Love to Love You Baby: Disco and the Mechanization of Music

love to love you baby disco and the mechanization of music by alison mccarthy

characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

two histories (1974-1977) (1977-1979) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

disco & authenticity ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],“ I do not sing; I act. When I sing, I sing with the voice of the character in the song” (229). love to love you baby

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],“ Music made by computers and performed by robots” (241). mechanization of music

the performer & persona ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Love to Love You Baby: Disco and the Mechanization of Music

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