Christina Smyth Seguin has over 35 years of experience in logistics, customs compliance, and transportation. She currently works as the Supervisor of Traffic and Customs for Metso Minerals Canada Inc. in Lachine, Quebec, where she is responsible for all customs and transportation functions and assists project managers with international shipping procedures. Prior to her current role, she held several senior logistics and traffic management positions with responsibilities including customs audits and regulations, budgets, and the implementation of new import programs. She has a background in global regulations and dealing with international trade personnel.
El documento describe varias variables críticas de seguridad para sistemas operativos como antivirus, cortafuegos, actualizaciones de software, licencias y contraseñas seguras. También cubre temas como evaluación de amenazas en redes, escaneo de puertos, prácticas de ataque y mantenimiento de software.
Multiplication is used frequently in daily life. The document states that multiplication is used in many ways, both known and unknown to people. Multiplication occurs more often than realized and is applied constantly every day.
El documento proporciona instrucciones para un testimonio de cierre de una clase docente. Sugiere que el testimonio incluya una discusión sobre las estrategias que contribuyeron más a los objetivos de la clase, los avances observados en los estudiantes, los cambios realizados en la planeación de la clase y cómo podrían mejorarse los planes de estudios para favorecer el aprendizaje, así como cualquier situación que afectó la clase y cómo se resolvió.
Telling stories with data the experience of open coesioneLuigi Reggi
The document discusses citizen monitoring of EU-funded projects in Italy through the website opencoesione.gov.it. It presents summaries of three case studies: environmental projects near an ILVA steel plant, combating organized crime through reusing confiscated assets in Ottaviano, and local transportation in Sassari. All projects were financed by EU regional policy and involve citizens telling the story of the projects and analyzing data. The website uses a shared toolkit to facilitate citizen monitoring and evaluation of how funds are used. Active involvement of local groups is important to track project results and provide feedback.
The document provides feedback from an audience questionnaire and other sources on movie marketing products created by the author, including a trailer, poster, and website. The feedback was overwhelmingly positive, praising the dark tone and genre conventions of the trailer, the technical elements and layout of the products, and how well the products worked together to promote the film. Minor criticisms involved some aspects of production design in the trailer. Reviewers indicated the products achieved their goals of encouraging viewership and establishing a clear brand identity.
Christina Smyth Seguin has over 35 years of experience in logistics, customs compliance, and transportation. She currently works as the Supervisor of Traffic and Customs for Metso Minerals Canada Inc. in Lachine, Quebec, where she is responsible for all customs and transportation functions and assists project managers with international shipping procedures. Prior to her current role, she held several senior logistics and traffic management positions with responsibilities including customs audits and regulations, budgets, and the implementation of new import programs. She has a background in global regulations and dealing with international trade personnel.
El documento describe varias variables críticas de seguridad para sistemas operativos como antivirus, cortafuegos, actualizaciones de software, licencias y contraseñas seguras. También cubre temas como evaluación de amenazas en redes, escaneo de puertos, prácticas de ataque y mantenimiento de software.
Multiplication is used frequently in daily life. The document states that multiplication is used in many ways, both known and unknown to people. Multiplication occurs more often than realized and is applied constantly every day.
El documento proporciona instrucciones para un testimonio de cierre de una clase docente. Sugiere que el testimonio incluya una discusión sobre las estrategias que contribuyeron más a los objetivos de la clase, los avances observados en los estudiantes, los cambios realizados en la planeación de la clase y cómo podrían mejorarse los planes de estudios para favorecer el aprendizaje, así como cualquier situación que afectó la clase y cómo se resolvió.
Telling stories with data the experience of open coesioneLuigi Reggi
The document discusses citizen monitoring of EU-funded projects in Italy through the website opencoesione.gov.it. It presents summaries of three case studies: environmental projects near an ILVA steel plant, combating organized crime through reusing confiscated assets in Ottaviano, and local transportation in Sassari. All projects were financed by EU regional policy and involve citizens telling the story of the projects and analyzing data. The website uses a shared toolkit to facilitate citizen monitoring and evaluation of how funds are used. Active involvement of local groups is important to track project results and provide feedback.
The document provides feedback from an audience questionnaire and other sources on movie marketing products created by the author, including a trailer, poster, and website. The feedback was overwhelmingly positive, praising the dark tone and genre conventions of the trailer, the technical elements and layout of the products, and how well the products worked together to promote the film. Minor criticisms involved some aspects of production design in the trailer. Reviewers indicated the products achieved their goals of encouraging viewership and establishing a clear brand identity.
The document provides feedback from audience questionnaires and online comments about a student's trailer, poster, and website created to promote a psychological thriller film. The feedback was overwhelmingly positive, praising the dark tone and suspenseful structure of the trailer as well as the consistent visual style across all the marketing materials. Minor criticisms involved some aspects of cinematography in the trailer. The feedback confirmed that the marketing campaign successfully conveyed the film's genre and brand identity, and would encourage viewers to watch the movie. Conducting audience feedback at various stages of the project helped the student improve their work and understand its effectiveness.
The document discusses how linking different promotional elements together is an effective marketing strategy. It analyzes how the poster, trailer, and magazine cover for a psychological thriller film were designed to clearly represent the genre and content of the film. Specific technical elements like cinematography style, mise-en-scene, fonts, and recurring symbols were carried over between the products to create recognizable branding and connect the materials, revealing different perspectives of the narrative. Audience feedback showed the approach was successful in promoting the film and piquing interest through coherent branding across mediums.
The document provides feedback from audience members on a film trailer, poster, and website created by the author to promote a psychological thriller film. The feedback was generally positive and showed that the audience found the trailer fitting for the genre, understood the recurring themes across the promotional materials, and would be encouraged to see the film based on the trailer. Minor criticisms involved some aspects of camerawork and mise-en-scene in the trailer, but overall the audience approved of the technical elements and branding strategy used in the promotional campaign.
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
The document provides feedback from an audience questionnaire on a film trailer, ancillary marketing products, and how well they work together to promote the film. The feedback was overwhelmingly positive, praising the dark tone of the trailer that fits the psychological thriller genre. Comments approved of the technical elements like camerawork and soundtrack in the trailer as well as the layout and images in the ancillary products. The audience recognized recurring themes and styles between the products, showing they would be successful as a real film marketing campaign. Other feedback on social media further supported that the trailer achieved its goal of encouraging people to watch the film.
The document discusses how linking different marketing elements like a film trailer, poster, and magazine together creates a clear and consistent message about the film. It provides examples of how the trailer, poster, and magazine cover for a psychological thriller film all represent the genre in a linked way through similar imagery, styles, and recurring symbols. This consistent representation across the different marketing products helps audiences instantly recognize the products are promoting the same film.
The document discusses conventions used in psychological thriller films, trailers, posters, and magazines. It analyzes examples like the film Shutter Island and describes recurring themes (death, mental illness), plot elements (government mind control), and production techniques (camera angles, editing, sound design). Specific conventions highlighted include using music to build tension, low angles to assert dominance, and minimal color palettes in marketing materials to set a dark, unsettling tone.
The document discusses the various technologies used at different stages of an A2 media coursework project. In the research stage, the student used the internet, search engines like Google, and websites like YouTube to analyze existing products and understand conventions. IMovie was used to create visual analysis. A Google Doc allowed collaboration with a classmate to plan ideas. Survey Monkey and interviews captured audience feedback. Sony Movie Studio and a Nikon D3200 camera were used for editing and filming the production. Font sites provided options for ancillary products. Social media helped increase attention. Technologies supported each stage from research to evaluation.
The document appears to be an issue of a magazine or publication from December 2013 that cost £3.99. It likely contained articles or stories on various topics from that time period presented across multiple pages. However, without seeing the full contents it is difficult to provide more specific details about the essential information and high level topics covered in this particular issue.
The document provides excerpts from four positive reviews praising an unnamed film as mesmerizing, thrilling, and intelligent, leaving viewers on the edge of their seats. It also lists the filmmakers and stars but does not include the title of the film being summarized.
The document is a magazine issue from December 2013 that focuses on brief previews of content. It has a strapline but no other details are provided about the magazine or contents within the issue.
The document promotes a film by quoting positive reviews from three publications that praise the film for being mesmerizing, intelligent and shocking, and keeping viewers on the edge of their seats throughout. The quotes suggest the film is thought-provoking and suspenseful from beginning to end.
The girl with the dragon tattoo magazine cover analysisGussssssy1
This document analyzes the fonts, colors, images, and layout used on the magazine cover of "The Girl with the Dragon Tattoo". It finds that many design elements effectively promote the psychological thriller genre. The large sans-serif font stands out and identifies the magazine title. Bold fonts and colors are used for the film title that suggest the thriller genre. While some colors are unconventional, they advertise other articles. The dark image creates an intimidating feel and focuses attention on the film. The overall layout draws the eye to key information in a conventional order.
The poster uses fonts, colors, images and layout in unconventional ways to attract audiences to a psychological thriller film. The title font is rough and distorted, standing out against a plain white background. A bold serif font is used for the slogan to contrast the title. Only one image is used, a graphic depiction of a severed leg that would unsettle audiences but align with the thriller genre. Color is minimally used but precisely placed, with red and black representing blood and mud on the leg. While generally following the eye formula, elements like the small title placement are unconventional, prioritizing the disturbing image and an uncluttered style to intrigue audiences.
The font used for the magazine title on the cover is incorporated into the image as building tops, standing out to fans accustomed to the usual font. Its bold sans-serif style is conventional for magazine mastheads. The font used to promote "Tron" is in a circular box, separating it and denoting its importance. The same bold, silver sans-serif font is used for most film titles, helping readers identify the main films while standing out as important information. Bolder fonts are used for some coverlines like "mind-blowing" to highlight key information, a common magazine design technique.
We will take several safety precautions for our film shoot. Actors will be directed to ensure no one is harmed from Tic-Tacs or physical altercations. Equipment will be monitored to prevent theft or damage, and organized neatly to avoid injuries. Local residents will be informed of any gun props to avoid police calls. Filming on roads will be brief with lookouts, and we will film only during free periods to avoid classroom disruptions.
The document provides an audience research overview for a film trailer. It describes the target audience as mainly male ages 17-40 from middle to upper class backgrounds with interests in intellectual activities. It recommends showing complex plot elements and a dark, sinister tone in the trailer to appeal to this audience. Techniques like low key lighting, sharp cutting, and an increasing tempo soundtrack should be used to represent themes of deteriorating mental states and increasing pressure/tension.
A man in a suit holding a weapon searches for the protagonist in a woodland area, representing the backdrop for the setting. The main image shows the protagonist with his back against a tree, his cautious and distressed face conveying the tense nature of the film to viewers. The bottom of the poster lists the cast, director, and film company as the final elements seen.
The movie poster will feature the cast and directors names along the top, with a large image taking up the rest of the poster. This image shows a suburban road from a low camera angle, with a plastic pot on its side on the pavement and its lid off, revealing a pill emerging from the pot. This visual is intended to hint at themes and the storyline of the film through mysterious elements that intrigue viewers.
The central image shows a close-up side view of the protagonist and antagonist staring at each other with blank expressions, which conveys the conflict and tension between the two characters that occurs throughout the film.
The document provides feedback from audience questionnaires and online comments about a student's trailer, poster, and website created to promote a psychological thriller film. The feedback was overwhelmingly positive, praising the dark tone and suspenseful structure of the trailer as well as the consistent visual style across all the marketing materials. Minor criticisms involved some aspects of cinematography in the trailer. The feedback confirmed that the marketing campaign successfully conveyed the film's genre and brand identity, and would encourage viewers to watch the movie. Conducting audience feedback at various stages of the project helped the student improve their work and understand its effectiveness.
The document discusses how linking different promotional elements together is an effective marketing strategy. It analyzes how the poster, trailer, and magazine cover for a psychological thriller film were designed to clearly represent the genre and content of the film. Specific technical elements like cinematography style, mise-en-scene, fonts, and recurring symbols were carried over between the products to create recognizable branding and connect the materials, revealing different perspectives of the narrative. Audience feedback showed the approach was successful in promoting the film and piquing interest through coherent branding across mediums.
The document provides feedback from audience members on a film trailer, poster, and website created by the author to promote a psychological thriller film. The feedback was generally positive and showed that the audience found the trailer fitting for the genre, understood the recurring themes across the promotional materials, and would be encouraged to see the film based on the trailer. Minor criticisms involved some aspects of camerawork and mise-en-scene in the trailer, but overall the audience approved of the technical elements and branding strategy used in the promotional campaign.
This document provides an overview of audience research for marketing a psychological thriller film. The target audience is males and females aged 17-40 who are mainly middle to upper class with intellectual interests such as reading, traveling, and films. The trailer should hype up the complex and socially relevant plot using text and style to represent the dark and sinister tone appealing to this audience. Marketing should conventionally appeal through the mise-en-scene, editing, shots and soundtrack to represent increasing tension, pressure and deteriorating mental states. Focus groups revealed inspiration can be drawn from films like Shutter Island and Fight Club using teaser elements, mystery and technical aspects like lighting and cinematography to appeal to fans of the psychological thriller genre.
The document provides feedback from an audience questionnaire on a film trailer, ancillary marketing products, and how well they work together to promote the film. The feedback was overwhelmingly positive, praising the dark tone of the trailer that fits the psychological thriller genre. Comments approved of the technical elements like camerawork and soundtrack in the trailer as well as the layout and images in the ancillary products. The audience recognized recurring themes and styles between the products, showing they would be successful as a real film marketing campaign. Other feedback on social media further supported that the trailer achieved its goal of encouraging people to watch the film.
The document discusses how linking different marketing elements like a film trailer, poster, and magazine together creates a clear and consistent message about the film. It provides examples of how the trailer, poster, and magazine cover for a psychological thriller film all represent the genre in a linked way through similar imagery, styles, and recurring symbols. This consistent representation across the different marketing products helps audiences instantly recognize the products are promoting the same film.
The document discusses conventions used in psychological thriller films, trailers, posters, and magazines. It analyzes examples like the film Shutter Island and describes recurring themes (death, mental illness), plot elements (government mind control), and production techniques (camera angles, editing, sound design). Specific conventions highlighted include using music to build tension, low angles to assert dominance, and minimal color palettes in marketing materials to set a dark, unsettling tone.
The document discusses the various technologies used at different stages of an A2 media coursework project. In the research stage, the student used the internet, search engines like Google, and websites like YouTube to analyze existing products and understand conventions. IMovie was used to create visual analysis. A Google Doc allowed collaboration with a classmate to plan ideas. Survey Monkey and interviews captured audience feedback. Sony Movie Studio and a Nikon D3200 camera were used for editing and filming the production. Font sites provided options for ancillary products. Social media helped increase attention. Technologies supported each stage from research to evaluation.
The document appears to be an issue of a magazine or publication from December 2013 that cost £3.99. It likely contained articles or stories on various topics from that time period presented across multiple pages. However, without seeing the full contents it is difficult to provide more specific details about the essential information and high level topics covered in this particular issue.
The document provides excerpts from four positive reviews praising an unnamed film as mesmerizing, thrilling, and intelligent, leaving viewers on the edge of their seats. It also lists the filmmakers and stars but does not include the title of the film being summarized.
The document is a magazine issue from December 2013 that focuses on brief previews of content. It has a strapline but no other details are provided about the magazine or contents within the issue.
The document promotes a film by quoting positive reviews from three publications that praise the film for being mesmerizing, intelligent and shocking, and keeping viewers on the edge of their seats throughout. The quotes suggest the film is thought-provoking and suspenseful from beginning to end.
The girl with the dragon tattoo magazine cover analysisGussssssy1
This document analyzes the fonts, colors, images, and layout used on the magazine cover of "The Girl with the Dragon Tattoo". It finds that many design elements effectively promote the psychological thriller genre. The large sans-serif font stands out and identifies the magazine title. Bold fonts and colors are used for the film title that suggest the thriller genre. While some colors are unconventional, they advertise other articles. The dark image creates an intimidating feel and focuses attention on the film. The overall layout draws the eye to key information in a conventional order.
The poster uses fonts, colors, images and layout in unconventional ways to attract audiences to a psychological thriller film. The title font is rough and distorted, standing out against a plain white background. A bold serif font is used for the slogan to contrast the title. Only one image is used, a graphic depiction of a severed leg that would unsettle audiences but align with the thriller genre. Color is minimally used but precisely placed, with red and black representing blood and mud on the leg. While generally following the eye formula, elements like the small title placement are unconventional, prioritizing the disturbing image and an uncluttered style to intrigue audiences.
The font used for the magazine title on the cover is incorporated into the image as building tops, standing out to fans accustomed to the usual font. Its bold sans-serif style is conventional for magazine mastheads. The font used to promote "Tron" is in a circular box, separating it and denoting its importance. The same bold, silver sans-serif font is used for most film titles, helping readers identify the main films while standing out as important information. Bolder fonts are used for some coverlines like "mind-blowing" to highlight key information, a common magazine design technique.
We will take several safety precautions for our film shoot. Actors will be directed to ensure no one is harmed from Tic-Tacs or physical altercations. Equipment will be monitored to prevent theft or damage, and organized neatly to avoid injuries. Local residents will be informed of any gun props to avoid police calls. Filming on roads will be brief with lookouts, and we will film only during free periods to avoid classroom disruptions.
The document provides an audience research overview for a film trailer. It describes the target audience as mainly male ages 17-40 from middle to upper class backgrounds with interests in intellectual activities. It recommends showing complex plot elements and a dark, sinister tone in the trailer to appeal to this audience. Techniques like low key lighting, sharp cutting, and an increasing tempo soundtrack should be used to represent themes of deteriorating mental states and increasing pressure/tension.
A man in a suit holding a weapon searches for the protagonist in a woodland area, representing the backdrop for the setting. The main image shows the protagonist with his back against a tree, his cautious and distressed face conveying the tense nature of the film to viewers. The bottom of the poster lists the cast, director, and film company as the final elements seen.
The movie poster will feature the cast and directors names along the top, with a large image taking up the rest of the poster. This image shows a suburban road from a low camera angle, with a plastic pot on its side on the pavement and its lid off, revealing a pill emerging from the pot. This visual is intended to hint at themes and the storyline of the film through mysterious elements that intrigue viewers.
The central image shows a close-up side view of the protagonist and antagonist staring at each other with blank expressions, which conveys the conflict and tension between the two characters that occurs throughout the film.