Madhubani painting originated in the Mithila region of Bihar, India near Madhubani town. The tradition of painting local myths and gods on walls and floors began centuries ago but was encouraged to shift to paper in the mid-20th century. Notable artists such as Jagadamba Devi helped popularize the intricate, colorful style depicting themes from Hindu epics and mythology. Natural dyes produce the bright hues without shading in the distinctive Madhubani art.
Every year our research team travels extensively across India to meet and profile artisans. In December 2013, our team visited Bihar (northern India) to profile artisans practicing Madhubani, Sikki and Sujani crafts. We give you an overview of the different crafts of Bihar- its origin, significance, and the present state of the craft sector.
Artisan with careful hand, foot and eye coordination embarks on the journey of weaving each thread that binds elements of life into one golden fabric. The process is long, as sometimes only about 2-3” of border gets woven in a day depending on the complexity of the design. The whole family of the weaver is involved, sharing varied responsibilities pertaining to the weaving process... Not only their livelihood but it is their life & mode of self-expression.
This style of embroidery starts with the Mugals and spreaded to the courts of various states like Rajasthan where Jaipur and Jodhpur.it is the form of traditional embroidery
Every year our research team travels extensively across India to meet and profile artisans. In December 2013, our team visited Bihar (northern India) to profile artisans practicing Madhubani, Sikki and Sujani crafts. We give you an overview of the different crafts of Bihar- its origin, significance, and the present state of the craft sector.
Artisan with careful hand, foot and eye coordination embarks on the journey of weaving each thread that binds elements of life into one golden fabric. The process is long, as sometimes only about 2-3” of border gets woven in a day depending on the complexity of the design. The whole family of the weaver is involved, sharing varied responsibilities pertaining to the weaving process... Not only their livelihood but it is their life & mode of self-expression.
This style of embroidery starts with the Mugals and spreaded to the courts of various states like Rajasthan where Jaipur and Jodhpur.it is the form of traditional embroidery
This presentation is brought to you by FESPA thanks to Ad Versteeg of Evident. It is for viewing only. If you would like to purchase a copy in English, please contact chris.smith@fespa.com.
The main motto of this topic is to study the knowledge society and its constraints and issues for Indian Craftspeople.
The objectives are as followed:
• To give them a platform for exhibitions and interactions with wholesalers/ retailers.
• To create some seminars for export knowledge.
• To study that why it is not neglected by society with due course of time.
• To explore new markets within the country.
• To increase export from the cluster.
• To develop High Fashion Garment Products with those artisans.
India is culturally very vibrant country. You can see from my presentation how colourful a country and its people are. My presentation shows hoe colour is used by Indians in different ways
This mind map is a graphical way to represent ideas and concepts of Rajasthani school of miniature Painting.It is a visual thinking tool that helps structuring information, helping you to better analyze, comprehend, synthesize, recall and generate new ideas.
Pahari miniature painting
Alternative Title: Hill painting. Pahari painting, style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills in India. The style is made up of two markedly contrasting schools, the bold intense Basohli and the delicate and lyrical Kangra.
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Johnny Depp Long Hair: A Signature Look Through the Yearsgreendigital
Johnny Depp, synonymous with eclectic roles and unparalleled acting prowess. has also been a significant figure in fashion and style. Johnny Depp long hair is a distinctive trademark among the various elements that define his unique persona. This article delves into the evolution, impact. and cultural significance of Johnny Depp long hair. exploring how it has contributed to his iconic status.
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Introduction
Johnny Depp is an actor known for his chameleon-like ability to transform into a wide range of characters. from the eccentric Captain Jack Sparrow in "Pirates of the Caribbean" to the introspective Edward Scissorhands. His long hair is one constant throughout his evolving roles and public appearances. Johnny Depp long hair is not a style choice but a significant aspect of his identity. contributing to his allure and mystique. This article explores the journey and significance of Johnny Depp long hair. highlighting how it has become integral to his brand.
The Early Years: A Budding Star with Signature Locks
1980s: The Rise of a Young Heartthrob
Johnny Depp's journey in Hollywood began in the 1980s. with his breakout role in the television series "21 Jump Street." During this time, his hair was short, but it was already clear that Depp had a penchant for unique and edgy styles. By the decade's end, Depp started experimenting with longer hair. setting the stage for a lifelong signature.
1990s: From Heartthrob to Icon
The 1990s were transformative for Johnny Depp his career and personal style. Films like "Edward Scissorhands" (1990) and "Benny & Joon" (1993) saw Depp sporting various hair lengths and styles. But, his long, unkempt hair in "What's Eating Gilbert Grape" (1993) began to draw significant attention. This period marked the beginning of Johnny Depp long hair. which became a defining feature of his image.
The Iconic Roles: Hair as a Character Element
Edward Scissorhands (1990)
In "Edward Scissorhands," Johnny Depp's character had a wild and mane that complemented his ethereal and misunderstood persona. This role showcased how long hair Johnny Depp could enhance a character's depth and mystery.
Captain Jack Sparrow: The Pirate with Flowing Locks
One of Johnny Depp's iconic roles is Captain Jack Sparrow from the "Pirates of the Caribbean" series. Sparrow's long, dreadlocked hair symbolised his rebellious and unpredictable nature. The character's look, complete with beads and trinkets woven into his hair. was a collaboration between Depp and the film's costume designers. This style became iconic and influenced fashion trends and Halloween costumes worldwide.
Other Memorable Characters
Depp's long hair has also been featured in other roles, such as Ichabod Crane in "Sleepy Hollow" (1999). and Roux in "Chocolat" (2000). In these films, his hair added a layer of authenticity and depth to his characters. proving that Johnny Depp with long hair is more than a style—it's a storytelling tool.
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2. ORIGIN
The origins fo Madhubani Painting are shrouded in
antiquity, and a tradition states that this style of painting
originated at the time of the Ramayana, when King Janak
commissioned artists to do paintings at the time of marriage
of his daughter SITA, to Hindu Lord Ram.
Madhubani Painting has been done traditionally by the
women of villages around the present town Madhubani, the
literal meaning of which is forest of honey and the areas of
Mithila.
W.G.Archer, I.C.S., then S.D.O., Madhubani brought these
paintings to the attention of outside world after the great
Bihar Earthquake in 1934.
3. ORIGIN
The All India Handicrafts Board, encouraged the
women of Madhubani to paint on paper instead of
Walls and Floor to facilitate the sale of paintings
Outstanding Artists such as Jagadamba Devi. Sita
Devi, Mahasundari Devi, Ookha Devi, Baua Devi and
Karpoori Devi and many more were discovered.
Credit goes to Puppul Jayakar, Bhaskar Kulkarni,
Upendra Maharathi and Lalit Narayan Mishra for
popularising the painting both in country and abroad.
4. STYLE
A style of Indian Paintings practised in Madhubani,
Darbhanga, Sitamarhi, Sheohar, Part of Samastipur,
Purnea and Muzaffarpur.
Depict Nature and Mythological events.
Themes generally revolve around Hindu Deities like
Krishna, Ram, Shiv, Durga, Laxmi, Kali and Saraswati.
Natural objects like Sun, Moon and Religious plants
like Tulsi and Social events like Wedding also painted.
Paintings done on walls during festivals and religious
events and other milestones of the life cycle such as
Birth, Upanayan (sacred thread ceremony) and
Marriage.
5. MEDIA
Wall Painting (Bhitti Chitra)
Canvas Painting (Pata Chitra).
Floor Painting (Aripan).
Art shifted to Drawing Paper in 1960s
This brought with it a new freedom and creativity as
paper is moveable
Painting on Clothes and Sunmica
Now Bihari women use the style of Madhubani
Paintings on Sarees, Dupattas etc with fabric
paint.
6. TYPES/STYLES
BHARANI KACHANI GERU GOBAR GODANA TANTRIC
COLOUR SCHEME
Artist prepare colours from natural sources.
Black Colour is obtained by mixing Soot with Cow dung;
Yellow from Turmeric or Pollen, Blue from Indigo, Red from
Kusum Flower juice or Red Sandalwood;
Green from Leaves of the Apple tree, White from Rice
powder, Orange from Palasha flowers.
Raw materials mixed with Goat milk, gum arabic and
juice from bean plants.
The Colours are applied flat with no shading.
There is normally a double line drawn for the outlines
with the gap between the lines filled by cross or straight
tiny lines.
10. TOOLS
NO sophisticated tools are needed in Madhubani
Paintings. Artists are still unfamiliar with modern
paintbrushes.
One brush made from Bamboo Twigs
Other used brush for filling in the space which is
prepared from a small piece of cloth attached to a
twig.
SOCIAL GROUPS
Women of the Brahim Caste
Women of Kayastha
Women belonging to Scheduled Castes
Women of Minority
11. ARTISANS
About 4,000 registered artisans are working in this
field.
Self help Groups have been formed.
Several N.G.Os are active in Production and Marketing.
NATIONAL AWARDEES
SMT. JAGDAMBA DEVI - 1970
SMT. SITA DEVI - 1975
SMT. GANGA DEVI - 1976
SMT. GODAVARI DUTTA - 1980
SMT. MAHASUNDARI DEVI – 1981........
12. STATE AWARDEES
SMT. MAHASUNDARI DEVI – 1978-79
SMT. KARPOORI DEVI – 1980-81
SMT. SHASHIKALA DEVI – 1980-81
SMT. HIRA MISHRA – 1981-82 ..............
CERTIFICATE OF EXCELLENCE BY THE STATE GOVT.
LATE RAUDI PASWAN, SRI SWAROOP LAL PASWAN, SMT. PATALI
DEVI, SMT. KAUSHLYA DEVI, SRI GANESH PASWAN, SMT.URMILA
DEVI, SMT.SHILA DEVI, SRI RAMJI RAM, SMT.RAMPARI DEVI,
SMT.CHANO DEVI, SRI SHIV NARAIN PASWAN, SRI UTTIM LAL,
SMT.URMILA DEVI, SMT.PAVITRI DEVI, SMT.TRIPURA DEVI,
SMT.SUMATI DAS, SMT. LALLI DEVI, SMT. VINA DEVI,
SMT.MAHANAMA DEVI, SMT.YOGMAYA DEVI, MS. NAMITA KUMARI,
SMT.VALESHWARI DEVI, SMT.DHARMSHILA DEVI,
SMT.CHANDRAKALA DEVI, SMT.MUDRIKA DEVI.
13. As the map indicates, the
Mithila region and the
villages around Madhubani
are situated near the
northern edge of the state of
Bihar as it approaches the
India-Nepal border. People
of Mithila have their own
language and a sense of
regional identity that goes
back more than 2500 years.
14. In the Hindu epic the Ramayana,
the powerful king Ravana
becomes smitten with Rama's
wife Sita and arranges to distract
her husband in order to abduct
her. He dispatches a trusted
associate, capable of shape-
shifting, who transforms himself
into a golden deer that lures
Rama away from his forest camp.
As the deer is slain by Rama's
arrow, the demon emerges. But
by that time it is too late: Sita has
been carried away by Ravana.
15. One of the ordeals successfully
completed by the youthful Krishna was to
pacify the great serpent Kaliya who had
been disturbing the otherwise peaceful
waters of the Yamuna River. A
conventional representation of the
subject has Krishna lightly poised on one
foot (much as he is in the paintings with
the milkmaids) while standing on the
serpent. The style of this painting is
unusual for Madhubani art which typically
seeks to fill all available space.
16. The pastoral stories of
the youthful Krishna are
filled with images of his
exploits, pastimes, and
attractiveness. There
are trickster elements to
some of the stories,
including one that has
him keeping watch in a
tree while the milkmaids
bathe in the river
beneath him. Here he is
simply tending the cows
who gather around him
with the same kind of
devotion that is said to
be directed toward him
by the milkmaids and by
all human souls.
17. Brandishing Just as the
the weapons goddess
that were Durga can
given to her represent
by the gods, the
themselves combined
incapable of fury or
defeating the wrath
great demon (krodha) of
Mahisha, the the gods,
warrior the
goddess goddess
Durga sets Kali can
off on her represent
lion vehicle the
to find and concentrat
destroy him. ed fury of
Durga.
18. A painting with some
of the kobhar
themes. The married
couple are alone
within the confines of
the honeymoon
cottage or kobhar
ghar. There are
elements of the
traditional bamboo or
bansa symbolism as
well as other nuptial
symbols intended to
ensure long and
productive lives
19. A symbolically rich and
powerful painting of the
kohbar -- the design that goes
on the formal wedding
proposal and on the walls of
the small cottage in which the
marriage rites are completed. A
traditional rural upper-caste
Madhubani household is
composed of four huts
arranged in a rectangle around
a central courtyard. One of the
four is used only for the
marriage ceremonies of
daughters of the household.
For four nights she and her
husband perform rites under
the supervision of women
there in the kobhar ghar. In the
painting, the couple are
represented as approaching
from the right, the husband
leading the way. Above are the
energies of sun and moon. To
the left is the main symbol of
the kobhar, an axis of bamboo
(bansa) that represents the
groom's lineage (baansa).
Organized around it are the
many subsidiary symbols.
20. 'Krishna'
tending to his
cows, while
playing flute
under a tree.
Thrilled
milkmaids,
leaving their
milk pots
unattended, are
lost in the
music while the
cows gather Madhubani Painting depciting
around him "Swayamwar" scene from the epic
with the same 'Ramayana'. Beautiful Sita, adorned by
jewels and ornaments, walks slowly towards
kind of
Ram, while her friends wait on her. Carrying
devotion that is
a garland of flowers in her hands, to be put
shown by all around Ram's neck and solemnize the
the milkmaids. 'swayamwar' ceremony.