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THE CONTEMPORARY IN
TRADITIONAL ART:
GAWAD SA MANLILIKHA
NG BAYAN (GAMABA )
What is the GAMABA
-Garcia has been Manlilikha ng Bayan
(“one who creates for the country”) or
National Living Treasure.
12 individuals have received this
distinction. From 1992-2012
(Republic Act No. 7355)
The National Commission for Culture
and the Arts (NCCA) give the highest
awards for culture and arts, including
the National Artist Award.
The said award and the GAMABA
recognize the outstanding work of
artists in the Philippines.
Traditional art is based on indigenous
people’s culture that are largely
honed by oral tradition.
A distinct feature of the GAMABA is
its emphasis on intangible and
communal aspects of art production.
Who are the GAMABA awardees?
Form Manlilikha ng Bayan Expertise
Weaving Lang Dulay tinalak weaving
Salinta Monon inabal
weaving
Darhata Sawabi pis siyabit weaving
Haja Amina Appi mat weaving
Magdalena Gamayo inabal
Who are the GAMABA awardees?
Form Manlilikha ng Bayan
Expertise
Literature Ginaw Bilog surat
mangyan and
ambahan poetry
And Masino Intaray lyrical poems, (kulilal,
basal,
Performing and bangit) and playing
their
Arts accompanying
instruments;
epic chanting and
Samaon Sulaiman
Alonzo Saclag
Federico Caballero
Uwang Ahadas
Who are the GAMABA awardees?
Form Manlilikha ng Bayan
Plastic Arts Eduardo Mutuc
Teofilo Garcia
The Production Process and the changing
environment
1. Tourism- land areas are converted into sites for
tourist consumption, ecological domains
become more susceptible to damage with the
combined forces of natural disasters and
tourist mobility.
Dances and rituals are staged for an external
audience rather than for the community’s
2. Mining and infrastructure projects- The
construction of dams and the establishment of oil
and mining companies evict people from their
dwellings and severely damage the environment.
Deprived of the bounty of land, indigenous groups
are prompted to seek short-term employment
from these industries in order to make ends meet
in a money economy.
3. Militarization- The insecurity and tensions
brought about by militarized zones arrest the
people’s ability to create art. It prevents people
from having communal gatherings, where
exchanges and passing of knowledge can take
place.
4. Christianization- The influence of Christianity
and the conversion of the natives to foreign
religion have caused members of he community to
forsake their indigenous rituals and traditions.

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Lesson 4 the cpar

  • 1. THE CONTEMPORARY IN TRADITIONAL ART: GAWAD SA MANLILIKHA NG BAYAN (GAMABA )
  • 2. What is the GAMABA -Garcia has been Manlilikha ng Bayan (“one who creates for the country”) or National Living Treasure. 12 individuals have received this distinction. From 1992-2012 (Republic Act No. 7355)
  • 3. The National Commission for Culture and the Arts (NCCA) give the highest awards for culture and arts, including the National Artist Award. The said award and the GAMABA recognize the outstanding work of artists in the Philippines.
  • 4. Traditional art is based on indigenous people’s culture that are largely honed by oral tradition. A distinct feature of the GAMABA is its emphasis on intangible and communal aspects of art production.
  • 5. Who are the GAMABA awardees? Form Manlilikha ng Bayan Expertise Weaving Lang Dulay tinalak weaving Salinta Monon inabal weaving Darhata Sawabi pis siyabit weaving Haja Amina Appi mat weaving Magdalena Gamayo inabal
  • 6. Who are the GAMABA awardees? Form Manlilikha ng Bayan Expertise Literature Ginaw Bilog surat mangyan and ambahan poetry And Masino Intaray lyrical poems, (kulilal, basal, Performing and bangit) and playing their Arts accompanying instruments; epic chanting and
  • 7. Samaon Sulaiman Alonzo Saclag Federico Caballero Uwang Ahadas
  • 8. Who are the GAMABA awardees? Form Manlilikha ng Bayan Plastic Arts Eduardo Mutuc Teofilo Garcia
  • 9. The Production Process and the changing environment 1. Tourism- land areas are converted into sites for tourist consumption, ecological domains become more susceptible to damage with the combined forces of natural disasters and tourist mobility. Dances and rituals are staged for an external audience rather than for the community’s
  • 10. 2. Mining and infrastructure projects- The construction of dams and the establishment of oil and mining companies evict people from their dwellings and severely damage the environment. Deprived of the bounty of land, indigenous groups are prompted to seek short-term employment from these industries in order to make ends meet in a money economy.
  • 11. 3. Militarization- The insecurity and tensions brought about by militarized zones arrest the people’s ability to create art. It prevents people from having communal gatherings, where exchanges and passing of knowledge can take place.
  • 12. 4. Christianization- The influence of Christianity and the conversion of the natives to foreign religion have caused members of he community to forsake their indigenous rituals and traditions.