The document discusses several organizations that can impact a print music product by providing support, protecting intellectual property rights, ensuring proper compensation, and enforcing regulations. These organizations include BASCA, which supports music writers and addresses legal issues; the MPA and PRS, which help publish, promote, and compensate music; OFCOM, which regulates advertising; and the BPI, PPL, and Songrite UK, which make sure artists are paid for their work and music is properly copyrighted. The overarching organization UK Music represents these groups and can help promote new artists and their music. Complying with these organizations' guidelines is necessary to legally and successfully produce and profit from a print music product.
Manyani Maseko of PPM Attorneys talks on South African copyright law. It differs from other jurisdictions. South Africa is a signatory to the Berne convention.
This session prepared for the ATL Film Festival gives an overview of some of the legal issues filmmakers need to know about as they write, film, and distribute their films.
Manyani Maseko of PPM Attorneys talks on South African copyright law. It differs from other jurisdictions. South Africa is a signatory to the Berne convention.
This session prepared for the ATL Film Festival gives an overview of some of the legal issues filmmakers need to know about as they write, film, and distribute their films.
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Just a game Assignment 3
1. What has made Louis Vuitton's business model successful in the Japanese luxury market?
2. What are the opportunities and challenges for Louis Vuitton in Japan?
3. What are the specifics of the Japanese fashion luxury market?
4. How did Louis Vuitton enter into the Japanese market originally? What were the other entry strategies it adopted later to strengthen its presence?
5. Will Louis Vuitton have any new challenges arise due to the global financial crisis? How does it overcome the new challenges?Assignment 3
1. What has made Louis Vuitton's business model successful in the Japanese luxury market?
2. What are the opportunities and challenges for Louis Vuitton in Japan?
3. What are the specifics of the Japanese fashion luxury market?
4. How did Louis Vuitton enter into the Japanese market originally? What were the other entry strategies it adopted later to strengthen its presence?
5. Will Louis Vuitton have any new challenges arise due to the global financial crisis? How does it overcome the new challenges?Assignment 3
1. What has made Louis Vuitton's business model successful in the Japanese luxury market?
2. What are the opportunities and challenges for Louis Vuitton in Japan?
3. What are the specifics of the Japanese fashion luxury market?
4. How did Louis Vuitton enter into the Japanese market originally? What were the other entry strategies it adopted later to strengthen its presence?
5. Will Louis Vuitton have any new challenges arise due to the global financial crisis? How does it overcome the new challenges?
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1. How this effects my print product?
Copyright/intellectual property rights Intellectual property refers to any intellectual creation,
such as literary works, artistic works, inventions,
designs, symbols, names, images, computer code,
etc.
Intellectual property law exists in order to protect the
creators and covers areas of copyright, trademark
law, and patents.
In order to make sure that I stay in line with the law I
must make sure not to copy any other ideas out there
already and not to copy any other style of cd cover or
advert.
Slander/libel Defamation is an area of law that provides a civil
remedy when someone's words end up causing harm
to your reputation or your livelihood. Libel is a written
or published defamatory statement, while slander is
defamation that is spoken by the defendant.
In order for this not to affect my product I must make
sure to choose my words carefully so doesn’t affect
my reputation so doesn’t affect the sales of my
product.
Royalties A sum paid to a patentee for the use of a patent or to
an author or composer for each copy of a book sold
or for each public performance of a work. In order to
avoid paying any money I must make sure that I use
all my own new ideas.
Violence Violence law says that your music must not be a
direct threat to other people in your lyrics and must
not encourage other people to commit acts of
violence as well. This can affect me because my song
titles could come across as violent so must make
sure they are not.
Offensive language/behaviour/material Section 5 makes it an offence to use “threatening,
abusive or insulting words or behaviour, or disorderly
behaviour” or to display “any writing, sign or other
visible representation which is threatening, abusive or
insulting” within the hearing or sight of a person “likely
to be caused harassment, alarm or distress thereby”.
Once again I must make sure my tittles are not using
any of this language.
Public interest Public interest is a common concern among citizens
in the management and affairs of local, state, and
national government. It does not mean mere curiosity
but is a broad term that refers to the body politic and
the public weal. Therefore my titles and photos must
be considered before printing to make sure it does
not concern anyone.
2. Who are they and what
do they do?
What impact this
organisation would
have on my print
product?
BASCA
British Academy of Songwriters,
Composers and Authors
https://basca.org.uk/home/
BASCA exists to celebrate,
support and protect the
professional interests of all
writers of music. It stands for
The British Academy of
Songwriters, Composers and
Authors
They would support me in
getting my music know and
take care of legal issues
within the music I create to
make sure I don’t break
any laws.
MPA
Music Publishers Association
http://www.mpaonline.org.uk
The MPA represents the full
range of the UK’s music
publishing sector. It acts on
behalf of 240 members
ranging from the UK’s largest
and most established music
publishers to independents
and start-ups. The MPA exists
to protect and enhance the
rights of music publishers and
the creators we represent,
using education, collaboration
and communication.
They would help me
publish the music and
design an advert and cd
cover to appeal to as many
people as possible. They
can also help with the legal
side as well.
PRS
Performing Rights Society (who are now
linked with MCPS – The Mechanical
Copyright Protection Society)
https://www.prsformusic.com/
‘Music wouldn't exist without
the work of songwriters,
composers and publishers.
We're here to represent them
and ensure that they are
rewarded for their creations’.
We pay royalties to our
members when their work is
performed, broadcast,
streamed, downloaded,
reproduced, played in public or
used in film and TV. We
support them by influencing
policy, supporting and hosting
awards and events, and
investing in new technology to
ensure we’re fit for the digital
music age.
They would make sure that
I get know for my songs
and get the credit for it as
well. They would also
protect it from copyright.
OFCOM
Office of Communications
https://www.ofcom.org.uk/
Ofcom is the regulator for the
communications services that
we use and rely on each day.
We make sure people get the
best from their broadband,
home phone and mobile
services, as well as keeping
an eye on TV and radio.
I would have to make sure
I am following their
guidelines and policies and
following there regulations
on advertising my print
product.
PPL
Phonographic Performance Limited
http://www.ppluk.com/
Established in 1934, PPL
exists to ensure that those
who invest their time, talent
and money to make music are
fairly paid for their work. UK-
based music licensing
They would make sure that
I get paid the money I am
due for others playing/
advertising my music so
my talent is recognized
and I get the credit.
3. company PPL licenses
recorded music played in
public or broadcast on the
radio or TV and then
distributes the fees to its
performer and record
company members.
BPI
British Phonographic Industry
https://www.bpi.co.uk/default.aspx
BPI represents the UK’s
recorded music industry,
which is one of the most
exciting and thriving music
sectors in the world. British
artists account for one in eight
albums purchased by fans
around the globe.
They make sure that the
British artists get the
money they are due so I
would get all the money
from my sales of my
cd/music.
Songrite UK
Songright Copyright Office
http://www.songrite.co.uk/index.html
Songrite Copyright Office
offers a secure and ultra-
reliable copyright registration
service which is unrivalled in
quality and value. This
registration service has been
augmented by the combined
knowledge, experience and
understanding gained over
many years of serving the
needs and requirements of
songwriters and composers
wishing to protect the
copyrights of their works.
They would protect my
music and images to make
sure not one else copies
me and my songs and
covers are original to me.
UK Music
(umbrella company linked with many of
the above)
http://www.ukmusic.org/about/
UK Music is an industry-
funded body established in
October 2008 to represent the
collective interests of the
recorded, published and live
arms of the British music
industry.
Through collective
representation UK Music
promotes the interests of
record labels and music
publishers (major and
independent), songwriters,
composers, lyricists,
musicians, managers,
producers, promoters, venues
and collection societies.
They would help promote
me as an artists and my
music I have created and
help me really get into the
music industry and make a
success out of it.