The video analysis discusses the music video for "Let's Dance to Joy Division" by indie band The Wombats. It summarizes that the video follows conventions of typical indie music videos by being low-budget, using local locations like a room, and focusing on an authentic performance by the band playing their own instruments. Throughout the video, various camera techniques like close-ups and dolly shots are used to immerse the viewer in the performance, and editing matches cuts to the rhythm and beats of the song. Mise-en-scene elements like costumes of t-shirts and jeans, and props of instruments and a stuffed animal, portray an authentic and down-to-earth image typical of indie artists. Lighting and
This document is a screenshot of an email constructed to be sent to the wombats. Unfortunately, we couldn't contact them however this email provides as evidence that we have attempted to contact them.
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2. The indie genre is one that prides itself on being as home-grown as possible. From production all the way through to promotion and distribution you can guarantee that it has been all been constructed
organically without corporate influence. This has meant that the genre has remained very ‘underground’ and it takes longer for artists to build a career as they’re signed to independent labels that
won’t necessarily have the budget or contacts that some corporate giants might have.
Indie music videos themselves are therefore produced under stricter limitations in terms of budget. For example there are no expensive locations, Gold chains or state of the art lighting. Typically indie
videos are filmed in local locations e.g. a pub, the streets or in a house (as seen in the kooks video). This is then transmitted into distribution, indie labels are likely to utilise cheap distribution channels
such as Youtube, release Eps via SoundCloud and promote through local clubs, bars etc.
Its evident from the (as seen) shots that the wombats have chosen to create a performance based
music video. For example the close up of the hand turning up the amp shows how the band are
eager and ready to play. As the video progresses there is no storyline as the band just play within
the room before transporting into a colossal indie music, galactic atmosphere. This follows the
conventions of an indie video as they tend to be heavily performance based as they play their own
instruments and craft their own music and are focused on delivering that realism to the audience
rather than creating fictional tales which distract from the music itself.
3. Camera shots/movements
Establishing shots Establishing shots are used at the beginning of the video to depict the
setting. In comparison to other music videos these shots are used repeatedly along with close
ups to emphasise the band setting up for a performance.
Medium close ups/close ups
Medium close ups/close ups are used to illustrate the expressions within the faces of the band
members as they play enthusiastically to the lyrics to the song. This again has been a convention
of Indie music videos amongst music videos in general. Indie music is heavily based on
expression of political, ethical and social views etc. therefore this type of shot allows for the
audience to see the passion and emotion that the band feels when communicating their
thoughts on these issues. As well as this compliments Goodwin’s theory of voyeurism as
although the band aren’t looking directly into the camera the audience is directed to the artists.
Low angle shots
Low angle shots present the band as superior as well as signify the change in performance style.
Therefore it feels as though the audience are looking up at the band and as figures on screen
they look powerful and in control. This does contribute to Goodwin’s ‘Focus on star appeal’ as
the band are seen as above the audience through this type of shot. Typically Indie music videos
don’t tend to succumb to this theory as they’re more about the music itself rather than the
personas and star attention. Hence why, there are hardly any other factors that could
contribute to star appeal e.g. style of clothing, setting, hair and make up etc. (Mise-en-scene)
Dolly
A camera is fitted to a dolly to follow the band around different angles around the room. This is
a convention of a music video as it allows the audience to feel fully immersed within the video
as they get to see every perspective of the setting and action.
Handheld camera movements
Handheld camera movements are used to illustrate the significant change in volume and
atmosphere as the band begin to play aggressively before being transported into their ‘galactic,
indie music atmosphere’. These aggressive shaky movements blur the screen and mimic the
strumming of guitars, banging of drums and the borderline screaming made by the band. This is
an immersive feature for the audience as they feel as though they are in a mosh pit raving to
the wombats on stage which explains the element of performance.
4. Editing
Cutting rhythm
The cutting rhythm throughout the video depended on the pace and beats used in the
different parts of the song. For example, at the beginning the cutting rhythm is regular,
controlled and not very fast but as the song develops and the cutting rhythm speeds up, rapid
cuts are made to illustrate the change in tempo, how the instruments are made etc.
Jump cuts
Just like the cutting rhythm jump cuts are made to show that the indie band are playing
heavily to their song as well as encouraging the audience to dance and be immersed into the
video themselves. The jump cuts occur whenever guitar is strummed, a head is banged, or the
drum is hit etc. This means that the video is synced up with the song itself and so there is a
relationship between the visual imagery and the song itself (Goodwin’s theory).
Special effects
Special effects are used to demonstrate a change in setting and performance style.
For example the band begin to magically float into the atmosphere above and
cracks start to form as they break through the ceiling. This would represent how
they feel that their music ‘raises the roof’. Following this, we see the band rocking
out with different, bright, ‘lightning like’ special effects- again adding to the fact
that the band want to be seen/indie music to be known as expressive and
outlandish.
Motivated cut/fade to black
Fade to black is used along with the previously mentioned editing
techniques in order to emphasise the exaggerative style of performance.
Before the transition of performance style for the band, a motivated cut is
used as a light begins to flicker before fading to black. As the screen
remains black it leaves the audience wondering what is gong to happen
next. These techniques add suspense and curiosity as the audience are left
wondering as to the mystery of the rest of the video.
5. Mise-en-scèneLocation
The performance is filmed in what appears to be a ‘live room’, this signifies how indie music prefers to be as raw and as
stripped back as possible. Their low budgets don’t allow for fancy sets therefore indie stars are often limited to filming in local
places. As well as it could be said that this has been done deliberately to add tot the fact that indie artists want to be seen as
home grown and authentic.
Costume
The costume used for the band consists of t-shirts, jeans and trainers for all three members of the band. Considering that this
is a performance video, for other genres this may be seen as quite shocking because in other genres such as pop for example
its expected that artists dress up in order to add to their star quality. This therefore means that, indie artists want be seen as
almost equals to the audience members. They don’t have their members chasing designer labels or being too affected by
appearance. Furthermore this does represent the stereotypical, heterosexual, average male identity and so although indie
artists don’t contribute to mainstream way for an artist to dress in performance, they do however enforce images over the
presentation of young men who listen to their genre.
Props
The props consist of: The instruments and a stuffed wombat. Again there isn’t a wide variety of props as the video itself
doesn’t feature much diversity in terms of shots, settings, and editing etc. Although, these props are highly significant to the
band’s image. It tells the audience directly that the group are all about making authentic, truthful music e.g. the instruments
– the audience learn that the band can pay them and that their music isn’t computer generated in order to produce songs
quickly and make rapid sales for popular record labels. In relation, the stuffed novelty wombat is used to visually reinforce the
name of the band as well as depict the band as a group of talented, friendly and approachable guys as the toy shows off their
sense of humour and relaxed personalities. This is great for the audience as they feel as though they can have a laugh if they
wanted to with the band as well as it indirectly demonstrates star appeal as the audience are given more reason to like
them/feel connected to them.
Lighting
In the beginning the lighting used differentiates dramatically throughout the video. In the beginning three point lighting is
used to illuminate the artists in shot and present them as natural on screen- as they’re doing what they’d naturally do in their
‘live room’. In the middle the lighting becomes darker and it begins to turn into flashes of high key lighting as the band begin
to play aggressively to their song. Towards the end spotlighting is used to present an emotive, dark part of the song as the
lyrics read ‘If you’re ever feeling down take a taxi to the darkest side of town that’s where we’ll be’. This type of lighting
worked well as spotlighting, with a black background makes the subject in front appear vulnerable and exposed. By the end
the lighting is much darker as the background remains black and light from the special effects shows off the band. This was
due to a change in mood of the video as the lyrics screamed ‘Let it tear us apart’. What we learn from this is that there is a
distinct relationship between the lyrics and the lighting aims to metaphorically reflect the emotions/feelings expressed
within the song. (Goodwin’s theory-relationship between visuals and lyrics).
6. Composition/spacing
The composition of the shots in the beginning of the
video remains some what asymmetrical as the shots
depict different sides of the room and positioning of
the band. This is then used alongside a shallow focus as
the band want to illustrate that they’re setting up and
are about to perform. Once they begin to perform, the
shots become symmetrically and equally balanced with
a deep focus to show off the band as a group playing
their instruments together and singing their song. Its
important to display them in this way collectively so
that the audience familiarises themselves with the
bands image: a trio. Towards the end of the video the
shots begin to become asymmetrical again but a deep
focus remains to show off the special effects in the
background etc. It could be said that in terms of
composition there is a cyclical structure. A cyclical
structure allows for better audience consumption as
familiarity within the video itself, the way its filmed etc.
registers with the audience as repetition makes the
video easier to remember especially as it is only just
over 3 minutes long.