre. The narrative follows a linear three-act structure as the protagonist first discovers her locked room, then attempts escape, only to find it was not possible.
The film "The Gatekeeper" is a comedy short that follows teenager Aaron who dies and wakes up in Heaven, where he is interviewed by a gatekeeper about whether he deserves to enter heaven. Through medium shots at eye level and deep focus, the film focuses on the dialogue between Aaron and the gatekeeper. There is little other mise-en-scene to distract from their conversation. Editing uses flashes and swirls in transitions and flashbacks to Aaron's "sinful obsession with yogurt" to progress the narrative in a non-linear way and add comedy. Lighting keeps Aaron in darkness to suggest nothing is behind him in heaven, and a bright light greets him when he is allowed into heaven. The performances of
Research into specific features - Editing By Nicole McClellandnicole2095
The document discusses various types of video editing transitions such as cuts, dissolves, fades, and wipes that can be used to transition between shots, as well as different camera shots including mid shots, close-ups, and two-shots that frame subjects in different ways. It also covers basic camera techniques like panning, tilting, zooming, and trucking/dollying to smoothly move the camera and change perspectives.
This document provides a summary of shots from the beginning of a horror movie trailer. It includes 33 shots ranging from 1 to 5 seconds in length. The shots establish the main characters, set up the central storyline of an exorcism, and build tension and fear in the audience. They do this through the use of close ups showing facial expressions, wide shots of isolated or worrying settings, and shaky handheld camerawork to add realism. Together, the shots introduce the characters, hint at the plot, and engage the audience in the horror genre conventions of fear, danger, isolation and suspense.
This document provides a summary of shots from the beginning of a horror movie trailer. It includes 33 shots ranging from 1 to 5 seconds in length. The shots establish the main characters, set up the central storyline of an exorcism, and build tension and fear in the audience. They do this through close ups showing facial expressions of worry, isolation of characters through plain surroundings, and shots implying danger and violence through cuts on the main character's body. The shots are presented with descriptions of how they advance the plot and horror elements like mystery, fear and suspense.
This document provides an overview of various photography concepts and equipment. It discusses single-lens reflex cameras, apertures and how they control light entering the camera through an adjustable opening called the aperture. It also covers shutter speed, ISO, and the relationship between these factors in achieving proper exposure. Additional topics include the rule of thirds composition technique, different poses, lighting equipment like stands, soft boxes and umbrellas, and techniques like white balance and obtaining a custom white balance.
This document provides information about standard practices for ordering credits at the beginning and end of films. It discusses the common elements included in opening credits such as the production company name, producers, director, and main cast. Closing credits typically include additional crew members and are ordered from most prominent to least prominent roles. Maintaining a consistent order of credits establishes familiar conventions that film viewers have come to expect.
The document appears to be notes from analyzing a movie trailer. It discusses how sound and music were used, including calm introductory music with character dialogue and rising sound effects. It notes the fast-paced editing with dialogue over transitions. Genre is identifiable from the style as horror due to quick cuts and music. Camera work and angles were successful while changing title scenes did not work well.
Evalution challenging forms and conventions compressedSeventeen17
The document discusses how the film "The Birth of a Nightmare" challenges horror conventions while also adhering to some conventions. It does so through its unique storyline and location, lack of typical props, and creative camera shots and visual effects. Overall the film aims to create an unsettling atmosphere and leave the audience with questions through an original approach, rather than relying on common horror tropes of violence and makeup. While the lighting, set location, and character vulnerability are similar to other horror films, the film challenges conventions through its early introduction of plot twists and visual effects.
The summary provides a 3 sentence summary of the key details from the document:
The document is a technical breakdown of a film trailer analyzing elements like shots, locations, sounds, and editing. Scenes from a horror film trailer set in an elevator are analyzed in terms of shot length, background sounds, character appearances, and sequencing of shots. The trailer effectively builds tension through flashing shots, screams, and crashing sounds to set up an ominous situation occurring in an elevator.
The document defines and describes various camera shots including establishing shots, master shots, wide shots, long shots, mid shots, medium shots, close-ups, and extreme close-ups. It explains the purpose and characteristics of each shot type. It also covers camera movements like pans, tilts, tracks, dollies, steadicam, and dolly zooms. Basic rules of framing are outlined, including using thirds, headroom, depth of field, and shot movement.
The document provides an overview of the key roles and processes involved in making a movie, from pre-production through post-production. It begins with explanations of common camera shots and angles used in filming, such as close-ups, long shots, and bird's-eye views. It then discusses camera movements like pans, tilts, zooms, and tracking shots. The document also includes an excerpt from a movie screenplay to demonstrate the format and level of detail contained in scripts. It aims to give readers a behind-the-scenes understanding of how movies are brought to life through filming and editing.
This document defines cinematography and discusses various cinematography techniques. It begins by defining cinematography as using camera movements, lenses, lighting and other elements to create meaning and help audiences understand stories. It then discusses how cinematography impacts audiences by helping them experience and understand movies. Various shot types like close-ups, long shots and their purposes are described. Camera movements, framing, depth of field, and other technical elements are also outlined. The document provides information on fundamental cinematography concepts for understanding films.
The document discusses the concept of "fat tails" which refers to probability distributions where extreme events are more likely than predicted by normal distributions. It uses the example of the "Bell Curve" distribution developed by Gauss to model rare events. The Bell Curve distribution shows that extreme outcomes have higher probabilities than expected. This means predictions based only on average outcomes can underestimate risks. The document argues the Bell Curve can serve as a predictive tool when modeling complex phenomena where rare but impactful events may occur.
This document defines cinematography and discusses various cinematography techniques. It begins by defining cinematography as how the camera is used to create meaning through elements like camera movement, lenses, and lighting. It then discusses different shot types like close-ups, long shots, and over-the-shoulder shots and how they impact viewers. Finally, it covers concepts like depth of field, camera movement, framing, and the rule of thirds to guide visual storytelling.
The document provides tips for staging Sims photos for sequential storytelling, including maintaining a consistent fourth wall by keeping characters on the same side of the screen between shots, using close-ups for intimacy over full-body shots, and re-establishing the scene after large camera angle changes to avoid disorienting the viewer. It also discusses techniques like following the rule of thirds for composition, using silhouettes and contrast to guide the eye, and having characters' eye lines follow the subject of conversation.
This document analyzes the documentary "A Child Anorexic" through examining its camera work, mise-en-scene, structure, sound design, and adherence to Todorov's theory of narrative. Close-ups are used to emphasize the subject's experience of being weighed. Handheld camerawork adds realism. Interviews are filmed to highlight the subject's youth. Natural lighting, clothing choices, and setting also aim to feel realistic. The documentary has a clear beginning, middle, and end that follows the subjects' stories and recovery per Todorov's theory. Sound techniques like voiceover and music are used to inform the audience and set the proper mood.
This document analyzes and discusses the effectiveness of three horror movie posters. It notes that the first poster only shows the killer's face lit up against a black background, keeping the image simple while conveying the horror genre. It then analyzes a second poster showing a creepy character holding a phone to relate to the film's title of "One Missed Call." Finally, it discusses a third poster showing both the larger killer towering over the smaller victim at the bottom to demonstrate power dynamics and suggest vulnerability, while also depicting the film's setting and the killer's red eyes.
The document discusses different types of shots used in filmmaking including mid shots, long shots, close ups, extreme close ups, wide shots, zoom shots, pan shots, tilt shots, tracking shots, crane shots, aerial shots, handheld shots, high angle shots, low angle shots, point of view shots, over the shoulder shots, two shots, and the rule of thirds. Each shot type is chosen for a specific effect on the audience to convey meaning about characters, themes, and the story.
This document provides guidance on preparing for a film shoot by outlining 7 key steps: 1) writing a script, 2) walking through scenes, 3) scouting locations, 4) creating a digital storyboard, 5) making a shot list, 6) taking test footage, and 7) scheduling the shoot. It emphasizes the importance of being organized through thorough pre-production work like writing a script, scouting locations to identify challenges, and creating a shot list and schedule to ensure all necessary shots are captured. Being prepared through these steps allows the creative talents of the filmmakers to shine on the day of the shoot.
Plaintiff's response to defendant's motion to dismeiss action for failure to ...Cocoselul Inaripat
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons. First, the plaintiff has been battling serious medical conditions that have caused his health to deteriorate and made it difficult for him to prepare for and attend the deposition. The plaintiff believes allowing remote testimony would address both the defendant's need for information and the plaintiff's physical ability to comply. The plaintiff also argues it is unclear why the defendant questions the plaintiff's health given his medical conditions. Finally, the plaintiff asserts the court has discretion to deny the motion and allow additional time to manage the case and address the important issues of public interest, discovery, and
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons: (1) the defendant has previously rescheduled the deposition multiple times; (2) the plaintiff has several serious medical conditions that have affected his health and ability to participate; and (3) under the Federal Rules of Civil Procedure, the court has authority to order a deposition be conducted by remote means or grant other accommodations due to a party's physical inability to attend. The plaintiff requests the court consider alternative arrangements to allow the deposition to proceed while also considering the plaintiff's pending motion for summary judgment.
The plaintiff filed a response opposing the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that dismissal is not warranted for several reasons: (1) the defendant has previously rescheduled the deposition multiple times; (2) the importance of depositions to the litigation process; and (3) the plaintiff's serious medical conditions and treatments, which have negatively impacted his health and ability to participate, were known to the defendant. The plaintiff asserts that alternative means of obtaining his testimony, such as by remote means, should be considered under the circumstances per the Federal Rules of Civil Procedure.
Plaintiff's response to defendant's motion to dismeiss action for failure to ...Cocoselul Inaripat
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons. First, the plaintiff has been battling serious medical conditions that have caused his health to deteriorate and made it difficult for him to prepare for and attend the deposition. The plaintiff believes allowing remote testimony would address both the defendant's need for information and the plaintiff's physical ability to comply. The plaintiff also argues that dismissing the case would be an extreme sanction not warranted by the circumstances.
This document provides definitions and examples of various camera shots and camera movements used in filmmaking. It describes shots like extreme wide shots, very wide shots, wide shots, mid shots, medium close ups, close ups, and extreme close ups which show different levels of detail and perspective. It also covers two shots, over the shoulder shots, noddy shots, point-of-view shots, and weather shots. Additionally, it lists different types of camera movements including pans, tilts, tracks, dollies, follows, pedestals, zooms, crabs, and dolly zooms.
To find participants for a focus group on short films, the document outlines researching popular platforms for watching short videos online. It was found that YouTube and Facebook are most commonly used. The document proposes creating a Facebook focus group of 10 people, with 8 men and 2 women between ages 16 to 50, of various ethnicities, to match the target audience for short films. This focus group will provide guidance on appealing to the target demographic during film creation.
Short films typically target niche audiences due to small production budgets. Research found that the primary audience for short films is males under age 29, mainly film students seeking inspiration, or industry professionals looking for new talent. This audience falls into social classes A to C1 and views short films online. They are described as "Aspirers" striving to break into the film industry or "Individualists" who express themselves through film. Dramas and social realism films with moral messages attract diverse audiences regardless of gender, age or ethnicity.
This document provides information about standard practices for ordering credits at the beginning and end of films. It discusses the common elements included in opening credits such as the production company name, producers, director, and main cast. Closing credits typically include additional crew members and are ordered from most prominent to least prominent roles. Maintaining a consistent order of credits establishes familiar conventions that film viewers have come to expect.
The document appears to be notes from analyzing a movie trailer. It discusses how sound and music were used, including calm introductory music with character dialogue and rising sound effects. It notes the fast-paced editing with dialogue over transitions. Genre is identifiable from the style as horror due to quick cuts and music. Camera work and angles were successful while changing title scenes did not work well.
Evalution challenging forms and conventions compressedSeventeen17
The document discusses how the film "The Birth of a Nightmare" challenges horror conventions while also adhering to some conventions. It does so through its unique storyline and location, lack of typical props, and creative camera shots and visual effects. Overall the film aims to create an unsettling atmosphere and leave the audience with questions through an original approach, rather than relying on common horror tropes of violence and makeup. While the lighting, set location, and character vulnerability are similar to other horror films, the film challenges conventions through its early introduction of plot twists and visual effects.
The summary provides a 3 sentence summary of the key details from the document:
The document is a technical breakdown of a film trailer analyzing elements like shots, locations, sounds, and editing. Scenes from a horror film trailer set in an elevator are analyzed in terms of shot length, background sounds, character appearances, and sequencing of shots. The trailer effectively builds tension through flashing shots, screams, and crashing sounds to set up an ominous situation occurring in an elevator.
The document defines and describes various camera shots including establishing shots, master shots, wide shots, long shots, mid shots, medium shots, close-ups, and extreme close-ups. It explains the purpose and characteristics of each shot type. It also covers camera movements like pans, tilts, tracks, dollies, steadicam, and dolly zooms. Basic rules of framing are outlined, including using thirds, headroom, depth of field, and shot movement.
The document provides an overview of the key roles and processes involved in making a movie, from pre-production through post-production. It begins with explanations of common camera shots and angles used in filming, such as close-ups, long shots, and bird's-eye views. It then discusses camera movements like pans, tilts, zooms, and tracking shots. The document also includes an excerpt from a movie screenplay to demonstrate the format and level of detail contained in scripts. It aims to give readers a behind-the-scenes understanding of how movies are brought to life through filming and editing.
This document defines cinematography and discusses various cinematography techniques. It begins by defining cinematography as using camera movements, lenses, lighting and other elements to create meaning and help audiences understand stories. It then discusses how cinematography impacts audiences by helping them experience and understand movies. Various shot types like close-ups, long shots and their purposes are described. Camera movements, framing, depth of field, and other technical elements are also outlined. The document provides information on fundamental cinematography concepts for understanding films.
The document discusses the concept of "fat tails" which refers to probability distributions where extreme events are more likely than predicted by normal distributions. It uses the example of the "Bell Curve" distribution developed by Gauss to model rare events. The Bell Curve distribution shows that extreme outcomes have higher probabilities than expected. This means predictions based only on average outcomes can underestimate risks. The document argues the Bell Curve can serve as a predictive tool when modeling complex phenomena where rare but impactful events may occur.
This document defines cinematography and discusses various cinematography techniques. It begins by defining cinematography as how the camera is used to create meaning through elements like camera movement, lenses, and lighting. It then discusses different shot types like close-ups, long shots, and over-the-shoulder shots and how they impact viewers. Finally, it covers concepts like depth of field, camera movement, framing, and the rule of thirds to guide visual storytelling.
The document provides tips for staging Sims photos for sequential storytelling, including maintaining a consistent fourth wall by keeping characters on the same side of the screen between shots, using close-ups for intimacy over full-body shots, and re-establishing the scene after large camera angle changes to avoid disorienting the viewer. It also discusses techniques like following the rule of thirds for composition, using silhouettes and contrast to guide the eye, and having characters' eye lines follow the subject of conversation.
This document analyzes the documentary "A Child Anorexic" through examining its camera work, mise-en-scene, structure, sound design, and adherence to Todorov's theory of narrative. Close-ups are used to emphasize the subject's experience of being weighed. Handheld camerawork adds realism. Interviews are filmed to highlight the subject's youth. Natural lighting, clothing choices, and setting also aim to feel realistic. The documentary has a clear beginning, middle, and end that follows the subjects' stories and recovery per Todorov's theory. Sound techniques like voiceover and music are used to inform the audience and set the proper mood.
This document analyzes and discusses the effectiveness of three horror movie posters. It notes that the first poster only shows the killer's face lit up against a black background, keeping the image simple while conveying the horror genre. It then analyzes a second poster showing a creepy character holding a phone to relate to the film's title of "One Missed Call." Finally, it discusses a third poster showing both the larger killer towering over the smaller victim at the bottom to demonstrate power dynamics and suggest vulnerability, while also depicting the film's setting and the killer's red eyes.
The document discusses different types of shots used in filmmaking including mid shots, long shots, close ups, extreme close ups, wide shots, zoom shots, pan shots, tilt shots, tracking shots, crane shots, aerial shots, handheld shots, high angle shots, low angle shots, point of view shots, over the shoulder shots, two shots, and the rule of thirds. Each shot type is chosen for a specific effect on the audience to convey meaning about characters, themes, and the story.
This document provides guidance on preparing for a film shoot by outlining 7 key steps: 1) writing a script, 2) walking through scenes, 3) scouting locations, 4) creating a digital storyboard, 5) making a shot list, 6) taking test footage, and 7) scheduling the shoot. It emphasizes the importance of being organized through thorough pre-production work like writing a script, scouting locations to identify challenges, and creating a shot list and schedule to ensure all necessary shots are captured. Being prepared through these steps allows the creative talents of the filmmakers to shine on the day of the shoot.
Plaintiff's response to defendant's motion to dismeiss action for failure to ...Cocoselul Inaripat
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons. First, the plaintiff has been battling serious medical conditions that have caused his health to deteriorate and made it difficult for him to prepare for and attend the deposition. The plaintiff believes allowing remote testimony would address both the defendant's need for information and the plaintiff's physical ability to comply. The plaintiff also argues it is unclear why the defendant questions the plaintiff's health given his medical conditions. Finally, the plaintiff asserts the court has discretion to deny the motion and allow additional time to manage the case and address the important issues of public interest, discovery, and
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons: (1) the defendant has previously rescheduled the deposition multiple times; (2) the plaintiff has several serious medical conditions that have affected his health and ability to participate; and (3) under the Federal Rules of Civil Procedure, the court has authority to order a deposition be conducted by remote means or grant other accommodations due to a party's physical inability to attend. The plaintiff requests the court consider alternative arrangements to allow the deposition to proceed while also considering the plaintiff's pending motion for summary judgment.
The plaintiff filed a response opposing the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that dismissal is not warranted for several reasons: (1) the defendant has previously rescheduled the deposition multiple times; (2) the importance of depositions to the litigation process; and (3) the plaintiff's serious medical conditions and treatments, which have negatively impacted his health and ability to participate, were known to the defendant. The plaintiff asserts that alternative means of obtaining his testimony, such as by remote means, should be considered under the circumstances per the Federal Rules of Civil Procedure.
Plaintiff's response to defendant's motion to dismeiss action for failure to ...Cocoselul Inaripat
This document is the plaintiff's response to the defendant's motion to dismiss the action for failure to appear at a deposition. The plaintiff argues that the motion should be denied for several reasons. First, the plaintiff has been battling serious medical conditions that have caused his health to deteriorate and made it difficult for him to prepare for and attend the deposition. The plaintiff believes allowing remote testimony would address both the defendant's need for information and the plaintiff's physical ability to comply. The plaintiff also argues that dismissing the case would be an extreme sanction not warranted by the circumstances.
This document provides definitions and examples of various camera shots and camera movements used in filmmaking. It describes shots like extreme wide shots, very wide shots, wide shots, mid shots, medium close ups, close ups, and extreme close ups which show different levels of detail and perspective. It also covers two shots, over the shoulder shots, noddy shots, point-of-view shots, and weather shots. Additionally, it lists different types of camera movements including pans, tilts, tracks, dollies, follows, pedestals, zooms, crabs, and dolly zooms.
Similar to Making and editing the film research (20)
To find participants for a focus group on short films, the document outlines researching popular platforms for watching short videos online. It was found that YouTube and Facebook are most commonly used. The document proposes creating a Facebook focus group of 10 people, with 8 men and 2 women between ages 16 to 50, of various ethnicities, to match the target audience for short films. This focus group will provide guidance on appealing to the target demographic during film creation.
Short films typically target niche audiences due to small production budgets. Research found that the primary audience for short films is males under age 29, mainly film students seeking inspiration, or industry professionals looking for new talent. This audience falls into social classes A to C1 and views short films online. They are described as "Aspirers" striving to break into the film industry or "Individualists" who express themselves through film. Dramas and social realism films with moral messages attract diverse audiences regardless of gender, age or ethnicity.
The document discusses how the media product "The Finding" both conforms to and challenges conventions of horror films. It follows conventions like using low-key lighting and disequilibrium, but also challenges them by leaving the story in disequilibrium and having no dialogue. Editing techniques like parallel editing were inspired by films like "Silence of the Lambs" to create tension. The lack of speech and unconventional editing kept the audience engaged without revealing crucial information and followed the hermeneutic code.
During the research, planning, and production stages of a film project, the document's author relied heavily on online resources. They used tutorials and clips found on the internet to learn about equipment, storyboarding, and editing software. Social media was also key for communicating with focus groups. Without access to these online resources, the author would not have been able to complete important tasks like finding film codes and learning how to use new technology for editing.
During the research, planning, and production stages of creating a film, the document's author relied heavily on online resources. They used tutorials and clips found on the internet to learn about equipment, storyboarding, shot lists, and editing software. Social media was also key for communicating with focus groups during the planning process. Without access to these online resources, the author would have lacked important information and been unable to complete several parts of the filmmaking task.
Research into a horror movie’s target audiencehakesleya
This document summarizes research into the target audience for horror movies. It examines demographics by gender, age, and race from previous studies. Online sources also discussed this topic. The results showed the primary target audience is ages 13-25, with a focus on ages 15-25. Sources agreed on this age range but differed on gender, with some indicating mostly male and others both male and female. Race demographics varied across studies. The document concludes the focus group should have equal numbers of men and women ages 13-25 and include varied ethnicities.
Research into a horror movie’s target audiencehakesleya
This document summarizes research into the target audience for horror movies. It examines demographics by gender, age, and race from previous studies and online discussions. The results show the primary target audience is ages 13-25, with a focus on ages 15-25. The gender target is inconsistent between mainly male and equal male/female. Race demographics were varied with no clear primary target. This information will be used to design a focus group with equal gender and a variety of ages and races between 13-25 years old.
Research into horror movie’s target audiencehakesleya
This document summarizes research into the target audience for horror movies. It examines demographics by gender, age, and race from previous studies and online discussions. The results show the primary target audience is ages 13-25, with a focus on ages 15-25. The gender target is inconsistent between mainly male and equal male/female. Race demographics were varied with no clear primary target. This information will be used to design a focus group with equal gender and a variety of ages and races between 13-25 years old.
Research into horror movie’s target audiencehakesleya
The document summarizes research into the target audience of horror movies. It examines demographics by gender, age, and race from previous studies. The results show the key target audience is ages 13-25, with both male and female genders targeted relatively equally. Secondary sources also indicate horror movies primarily target males and teenagers ages 15-25. The summary will use a focus group with equal numbers of men and women ages 13-25 that also includes varied races.
Factors affecting undergraduate students’ motivation at a university in Tra VinhAJHSSR Journal
ABSTRACT: Motivation plays an important role in foreign language learning process. This study aimed to
investigate student’s motivation patterns towards English language learning at a University in Tra Vinh, and factors
affecting their motivation change toward English language learning of non-English-major students in the semester.
The researcher used semi-structured interview at the first phase of choosing the participants and writing reflection
through the instrument called “My English Learning Motivation History” adapted from Sawyer (2007) to collect
qualitative data within 15 weeks. The participants consisted of nine first year non-English-major students who learning
General English at pre-intermediate level. They were chosen and divided into three groups of three members each
(high motivation group; average motivation group; and low motivation group). The results of the present study
identified six visual motivation patterns of three groups of students with different motivation fluctuation, through the
use of cluster analysis. The study also indicated a diversity of factors affecting students’ motivation involving internal
factors as influencing factors (cognitive, psychology, and emotion) and external factors as social factors (instructor,
peers, family, and learning environment) during English language learning in a period of 15 weeks. The findings of
the study helped teacher understand relationship of motivation change and its influential factors. Furthermore, the
findings also inspired next research about motivation development in learning English process.
KEY WORDS: language learning motivation, motivation change, motivation patterns, influential factors, students’
motivation.
On Storytelling & Magic Realism in Rushdie’s Midnight’s Children, Shame, and ...AJHSSR Journal
ABSTRACT: Salman Rushdie’s novels are humorous books about serious times. His cosmopolitanism and
hybrid identity allowed him access to multiple cultures, religions, languages, dialects, and various modes of
writing. His style is often classified as magic realism, blending the imaginary with the real. He draws
inspiration from both English literature and Indian classical sources. Throughout his works, there is a lineage of
‘bastards of history’, a carnival of shameful characters scrolling all along his works. Rushdie intertwines fiction
with reality, incorporating intertextual references to Western literature in his texts, and frequently employing
mythology to explore history. This paper focuses on Rushdie’s three novels: Midnight’s Children, Shame, and
Haroun and the Sea of Stories, analyzing his postmodern storytelling techniques that aim to explore human
vices and follies while offering socio-political criticism.
KEYWORDS : Magic Realism, Rushdie, Satire, Storytelling, Transfictional Identities
CYBER SECURITY ENHANCEMENT IN NIGERIA. A CASE STUDY OF SIX STATES IN THE NORT...AJHSSR Journal
ABSTRACT: Security plays an important role in human life and endeavors. Securing information and
disseminating are critical challenges in the present day. This study aimed at identifying innovative technologies
that aid cybercrimes and can constitute threats to cybersecurity in North Central (Middle Belt) Nigeria covering
its six States and the FCT Abuja. A survey research design was adopted. The researchers employed the use of
Google form in administering the structured questionnaire. The instruments were faced validated by one expert
each from ICT and security. Cronbach Alpha reliability Coefficient was employed and achieved 0.83 level of
coefficient. The population of the study was 200, comprising 100 undergraduate students from computer science
and Computer/Robotics Education, 80 ICT instructors, technologists and lecturers in the University and
Technical Colleges in the Middle Belt Nigeria using innovative technologies for their daily jobs and 20 officers
of the crime agency such as: Independent Corrupt Practices Commission (ICPC) andEconomic and Financial
Crimes Commission (EFCC). Three research purposes and questions as well as the hypothesis guided the study
on Five (5) point Likert scale. Data collected were analyzed using mean and standard deviation for the three
research questions while three hypotheses were tested using t-test at 0.05 level of significance. Major findings
revealed that serious steps are needed to better secure the cybers against cybercrimes. Motivation, types, threats
and strategies for the prevention of cybercrimes were identified. The study recommends that government,
organizations and individuals should place emphasis on moral development, regular training of its employees,
regular update of software, use strong password, back up data and information, produce strong cybersecurity
policy, install antivirus soft and security surveillance (CCTV) in offices in order to safeguard its employees and
properties from being hacked and vandalized.
KEYWORDS: Cybersecurity, cybercrime, cyberattack, cybercriminal, computer virus, Virtual Private Networks
(VPN).
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SCHOOL CULTURE ADAPTATION AMONG INDIGENOUS PEOPLES COLLEGE STUDENTS AT A PRIV...AJHSSR Journal
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University of Mindanao, Matina-main campus. Eight major themes emerged, including difficulties with language
proficiency, online learning, classroom interaction, examination systems, grading procedures, school regulations,
resource accessibility, coping mechanisms, and future goals. Implications include the requirement for targeted
language proficiency and technology use support, an understanding of adaption processes, interventions to
improve resource accessibility, and equitable public administration policies. The study underlines the importance
of adaptation in various educational contexts, as well as the role of educators and legislators in creating inclusive
learning environments.
KEYWORDS: indigenous college students, adaptation, educational challenges, coping strategies
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STUDY ON THE DEVELOPMENT STRATEGY OF HUZHOU TOURISMAJHSSR Journal
ABSTRACT: Huzhou has rich tourism resources, as early as a considerable development since the reform and
opening up, especially in recent years, Huzhou tourism has ushered in a new period of development
opportunities. At present, Huzhou tourism has become one of the most characteristic tourist cities on the East
China tourism line. With the development of Huzhou City, the tourism industry has been further improved, and
the tourism degree of the whole city has further increased the transformation and upgrading of the tourism
industry. However, the development of tourism in Huzhou City still lags far behind the tourism development of
major cities in East China. This round of research mainly analyzes the current development of tourism in
Huzhou City, on the basis of analyzing the specific situation, pointed out that the current development of
Huzhou tourism problems, and then analyzes these problems one by one, and put forward some specific
solutions, so as to promote the further rapid development of tourism in Huzhou City.
KEYWORDS:Huzhou; Travel; Development
The Impact of Work Stress and Digital Literacy on Employee Performance at PT ...AJHSSR Journal
ABSTRACT :This research aims to analyze the correlation between employee work stress and digital literacy
with employee performance at PT Telkom Akses Area Cirebon, both concurrently and partially. Employing a
quantitative approach, the study's objectives are descriptive and causal, adopting a positivist paradigm with a
deductive approach to theory development and a survey research strategy. Findings reveal that work stress
negatively and significantly impacts employee performance, while digital literacy positively and significantly
affects it. Simultaneously, work stress and digital literacy have a positive and significant influence on employee
performance. It is anticipated that company management will devise workload management strategies to
alleviate work stress and assess the implementation of more efficient digital technology to enhance employee
performance.
KEYWORDS -digital literacy, employee performance,job stress, multiple regression analysis, workload
management
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The size of the aperture is measured in f-stops. In technical terms, the
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The figure to the right shows the same lens open to two different fstops. In the top picture, the f-stop is 2.8. In the bottom picture, the fstop is 16.
Ergo, the greater the f-stop number, smaller the aperture is,
is,
resulting in less light entering the lens and the production of dark
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aperture is, meaning more light admitted through the lens and the
is,
production of bright images.
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The aperture has a major role in determining not focus per se, but
depth of field. The greater the f-stop number, the deeper the depth of
the field is, meaning that more objects are likely to be sharp in frame.
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field is.
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7. C am
e ra s
ho ts
EWS (Extreme Wide Shot)
The view is so far from the
subject that he isn't even
visible. Often used as an
establishing shot.
VWS (Very Wide Shot)
The subject is visible
(barely), but the emphasis
is still on placing him in his
environment.
WS (Wide Shot)
The subject takes up the
full frame, or at least as
much as comfortably
possible.
AKA: long shot, full shot
8. MS (Mid Shot)
Shows some part of the
subject in more detail while
still giving an impression of
the whole subject.
MCU (Medium Close Up)
Half way between a MS and
a CU
CU (Close Up)
A certain feature or part
of the subject takes up
the whole frame.
9. ECU (Extreme Close Up)
The
ECU gets right in and
shows extreme detail.
OSS (Over-the-Shoulder Shot)
Looking from behind a person at the
subject
Point-of-View Shot (POV)
Shows a view from the
subject's perspective.
10. Ord
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11. T yp e
s of t
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Cut
The m
happ ost basi
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o
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Fade
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Wipe
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. The
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es th
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12. co m
p os it
i on
Lead Room
If a character is looking frame left, then
he should be placed frame right. This
makes the framing comfortable because
the subject is looking at the open space
in front of him. This open space is called
lead room or lead space.
13. Rule of Thirds
Another basic composition principle is
called Rule of Thirds. To follow it, one
must imagine the frame with two
vertical lines and two horizontal lines,
as to create three vertical sections of
the same dimensions and three vertical
sections also of the same size.