Lighting presentation
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ToniThe document discusses the lighting techniques used in three scenes of a film. In scene one, darker lighting is used to convey secrecy during a dangerous but good meeting, while highlighting the protagonist's face shows he is innocent. Scene two shows the protagonist running from antagonists in a transition from bright safety to darker danger. Scene three focuses on a secret, intimate moment between the protagonist and camera, with dark lighting against a white background symbolizing secrecy and a darkness draining through the innocent character.
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Question 7
The document provides an analysis of two film scene summaries created by a student - "Abandoned" and "Dark Days". For "Abandoned", the student used basic shots that did not look professional. In contrast, the shots used for "Dark Days" were more advanced, with techniques like low angle shots placed more suitably. The analysis indicates the student improved in their technical skills and understanding of shot composition between the two projects.
Silence of the lambs thing
The document discusses the use of sound and editing in the opening scenes of The Silence of the Lambs. Diegetic sounds are used to set the environment and location, suggesting themes of law enforcement. Non-diegetic music adds suspense. Background diegetic sounds in the FBI facility indicate the work environment. Editing is also used to convey mood, including slow pacing to ease tension and jump cuts during running to create a sense of speed and unease. Match cuts during dialogue allow the audience to see reactions.
V For Vendetta
The document analyzes film techniques used in the opening scene of V For Vendetta, including:
- The opening titles and production logos are in black-and-white to signal a dark theme.
- Camera movements like panning and tilting are used to follow characters and reveal the environment.
- Shots like medium close-up and medium long shot frame characters to show expressions, costumes, and the crowd.
- Lighting changes from low-key underground to high-key outside to indicate a change in location.
- Costumes and props provide context of the historical time period of the late 1600s.
- Edited sequences use matched cuts during action and a jump cut when the scene
Mise en scene notes sheet
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. There are six key elements of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting are used to signify character traits and mood. Costumes also provide social and class context. Props are physical items that advance the narrative or setting. Blocking refers to actor positioning and movement. Lighting is manipulated to set tone through ambient light, shadows, and focus on characters.
The Rings
The Ring uses various film techniques to establish itself as a psychological thriller. These include starting without opening credits to build tension, zooming in on a house to signify its importance, and using camera angles and lighting to identify the two female protagonists as victims. The story is set in an isolated location and follows a chronological order that disrupts the characters' calm introduction with a phone call that kills one of the girls, leaving the audience with questions about what will happen next.
Analysing Title Sequences
The opening titles of the horror movie include the movie title in red, the main character and director's names. The main title appears at 2.27 seconds, and the character name at 2.31 seconds. The narrative follows a writer who is called by his agency about his new book and gets into a car accident in heavy snow. Close-up shots of the writer typing indicate the horror genre. The mise-en-scene of his costume suggests he is an educated victim.
The Ring Part 3
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and angles are used to highlight important locations and characters, portraying the girls as victims through high angles and costuming. Sound switches from dialogue to silence and selective sounds to increase unease. Actor positioning, like the girl standing cautiously at the bottom of the stairs, also conveys the girls' roles as victims in the film.
The Ring
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and angles are used to highlight important locations and characters, portraying the girls as victims through high angles and costumes. Sound switches from dialogue to silence and selective sounds to increase unease. Actor positioning, like the girl standing cautiously at the bottom of the stairs, further implies victim roles. These techniques set the scene and tone for the thriller that follows.
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Question 7
The document provides an analysis of two film scene summaries created by a student - "Abandoned" and "Dark Days". For "Abandoned", the student used basic shots that did not look professional. In contrast, the shots used for "Dark Days" were more advanced, with techniques like low angle shots placed more suitably. The analysis indicates the student improved in their technical skills and understanding of shot composition between the two projects.
Silence of the lambs thing
The document discusses the use of sound and editing in the opening scenes of The Silence of the Lambs. Diegetic sounds are used to set the environment and location, suggesting themes of law enforcement. Non-diegetic music adds suspense. Background diegetic sounds in the FBI facility indicate the work environment. Editing is also used to convey mood, including slow pacing to ease tension and jump cuts during running to create a sense of speed and unease. Match cuts during dialogue allow the audience to see reactions.
V For Vendetta
The document analyzes film techniques used in the opening scene of V For Vendetta, including:
- The opening titles and production logos are in black-and-white to signal a dark theme.
- Camera movements like panning and tilting are used to follow characters and reveal the environment.
- Shots like medium close-up and medium long shot frame characters to show expressions, costumes, and the crowd.
- Lighting changes from low-key underground to high-key outside to indicate a change in location.
- Costumes and props provide context of the historical time period of the late 1600s.
- Edited sequences use matched cuts during action and a jump cut when the scene
Mise en scene notes sheet
Mise-en-scene refers to everything within the frame of a shot that can be used to tell the story or provide context. There are six key elements of mise-en-scene: color, costume, props, set/location, blocking/performance, and lighting. Color, costume, and lighting are used to signify character traits and mood. Costumes also provide social and class context. Props are physical items that advance the narrative or setting. Blocking refers to actor positioning and movement. Lighting is manipulated to set tone through ambient light, shadows, and focus on characters.
The Rings
The Ring uses various film techniques to establish itself as a psychological thriller. These include starting without opening credits to build tension, zooming in on a house to signify its importance, and using camera angles and lighting to identify the two female protagonists as victims. The story is set in an isolated location and follows a chronological order that disrupts the characters' calm introduction with a phone call that kills one of the girls, leaving the audience with questions about what will happen next.
Analysing Title Sequences
The opening titles of the horror movie include the movie title in red, the main character and director's names. The main title appears at 2.27 seconds, and the character name at 2.31 seconds. The narrative follows a writer who is called by his agency about his new book and gets into a car accident in heavy snow. Close-up shots of the writer typing indicate the horror genre. The mise-en-scene of his costume suggests he is an educated victim.
The Ring Part 3
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and angles are used to highlight important locations and characters, portraying the girls as victims through high angles and costuming. Sound switches from dialogue to silence and selective sounds to increase unease. Actor positioning, like the girl standing cautiously at the bottom of the stairs, also conveys the girls' roles as victims in the film.
The Ring
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and angles are used to highlight important locations and characters, portraying the girls as victims through high angles and costumes. Sound switches from dialogue to silence and selective sounds to increase unease. Actor positioning, like the girl standing cautiously at the bottom of the stairs, further implies victim roles. These techniques set the scene and tone for the thriller that follows.
The Ring
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and shots are used to highlight important locations and characters, portraying the girls as victims through high angles, lighting, and costumes. Edits such as fades and match cuts move the story along. Sound switches between dialogue and silence to emphasize scary moments, while the girls' cautious movements and positions on stairs and beds further mark their roles in the plot.
Storyboard for Film opening
This is a presentation on me and my group's storyboard for our film opening that we will be filming in a few weeks time. In this presentation we have addressed the techniques used and why they are used and how they will affect our target audiences.
The Ring Analysis Presentation
The document provides details about the filming techniques used in the opening scene of a horror film. It describes the dark and gloomy logo, the sound of rain at the beginning with no opening credits. The camera zooms into a window and shows two female characters in a medium shot in a teenage girl's bedroom. The lighting flashes between dark and light, possibly indicating the weather or something hiding. The characters' body language changes from open to curled up and scared once one tells the other a story, showing the awkward silence that follows.
Léon
The document analyzes the opening title sequence of the 1994 film Léon. It summarizes the various film techniques used, including camera work, shots, lighting, editing, sound, and actors' positioning. Extreme long shots are used to establish the sunny urban setting. Close-ups of objects and characters' eyes imply significance and build mystery. Dialogue and diegetic sounds later create an ominous tone as the characters discuss murder.
Sherlock Micro Analysis
1. The document analyzes the cinematography, mise-en-scene, editing, and sound design of a scene from a film or television show.
2. It describes shots of a character in a trench coat analyzing a crime scene and having flashbacks to the crime being committed, involving an elderly woman being dragged upstairs.
3. It follows the protagonist, named Sherlock, as he interrogates suspects and uses his skills of observation to solve the crime and confront the antagonist, showing his intelligence and willingness to use violence when needed.
Analysis of three film openings
The document provides a summary of three film openings:
1) The Others uses a series of black and white images and a voiceover to set a gloomy, isolated atmosphere and foreshadow ominous events.
2) The opening of The Others establishes the time period and introduces the characters through camera angles and costumes.
3) Frost Bite contrasts sunny beach scenes in California with fast-paced winter sports footage set to rock music, establishing different settings and tones.
Question 1 evaluation by Raj
The document discusses the opening scene of a thriller film. It analyzes several shots from the scene: 1) A point-of-view shot of the protagonist waking up disoriented from a coma. 2) A mid-shot of the protagonist in low-key lighting walking through the house in shadows to build mystery. 3) A close-up mid-shot of the protagonist walking towards the front door in a quiet, empty house signifying the thriller genre. The scene ends with the protagonist walking through a bright white light, leaving the audience wondering where he is headed and maintaining an element of mystery.
Unit 22 dramas
1) The document discusses three different television dramas - Cyberbully, See No Evil: The Moors Murders, and The X-Files episode "Bad Blood".
2) Cyberbully is a one-off drama that tells the true story of a teenage girl who is hacked and cyberbullied. See No Evil is a two-part docudrama about the real-life Moors murders committed in the 1960s.
3) The X-Files episode has Mulder and Scully investigating strange events in a small town. The opening scene shows two characters running through a dark forest at night, setting the tone for a tense mystery.
01 mise en scene notes sheet
Mise-en-scene refers to everything that appears in front of the camera and how it is arranged. The 6 key areas of mise-en-scene are props, blocking/performance, colour, costume, set/location, and lighting. Color can interpret feelings and characters. Costume can indicate cultural codes and backgrounds. Props for a police interview could include police uniforms, weapons, chairs, and tables. Blocking refers to actor positioning and movement in relation to each other and the camera. Lighting can be used to create mood, with dark lighting suggesting danger and light lighting suggesting safety.
Mise en scene
Mise-en-scene refers to everything presented within a scene that contributes to the narrative. There are six key elements of mise-en-scene: color, costume, props, lighting, set/location, and performance. Color, costume, and lighting can be used symbolically to represent ideas and influence mood. Costumes can provide insight into a character's class and status. Props should be selected and handled in a way that advances the story and expresses the character's emotions. Location and set choice also impact narrative and atmosphere. Blocking and acting style contribute to how meaning is conveyed through performance.
Locations for our crime drama power p
The document discusses 5 potential filming locations for scenes in a crime drama. Scene 1 would take place on a flat rooftop with a brick wall for green screening. Scene 2 would be set in an area with an open space and automatic doors to serve as a headquarters. Scene 3 involves a crime scene and witness at the bottom of a building. Scene 4 provides a large open space suitable for an engaging chase scene. Scene 5 proposes showing the film's name with a cool transition to appeal to its teenage target audience.
The+Ringsss
The Ring uses various film techniques to create a psychological thriller. It begins without opening credits to build tension. Camera shots introduce the main characters and setting, with dolly zooms drawing attention. The victims are presented as good through bright lighting and white clothing. Sound switches between dialogue and silence to develop the threat. The story is set in an isolated house, establishing the thriller genre. It follows two female characters chronologically, leaving viewers with questions about the killed character's fate.
Final thriller idea
The document outlines a narrative and production plan for a thriller film. It will follow a detective investigating the disappearance of a female victim in London. The opening scene will show the victim running in a point-of-view shot, feeling followed. Later, the detective will walk the same area and investigate clues on a crime board showing suspects. The film aims to explore the theme of not trusting alibis through the characters of the detective and missing victim.
Screen shots of each shot
The document provides descriptions of various camera shots used in a film sequence. It includes shots at different angles (wide, medium, close up) and perspectives (over the shoulder, point of view) to establish settings, draw attention to key objects and characters, convey emotion, create tension, and prevent audience confusion about the narrative and character positions. The shots progress from an establishing shot, to close ups of an axe and characters, to medium shots of actions like slamming an axe or being thrown to the floor, to shots from inside a car and of characters entering an abandoned house, culminating in a shot that shocks the audience by having a character see but then lose sight of the murderer.
Preliminary Task - Locations
The document discusses four potential locations for a film scene. The first location is near an abandoned building hidden in the trees, surprising viewers. The second is a spooky, concealed area showing the kidnapper's bad intentions. The third shows the scale of an interior and the contrast from outside. The fourth is a run-down, dark abandoned building ideal for creating tension as the kidnappers' hideout.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
Analysis #5 battlefield 3
The document analyzes the soundtrack from the video game Battlefield 3. It notes that in the beginning of the cutscene there is no music, only dialogue, to create a serious and tense mood as the characters argue in a dimly lit room. The genre is a first person shooter/action. The narrative follows a character desperately trying to convince others they must stop a double agent from launching a nuke, having a flashback, and then escaping as he pieces things together. Production techniques like adding music only during action sequences help set the mood and tone.
Technical convetions to a thriller film
Thriller films employ several technical conventions to build tension and suspense. Point of view shots, tracking shots, and high or low camera angles are used to make the audience feel like they are experiencing the action alongside characters. Fast-paced editing with jump cuts shows simultaneous action in different locations. Mise en scene elements like low key lighting, isolated settings, weapons as props, and explosions create a dark and suspenseful tone. Eerie music, sound effects, and strategic silence are implemented in the soundtrack.
The Others Analysis Connie Meek
The document describes camera work, soundtracks, editing, mise-en-scene, and thriller conventions for a film scene. It notes shots showing characters' reactions, a track out of a window to show how children escaped, and a shot of a mother running towards her children. It describes the soundtrack as deep, atmospheric, and increasing in volume during realizations or action. Editing techniques include matches on action, closeups of key information, and obeying the 180 degree rule. Mise-en-scene elements create a scary atmosphere with a gun, gravestone, mist, and creepy tree. Thriller conventions include running, weapons, darkness, shouting, emotionless ghosts, and a chilling atmosphere.
Alexander Irwin Uml
Este documento describe el lenguaje unificado de modelado (UML), incluyendo definiciones, casos de uso, actores, diagramas de casos de uso, jerarquías de clases, herencia, polimorfismo, encapsulamiento, asociaciones y multiplicidad. UML es una herramienta que permite expresar un lenguaje común para facilitar la comunicación entre áreas de una organización a través de artefactos como diagramas.
A2 media evaluation question 2
The document discusses the effectiveness of combining a main product with supporting materials like advertisements and trailers. It includes an image that seems to depict a film poster and radio spot implying the film is dark and menacing to promote it.
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The Ring
The Ring uses various film techniques to establish it as a psychological thriller. It begins without opening credits to build tension. Camera zooms and shots are used to highlight important locations and characters, portraying the girls as victims through high angles, lighting, and costumes. Edits such as fades and match cuts move the story along. Sound switches between dialogue and silence to emphasize scary moments, while the girls' cautious movements and positions on stairs and beds further mark their roles in the plot.
Storyboard for Film opening
This is a presentation on me and my group's storyboard for our film opening that we will be filming in a few weeks time. In this presentation we have addressed the techniques used and why they are used and how they will affect our target audiences.
The Ring Analysis Presentation
The document provides details about the filming techniques used in the opening scene of a horror film. It describes the dark and gloomy logo, the sound of rain at the beginning with no opening credits. The camera zooms into a window and shows two female characters in a medium shot in a teenage girl's bedroom. The lighting flashes between dark and light, possibly indicating the weather or something hiding. The characters' body language changes from open to curled up and scared once one tells the other a story, showing the awkward silence that follows.
Léon
The document analyzes the opening title sequence of the 1994 film Léon. It summarizes the various film techniques used, including camera work, shots, lighting, editing, sound, and actors' positioning. Extreme long shots are used to establish the sunny urban setting. Close-ups of objects and characters' eyes imply significance and build mystery. Dialogue and diegetic sounds later create an ominous tone as the characters discuss murder.
Sherlock Micro Analysis
1. The document analyzes the cinematography, mise-en-scene, editing, and sound design of a scene from a film or television show.
2. It describes shots of a character in a trench coat analyzing a crime scene and having flashbacks to the crime being committed, involving an elderly woman being dragged upstairs.
3. It follows the protagonist, named Sherlock, as he interrogates suspects and uses his skills of observation to solve the crime and confront the antagonist, showing his intelligence and willingness to use violence when needed.
Analysis of three film openings
The document provides a summary of three film openings:
1) The Others uses a series of black and white images and a voiceover to set a gloomy, isolated atmosphere and foreshadow ominous events.
2) The opening of The Others establishes the time period and introduces the characters through camera angles and costumes.
3) Frost Bite contrasts sunny beach scenes in California with fast-paced winter sports footage set to rock music, establishing different settings and tones.
Question 1 evaluation by Raj
The document discusses the opening scene of a thriller film. It analyzes several shots from the scene: 1) A point-of-view shot of the protagonist waking up disoriented from a coma. 2) A mid-shot of the protagonist in low-key lighting walking through the house in shadows to build mystery. 3) A close-up mid-shot of the protagonist walking towards the front door in a quiet, empty house signifying the thriller genre. The scene ends with the protagonist walking through a bright white light, leaving the audience wondering where he is headed and maintaining an element of mystery.
Unit 22 dramas
1) The document discusses three different television dramas - Cyberbully, See No Evil: The Moors Murders, and The X-Files episode "Bad Blood".
2) Cyberbully is a one-off drama that tells the true story of a teenage girl who is hacked and cyberbullied. See No Evil is a two-part docudrama about the real-life Moors murders committed in the 1960s.
3) The X-Files episode has Mulder and Scully investigating strange events in a small town. The opening scene shows two characters running through a dark forest at night, setting the tone for a tense mystery.
01 mise en scene notes sheet
Mise-en-scene refers to everything that appears in front of the camera and how it is arranged. The 6 key areas of mise-en-scene are props, blocking/performance, colour, costume, set/location, and lighting. Color can interpret feelings and characters. Costume can indicate cultural codes and backgrounds. Props for a police interview could include police uniforms, weapons, chairs, and tables. Blocking refers to actor positioning and movement in relation to each other and the camera. Lighting can be used to create mood, with dark lighting suggesting danger and light lighting suggesting safety.
Mise en scene
Mise-en-scene refers to everything presented within a scene that contributes to the narrative. There are six key elements of mise-en-scene: color, costume, props, lighting, set/location, and performance. Color, costume, and lighting can be used symbolically to represent ideas and influence mood. Costumes can provide insight into a character's class and status. Props should be selected and handled in a way that advances the story and expresses the character's emotions. Location and set choice also impact narrative and atmosphere. Blocking and acting style contribute to how meaning is conveyed through performance.
Locations for our crime drama power p
The document discusses 5 potential filming locations for scenes in a crime drama. Scene 1 would take place on a flat rooftop with a brick wall for green screening. Scene 2 would be set in an area with an open space and automatic doors to serve as a headquarters. Scene 3 involves a crime scene and witness at the bottom of a building. Scene 4 provides a large open space suitable for an engaging chase scene. Scene 5 proposes showing the film's name with a cool transition to appeal to its teenage target audience.
The+Ringsss
The Ring uses various film techniques to create a psychological thriller. It begins without opening credits to build tension. Camera shots introduce the main characters and setting, with dolly zooms drawing attention. The victims are presented as good through bright lighting and white clothing. Sound switches between dialogue and silence to develop the threat. The story is set in an isolated house, establishing the thriller genre. It follows two female characters chronologically, leaving viewers with questions about the killed character's fate.
Final thriller idea
The document outlines a narrative and production plan for a thriller film. It will follow a detective investigating the disappearance of a female victim in London. The opening scene will show the victim running in a point-of-view shot, feeling followed. Later, the detective will walk the same area and investigate clues on a crime board showing suspects. The film aims to explore the theme of not trusting alibis through the characters of the detective and missing victim.
Screen shots of each shot
The document provides descriptions of various camera shots used in a film sequence. It includes shots at different angles (wide, medium, close up) and perspectives (over the shoulder, point of view) to establish settings, draw attention to key objects and characters, convey emotion, create tension, and prevent audience confusion about the narrative and character positions. The shots progress from an establishing shot, to close ups of an axe and characters, to medium shots of actions like slamming an axe or being thrown to the floor, to shots from inside a car and of characters entering an abandoned house, culminating in a shot that shocks the audience by having a character see but then lose sight of the murderer.
Preliminary Task - Locations
The document discusses four potential locations for a film scene. The first location is near an abandoned building hidden in the trees, surprising viewers. The second is a spooky, concealed area showing the kidnapper's bad intentions. The third shows the scale of an interior and the contrast from outside. The fourth is a run-down, dark abandoned building ideal for creating tension as the kidnappers' hideout.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
Analysis #5 battlefield 3
The document analyzes the soundtrack from the video game Battlefield 3. It notes that in the beginning of the cutscene there is no music, only dialogue, to create a serious and tense mood as the characters argue in a dimly lit room. The genre is a first person shooter/action. The narrative follows a character desperately trying to convince others they must stop a double agent from launching a nuke, having a flashback, and then escaping as he pieces things together. Production techniques like adding music only during action sequences help set the mood and tone.
Technical convetions to a thriller film
Thriller films employ several technical conventions to build tension and suspense. Point of view shots, tracking shots, and high or low camera angles are used to make the audience feel like they are experiencing the action alongside characters. Fast-paced editing with jump cuts shows simultaneous action in different locations. Mise en scene elements like low key lighting, isolated settings, weapons as props, and explosions create a dark and suspenseful tone. Eerie music, sound effects, and strategic silence are implemented in the soundtrack.
The Others Analysis Connie Meek
The document describes camera work, soundtracks, editing, mise-en-scene, and thriller conventions for a film scene. It notes shots showing characters' reactions, a track out of a window to show how children escaped, and a shot of a mother running towards her children. It describes the soundtrack as deep, atmospheric, and increasing in volume during realizations or action. Editing techniques include matches on action, closeups of key information, and obeying the 180 degree rule. Mise-en-scene elements create a scary atmosphere with a gun, gravestone, mist, and creepy tree. Thriller conventions include running, weapons, darkness, shouting, emotionless ghosts, and a chilling atmosphere.
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Kidnapped
The document analyzes and summarizes the locations used in a thriller film. It discusses how the first location of a dark, isolated room creates fear and tension. The second location of a café establishes normalcy before something suspicious occurs. Later locations along isolated roads foreshadow that the climax is approaching in a secluded area with no witnesses. The filming locations aid the atmosphere and camera techniques to further the thriller genre conventions.
Analysis of stalker horror films The Resident/The Gift
The document provides an analysis of the mise-en-scene elements in the trailers for the films The Resident and The Gift. It discusses how settings, lighting, props, and costumes are used to convey meaning and parallel events in the plot. For The Resident, the settings transition from idyllic to derelict to represent the victim's changing circumstances. Lighting is used to indicate safety or danger. Props like a phone and mattress provide character details. Costumes like scrubs and bloodied clothes also further the story. Similarly in The Gift, settings and lighting parallel the plot's shifts between safety and threat. Key props help outline relationships and foreshadow future events.
Trailer presentation
This trailer for a horror film introduces various shots that establish the setting, characters, and conflict. It begins with establishing shots of a city known for religious and historical significance, highlighting its purity. Subsequent shots introduce the protagonist as a mysterious dark figure emerging from darkness into light, showing him in a negative manner. Shots reveal he kills supernatural creatures for a secretive priest, restoring equilibrium. The antagonist, Count Dracula, is shown ruling over others from his dark castle. Intercut shots depict the creatures disturbing villagers' peace and the protagonist hunting to stop them. Tension and mystery are built through brief glimpses of the antagonists and their disturbing of the village, leaving the viewer to piece together the plot.
Evaluation question 2
The document discusses how social groups are represented in a media product. Specifically, it analyzes the representation of a detective and a killer in a film. The detective is represented as professional through his plain clothes and bright lighting when in his office. The killer is represented as dangerous by always wearing dark clothes linked to threatening characters. Dark lighting is also used during their first conversation to obscure the killer's face. Camera angles are manipulated depending on which character has power in a scene. In general, the film relies on stereotypes with the killer in dark clothes and the detective as a smart professional.
'Saw'
The document analyzes key elements of a Saw film through props, locations, lighting, costumes, character movements, sound, camera work, and editing. Props like a mask indicated a character's mission to survive or die. Locations like a police office created safety while a basement isolated characters. Lighting in the police scene was bright but added blue for unease. A character's clothing like a black jacket foreshadowed capture. Character movements showed fear through shaking and smoking. Sound design heightened tension through non-diegetic noises and diegetic cues like ticking. Camera work like panning captured confusion while close-ups emphasized important props. Editing started slow but sped up during flashbacks and chaotic scenes.
Conventions of thriller films
Thriller films typically use certain conventions in their mise-en-scene, camera work, lighting, and other techniques to create tension and suspense. Rural or isolated settings like wooded areas or old mansions are commonly used to make the environment feel mysterious. Camera angles like tilts, point-of-view shots, and mirror shots are employed to show different perspectives and the potential for unseen threats. Dim, dark lighting and contrasts between black and white are utilized to distinguish between safety and danger.
Night crawler-conventions
The opening scene of Nightcrawler establishes conventions of the thriller genre. It introduces the protagonist, Louis Bloom, as he cuts a fence at night which seems suspicious. When a police officer confronts him with a flashlight, Bloom appears uneasy and smug, making the audience unsure of his intentions. The camera angles and lighting create mystery and tension as the power dynamic between Bloom and the officer becomes ambiguous. A cut then reveals suspicious items in Bloom's car boot, furthering the sense of danger and mystery around his character. The scene sets up Bloom as an antagonist and the officer as a protagonist trying to resolve a disrupted situation, common in thriller genre openings.
Night crawler-conventions
The opening scene of Nightcrawler establishes conventions of the thriller genre. It introduces the protagonist, Louis Bloom, as he cuts a fence at night which seems suspicious. When a police officer confronts him with a flashlight, Bloom appears uneasy and smug, making the audience unsure of his intentions. The camera angles and lighting create mystery and tension as the power dynamic between Bloom and the officer becomes ambiguous. A cut then reveals suspicious items in Bloom's car boot, furthering the sense of danger and mystery around his character. The scene sets up Bloom as an antagonist and the officer as a protagonist trying to resolve a disrupted situation, common in thriller genre openings.
Night crawler-conventions-3
The opening scene of Nightcrawler establishes the main character, Lou Bloom, as suspicious and possibly criminal. It shows him cutting a fence at night, with goods visible in his car that could be stolen. When a police officer confronts him with a flashlight, the camera angles make Lou seem intimidated but also like he may be hiding something wrong. The scene leaves the audience unsure of Lou's intentions and wanting to learn more, setting up mystery and intrigue that are conventions of the thriller genre.
Opening Scene Analysis - Casino Royal
The opening scene of Casino Royal is set in black and white in Prague at night to create a dark and serious atmosphere. A character exits a car looking unhappy and takes a lift up to a room where another mysterious figure is waiting. When he enters, he realizes someone is there and they have a tense conversation that turns threatening when a gun is revealed. The scene then flashes back to an earlier violent fight between the two characters in a bathroom through changing shots and sounds to contrast the calm and tense nature of the previous scene. The title sequence features quick, colorful animations of violence and killings using card symbols instead of weapons to suggest the plot involves gambling at a casino and James Bond fighting against its wealthy patrons.
Mirco elements
This document discusses various camera shots and techniques used in filmmaking. It provides examples of different shots including close-up, medium, long, and extreme long shots showing characters' faces, gestures, fighting scenes, and landscapes. It also describes camera movements like track, pan, tilt, and zoom and how they are used to follow or focus on characters. Finally, it mentions diegetic and non-diegetic sounds and the use of mise-en-scene to set a dark atmospheric tone.
Batman screenshot analysis
This sequence from The Dark Knight engages the audience through its use of lighting, camera angles, and shots. Low-key lighting at the beginning creates mystery and suspense. An eye-level shot makes the audience feel like they are entering the Joker's dark lair. Zooming into the interrogator's face heightens tension. Shifts from low-key to high-key lighting when Batman enters suggest he exposes the Joker. A tilted camera angle looking up at Batman establishes his power over the Joker and makes the audience feel the same.
Memento
The document provides an analysis of the opening scenes of the film Memento. It summarizes that the first image shows a gory murder scene, setting a mysterious tone. We then meet the man who took a polaroid photo of the crime scene, but his role is unclear - he could be the murderer, a detective, or something else. His dark clothing and lighting create a dramatic effect. The document applies Propp's character theory to label him as the "hero" who will seek to restore order after destruction.
Brick trailer analysis
This document analyzes shots from the trailer for the film "Brick". It summarizes that the opening shot effectively uses dark lighting and blurring to create a sense of mystery. Several shots show violence and danger to intrigue audiences about the plot. Clues in close-ups also act as "enigma codes" that hint at the story without giving it away. Key noir conventions like dark lighting, water, and themes of romance are represented throughout the trailer.
Question 2 – how does your media represent
The document discusses a video that portrays one unpossessed main character who is presented as a high social group member through his clothing and office setting showing research on demonic possession. Three possessed characters are presented as outcasts by hiding in corners or darkness. Camera angles like a long shot close up of the main character looking down a basement demonstrate his dominance over his potentially possessed son. The document analyzes how camera angles and mise-en-scene were used to clearly show one higher class character and outcast possessed people.
EVALUATION Q1: MEDIA PRODUCT
The document discusses how a student media project utilizes conventions of the thriller genre to develop the project's form. It provides examples of how the project uses conventions like low-key lighting, quick cuts, shadows, and camera angles. Specific shots that were included in the project's trailer that follow thriller conventions are described, such as a scene filmed in a park at night that keeps characters in darkness. The structure of the trailer also follows Todorov's theory of equilibrium, disruption, and resolution. Shadows and symbols were used to create suspense, and an opening prologue was included to introduce the story's urban legend in an intriguing way.
The shining
The trailer establishes the isolated setting of a forest and mountains through establishing shots accompanied by mysterious music. A voiceover hints at a tragedy involving the main character. Shots introduce the seemingly normal main character and imply something caused his mental breakdown over winter, leading him to kill his family. Tension is built through cuts to black between shots of the character searching with an axe. Later, a family is shown enjoying time in a maze, unaware of the danger, before shots emphasize the threatening nature of the main character through lighting and close-ups. Production details are shown at the end to advertise the film.
Sophie: Fight Club
The opening credits of Fight Club begin with the studio logos against a black background with dramatic music playing. The credits use a bright blue font and reveal the director and main cast names against an x-ray style background of cell images, foreshadowing the psychological themes. The title sequence ends by zooming out from a close-up of the main character's face to show a gun in his mouth.
The movie then flashes back to earlier in the narrative, showing how the insomniac main character ended up in this situation. He is introduced attending a cancer support group, revealing his struggle with insomnia. The opening sets up the characters, plot, and tone through mysterious visuals and by flashing between the opening scene and
Evaluationpart1 final
The document compares conventions and techniques used in the filmmaker's thriller opening sequence to those used in three well-known thriller films: The Dark Knight, Terminator 2, and Special Forces. Key conventions discussed include the use of suspense, violence, and stereotypical characters. Shots, editing, lighting, costumes, and settings are analyzed between the films. Overall, the document finds similarities in plot devices, character behaviors, and technical elements used to build tension and atmosphere, while also identifying ways the filmmaker's work challenges some conventions through gender and character representations.
02. mise en scene notes sheet
Mise-en-scene refers to everything visible within the frame of a shot that can create meaning, including color, costume, props, location, lighting, and actor positioning and performance. The six key elements of mise-en-scene are color, costume, props, set/location, blocking and performance, and lighting. Mise-en-scene is used to convey symbolic meanings and create authentic environments on screen that influence the audience's interpretation of events.
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Analysis of stalker horror films The Resident/The Gift
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Music presentation.ppt
The document discusses potential music choices for a short film trailer, analyzing four songs. It finds that "Pretty Reckless - You make me wanna die" and the beginning of "Avenged Sevenfold - Nightmare" have the desired slow, eerie openings but may not fit the full length or pacing of the trailer. "Eyes set to kill – Violent Kiss" has appropriate semantics but its opening is too fast. "Paramore – Decode" also starts slowly but does not build up in speed as needed to match the antagonist's actions. In the end, none of the songs are deemed perfect fits for the trailer.
Music presentation
The document provides information about several pop punk bands such as All Time Low, Hey Monday, and Paramore. It also mentions pop artists like Lady Gaga, Pink, Katy Perry, and Beyonce. The technology used to listen to music has advanced from cassette tapes to CD players to MP3 players. Music in the 1990s focused on pop culture and boy/girl bands, while technology was larger. Now there are more genres of music and it can explore diverse themes and contain explicit content.
Clothing presentation
The document provides character descriptions and costume designs for several characters in a film project. For the male protagonist, the designers chose a business suit to portray age, experience, and dominance. Two male antagonists wear black urban clothing to seem mysterious and dangerous. The male protagonist wears white to appear innocent in contrast. The female antagonist wears an all-black French-style coat to seem graceful but associated with death. For the female protagonist, the designers chose a ripped black t-shirt and applied makeup to make her appear injured, in order to raise questions about what has happened to her and who is responsible.
Pre poster edit
This is for our poster which we are going to edit pretty soon. This is the photo originally taken as you can see so you can get an idea of the differences between the original and the post-edited poster
Poster presentation
The background uses binary opposites of white and black smoke forming a face to represent innocence and a lurking threat. Red lettering and silver represent blood and blades, tying into the title and protagonist's weapon. The poster contrasts white portraits of protagonists with a black and red stained background and blood splattered portraits of antagonists, representing the pure humans and crazed, evil vampires.
Magazine presentation
The image shows a man peering through a battered door with a crazed expression, suggesting he has gone mad or is the antagonist. The black under his neck makes his head appear floating. The catchphrase "I'm not gonna hurt ya. I'm just gonna bash your brain's in" hints that the film is about an evil man planning to kill. The dark background creates a feeling of danger. The red lettering draws attention to highlight "Plus" and "Exclusive", symbolizing danger and death as is typical for horror magazines.
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Lighting presentation
- 1. Lighting- Scene one The first shot we took had to show the audience the level of secrecy and privacy from what the male protagonist is saying and by his actions, the fact that he might be getting watched. Because of this we needed to highlight the fact that the job in hand is dangerous and secretive but isn’t necessarily bad. Because of this, the lighting that surrounds him is darker to show the secrecy of the meeting but by having the lighting highlight his face it shows the character as being innocent and good and shows the binary opposite of light and dark. While the place is in secret and what he is offering is dangerous, the character himself is pure and his actions are actually meant for good purposes. Enigma here can be applied to what he is hiding from and why the place in question is so secret.
- 2. Scene 2: This is the beginning of the chase scene where we see the protagonist running away from two antagonists and finally getting caught. Because of the fact the protagonist has emerged from the light and is entering a darker, more rough looking area where he is then caught and killed, because of this the lighting was key in order to show the transition between the two different areas. Because of this, the protagonist starts by emerging from a bright beam of light to show the safety of the outside and the purity of the character and then having the area he runs into appear a lot darker to show the binary opposites and also in able for enigma to be applied as to what is going to happen to the antagonist when he is deeper within the tunnel and out of this safety zone in the light.
- 3. With this shot we took away the lighting as we wanted this shot to appear, just like the first scene, to be done in secret as if the protagonist is hiding away and it’s personal between her and the camera. With the white background we wanted to establish the character as being good and innocent but the lighting used shows the secrecy and the intimacy between the audience and the female character. Here it shows the binary opposites between the white of the background and the darkness of the lighting, showing the dark that is slowly draining through her.